Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
32 Sounds (Sam Green)
Filmmaker Sam Green captures something so specific here: he makes audio the star of a motion picture. It’s a lovely inclination and a worthwhile escapade. There are funny moments, clever moments, plenty that are heartfelt. Sound can do so many different things! This is an exceedingly well-produced work, its perfect length and the audible narrative it designs building succinctly to a lovely finale. Toss on those headphones and get lost in 32 Sounds for a while. – Dan M.
Where to Stream: The Criterion Channel
Babes (Pamela Adlon)
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a romantic comedy to explore the relationship between two...
32 Sounds (Sam Green)
Filmmaker Sam Green captures something so specific here: he makes audio the star of a motion picture. It’s a lovely inclination and a worthwhile escapade. There are funny moments, clever moments, plenty that are heartfelt. Sound can do so many different things! This is an exceedingly well-produced work, its perfect length and the audible narrative it designs building succinctly to a lovely finale. Toss on those headphones and get lost in 32 Sounds for a while. – Dan M.
Where to Stream: The Criterion Channel
Babes (Pamela Adlon)
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a romantic comedy to explore the relationship between two...
- 7/5/2024
- by Jordan Raup
- The Film Stage
In this week’s episode of The Discourse, host Mike DeAngelo goes back in time to realize not much has changed with the film, “Firebrand.” Directed by Karim Ainouz (“Invisible Life,” “Futuro Beach”), the film follows Catherine Parr (Alicia Vikander), the sixth wife of Henry VIII (Jude Law), who finds herself fighting for survival when the paranoid king grows more suspicious of her actions.
Continue reading ‘Firebrand’: Jude Law & Alicia Vikander On Their Thrilling Historical Drama, ‘Tomb Raider,’ Marvel & More [The Discourse Podcast] at The Playlist.
Continue reading ‘Firebrand’: Jude Law & Alicia Vikander On Their Thrilling Historical Drama, ‘Tomb Raider,’ Marvel & More [The Discourse Podcast] at The Playlist.
- 6/15/2024
- by Mike DeAngelo
- The Playlist
Alicia Vikander and Jude Law in Firebrand Image: Roadside Attractions The physicality of the relationship between King Henry VIII (Jude Law) and his sixth and final wife Catherine Parr (Alicia Vikander) is strongly present throughout director Karim Aïnouz’s Firebrand. This is a couple that’s always sparring, whether when having sex or fighting.
- 6/14/2024
- by Murtada Elfadl
- avclub.com
Alicia Vikander and Jude Law in FirebrandImage: Roadside Attractions
The physicality of the relationship between King Henry VIII (Jude Law) and his sixth and final wife Catherine Parr (Alicia Vikander) is strongly present throughout director Karim Aïnouz’s Firebrand. This is a couple that’s always sparring, whether when having sex or fighting.
The physicality of the relationship between King Henry VIII (Jude Law) and his sixth and final wife Catherine Parr (Alicia Vikander) is strongly present throughout director Karim Aïnouz’s Firebrand. This is a couple that’s always sparring, whether when having sex or fighting.
- 6/14/2024
- by Murtada Elfadl
- avclub.com
Exclusive: Out of the Cannes market, Sony Pictures Classics has bought North American rights and a raft of international territories on Walter Salles’ anticipated first narrative feature in more than a decade: I’m Still Here.
In I’m Still Here, the acclaimed Brazilian filmmaker, known for critical hits such as Oscar nominee Central Station and The Motorcycle Diaries, has tackled the emotional and powerful true story of a woman who is forced into activism after her husband is captured by the military regime in Brazil in the 1960s.
The film reunites Salles with his Oscar-nominated Central Station star Fernanda Montenegro, one of Brazil’s most acclaimed actors, and her daughter Fernanda Torres, with whom the filmmaker has worked multiple times. It also reunites the filmmaker with SPC who previously released 1998 hit Central Station, which won the Berlin Golden Bear and was also nominated for the Best Foreign Language Film Oscar. Montenegro...
In I’m Still Here, the acclaimed Brazilian filmmaker, known for critical hits such as Oscar nominee Central Station and The Motorcycle Diaries, has tackled the emotional and powerful true story of a woman who is forced into activism after her husband is captured by the military regime in Brazil in the 1960s.
The film reunites Salles with his Oscar-nominated Central Station star Fernanda Montenegro, one of Brazil’s most acclaimed actors, and her daughter Fernanda Torres, with whom the filmmaker has worked multiple times. It also reunites the filmmaker with SPC who previously released 1998 hit Central Station, which won the Berlin Golden Bear and was also nominated for the Best Foreign Language Film Oscar. Montenegro...
- 5/28/2024
- by Andreas Wiseman
- Deadline Film + TV
Those look for a libido-juicing kick at this year’s Cannes Film Festival surely found it in “Motel Destino,” the sexually explicit erotic thriller from Brazilian director Karim Aïnouz.
Competing in the main competition once again after “Invisible Life” and “Firebrand,” Aïnouz returned to his native Brazil to shoot this perverse psychosexual triangle about the owners of a sex motel along the country’s northeastern Atlantic coast, and the criminal drifter who disrupts their lives. The wild-haired Dayana (Nataly Rocha) operates the Motel Destino with her abusive husband Elias (Fábio Assunção), where she takes up an unhinged affair with Heraldo (Iago Xavier), and amid nonstop sucking and fucking, plot to kill Elias in the grand tradition of the great noirs. Except it’s a noir with a post-Hays Code, liberated twist that has rocked Cannes with its strong, pervasive sexual content, to use the language of the American Motion Picture Association’s ratings board.
Competing in the main competition once again after “Invisible Life” and “Firebrand,” Aïnouz returned to his native Brazil to shoot this perverse psychosexual triangle about the owners of a sex motel along the country’s northeastern Atlantic coast, and the criminal drifter who disrupts their lives. The wild-haired Dayana (Nataly Rocha) operates the Motel Destino with her abusive husband Elias (Fábio Assunção), where she takes up an unhinged affair with Heraldo (Iago Xavier), and amid nonstop sucking and fucking, plot to kill Elias in the grand tradition of the great noirs. Except it’s a noir with a post-Hays Code, liberated twist that has rocked Cannes with its strong, pervasive sexual content, to use the language of the American Motion Picture Association’s ratings board.
- 5/23/2024
- by Ryan Lattanzio
- Indiewire
One of the favorited Brazilian filmmakers of the Cannes film festival with Madame Satã (2002), O Céu de Suely (2006), and winner A Vida Invisível de Eurídice Gusmão having all premiered at the fest’s Un Certain Regard section. Adding Special Screening selected Mariner Of The Mountains (2021) and last year’s Firebrand, Karim Aïnouz makes a quick Croisette return with Motel Destino. Iago Xavier, Nataly Rocha and Fábio Assunção are in the lead roles here in this film noir.
Gist: The neon-hued Motel Destino, a roadside sex hotel steaming under the burning blue skies of the northeastern coast of Brazil, is run by hot-headed Elias and his restless younger wife Dayana.…...
Gist: The neon-hued Motel Destino, a roadside sex hotel steaming under the burning blue skies of the northeastern coast of Brazil, is run by hot-headed Elias and his restless younger wife Dayana.…...
- 5/23/2024
- by Eric Lavallée
- IONCINEMA.com
Nihilism and neon-popped lust collide in Brazilian filmmaker Karim Aïnouz’s Portuguese-language “Motel Destino,” set in a love motel so sordid that lay tourists should best avoid it, and only criminals and castaways are likely to check in. The “Invisible Life” director’s steamy psychosexual thriller set in the sweatiest armpit of the equator speaks melodrama and noir but with a Brazilian accent, Aïnouz returning to his home state of Ceará to shoot on his own turf for the first time in five years. The writer/director lifts from classics such as Lawrence Kasdan’s “Body Heat” and Billy Wilder’s “Double Indemnity” but also from ‘70s Brazilian sex comedies to tell a perverse yarn of extramarital betrayal turned murderous. But while the pre-“Body Heat” noirs he’s channeling could only suggest rather than spell out sex, Aïnouz goes graphic — and relentlessly — in an arthouse-only erotic genre piece that...
