© (C) Fotopedrazzini.ch / Massimo PedrazziniBelow you will find our favorite films of the 69th Locarno Film Festival, as well as an index of our coverage.Jorge MOURINHAConnections in Invisible Ink: A Look Back at Locarno 69On the International CompetitionCELLULOID Liberation Frontcoveragea Circus, a Wedding, and an Anti-ImperialistOn Tizza Covi & Reiner Frimmel's Mister Universo, Yousry Nasrallah's Brooks, Meadows and Lovely Faces, and Nicolas Wadimoff's Jean Ziegler, the Optimism of WillpowerFilmmakers of the Present & Signs of LifeOn Kris Avedisian's Donald Cried, Júlio Bressane's Beduino, and Anka & Wilhelm Sasnal's The Sun, the Sun Blinded MeINTERVIEWSTalking to Roger Corman, the Pope of Pop CinemaGUSTAVO BECKINTERVIEWSInviting Chance: An Interview with Matías PiñeiroEmbracing Uncertainty: An Interview with Eduardo WilliamsLanguage As a Rehearsal Space: An Interview with Nele Wohlatz...
- 8/19/2016
- MUBI
Donald CriedFor those unable or unwilling, like yours (un)truly, to sift through the boundless vapidity of what is vaguely termed “American Independent Cinema,” Locarno serves as a somewhat reliable filter, letting through the tight Swiss borders the hottest offerings from across the Atlantic. Like the country that produces it, American cinema possesses an indefatigable vitality and a fearless belief of the future with no room or even time for self-congratulatory nostalgia. Firmly rooted in the present, the American films Locarno showcased over the last few years re/present probably the most damning evidence of what remains relevant or even necessary about contemporary cinema.Donald Cried, Kris Avedisian's debut feature presented in the Cineasti del Presente section, is nothing short of brilliant in that it literally illuminates the murkiest aspects of a corrupted yet most intense friendship. It is around this noblest bond, increasingly subjected to the fluctuations of...
- 8/10/2016
- MUBI
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