Stars: Diane Foster, D’Andre Noiré, Kelly Grant, Zach Kanner, Allison Lobel, Adam Slemon, Zuri Starks, Jamie B. Cline | Written by Allison Lobel | Directed by Diane Foster
Look what’s come hopping down the bunny trail just in time for the holiday weekend, Easter Bloody Easter, the latest in the never-ending line of holiday horrors. We’ve already had our share of Easter-themed films from Faster Eater Bunny, Kill! Kill! and Easter Holocaust to Resurrection. But when it comes to low-budget horror, there’s no such thing as too many films on a subject, so what’s one more?
This one opens with a couple going at it in a church storeroom, “I want you to fuck me like some muffin top Jesus!”, being killed by a glowing-eyed rabbit that transforms into a glowing-eyed monster complete with Easter basket.
A week later Jeanie wakes up in her yard and tries to...
Look what’s come hopping down the bunny trail just in time for the holiday weekend, Easter Bloody Easter, the latest in the never-ending line of holiday horrors. We’ve already had our share of Easter-themed films from Faster Eater Bunny, Kill! Kill! and Easter Holocaust to Resurrection. But when it comes to low-budget horror, there’s no such thing as too many films on a subject, so what’s one more?
This one opens with a couple going at it in a church storeroom, “I want you to fuck me like some muffin top Jesus!”, being killed by a glowing-eyed rabbit that transforms into a glowing-eyed monster complete with Easter basket.
A week later Jeanie wakes up in her yard and tries to...
- 3/27/2024
- by Jim Morazzini
- Nerdly
As filmmakers are forced to adapt to these crazy times perhaps no director is more equipped to shift gears in a crisis than Steven Soderbergh. The Oscar-winning director’s career has found him careening from glue-and-tape indies to big-budget studio fare, digital video, streaming television, and experimental formats and release strategies with ease.
In a recent interview in The New York Times alongside filmmaker Amy Seimetz, who stars in his next film “Kill Switch” and just opened her own directorial effort “She Dies Tomorrow,” Soderbergh spoke about how necessary safety protocols on film sets amid Covid will dictate how Hollywood moves forward, especially in the budget department.
“We have an ability on a project to control how we move, where we move, how many people come with us — it’s something that can be manipulated to keep people safe,” Soderbergh said. “I think if we can withstand the economic surcharge...
In a recent interview in The New York Times alongside filmmaker Amy Seimetz, who stars in his next film “Kill Switch” and just opened her own directorial effort “She Dies Tomorrow,” Soderbergh spoke about how necessary safety protocols on film sets amid Covid will dictate how Hollywood moves forward, especially in the budget department.
“We have an ability on a project to control how we move, where we move, how many people come with us — it’s something that can be manipulated to keep people safe,” Soderbergh said. “I think if we can withstand the economic surcharge...
- 8/1/2020
- by Ryan Lattanzio
- Indiewire
James Ganiere’s indie feature “No More Goodbyes” was one of the first productions to wrap during the pandemic, and did so without infections. He said the 17-day shoot required a marathon of outside-the-box planning and obsessive attention to detail.
“Testing is the hardest thing right now for production,” said Ganiere, who wrapped production July 17. “They’re having problems where productions just can’t get access to tests.”
As infection numbers rise across the country, public testing sites struggle to provide results even within 10 days — a far cry from the 48-hour-max turnaround that SAG-AFTRA demands before giving productions the Ok. “What happens in 10 days? You could have a pandemic happen on set,” Ganiere said.
Nearly two months after a SAG- and DGA-led coalition of unions and guilds released Covid-19 guidelines, Ganiere’s drama is among a small group of productions that offer test cases for the real-world realities...
“Testing is the hardest thing right now for production,” said Ganiere, who wrapped production July 17. “They’re having problems where productions just can’t get access to tests.”
As infection numbers rise across the country, public testing sites struggle to provide results even within 10 days — a far cry from the 48-hour-max turnaround that SAG-AFTRA demands before giving productions the Ok. “What happens in 10 days? You could have a pandemic happen on set,” Ganiere said.
Nearly two months after a SAG- and DGA-led coalition of unions and guilds released Covid-19 guidelines, Ganiere’s drama is among a small group of productions that offer test cases for the real-world realities...
- 7/31/2020
- by Chris Lindahl
- Indiewire
Exclusive: Eric Roberts and newcomer Jequan Jackson will star in foster care drama No More Goodbyes, directed by James Ganiere and written by Rebekah Ganiere.
The pic follows sixteen-year-old Mark (Jackson) who, after his foster mother dies, goes on the run with his foster brother Tristan (played by Christian Ganiere), a young boy with Autism and Ptsd in order for them to stay together and not become separated by the system. However, Mark finds out that keeping him and his brother together is going to be harder than it looks. They must rely on each other and a gruff stranger, a retired military veteran named Stan, seeking his own redemption, in an effort to keep their family from being torn apart and the truth from being discovered.
Tom Nowicki, Miriam A. Hyman, Sal Velez Jr, Michael Patrick Lane (Tully) Petri Byrd (Judge Judy), Stacy Haiduk Ethan McDowell, Zuri Starks (Valley of the Zombies), Sunday Curry (The Price of Fame) and Starletta DuPois round out the cast.
The film aims to explore foster care in the United States, where a child is entered into the system every two minutes. Of the children that reach the age of eighteen and age out of the system without being adopted, half of them will end up in prison within two years, one in five will become homeless, and only 3 percent of those children will go on to earn a college degree.
The Ganieres are producing the pic via their Rio Vista Universal label with a plan to put it through the festival circuit.
Roberts is repped by Peter Young Sovereign Talent Group; Jackson by Stw Talent; Christian Ganiere by Mavrick Artists Agency and Transcend Talent Management; Nowicki by Alliance Talent Group; Hyman by A3 Artists and Luber Rocklin.
The pic follows sixteen-year-old Mark (Jackson) who, after his foster mother dies, goes on the run with his foster brother Tristan (played by Christian Ganiere), a young boy with Autism and Ptsd in order for them to stay together and not become separated by the system. However, Mark finds out that keeping him and his brother together is going to be harder than it looks. They must rely on each other and a gruff stranger, a retired military veteran named Stan, seeking his own redemption, in an effort to keep their family from being torn apart and the truth from being discovered.
Tom Nowicki, Miriam A. Hyman, Sal Velez Jr, Michael Patrick Lane (Tully) Petri Byrd (Judge Judy), Stacy Haiduk Ethan McDowell, Zuri Starks (Valley of the Zombies), Sunday Curry (The Price of Fame) and Starletta DuPois round out the cast.
The film aims to explore foster care in the United States, where a child is entered into the system every two minutes. Of the children that reach the age of eighteen and age out of the system without being adopted, half of them will end up in prison within two years, one in five will become homeless, and only 3 percent of those children will go on to earn a college degree.
The Ganieres are producing the pic via their Rio Vista Universal label with a plan to put it through the festival circuit.
Roberts is repped by Peter Young Sovereign Talent Group; Jackson by Stw Talent; Christian Ganiere by Mavrick Artists Agency and Transcend Talent Management; Nowicki by Alliance Talent Group; Hyman by A3 Artists and Luber Rocklin.
- 6/29/2020
- by Amanda N'Duka
- Deadline Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.