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
With Cannes Film Festival now officially underway and reviews coming in, we’re also getting new looks at some of our most-anticipated premieres. The Invisible Life of Eurídice Gusmão director Karim Aïnouz returns to the festival, just one year after the starry Firebrand, returning to his roots with Motel Destino. Starring Iago Xavier, Nataly Rocha, Fabio Assunção, the stylish first teaser and poster have now arrived for the Cannes competition premiere.
Here’s the synopsis: “The neon-hued Motel Destino, a roadside sex hotel steaming under the burning blue skies of the northeastern coast of Brazil, is run by hot-headed Elias and his restless younger wife Dayana. The unexpected arrival of 21-year-old Heraldo, on the run after a botched hit, disrupts the established order. As the tropical noir plays out, loyalties and desires intertwine to reveal that destiny has its own enigmatic design.”
Watch the teaser below.
The post First Teaser...
Here’s the synopsis: “The neon-hued Motel Destino, a roadside sex hotel steaming under the burning blue skies of the northeastern coast of Brazil, is run by hot-headed Elias and his restless younger wife Dayana. The unexpected arrival of 21-year-old Heraldo, on the run after a botched hit, disrupts the established order. As the tropical noir plays out, loyalties and desires intertwine to reveal that destiny has its own enigmatic design.”
Watch the teaser below.
The post First Teaser...
- 5/15/2024
- by Leonard Pearce
- The Film Stage
Karim Aïnouz is harnessing the sweaty desire of corruption for his latest erotic thriller “Motel Destino.”
The Brazilian filmmaker returns to his native country for the feature, which was shot entirely in Aïnouz’s homeland of Ceará. “Motel Destino” stars Iago Xavier and Nataly Rocha, who were selected from an extensive casting process, and renowned Brazilian actor Fabio Assunção.
Per the official synopsis, neon-hued Motel Destino is a roadside sex hotel under the burning blue skies of the Northeastern coast of Brazil, run by the boorish Elias and his frustrated, beautiful wife Dayana. When 21-year-old Heraldo finds himself at the motel, after messing up a hit and going on the run from both the police and the gang he let down, Dayana finds herself intrigued and lets him stay. As the two navigate a dance of power, desire and liberation, a dangerous plan for freedom emerges. In this tropical noir,...
The Brazilian filmmaker returns to his native country for the feature, which was shot entirely in Aïnouz’s homeland of Ceará. “Motel Destino” stars Iago Xavier and Nataly Rocha, who were selected from an extensive casting process, and renowned Brazilian actor Fabio Assunção.
Per the official synopsis, neon-hued Motel Destino is a roadside sex hotel under the burning blue skies of the Northeastern coast of Brazil, run by the boorish Elias and his frustrated, beautiful wife Dayana. When 21-year-old Heraldo finds himself at the motel, after messing up a hit and going on the run from both the police and the gang he let down, Dayana finds herself intrigued and lets him stay. As the two navigate a dance of power, desire and liberation, a dangerous plan for freedom emerges. In this tropical noir,...
- 5/15/2024
- by Samantha Bergeson
- Indiewire
Cannes isn’t Sundance. The movies on offer aren’t generally genre horror box office surprises or heartwarming indie dramedies, and sometimes they’re not even sure-fire Oscar hopefuls.
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
- 5/13/2024
- by Brian Welk
- Indiewire
Alicia Vikander is unleashing all the fire and the fury as Queen Katherine opposite Jude Law’s King Henry VIII.
The two star in “Firebrand,” which debuted at Cannes 2023 and marked director Karim Aïnouz’s English-language debut film. During war-torn Tudor England, Katherine Parr (Vikander) reluctantly agrees to become the sixth wife of the tyrannical King Henry VIII (Law). Katherine hopes that her fate is different from her predecessors, the queens who were either vanquished, beheaded, or died of non-murder causes.
After their union, Henry appoints Katherine as Regent, the nation’s ruler during his absence when he departs to fight overseas. Yet that power makes Katherine a target as Henry’s courtiers begin suspecting that she’s sympathetic to radical Protestant beliefs. Once Henry returns to England, his courtiers convince him to convict a series of Katherine’s confidantes with treason and burn them at the stake.
Eddie Marsan,...
The two star in “Firebrand,” which debuted at Cannes 2023 and marked director Karim Aïnouz’s English-language debut film. During war-torn Tudor England, Katherine Parr (Vikander) reluctantly agrees to become the sixth wife of the tyrannical King Henry VIII (Law). Katherine hopes that her fate is different from her predecessors, the queens who were either vanquished, beheaded, or died of non-murder causes.
After their union, Henry appoints Katherine as Regent, the nation’s ruler during his absence when he departs to fight overseas. Yet that power makes Katherine a target as Henry’s courtiers begin suspecting that she’s sympathetic to radical Protestant beliefs. Once Henry returns to England, his courtiers convince him to convict a series of Katherine’s confidantes with treason and burn them at the stake.
Eddie Marsan,...
- 5/8/2024
- by Samantha Bergeson
- Indiewire
Karim Aïnouz is following up his 2023 English-language debut “Firebrand” with a return to his Brazilian roots.
For his second consecutive Cannes premiere, Aïnouz helmed erotic thriller “Motel Destino” which will screen in competition at the festival. “Motel Destino” is Aïnouz’s sixth Cannes premiere, with his 2019 feature “Invisible Life” winning the Un Certain Regard award.
“Motel Destino” stars Iago Xavier and Nataly Rocha, who were selected from an extensive casting process, and renowned Brazilian actor Fabio Assunção. The official synopsis reads: “The neon-hued Motel Destino is a roadside sex hotel under the burning blue skies of the Northeastern coast of Brazil, run by the boorish Elias and his frustrated, beautiful wife Dayana. When 21-year-old Heraldo finds himself at the motel, after messing up a hit and going on the run from both the police and the gang he let down, Dayana finds herself intrigued and lets him stay. As the...
For his second consecutive Cannes premiere, Aïnouz helmed erotic thriller “Motel Destino” which will screen in competition at the festival. “Motel Destino” is Aïnouz’s sixth Cannes premiere, with his 2019 feature “Invisible Life” winning the Un Certain Regard award.
“Motel Destino” stars Iago Xavier and Nataly Rocha, who were selected from an extensive casting process, and renowned Brazilian actor Fabio Assunção. The official synopsis reads: “The neon-hued Motel Destino is a roadside sex hotel under the burning blue skies of the Northeastern coast of Brazil, run by the boorish Elias and his frustrated, beautiful wife Dayana. When 21-year-old Heraldo finds himself at the motel, after messing up a hit and going on the run from both the police and the gang he let down, Dayana finds herself intrigued and lets him stay. As the...
- 4/11/2024
- by Samantha Bergeson
- Indiewire
Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
- 4/11/2024
- ScreenDaily
Berlin-based sales agent Pluto Film has pounced on international sales rights to Brazil’s “Malu,” the only completely non-European production in this year’s Sundance World Cinema Dramatic Competition, inspired by first feature director Pedro Freire’s troubled relationship with his mother Malu Rocha, a Brazilian actor.
“Since we love to work with new voices in global cinema, we were immediately convinced, that ‘Malu’ would fit perfectly to Pluto Film’s line-up,” said Pluto Film’s Benjamin Cölle, its managing director and head of sales.
