Anatomy Of A Fall’s Swann Arlaud will star in Sukkwan Island, a psychological thriller from French director Vladimir de Fontenay that mk2 Films has boarded for sales.
Woody Norman, best known for C’mon C’mon, co-stars in the film about a father and son on a quest for survival deep in the Norwegian fjords. Production started in Norway in February and is being shot in three parts to follow the rhythm of the seasons, with further filming between Glasgow and Norway set for May.
France’s Haut et Court produces and will release Sukkwan Island in France. Co-producers include Norway’s Maipo Film,...
Woody Norman, best known for C’mon C’mon, co-stars in the film about a father and son on a quest for survival deep in the Norwegian fjords. Production started in Norway in February and is being shot in three parts to follow the rhythm of the seasons, with further filming between Glasgow and Norway set for May.
France’s Haut et Court produces and will release Sukkwan Island in France. Co-producers include Norway’s Maipo Film,...
- 5/1/2024
- ScreenDaily
Swann Arlaud, recently seen as Sandra Hüller’s lawyer in “Anatomy of a Fall,” and Woody Norman, who appeared alongside Joaquin Phoenix in 2021 crowdpleaser “C’mon C’mon,” are set to lead the cast of “Sukkwan Island.”
Ruaridh Mollica, who turned heads in this year’s Sundance following his lead turn in “Sebastian,” and Alma Pöysti, who was recently Golden Globe-nominated for Aki Kaurismäki’s “Fallen Leaves,” will also star in the film, being directed by Vladimir de Fontenay, marking the French filmmaker’s first feature since his Cannes-bowing “Mobile Homes” in 2017.
Set to start shooting in Norway in the coming weeks, “Sukkwan Island” is based on the semi-autobiographical novella by American author David Vann, part of his 2010 collection “Legend of a Suicide.” The story follows a haunted young man’s travels to a wild and secluded Island to reconnect with his father. Ten years before, they shared a harrowing and life...
Ruaridh Mollica, who turned heads in this year’s Sundance following his lead turn in “Sebastian,” and Alma Pöysti, who was recently Golden Globe-nominated for Aki Kaurismäki’s “Fallen Leaves,” will also star in the film, being directed by Vladimir de Fontenay, marking the French filmmaker’s first feature since his Cannes-bowing “Mobile Homes” in 2017.
Set to start shooting in Norway in the coming weeks, “Sukkwan Island” is based on the semi-autobiographical novella by American author David Vann, part of his 2010 collection “Legend of a Suicide.” The story follows a haunted young man’s travels to a wild and secluded Island to reconnect with his father. Ten years before, they shared a harrowing and life...
- 1/31/2024
- by Alex Ritman
- Variety Film + TV
After focusing on the rift between single mother and young child in his Directors’ Fortnight selected sophomore feature Mobile Homes (2017), Vladimir de Fontenay might be returning to some of the same of the thematics ideas and relationship dynamics in his third fiction feature film offering in the book to film adaptation of Sukkwan Island. Anders Danielsen Lie and Woody Norman (C’mon C’mon) will topline the project – housed with the Mk2 folks.
In semi-autobiographical stories set largely in David Vann’s native Alaska, this is set on a wild island in southern Alaska, accessible only by boat or seaplane, all in wet forests and steep mountains.…...
In semi-autobiographical stories set largely in David Vann’s native Alaska, this is set on a wild island in southern Alaska, accessible only by boat or seaplane, all in wet forests and steep mountains.…...
- 6/7/2023
- by Eric Lavallée
- IONCINEMA.com
“Community” and “Love” star Gillian Jacobs and “Aladdin” break-out Marwan Kenzari are set to lead Berlin-set romantic comedy “Any Other Night.”
Written by Patrick Whistler and directed by Michiel Ten Horn, the comedy follows two strangers thrown together as their lives are falling apart. Freshly dumped Maggie (Jacobs) and flailing cab driver Max (Kenzari) meet the night of a crippling transit strike, with the latter loading all of Maggie’s worldly possessions into the back of his decrepit van-cab. What should have been a simple fare becomes a wild, late-night odyssey.
“Any Other Night” is produced by Mike MacMillan of Lithium Studios, the outfit behind Cannes Director’s Fortnight selection “Mobile Homes,” alongside Sol Bondy of One Two Films (“The Tale”). Todd Brown of XYZ Films executive produces the film with XYZ handling sales.
