Dawn City: Frozen Time“A place is thus an instantaneous configuration of positions. It implies an indication of stability. A space exists when one takes into consideration vectors of direction, velocities, and time variables… Every story is a travel story, a spatial practice."—Michel de Certeau, The Practice of Everyday LifeTime is the central tenet of all cinema. The impression of its passing is the enthralling illusion at the medium’s flickering heart; petrified images are reanimated by the whirr of the projector. Even at its most micro level cinema traverses the intersection of time and place, as the static location of a single picture is temporally transported before our eyes by the flurry of subsequent frames. On a macro level, that relationship and those concepts are no less pervasive or vital. In 2006, found footage filmmaker Bill Morrison told Senses of Cinema that: "for better or worse, the projector is...
- 11/29/2016
- MUBI
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