“The film offers a unique storytelling approach from an up-and-coming director, who tackles complex themes like ambition, family, and survival in a specific cultural context with boldness. The film‘s narrative is rich with interpersonal drama and cultural context and its multi-dimensional characters add depth,” he added.
Freire has taken the personal and structured it around the relationship between three generations of women, the daughter,...
“Since we love to work with new voices in global cinema, we were immediately convinced, that ‘Malu’ would fit perfectly to Pluto Film’s line-up,” said Pluto Film’s Benjamin Cölle, its managing director and head of sales.
“The film offers a unique storytelling approach from an up-and-coming director, who tackles complex themes like ambition, family, and survival in a specific cultural context with boldness. The film‘s narrative is rich with interpersonal drama and cultural context and its multi-dimensional characters add depth,” he added.
Freire has taken the personal and structured it around the relationship between three generations of women, the daughter,...
- 1/4/2024
- by Callum McLennan
- Variety Film + TV
Roadside Attractions and Vertical have acquired U.S. rights to Firebrand, a historical thriller starring Alicia Vikander (Ex Machina) and Jude Law (The Talented Mr. Ripley) that world premiered at this year’s Cannes Film Festival. The film directed by Karim Aïnouz (Invisible Life) is slated for an exclusive theatrical release on June 21, 2024, when it will go up against Jeff Nichols’ The Bikeriders and an as-yet-undisclosed title from Universal.
Based on the bestselling historical novel Queen’s Gambit by Elizabeth Fremantle, the film follows legendary Queen of England, Katherine Parr (Vikander), and her quest to survive the perilous last months in the life of her ailing and abusive husband, Henry VIII (Law). Eddie Marsan (21 Grams), Sam Riley (Control), Simon Russell Beale (The Death of Stalin) and Erin Doherty (The Crown) co-star.
It’s in blood-soaked Tudor England that the twice married, accomplished and educated Parr reluctantly agrees to become the...
Based on the bestselling historical novel Queen’s Gambit by Elizabeth Fremantle, the film follows legendary Queen of England, Katherine Parr (Vikander), and her quest to survive the perilous last months in the life of her ailing and abusive husband, Henry VIII (Law). Eddie Marsan (21 Grams), Sam Riley (Control), Simon Russell Beale (The Death of Stalin) and Erin Doherty (The Crown) co-star.
It’s in blood-soaked Tudor England that the twice married, accomplished and educated Parr reluctantly agrees to become the...
- 12/18/2023
- by Matt Grobar
- Deadline Film + TV
CAA-backed Anonymous Content Brazil, a joint venture between Anonymous Content and Rodrigo Teixeira’s Rt Features, is teaming up with Oscar-winning screenwriter-producer-director Armando Bo (“Birdman”) and his sister companies, About Entertainment and film-ad production company Rebolucion, to develop and co-produce television series and advertising content for the Latin American market.
The three-year co-development and co-production agreement will call for the sourcing of IP and original content from writers across Latin America to build a strong Spanish-language slate aimed at regional audiences and beyond.
Through their partnership with Rebolucion, Anonymous Content Brazil will also venture into producing advertising commercials out if its Sao Paulo base.
Rebolucion, in Brazil since 2011, will continue running independently while providing strategic and business support to the new ad commercials division, in which it will be a minority partner.
“Partnering with our long-time friend, Armando, a creative visionary who has demonstrated success at the highest levels...
The three-year co-development and co-production agreement will call for the sourcing of IP and original content from writers across Latin America to build a strong Spanish-language slate aimed at regional audiences and beyond.
Through their partnership with Rebolucion, Anonymous Content Brazil will also venture into producing advertising commercials out if its Sao Paulo base.
Rebolucion, in Brazil since 2011, will continue running independently while providing strategic and business support to the new ad commercials division, in which it will be a minority partner.
“Partnering with our long-time friend, Armando, a creative visionary who has demonstrated success at the highest levels...
- 10/24/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Karim Aïnouz’s “Motel Destino,” which began filming last week, has eroticism, a recurring element in his films, as the backdrop. The Match Factory is selling the international rights.
His eighth fiction feature marks a return to the director’s Brazilian roots after having shot his first English-language production, “Firebrand,” starring Alicia Vikander and Jude Law, which played in competition at the Cannes Film Festival this year. Aïnouz won the Un Certain Regard prize at Cannes in 2019 for “Invisible Life.”
“Motel Destino” is an “intimate picture of a youth whose future has been stolen by a toxic and oppressive elite, against which rebellion and violence are often the only possible way out,” according to a press statement.
“‘Motel Destino’ is, above all, a love story,” Aïnouz said. “The love between a peripheral young man who lives against a system that wants him dead and a woman who resists the attacks...
His eighth fiction feature marks a return to the director’s Brazilian roots after having shot his first English-language production, “Firebrand,” starring Alicia Vikander and Jude Law, which played in competition at the Cannes Film Festival this year. Aïnouz won the Un Certain Regard prize at Cannes in 2019 for “Invisible Life.”
“Motel Destino” is an “intimate picture of a youth whose future has been stolen by a toxic and oppressive elite, against which rebellion and violence are often the only possible way out,” according to a press statement.
“‘Motel Destino’ is, above all, a love story,” Aïnouz said. “The love between a peripheral young man who lives against a system that wants him dead and a woman who resists the attacks...
- 8/7/2023
- by Leo Barraclough
- Variety Film + TV
Karim Aïnouz has begun the Brazil shoot of erotic thriller Motel Destino, in a return to his roots after English-language drama Firebrand starring Alicia Vikander and Jude Law.
The new feature began filming in the Brazilian-Algerian filmmaker’s native region of Ceará in north-eastern Brazil on July 31.
The Match Factory, which already represents several of Aïnouz’s films such as Mariner of the Mountains (2021), Invisible Life (2019) and Praia do Futuro (2014), has announced its acquisition of the international sales rights as shooting gets underway.
Motel Destino marks Aïnouz’s eighth feature after Firebrand, which world premiered in Competition in Cannes this year, and 2019 Un Certain Regard winner The Invisible Life.
The director says the film’s motel setting is “the main character of the plot”, describing it as an intersection for chronic issues of contemporary Brazil in which the future of the country’s youth has been stolen by a toxic and oppressive elite,...
The new feature began filming in the Brazilian-Algerian filmmaker’s native region of Ceará in north-eastern Brazil on July 31.
The Match Factory, which already represents several of Aïnouz’s films such as Mariner of the Mountains (2021), Invisible Life (2019) and Praia do Futuro (2014), has announced its acquisition of the international sales rights as shooting gets underway.
Motel Destino marks Aïnouz’s eighth feature after Firebrand, which world premiered in Competition in Cannes this year, and 2019 Un Certain Regard winner The Invisible Life.
The director says the film’s motel setting is “the main character of the plot”, describing it as an intersection for chronic issues of contemporary Brazil in which the future of the country’s youth has been stolen by a toxic and oppressive elite,...
- 8/7/2023
- by Melanie Goodfellow
- Deadline Film + TV
Project marks a return to the Brazilian director’s roots after his first English language production, Firebrand, debuted in Competition at Cannes this year.
Brazilian director Karim Aïnouz has started shooting his eighth fiction feature, Motel Destino which is being sold internationally by The Match Factory.
The project marks a return to the director’s roots after his first English language production, Firebrand starring Alicia Vikander and Jude Law, debuted in Cannes Competition this year.
Motel Destino is being shot in the Brazilian state of Ceará, the director’s home state, and features two local talents, Iago Xavier and Nataly Rocha...
Brazilian director Karim Aïnouz has started shooting his eighth fiction feature, Motel Destino which is being sold internationally by The Match Factory.
The project marks a return to the director’s roots after his first English language production, Firebrand starring Alicia Vikander and Jude Law, debuted in Cannes Competition this year.