The film marks the first English-language effort from acclaimed Dutch helmer Michiel Ten Horn (one of...
Written by Patrick Whistler and directed by Michiel Ten Horn, the comedy follows two strangers thrown together as their lives are falling apart. Freshly dumped Maggie (Jacobs) and flailing cab driver Max (Kenzari) meet the night of a crippling transit strike, with the latter loading all of Maggie’s worldly possessions into the back of his decrepit van-cab. What should have been a simple fare becomes a wild, late-night odyssey.
“Any Other Night” is produced by Mike MacMillan of Lithium Studios, the outfit behind Cannes Director’s Fortnight selection “Mobile Homes,” alongside Sol Bondy of One Two Films (“The Tale”). Todd Brown of XYZ Films executive produces the film with XYZ handling sales.
The film marks the first English-language effort from acclaimed Dutch helmer Michiel Ten Horn (one of...
- 5/6/2021
- by Manori Ravindran
- Variety Film + TV
Exclusive: OWN has set the lead cast for The Kings of Napa, its new drama series about the power struggle between wealthy siblings in Napa Valley. Ebonee Noel (FBI), Rance Nix (Zero Issue), Karen LeBlanc (Ransom) and Yaani King Mondschein (For All Mankind) have been tapped to star in the series from Claws executive producer/showrunner Janine Sherman Barrois, Warner Bros. Television and Harpo Films.
Created by Sherman Barrois, who serves as showrunner, The Kings of Napa is focused on a picturesque Napa Valley, California vineyard owned by the Kings, an aspirational African American family whose wealth and status lands them on the pages of design magazines and society pages. The wine business has brought the family success and acclaim, but following the patriarch’s sudden exit from the company, his three children must grapple for the reigns to the kingdom — to their own power, wealth and legacy.
Noel plays August King,...
Created by Sherman Barrois, who serves as showrunner, The Kings of Napa is focused on a picturesque Napa Valley, California vineyard owned by the Kings, an aspirational African American family whose wealth and status lands them on the pages of design magazines and society pages. The wine business has brought the family success and acclaim, but following the patriarch’s sudden exit from the company, his three children must grapple for the reigns to the kingdom — to their own power, wealth and legacy.
Noel plays August King,...
- 4/8/2021
- by Denise Petski
- Deadline Film + TV
MK2 Films has come on board “Silver Star,” a timely crime drama headlined by “Euphoria” star Sydney Sweeney and directed by Ruben Amar (“Swim Little Fish Swim”).
MK2 Films has acquired international sales to the indie road movie, and will introduce the project to buyers at the virtual American Film Market this week. Filming is scheduled to begin in early 2021 in the U.S.
“Silver Star” tells the story of a Bonnie-and-Clyde-type couple, Buddy, a 20-year-old Civil War re-enactor who’s fresh out of jail and struggling to root himself in today’s world, and Franny (Sydney Sweeney), an impulsive, pregnant 19-year-old with nothing to lose. Buddy is determined to reconnect with his estranged parents by saving their home from foreclosure, whatever it takes. During a botched bank robbery, Buddy takes Franny as his hostage and together they embark on an unexpected road trip across America.
Sweeney’s credits include “Euphoria,...
MK2 Films has acquired international sales to the indie road movie, and will introduce the project to buyers at the virtual American Film Market this week. Filming is scheduled to begin in early 2021 in the U.S.
“Silver Star” tells the story of a Bonnie-and-Clyde-type couple, Buddy, a 20-year-old Civil War re-enactor who’s fresh out of jail and struggling to root himself in today’s world, and Franny (Sydney Sweeney), an impulsive, pregnant 19-year-old with nothing to lose. Buddy is determined to reconnect with his estranged parents by saving their home from foreclosure, whatever it takes. During a botched bank robbery, Buddy takes Franny as his hostage and together they embark on an unexpected road trip across America.
Sweeney’s credits include “Euphoria,...
- 11/9/2020
- by Elsa Keslassy
- Variety Film + TV
Exclusive: Euphoria star Sydney Sweeney has been set to star in feature crime drama Silver Star.
