As a young New York City couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes.
As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes in Life Itself. Director and writer Dan Fogelman ("This Is Us") examines the perils and rewards of everyday life in a multi-generational saga featuring an international ensemble including Oscar Isaac, Olivia Wilde, Antonio Banderas, Annette Bening, Olivia Cooke, Sergio Peris- Mencheta, Laia Costa, Alex Monner and Mandy Patinkin. Set in New York City and Carmona, Spain, Life Itself celebrates the human condition and all of its complications with humor, poignancy and love.
During the writing of the film, Dan Fogelman listened to Bob Dylan's album Time Out of Mind and in particular the song Love Sick, which opens the film. Written after the divorce of the singer of his second wife, this double album, dating from 1997, speaks of love and mourning with melancholy. See more »
The entire film, despite covering four generations of people, all seems to take place in the present day. There's nothing to differentiate the varied time periods. See more »
Let's get married.
...We've been dating less than a year.
I know. And I feel like I've shown incredible restraint waiting this long.
I love you... but I may not be equipped to be loved this much.
See more »
Written by Mikel Izal (as Mikel Izal Luzuriaga)
Performed by Izal (as IZAL)
Courtesy of BMG Rights Administration (Spain) SLU/Hook Ediciones Musicales
By arrangement with BMG Rights Management (US) LLC See more »
On one hand, ya, I see why it has a less the 15% score on rotten tomatoes. No spoilers, but there's a major plot point near the end that you really need to suspend belief in reality to believe, within a movie that is so incredibly grounded in its graphic portrayal of reality, both mundane and intense. Additionally, it's pretty sappy, and essentially a 2 hour version of This is Us.
On the other hand, I've been buying up all available stock in Oscar Isaac ever since Inside Llewin Davis, and in Olivia Cooke ever since Thoroughbreds, and this movie only cements them as my first round picks if there were ever a fantasy football style league for actors. And also this: this movie did to me what really all movies are aiming to do. It gripped me intensely for two hours, it made me feel deeply, and here I am 6 hours later, still thinking about it. So really what else matters. Sometimes I get caught up in making sure my opinion of a movie lives up to what I think a movie should critically be without looking at what the movie actually is. I refuse to do that with this movie. I liked it and the people in it. Screw the rest. 9/10
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