Motel Destino is being shot in the Brazilian state of Ceará, the director’s home state, and features two local talents, Iago Xavier and Nataly Rocha...
- 8/7/2023
- by Tim Dams
- ScreenDaily
When asked, in 2019, to explain why her first three features begin during the night, Alice Rohrwacher recalled the long drives she would take with her beekeeping father as a child and how, upon arrival, she’d play a game by closing her eyes: “I’d have to work it out from what I could hear, not from what I could see, so I’d listen to the place and the information would enter my mind––and then I’d open my eyes.” More than most filmmakers, Rohrwacher’s particular genius seems tied to her way of thinking: that cinema is less a reflection of our imagination than a natural extension. The best ideas in her cinema seem plucked from nowhere (Lazzaro‘s time jump; the red cake in Le Pupille), yet arrive fully formed––even organic.
Premiering on the final day of Cannes, her new film doesn’t begin at...
Premiering on the final day of Cannes, her new film doesn’t begin at...
- 6/7/2023
- by Rory O'Connor
- The Film Stage
Few would have imagined that Brazilian-Algerian director Karim Aïnouz––whose The Invisible Life of Eurídice Gusmão won the top prize in Un Certain Regard four years ago––would make his Competition debut with a Tudor period drama, Firebrand. For his English-language debut, Aïnouz was handed a script penned by Henrietta Ashworth and Jessica Ashworth (writers of Tell It to the Bees and Killing Eve), the feminist tone of which is quite obvious. Even if one can easily tell that Aïnouz was attached to the project rather than seeking it out himself, his outsider perspective brings a certain freshness to this loosely historical retelling of the last months of King Henry VIII’s (a tyrannical Jude Law) reign. Yes, the one who beheaded his wives.
Our entry point––our central character––is Queen Catherine Parr (Alicia Vikander), a confident young woman whose benevolence is only matched by her determination: to do well,...
Our entry point––our central character––is Queen Catherine Parr (Alicia Vikander), a confident young woman whose benevolence is only matched by her determination: to do well,...
- 5/27/2023
- by Savina Petkova
- The Film Stage
Alice Rohrwacher makes movies like no one else. Her extraordinary work ventures into Italy’s labyrinthine past through fascinating pocket communities, vanishing breeds that seem suspended in time. In The Wonders, it was a family of beekeepers, like the director’s own; in Happy as Lazzaro, it was isolated sharecroppers kept in the feudal dark by exploitative landowners; and in the invigoratingly strange and lyrical La Chimera, it’s a ragtag band of tombaroli, illegal grave-robbers who dig up Etruscan relics and make their money selling those antiquities on to fences who in turn sell them to museums and collectors for vastly larger sums.
The three films make up an informal trilogy — set in the regions of Tuscany and Umbria where Rohrwacher was born and grew up — about the delicate thread between life and death, present and past. The latter remains very much alive almost everywhere you look in Italy,...
The three films make up an informal trilogy — set in the regions of Tuscany and Umbria where Rohrwacher was born and grew up — about the delicate thread between life and death, present and past. The latter remains very much alive almost everywhere you look in Italy,...
- 5/26/2023
- by David Rooney
- The Hollywood Reporter - Movie News
In “La Chimera,” the ancient past nestles mere inches below the surface of the present, eventually breaking above ground and disrupting, if not the space-time continuum, the more mundane order of things. The borders between life and death feel similarly frictious and permeable, as if we could merely visit one from the other, as easily as sleeping and waking. Arthur (Josh O’Connor), the wandering Brit at the center of Alice Rohrwacher’s marvelously supple and sinuous new film, is accustomed to such limbo states. So are admirers of Rohrwacher’s filmmaking, which, in this eccentric, romantic tale of competing grave-robbers in Central Italy, touches the transcendental without diving into the outright fabulism of 2018’s “Happy as Lazzaro.”
Grounding the feyer impulses of “La Chimera” — a return for Rohrwacher to more metaphysical musings after the simpler charms of her Oscar-nominated short “Le Pupille” — is, well, the literal ground: grubby and gritty and,...
Grounding the feyer impulses of “La Chimera” — a return for Rohrwacher to more metaphysical musings after the simpler charms of her Oscar-nominated short “Le Pupille” — is, well, the literal ground: grubby and gritty and,...
- 5/26/2023
- by Guy Lodge
- Variety Film + TV
The Match Factory and Mubi team on the adaptation of Marco Bellocchio’s ‘Fists in the Pocket’.
Kristen Stewart, Josh O’Connor and Elle Fanning are to lead Rosebushpruning, a dark satire from Firebrand director Karim Aïnouz, backed by The Match Factory and Mubi.
The upcoming feature is set to begin shooting in spring 2024 and is an adaptation of Marco Bellocchio’s 1965 psychological drama Fists In The Pocket, with adaptation rights acquired from Italy’s Kavac Film.
It is scripted by Efthimis Filippou, who co-wrote Dogtooth, The Killing Of A Sacred Deer and The Lobster with director Yorgos Lanthimos, securing an...
Kristen Stewart, Josh O’Connor and Elle Fanning are to lead Rosebushpruning, a dark satire from Firebrand director Karim Aïnouz, backed by The Match Factory and Mubi.
The upcoming feature is set to begin shooting in spring 2024 and is an adaptation of Marco Bellocchio’s 1965 psychological drama Fists In The Pocket, with adaptation rights acquired from Italy’s Kavac Film.
It is scripted by Efthimis Filippou, who co-wrote Dogtooth, The Killing Of A Sacred Deer and The Lobster with director Yorgos Lanthimos, securing an...
- 5/24/2023
- by Michael Rosser
- ScreenDaily
The 2023 Cannes Film Festival may be slowly winding down, but a red hot new project has just landed in the market to spice things up.
Kristen Stewart (Spencer), Josh O’Connor (The Crown, God’s Own Country) and Elle Fanning (Teen Spirit, The Great) are set to lead the cast of Rosebushpruning, the next feature from Karim Aïnouz, whose Jude Law- and Alicia Vikander-starring period drama Firebrand last week had its world premiere in Cannes’ main competition to hugely positive reviews. The Match Factory and Mubi are backing the film.
The Hollywood Reporter understands that Aïnouz will direct from a script written by Efthimis Filippou (Dogtooth, Killing of Sacred Deer, The Lobster) and adapted from Marco Bellocchio’s 1965 debut feature Fists in the Pocket, a dark satire of family and social values now considered a landmark piece of Italian cinema. The adaptation rights were acquired from Kavac Film.
The Match...
Kristen Stewart (Spencer), Josh O’Connor (The Crown, God’s Own Country) and Elle Fanning (Teen Spirit, The Great) are set to lead the cast of Rosebushpruning, the next feature from Karim Aïnouz, whose Jude Law- and Alicia Vikander-starring period drama Firebrand last week had its world premiere in Cannes’ main competition to hugely positive reviews. The Match Factory and Mubi are backing the film.
The Hollywood Reporter understands that Aïnouz will direct from a script written by Efthimis Filippou (Dogtooth, Killing of Sacred Deer, The Lobster) and adapted from Marco Bellocchio’s 1965 debut feature Fists in the Pocket, a dark satire of family and social values now considered a landmark piece of Italian cinema. The adaptation rights were acquired from Kavac Film.
The Match...
- 5/24/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
A mainstay in the Un Certain Regard section (with a whopping four films as director/writer) and has sprinkled his films in Venice and Berlinale as well, Brazilian filmmaker Karim Aïnouz finally graduated to the competition section with a film that is very far removed from his native country. Firebrand follows the likes of Madame Satã (2002), O Céu de Suely (2006), and section winner A Vida Invisível de Eurídice Gusmão. He was also included as a Special Screening status for Mariner Of The Mountains in 2021.