The film will chart the story of an unlikely couple: Buddy, a 20-year-old fresh out of jail, and Franny (Sweeney), a pregnant 19-year-old. After his botched robbery attempt at the bank that foreclosed on Buddy’s childhood home, he abducts her, triggering an unexpected journey together.
Casting for the male lead is underway, and filming is scheduled for early 2021 in the U.S.
The original screenplay will be directed by writer-director Ruben Amar (Swim Little Fish Swim), who is producing under his banner Les Films de la Fusée with actress-producer Lola Bessis (Picnic at Hanging Rock), Virginie Lacombe (Port Authority) of Virginie Films and Jamin O’Brien (Eighth Grade) of The Community.
Amar and Bessis wrote, produced and directed SXSW 2013 pic Swim Little Fish Swim. Lacombe produced 2019 Cannes Un Certain Regard entry Port Authority and...
The film will chart the story of an unlikely couple: Buddy, a 20-year-old fresh out of jail, and Franny (Sweeney), a pregnant 19-year-old. After his botched robbery attempt at the bank that foreclosed on Buddy’s childhood home, he abducts her, triggering an unexpected journey together.
Casting for the male lead is underway, and filming is scheduled for early 2021 in the U.S.
The original screenplay will be directed by writer-director Ruben Amar (Swim Little Fish Swim), who is producing under his banner Les Films de la Fusée with actress-producer Lola Bessis (Picnic at Hanging Rock), Virginie Lacombe (Port Authority) of Virginie Films and Jamin O’Brien (Eighth Grade) of The Community.
Amar and Bessis wrote, produced and directed SXSW 2013 pic Swim Little Fish Swim. Lacombe produced 2019 Cannes Un Certain Regard entry Port Authority and...
- 10/28/2020
- by Andreas Wiseman
- Deadline Film + TV
International sales outfit Orange Studio has boarded Los Angeles-based Indian director Pan Nalin’s “Last Film Show” and will commence sales at the upcoming American Film Market.
The film follows the 10-year-old son of a poor tea seller in India who begins a magical journey into the world of 35mm with the help of a film projectionist friend. It is currently shooting in remote parts of India.
“The ‘Last Film Show’ for me is a cinematic mission,” said Nalin. “I have spent years developing and preparing it. Now, it’s impossible to believe that we are actually halfway through filming in these spectacular vistas where lambs and lions roam freely.”
Nalin’s 2001 feature “Samsara” won numerous awards globally, and more recently, his “Angry Indian Goddesses” won the Audience Choice Award at Rome and the 1st Runner Up Audience Choice Award at Toronto in 2016.
Orange Studio is a subsidiary of French telecom giant Orange.
The film follows the 10-year-old son of a poor tea seller in India who begins a magical journey into the world of 35mm with the help of a film projectionist friend. It is currently shooting in remote parts of India.
“The ‘Last Film Show’ for me is a cinematic mission,” said Nalin. “I have spent years developing and preparing it. Now, it’s impossible to believe that we are actually halfway through filming in these spectacular vistas where lambs and lions roam freely.”
Nalin’s 2001 feature “Samsara” won numerous awards globally, and more recently, his “Angry Indian Goddesses” won the Audience Choice Award at Rome and the 1st Runner Up Audience Choice Award at Toronto in 2016.
Orange Studio is a subsidiary of French telecom giant Orange.
- 11/6/2019
- by Naman Ramachandran
- Variety Film + TV
A deceptively simple romance doesn’t take away that there is something quietly radical at work in the New York love story Port Authority, set in the underground Kiki ballroom dance community. This is grounded in a believable reality, directed by first-timer Danielle Lessovitz, executive produced by Martin Scorsese and starring a promising Fionn Whitehead and Leyna Bloom, the first trans woman of color to headline a film at Cannes.
Whitehead plays 20-year-old ex-con Paul, a Pittsburgh native dropped off at the New York City terminal of the title, stumbling out into the city without friends or family–a sister he hoped would meet him never materializes. On the subway he’s beaten up and robbed, but taken in by Lee, who offers him the chance to survive in seedy work as removal men, kicking out tenants who haven’t paid their rent–the foot soldiers of gentrification. To survive in a dog-eat-dog city,...
Whitehead plays 20-year-old ex-con Paul, a Pittsburgh native dropped off at the New York City terminal of the title, stumbling out into the city without friends or family–a sister he hoped would meet him never materializes. On the subway he’s beaten up and robbed, but taken in by Lee, who offers him the chance to survive in seedy work as removal men, kicking out tenants who haven’t paid their rent–the foot soldiers of gentrification. To survive in a dog-eat-dog city,...
