When we first see the getaway car near the end, it's a white Chevrolet Tahoe. In the next scene it's inexplicably a white Dodge Durango. Then it goes back to being a white Chevrolet Tahoe again.
Lurasetti sprays his black curly hair around 1:15 to slick blond which is ridiculed by Ridgeman. This is still his hair style when he arrives at the shootout. When he mounts his rifle around 1:53 on the floor, his hair is back to black and curly and remains so during his final words.
The white SUV that the gold is loaded into after taking it from the van changes from a Dodge to a Chevrolet.
The movie went to a lot of trouble to use a transit bus painted in Bulwark City Transit colors, but in at least two scenes, transit buses that drive through the scene are painted in Vancouver's Coast Mountain Bus Company colors.
When Ridgeman goes to ram the van lying on its side, both rear doors are closed. Only moments before one door was open with a dead bank robber lying on top of it. Later when they pull up to unload the gold, there's no damage to either the rear of the van or the front of Ridgeman's car. His headlights aren't even broken.
One could pull out the bowels but not the stomach that easily as it is held by several ligaments and fascia.
At the end, Henry Johns character being a convicted felon who recently was released from prison could not buy a very expensive ocean side house without attracting a lot of attention from federal authorities. It would be impossible for him to live the rich lifestyle as depicted.
After the shootout the gold, which is quite heavy, is transferred from the trunk of the sedan and thrown into back seat through the rear door of the SUV. There are four heavy bags of gold. As each is thrown into the back of the SUV, neither the car body or the rear tires move at all.
Anyone obtaining that much in gold even after laundering it would be watched by authorities as the gold and cash are missing. Buying any expensive items or even depositing cash values would attract attention via banks and retail establishments.
The key that was swallowed was for the getaway vehicle, but neither the Dodge Durango or the Chevrolet Tahoe would use that type of key.
When Henry Johns and his brother play a video game, the controllers(PS4) are not switched on.
Vogelmann calls from a mobile inside his bunker. There should be no signal.
Obvious right hand tuck in the sleeve when one of the hostages is shot in the hand.
Paco and his acolyte close their eyes just after being shot at gun point in the head: the opposite should happen.
While following the bank robbers van, from sunrise to sunset, neither Mel nor Vince's characters grew any facial stubble.
When Ridgeman and Lurasetti confront the deaf girl Rosalinda in the apartment, you can see black tape covering up her nipples in more than one shot.
Ridgeman makes his way driving up the bank and across the street: that should definitely have caught the van driver's attention.
When the female hostage is crawling toward the car that the two cops are taking cover behind, Lurasetti (Vaughn) keeps encouraging her to crawl all the way to him, were the unfortunate result of that takes place. No trained police officer would ever allow a person, especially in that type of highly suspect situation, close access to them before assuring that the person approaching, no matter how "innocent", posed no threat to the officers.
Ridgeman opens the back door then the driver's door of the car just when the car they are going to follow is passing in front of us: the light could have caught the dealer's attention.
During the first stake out, the two "poor civilians" park right under a lamp street.
Ridgeman makes his way driving up the bank and across the street: that would definitely catch the bad guys' attention.