In blood-soaked Tudor England, Katherine Parr (originally the role was assigned to Michelle Williams), the sixth and last wife of King Henry VIII, is named Regent while tyrant Henry is fighting overseas.…...
In blood-soaked Tudor England, Katherine Parr (originally the role was assigned to Michelle Williams), the sixth and last wife of King Henry VIII, is named Regent while tyrant Henry is fighting overseas.…...
- 5/24/2023
- by Eric Lavallée
- IONCINEMA.com
When his agent first suggested that Karim Aïnouz direct an adaptation of Elizabeth Fremantle’s “Queen’s Gambit,” a historical novel about Katherine Parr, the sixth and final wife of Henry VIII, he thought she was joking. The Brazilian director of “The Invisible Life of Eurídice Gusmão” wasn’t a natural choice to bring 16th century England to life on screen. For one thing, Aïnouz didn’t really know anything about the oft-married monarch.
“I could barely identify who Henry VIII was, and I’m not into the monarchy,” he says on the eve of the Cannes premiere of “Firebrand,” the movie he made from Fremantle’s book. “I’m not into British history. I was very puzzled.”
But he started to read up on Tudor history and on Parr and he became captivated by the queen who outmaneuvered her husband to survive his tumultuous final days on the throne.
“I could barely identify who Henry VIII was, and I’m not into the monarchy,” he says on the eve of the Cannes premiere of “Firebrand,” the movie he made from Fremantle’s book. “I’m not into British history. I was very puzzled.”
But he started to read up on Tudor history and on Parr and he became captivated by the queen who outmaneuvered her husband to survive his tumultuous final days on the throne.
- 5/22/2023
- by Brent Lang
- Variety Film + TV
Sunday night at the 76th Cannes Film Festival was all about the world premiere of the Jude Law and Alicia Vikander Henry VIII period pic Firebrand, which received a royal response from the crowd in the Grand Theatre Lumiere with an eight and a half minute standing ovation.
Brazilian-Algerian filmmaker Karim Aïnouz directed the movie off a script by Henrietta Ashworth and Jessica Ashworth. The pic reps Aïnouz’s English language debut and it’s playing in competition.
Firebrand stars Oscar winner Vikander as Catherine Parr, the final wife of Henry VIII, a feminist force to be reckoned with who outlived the notorious king; the fate of his wives being either divorced, dead or beheaded. She is named Regent with the king warring abroad, and she’s done everything she can to push for a new future based on her radical Protestant beliefs. Law plays a royal on his way out,...
Brazilian-Algerian filmmaker Karim Aïnouz directed the movie off a script by Henrietta Ashworth and Jessica Ashworth. The pic reps Aïnouz’s English language debut and it’s playing in competition.
Firebrand stars Oscar winner Vikander as Catherine Parr, the final wife of Henry VIII, a feminist force to be reckoned with who outlived the notorious king; the fate of his wives being either divorced, dead or beheaded. She is named Regent with the king warring abroad, and she’s done everything she can to push for a new future based on her radical Protestant beliefs. Law plays a royal on his way out,...
- 5/21/2023
- by Baz Bamigboye and Anthony D'Alessandro
- Deadline Film + TV
Early on in Karim Aïnouz’s richly textured and suspenseful historical drama, Firebrand, King Henry VIII commends his sixth and final wife, Catherine Parr, on her excellent job filling in as Regent while he’s been abroad engaged in warfare. Never mind the efforts to limit her powers to inconsequential matters, he tells her she won’t have to worry her “pretty little head” about all that anymore. The threat posed by women who think for themselves to the absolute power of men is a central theme in this starch-free tale of Tudor intrigue, its protofeminist perspective seamlessly woven into the narrative fabric without a hint of the didactic.
Brazilian director Aïnouz has been making hypnotically sensual movies laced with luxuriant melancholy for more than 20 years, among them such beguiling dramas as Madame Satã, The Silver Cliff and the criminally under-appreciated jewel Invisible Life (seriously, check it out, you’ll...
Brazilian director Aïnouz has been making hypnotically sensual movies laced with luxuriant melancholy for more than 20 years, among them such beguiling dramas as Madame Satã, The Silver Cliff and the criminally under-appreciated jewel Invisible Life (seriously, check it out, you’ll...
- 5/21/2023
- by David Rooney
- The Hollywood Reporter - Movie News
There have been any number of films about Henry VIII and how the English king’s various wives kept losing their heads, but precious few have focused on the one queen who managed to outlive him; Katherine Parr has been a bit player in the likes of 1953’s “Young Bess”, but Karim Aïnouz’s “Firebrand” puts this radically progressive woman of the people at the center of the story in a way that has never been done before.
And yet, despite its righteous attempt to reframe history — an effort supported by the natural steeliness of Alicia Vikander’s performance as a social activist who’s trying to reshape her country without screwing up her marriage to its tyrannical sovereign — this bland period drama can’t help but feel like a familiar tale of court intrigue. Not even Jude Law, whose riveting and revoltingly bellicose take on Henry VIII is equal...
And yet, despite its righteous attempt to reframe history — an effort supported by the natural steeliness of Alicia Vikander’s performance as a social activist who’s trying to reshape her country without screwing up her marriage to its tyrannical sovereign — this bland period drama can’t help but feel like a familiar tale of court intrigue. Not even Jude Law, whose riveting and revoltingly bellicose take on Henry VIII is equal...
- 5/21/2023
- by David Ehrlich
- Indiewire
In Britain, schoolchildren learning about Tudor history are taught a handy rhyme to remember the order of King Henry VIII’s six wives: “Divorced, beheaded, died. Divorced, beheaded, survived.”
Hollywood has for decades been transfixed by the “beheaded” and “died” bits — essentially, the stories about women suffering — but what moviegoers are rarely reminded of is the wife who outlived Henry. In Karim Aïnouz’s hotly anticipated “Firebrand,” it’s the notorious Tudor king’s final companion, Katherine Parr, who finally takes center stage.
“What’s mostly been dramatized are the wives who didn’t make it,” says Swedish star Alicia Vikander, who plays the surviving queen opposite Jude Law’s ailing monarch. “[When I read the script] I immediately thought, ‘Huh, isn’t it interesting that most people know more about the other wives.’ It’s almost like people are drawn to quite grim stories.”
The more Vikander, an Oscar-winner for “The Danish Girl,” read...
Hollywood has for decades been transfixed by the “beheaded” and “died” bits — essentially, the stories about women suffering — but what moviegoers are rarely reminded of is the wife who outlived Henry. In Karim Aïnouz’s hotly anticipated “Firebrand,” it’s the notorious Tudor king’s final companion, Katherine Parr, who finally takes center stage.
“What’s mostly been dramatized are the wives who didn’t make it,” says Swedish star Alicia Vikander, who plays the surviving queen opposite Jude Law’s ailing monarch. “[When I read the script] I immediately thought, ‘Huh, isn’t it interesting that most people know more about the other wives.’ It’s almost like people are drawn to quite grim stories.”
The more Vikander, an Oscar-winner for “The Danish Girl,” read...
- 5/21/2023
- by Manori Ravindran
- Variety Film + TV
Charades has dropped the trailer for “Disco Boy,” the anticipated feature debut of Giacomo Abbruzzese, starring Franz Rogowski (“Passages”) which is competing at the Berlin Film Festival.
The movie is produced by the rising French production company Films Grand Huit. Shot across two continents by Hélène Louvart, the movie boasts a diverse international cast and a soundtrack by electronic music artist Vitalic.