- 6/11/2019
- by Ed Frankl
- The Film Stage
In “Port Authority,” a gritty New York-set coming of age drama with a tender romance at its heart, for once it’s not the trans character who is hiding something. Wye (Leyna Bloom) has never made a secret of her gender identity; instead, as she points out to her paramour Paul (Fionn Whitehead), it is he who made an assumption about who she was. “You gotta look around you,” she tells him. The rest of the film, which premiered in Cannes’ Un Certain Regard section to raves, is more interested in what Paul is hiding, and whether he could ever be accepted into Wye’s world of queer balls and familial houses. When she challenges him to name which ball category he would walk, he answers: “White boy realness.”
The phrase is a challenge, both to Paul and the viewer. Ball categories are aspirational and performative by their very nature.
The phrase is a challenge, both to Paul and the viewer. Ball categories are aspirational and performative by their very nature.
- 5/22/2019
- by Jude Dry
- Indiewire
Nearly 30 years after “The Crying Game” depicted a man’s revulsion at discovering his partner was trans, “Port Authority” sets the record straight. When Paul (Fionn Whitehead) learns that ballroom dancer Wye (Lenya Bloom) is a “femme girl” soon after their romance has blossomed, he doesn’t retch or try to flee. The pair engage in a levelheaded debate about the ethics of communication, and then he more or less gets over it.
Director Danielle Lessovitz’s proficient debut follows a lot of familiar beats, with the template for a gritty, naturalistic New York City love story about inner-city troublemakers done many times before. Yet her ability to address the drama’s specific hook in measured terms enables this scrappy little movie to strike a quietly progressive note.
“Kids” by way of “Paris is Burning,” Lessovitz’s story reorients the perspective of a straight white guy from the midwest by turning him into the outsider.
Director Danielle Lessovitz’s proficient debut follows a lot of familiar beats, with the template for a gritty, naturalistic New York City love story about inner-city troublemakers done many times before. Yet her ability to address the drama’s specific hook in measured terms enables this scrappy little movie to strike a quietly progressive note.
“Kids” by way of “Paris is Burning,” Lessovitz’s story reorients the perspective of a straight white guy from the midwest by turning him into the outsider.
- 5/18/2019
- by Eric Kohn
- Indiewire
I believe animals in film bring a sense of reality to the scene. They make us more conscious about the actions and decisions of our heroes.
There’s a beautiful scene in “Panic in Needle Park,” when Al Pacino and Kitty Winn play addicts who shoot heroin on a ferry and the puppy they just adopted appears to fall off the boat and drown. It’s tragic, and by looking at the innocent animal they just hurt, the characters finally realize the consequences of their actions. I think we all have a natural affinity to animals, so it can play on that deep emotional connection.
Animals are unpredictable and sometimes impossible to direct, but if you learn to be flexible, an animal can help make a scene feel more authentic and compelling for the audience. That’s the experience I had directing a chicken on the set of my new indie drama “Mobile Homes.
There’s a beautiful scene in “Panic in Needle Park,” when Al Pacino and Kitty Winn play addicts who shoot heroin on a ferry and the puppy they just adopted appears to fall off the boat and drown. It’s tragic, and by looking at the innocent animal they just hurt, the characters finally realize the consequences of their actions. I think we all have a natural affinity to animals, so it can play on that deep emotional connection.
Animals are unpredictable and sometimes impossible to direct, but if you learn to be flexible, an animal can help make a scene feel more authentic and compelling for the audience. That’s the experience I had directing a chicken on the set of my new indie drama “Mobile Homes.
- 1/22/2019
- by Vladimir de Fontenay
- The Wrap
If you didn’t know Imogen Poots was British, it is understandable. Few young actors transform so chameleon-like, role-to-role, applying accents so skillfully. I was first wowed by her in Peter Bogdanovich’s She’s Funny That Way and then I actually didn’t even know it was her in Green Room until I saw the credits. She floored me again in Frank and Lola opposite Michael Shannon, in an entirely different kind of role. Now she plays a drifter with questionable parenting skills, who steers into escalating trouble in Mobile Homes, and by the end of the movie her performance wrecked me. In […]...