“Disco Boy stars Rogowski as Aleksei, who embarks on a difficult journey across Europe and reaches Paris to enlist in the French Foreign Legion, a highly selective military corp that allows any foreigner, even undocumented, to be granted a French passport. In the Niger Delta, Jomo (Morr Ndiaye) fights against oil companies that threaten the survival of his village. His sister Udoka (Laëtitia Ky), meanwhile, dreams of escaping, knowing that all is already lost here. Beyond borders, life and death, their destinies will intertwine.
The film marks the feature debut of Abbruzzese,...
The movie is produced by the rising French production company Films Grand Huit. Shot across two continents by Hélène Louvart, the movie boasts a diverse international cast and a soundtrack by electronic music artist Vitalic.
“Disco Boy stars Rogowski as Aleksei, who embarks on a difficult journey across Europe and reaches Paris to enlist in the French Foreign Legion, a highly selective military corp that allows any foreigner, even undocumented, to be granted a French passport. In the Niger Delta, Jomo (Morr Ndiaye) fights against oil companies that threaten the survival of his village. His sister Udoka (Laëtitia Ky), meanwhile, dreams of escaping, knowing that all is already lost here. Beyond borders, life and death, their destinies will intertwine.
The film marks the feature debut of Abbruzzese,...
- 2/15/2023
- by Elsa Keslassy
- Variety Film + TV
By Glenn Dunks
The journey from Africa to Europe has been seen many times on screen in both documentary and fiction. Mariner of the Mountains, now available on streaming after screening at last year's Cannes Film Festival, begins with a journey in the opposite direction. Far less common and shown here being committed in relative luxury compared to the dangerous refugee boats often equated with cross-continental Mediterranean journeys.
Director Karim Aïnouz is familiar to some audiences for his films like Invisible Life and Futuro Beach that span continents and the way we often go looking for something somewhere else and don’t find it. Or struggle to. Or aren’t sure what it was they were looking for at all...
The journey from Africa to Europe has been seen many times on screen in both documentary and fiction. Mariner of the Mountains, now available on streaming after screening at last year's Cannes Film Festival, begins with a journey in the opposite direction. Far less common and shown here being committed in relative luxury compared to the dangerous refugee boats often equated with cross-continental Mediterranean journeys.
Director Karim Aïnouz is familiar to some audiences for his films like Invisible Life and Futuro Beach that span continents and the way we often go looking for something somewhere else and don’t find it. Or struggle to. Or aren’t sure what it was they were looking for at all...
- 6/2/2022
- by Glenn Dunks
- FilmExperience
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Ambulance (Michael Bay)
The Marvel machine may be the most fortuitous development for Michael Bay. Though the director hasn’t dabbled in the world of superheroes—despite a fondness for a cinematic universe of the robot variety—the homogenized, green-screen wasteland of today’s box-office behemoths has indirectly led to a reappreciation of the director’s schoolboy giddiness for practical effects and continually upping the ante for where he can place a camera. As bombastic and occasionally mind-numbing as his approach may be, there’s distinct poetry to the momentum of a maximalist vision where previs filmmaking vis-a-vis a committee is not only missing from his vocabulary, but a kinetic approach makes such a proposition nigh impossible. With Ambulance, a streamlined spectacle that borrows liberally from Heat,...
Ambulance (Michael Bay)
The Marvel machine may be the most fortuitous development for Michael Bay. Though the director hasn’t dabbled in the world of superheroes—despite a fondness for a cinematic universe of the robot variety—the homogenized, green-screen wasteland of today’s box-office behemoths has indirectly led to a reappreciation of the director’s schoolboy giddiness for practical effects and continually upping the ante for where he can place a camera. As bombastic and occasionally mind-numbing as his approach may be, there’s distinct poetry to the momentum of a maximalist vision where previs filmmaking vis-a-vis a committee is not only missing from his vocabulary, but a kinetic approach makes such a proposition nigh impossible. With Ambulance, a streamlined spectacle that borrows liberally from Heat,...
- 5/27/2022
- by Jordan Raup
- The Film Stage
Setting the agenda for much top Brazilian cinema bowing over 2022-25, Globo Filmes has boarded 20 new Brazilian movies, powering up by far the biggest production slate of any company in Brazil.
New titles from many of Brazil’s good and great range from Cinema Novo veteran Zelito Viana to Oscar-shortlisted Cao Hambuger. The production slate features obvious big commercial plays for domestic audiences such as “Tô de Graça, o Filme,” a movie spin-off from the hugely popular sitcom franchise.
The lineup, however, displays a far larger auteurist edge than in the past, with awaited new movies from young female auteurs such as Juliana Rojas and Beatriz Seigner and battling Black filmmakers Jeferson De, Grace Passo and Sabrina Fidalgo.
The slate also features big crossover titles which bid fair to feature at some of the biggest film festivals around the world, such as Hamburger’s “School Without Gates,” “Macunaíma 21,” from Felipe Bragança and Zahi Guajajara,...
New titles from many of Brazil’s good and great range from Cinema Novo veteran Zelito Viana to Oscar-shortlisted Cao Hambuger. The production slate features obvious big commercial plays for domestic audiences such as “Tô de Graça, o Filme,” a movie spin-off from the hugely popular sitcom franchise.
The lineup, however, displays a far larger auteurist edge than in the past, with awaited new movies from young female auteurs such as Juliana Rojas and Beatriz Seigner and battling Black filmmakers Jeferson De, Grace Passo and Sabrina Fidalgo.
The slate also features big crossover titles which bid fair to feature at some of the biggest film festivals around the world, such as Hamburger’s “School Without Gates,” “Macunaíma 21,” from Felipe Bragança and Zahi Guajajara,...
- 5/25/2022
- by John Hopewell
- Variety Film + TV
Karim Aïnouz’s essay on his own family history takes him from Brazil to north Africa to discover his father’s country
Karim Aïnouz, best known for mostly Brazil-set dramatic features such as Invisible Life, Love for Sale and the evocatively titled I Travel Because I Have to, I Come Back Because I Love You, is truly an international film-maker. The son of a Brazilian mother and an Algerian father, he lives sometimes in Berlin and sometimes in the US, depending on his latest project.
Mariner of the Mountains, which premiered last year at Cannes, goes back to basics technically and Aïnouz’s own family history to create a thoughtful, often moving essay film about his journey to Algeria, the fatherland he never knew. Narrated throughout in Portuguese by the silky-voiced director, the film comprises a sort of filial love letter to his recently deceased mother, Iracema, who brought him up in Fortaleza,...
Karim Aïnouz, best known for mostly Brazil-set dramatic features such as Invisible Life, Love for Sale and the evocatively titled I Travel Because I Have to, I Come Back Because I Love You, is truly an international film-maker. The son of a Brazilian mother and an Algerian father, he lives sometimes in Berlin and sometimes in the US, depending on his latest project.
Mariner of the Mountains, which premiered last year at Cannes, goes back to basics technically and Aïnouz’s own family history to create a thoughtful, often moving essay film about his journey to Algeria, the fatherland he never knew. Narrated throughout in Portuguese by the silky-voiced director, the film comprises a sort of filial love letter to his recently deceased mother, Iracema, who brought him up in Fortaleza,...
- 5/17/2022
- by Leslie Felperin
- The Guardian - Film News
Hovering around the eighteen to twenty film selection range, the Un Certain Regard section wasn’t necessarily overhauled but there was an unofficial memo that was passed around was for the sidebar to focus on the next generation of filmmakers and if we take a look at the section winners of the past three editions we can see the new guard is being offered more room to shine. Here are 20 predictions for the upcoming edition which will be unveiled in April.
Black Box –...
Black Box –...
- 3/16/2022
- by Eric Lavallée
- IONCINEMA.com
Alicia Vikander (Blue Bayou) is replacing Michelle Williams as Queen Catherine Parr in the royal thriller Firebrand from Brazilian helmer Karim Ainouz (The Invisible Life of Eurídice Gusmão), Deadline has confirmed. She’ll star alongside Jude Law, who is set to portray King Henry VIII.
Ainousz’s first English-language feature, based on Elizabeth Fremantle’s bestselling historical novel Queen’s Gambit, centers on Parr—Henry VIII’s sixth and final wife, who was the only one to avoid banishment or death.
By the time young Catherine Parr (Vikander) married the deteriorating, increasingly despotic King Henry VIII (Law), she had no assurances of a happy marriage; in fact, she had no assurances of surviving this marriage at all. Of her predecessors, two were thrown out, one died in childbirth and two were beheaded. While Catherine tried to keep her head about her to navigate the politics of her position, she brought a secret agenda.
Ainousz’s first English-language feature, based on Elizabeth Fremantle’s bestselling historical novel Queen’s Gambit, centers on Parr—Henry VIII’s sixth and final wife, who was the only one to avoid banishment or death.
By the time young Catherine Parr (Vikander) married the deteriorating, increasingly despotic King Henry VIII (Law), she had no assurances of a happy marriage; in fact, she had no assurances of surviving this marriage at all. Of her predecessors, two were thrown out, one died in childbirth and two were beheaded. While Catherine tried to keep her head about her to navigate the politics of her position, she brought a secret agenda.
- 3/10/2022
- by Matt Grobar
- Deadline Film + TV
In addition to this morning’s SAG lead actor nominations for Nicole Kidman and Javier Bardem in Being the Ricardos and supporting actor nom for Ben Affleck in George Clooney’s The Tender Bar, Amazon was also over the moon about the viewership results for both films, claiming that they were the highest debuts of any drama released on Prime Video ever, and the most watched of any Amazon Studios original movie produced in-house.
Being the Ricardos launched on Dec. 21 around the globe on Prime Video in over 240 countries and territories and was #1 in its opening week, while The Tender Bar dropped on Jan. 7 on Prime Video in the same markets and also ranked No. 1 in its opening week. Both movies per Amazon reached their anticipated 28-day goals on Prime Video way ahead of schedule. Both films joined the top ten Prime Video movie releases of all time, and the...
Being the Ricardos launched on Dec. 21 around the globe on Prime Video in over 240 countries and territories and was #1 in its opening week, while The Tender Bar dropped on Jan. 7 on Prime Video in the same markets and also ranked No. 1 in its opening week. Both movies per Amazon reached their anticipated 28-day goals on Prime Video way ahead of schedule. Both films joined the top ten Prime Video movie releases of all time, and the...
- 1/12/2022
- by Anthony D'Alessandro
- Deadline Film + TV
Exclusive: Heating up the AFM market: Firebrand, a psychological horror tale set in the bloody Tudor court with a focus on Queen Catherine Parr, the sixth and final wife of Henry VIII, and the only one to avoid banishment or death. Michelle Williams will play her, and Jude Law will play her notorious husband.
FilmNation and CAA Media Finance are introducing the package today. Karim Aïnouz (The Invisible Life of Eurídice Gusmão) will direct a script by Jessica Ashworth (Killing Eve) and Henrietta Ashworth (Killing Eve). Brouhaha Entertainment will produce.
By the time young Catherine Parr (Williams) married the deteriorating, increasingly despotic King Henry VIII (Law), she had no assurances of a happy marriage; in fact, she had no assurances of surviving this marriage at all. Of her predecessors, two were thrown out, one died in childbirth and two were beheaded. While Catherine tried to keep her head about her...
FilmNation and CAA Media Finance are introducing the package today. Karim Aïnouz (The Invisible Life of Eurídice Gusmão) will direct a script by Jessica Ashworth (Killing Eve) and Henrietta Ashworth (Killing Eve). Brouhaha Entertainment will produce.
By the time young Catherine Parr (Williams) married the deteriorating, increasingly despotic King Henry VIII (Law), she had no assurances of a happy marriage; in fact, she had no assurances of surviving this marriage at all. Of her predecessors, two were thrown out, one died in childbirth and two were beheaded. While Catherine tried to keep her head about her...
- 10/27/2021
- by Mike Fleming Jr
- Deadline Film + TV
Brazilian director Karim Aïnouz’s gorgeous new melodrama joins classics that range from Whatever Happened to Baby Jane? to You Can Count on Me
There are few more irritatingly prevalent errors in modern screenwriting than on-screen siblings who refer directly to each other as such: “You said it, sis.” “I’m here for you, bro.” Even the best actors can’t sell these terms of address that almost no human being actually uses: any great film about a sibling relationship should be so closely observed that you don’t need any dialogue cues to trace the family tree.
One such film is Brazilian director Karim Aïnouz’s gorgeous melodrama The Invisible Life of Eurídice Gusmão, now streaming on Curzon Home Cinema. Adapted from a popular novel by Martha Batalha, it’s a story of sisterly love enduring across decades of misfortune and forced separation. Close as children, good girl Eurídice...
There are few more irritatingly prevalent errors in modern screenwriting than on-screen siblings who refer directly to each other as such: “You said it, sis.” “I’m here for you, bro.” Even the best actors can’t sell these terms of address that almost no human being actually uses: any great film about a sibling relationship should be so closely observed that you don’t need any dialogue cues to trace the family tree.
One such film is Brazilian director Karim Aïnouz’s gorgeous melodrama The Invisible Life of Eurídice Gusmão, now streaming on Curzon Home Cinema. Adapted from a popular novel by Martha Batalha, it’s a story of sisterly love enduring across decades of misfortune and forced separation. Close as children, good girl Eurídice...
- 10/16/2021
- by Guy Lodge
- The Guardian - Film News
Beijing-based distributor Hugoeast Media has acquired Chinese distribution rights to Cannes Directors’ Fortnight film “The Tale of King Crab,” the first feature venture into narrative fiction of Italian filmmakers Alessio Rigo de Righi and Matteo Zoppis.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
- 9/21/2021
- by John Hopewell
- Variety Film + TV
On Thursday evening, the Brazilian Cinematheque was engulfed in flames in western Sao Paulo, where the 6,500-square meter building has housed much of the country’s filmmaking legacy for decades. The organization was founded in 1940 and serves as the largest film archive in South America, with 250,000 rolls of film, 90,000 titles, one million documents and historical materials like early projectors.
Early reports suggest that the fire, the second to strike the complex in six years, was caused by a short-circuit in the air conditioning system. However, many in the Brazilian community have been quick to denounce the blaze as the fault of the government, which eliminated funding for the Cinematheque in early 2020 and caused it to remain abandoned since then.
While it remains too early to ascertain the full extent of the damage, early reports from the ground show that while there were no victims in the blaze, the fire has...
Early reports suggest that the fire, the second to strike the complex in six years, was caused by a short-circuit in the air conditioning system. However, many in the Brazilian community have been quick to denounce the blaze as the fault of the government, which eliminated funding for the Cinematheque in early 2020 and caused it to remain abandoned since then.
While it remains too early to ascertain the full extent of the damage, early reports from the ground show that while there were no victims in the blaze, the fire has...
- 7/30/2021
- by Eric Kohn
- Indiewire
Do you know "Raul"? I don't and I never cease to be fascinated by this bizzarre Cannes Festival tradition. Sometimes, just before a press screening, someone screams "Raouuul!". No one seems to know why or when this phenomenon started, but the most seasoned journalists I know told me that the Raoul tradition started many, many years ago. Maybe I can just google it and find an answer but every person I ask about it has a different theory, so I'm enjoying the mystery. Anyway, on to today's three films...
Mariner of the Mountains (Karim Aïnouz)
Special Screenings
I took the ticket for the latest by the Brazilian director on a whim, because I woke up early that day and I really liked his previous feature, Invisible Life. I had read nothing about this one since sometimes I like to go in blindfolded. At first I was so confused by the form,...
Mariner of the Mountains (Karim Aïnouz)
Special Screenings
I took the ticket for the latest by the Brazilian director on a whim, because I woke up early that day and I really liked his previous feature, Invisible Life. I had read nothing about this one since sometimes I like to go in blindfolded. At first I was so confused by the form,...
- 7/12/2021
- by Elisa Giudici
- FilmExperience
The Cannes Film Festival is in full swing in France this week after opening ceremonies, and the first wave of screenings made a bit of a splash yesterday. Today, there is some news about Brazilian director Karim Aïnouz, who is premiering his latest pic at the festival, “Mariner of the Mountain,” in the Special Screenings section.
Read More: ‘Showing Up’: Hong Chau, Andre Benjamin, Judd Hirsch, John Magaro & More Join Michelle Williams In Kelly Reichardt’s New Feature
According to Variety, Aïnouz (the critically acclaimed animated film “The Invisible Life of Eurídice Gusmão” which won the top Un Certain Regard prize at the 2019 Cannes Film Festival) is now set to make his English-language debut with the new feature film “Firebrand,” a historical drama that will see four-time Oscar nominee Michelle Williams (“Shutter Island,” “Brokeback Mountain,” “Manchester By The Sea,” “My Week With Marilyn“) playing Katherine Parr, the sixth wife of King Henry The VIII.
Read More: ‘Showing Up’: Hong Chau, Andre Benjamin, Judd Hirsch, John Magaro & More Join Michelle Williams In Kelly Reichardt’s New Feature
According to Variety, Aïnouz (the critically acclaimed animated film “The Invisible Life of Eurídice Gusmão” which won the top Un Certain Regard prize at the 2019 Cannes Film Festival) is now set to make his English-language debut with the new feature film “Firebrand,” a historical drama that will see four-time Oscar nominee Michelle Williams (“Shutter Island,” “Brokeback Mountain,” “Manchester By The Sea,” “My Week With Marilyn“) playing Katherine Parr, the sixth wife of King Henry The VIII.
- 7/7/2021
- by Christopher Marc
- The Playlist
Michelle Williams is set to take on the role of Katherine Parr, the last of Henry VIII’s six wives in Karim Aïnouz’s ‘Firebrand.’
Filmmaker Aïnouz will make his English Language debut with the project which is set to begin production in the UK in early 2022.
“I could not be more excited to be bringing the undiscovered story of Katherine Parr to the screen, a ferociously brilliant woman who I am inspired by deeply and has been largely invisible, or certainly under-represented in English history. Much is known about Henry VIII’s tyrannical reign, and those who perished and suffered at his hands, but my focus here is on a woman who not only managed to survive but also, to thrive. This is a reimagining of a “period” film, a psychological horror film set in the Tudor court; a story of intrigue, agency and survival. Having Michelle Williams portray this remarkable woman,...
Filmmaker Aïnouz will make his English Language debut with the project which is set to begin production in the UK in early 2022.
“I could not be more excited to be bringing the undiscovered story of Katherine Parr to the screen, a ferociously brilliant woman who I am inspired by deeply and has been largely invisible, or certainly under-represented in English history. Much is known about Henry VIII’s tyrannical reign, and those who perished and suffered at his hands, but my focus here is on a woman who not only managed to survive but also, to thrive. This is a reimagining of a “period” film, a psychological horror film set in the Tudor court; a story of intrigue, agency and survival. Having Michelle Williams portray this remarkable woman,...
- 7/7/2021
- by Zehra Phelan
- HeyUGuys.co.uk
Michelle Williams will play Katherine Parr, the last of Henry VIII’s six wives, in Karim Aïnouz’s “Firebrand.”
The film marks the English-language debut of Karim Aïnouz, and goes into production in the U.K. in early 2022. The film is produced by Gabrielle Tana of Magnolia Mae Films, and written by Henrietta and Jessica Ashworth (“Killing Eve”).
Aïnouz’s “Mariner of the Mountains” premieres in Cannes as a Special Screening on July 9.
“I could not be more excited to be bringing the undiscovered story of Katherine Parr to the screen, a ferociously brilliant woman who I am inspired by deeply and has been largely invisible, or certainly under-represented in English history,” said Aïnouz. “Much is known about Henry VIII’s tyrannical reign, and those who perished and suffered at his hands, but my focus here is on a woman who not only managed to survive, but also, to thrive.
The film marks the English-language debut of Karim Aïnouz, and goes into production in the U.K. in early 2022. The film is produced by Gabrielle Tana of Magnolia Mae Films, and written by Henrietta and Jessica Ashworth (“Killing Eve”).
Aïnouz’s “Mariner of the Mountains” premieres in Cannes as a Special Screening on July 9.
“I could not be more excited to be bringing the undiscovered story of Katherine Parr to the screen, a ferociously brilliant woman who I am inspired by deeply and has been largely invisible, or certainly under-represented in English history,” said Aïnouz. “Much is known about Henry VIII’s tyrannical reign, and those who perished and suffered at his hands, but my focus here is on a woman who not only managed to survive, but also, to thrive.
- 7/7/2021
- by Naman Ramachandran
- Variety Film + TV
Gabrielle Tana is producing for the UK’s Magnolia Mae Films.
Michelle Williams is to play Katherine Parr, the last of Henry VIII’s six wives, in Brazilian director Karim Aïnouz’s English-language debut Firebrand.
The film will start shooting in the UK in early 2022, produced by Gabrielle Tana of London-based Magnolia Mae Films.
The film is written by former Screen Stars of Tomorrow Jessica and Henrietta Ashworth, whose credits include BBC series Killing Eve and feature Tell It To The Bees. No further casting has yet been confirmed.
Previously titled Queen’s Gambit (prior to the release of Netflix...
Michelle Williams is to play Katherine Parr, the last of Henry VIII’s six wives, in Brazilian director Karim Aïnouz’s English-language debut Firebrand.
The film will start shooting in the UK in early 2022, produced by Gabrielle Tana of London-based Magnolia Mae Films.
The film is written by former Screen Stars of Tomorrow Jessica and Henrietta Ashworth, whose credits include BBC series Killing Eve and feature Tell It To The Bees. No further casting has yet been confirmed.
Previously titled Queen’s Gambit (prior to the release of Netflix...
- 7/7/2021
- by Ben Dalton
- ScreenDaily
Exclusive: Walter Salles will direct and Mariana Lima will star in I’m Still Here, based on Marcelo Rubens Paiva’s best-selling memoir about his mother Eunice Paiva, a housewife forced to reinvent herself as an activist when her husband fell victim to the military regime that took control of Brazil in 1964. Her husband became among many who were tortured and disappeared with no due process.
Mariana Lima, one of Brazil’s most acclaimed actresses with credits that include Dark Days and Father’s Chair, will play Paiva. Murilo Hauser, who scripted the 2019 Un Certain Regard winning-Invisible Life, adapted the screenplay, with Salles overseeing the development process.
Videofilmes, Mact, and Rt Features are producing.
The film is set to begin production in Brazil early next year, with Library Pictures International providing financing. CAA Media Finance will broker domestic distribution while Wild Bunch is handling international sales, excluding Brazil. The sellers...
Mariana Lima, one of Brazil’s most acclaimed actresses with credits that include Dark Days and Father’s Chair, will play Paiva. Murilo Hauser, who scripted the 2019 Un Certain Regard winning-Invisible Life, adapted the screenplay, with Salles overseeing the development process.
Videofilmes, Mact, and Rt Features are producing.
The film is set to begin production in Brazil early next year, with Library Pictures International providing financing. CAA Media Finance will broker domestic distribution while Wild Bunch is handling international sales, excluding Brazil. The sellers...
- 6/30/2021
- by Mike Fleming Jr
- Deadline Film + TV
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