- 1/22/2019
- by Peter Rinaldi
- Filmmaker Magazine - Blog
If you didn’t know Imogen Poots was British, it is understandable. Few young actors transform so chameleon-like, role-to-role, applying accents so skillfully. I was first wowed by her in Peter Bogdanovich’s She’s Funny That Way and then I actually didn’t even know it was her in Green Room until I saw the credits. She floored me again in Frank and Lola opposite Michael Shannon, in an entirely different kind of role. Now she plays a drifter with questionable parenting skills, who steers into escalating trouble in Mobile Homes, and by the end of the movie her performance wrecked me. In […]...
- 1/22/2019
- by Peter Rinaldi
- Filmmaker Magazine-Director Interviews
Leading a life on the fringes of society may not be the most appealing existence to many families. But the at-times struggling characters played by Imogen Poots and Callum Turner in the new drama, ‘Mobile Homes,’ are preserving their unconventional way of survival as a family unit. The characters’ endurance to remain together, while also […]
The post Imogen Poots Feels Her New Life Isn’t Bad in Mobile Homes Exclusive Clip appeared first on Shockya.com.
The post Imogen Poots Feels Her New Life Isn’t Bad in Mobile Homes Exclusive Clip appeared first on Shockya.com.
- 1/17/2019
- by Karen Benardello
- ShockYa
"I guess this is not really my idea of a 'home.'" Darkstar Pictures & Uncork'd Entertainment have debuted an official Us trailer for an indie drama titled Mobile Homes, which premiered in Directors' Fortnight at the Cannes Film Festival last year (not this year). From writer & director Vladimir de Fontenay, the film will finally be released in Us theaters this November. The story follows a young mother named Ali, played by Imogen Poots, who drifts from one motel to the next with her intoxicated boyfriend, and her 8-year-old son. The makeshift family scrapes by, one hustle at a time, until the discovery of a mobile home community offers a better life. The cast includes Callum Turner, Callum Keith Rennie, with Frank Oulton. This is one of those films that actually looks way better than it sounds, and this trailer is definitely worth a watch. Here's the official Us trailer (+ posters...
- 10/8/2018
- by Alex Billington
- firstshowing.net
How many great films begin with the simple question, “What lengths will a mother go for her child?” It’s a classic story told in film for decades. And later this fall, one of the best recent examples of this type of story hits theaters, in the surprising, moving film “Mobile Homes.”
“Mobile Homes” premiered at last year’s Cannes Film Festival (read our review) and stars Imogen Poots as a mother that goes to great lengths to ensure her child has shelter for the night.
Continue reading ‘Mobile Homes’ Exclusive Trailer: Cannes Selection Stars Imogen Poots As A Mother Desperate To Protect Her Son at The Playlist.
“Mobile Homes” premiered at last year’s Cannes Film Festival (read our review) and stars Imogen Poots as a mother that goes to great lengths to ensure her child has shelter for the night.
Continue reading ‘Mobile Homes’ Exclusive Trailer: Cannes Selection Stars Imogen Poots As A Mother Desperate To Protect Her Son at The Playlist.
- 10/4/2018
- by Charles Barfield
- The Playlist
Acting is pretending. Great acting is doing it in such a way that audiences forget the artifice and buy into the reality of the character completely. Not many are likely to mistake what Marion Cotillard does in “Angel Face” for great acting, as the glamorous French star gives a performance so phony it feels like a “Saturday Night Live” parody of a white-trash trainwreck, downright pathetic in its attempt to achieve what came so naturally to relative amateur Bria Vinaite in last year’s “The Florida Project.”
Buried under garish makeup and a ton of glitter, this Côte d’Azur project looks suspiciously as if first-time director Vanessa Filho caught Sean Baker’s ebullient unfit-mother movie last year at Cannes and tried to do the same thing, with markedly less convincing results. In France, Cotillard isn’t taken all that seriously to begin with, which won’t help the film’s domestic chances,...
Buried under garish makeup and a ton of glitter, this Côte d’Azur project looks suspiciously as if first-time director Vanessa Filho caught Sean Baker’s ebullient unfit-mother movie last year at Cannes and tried to do the same thing, with markedly less convincing results. In France, Cotillard isn’t taken all that seriously to begin with, which won’t help the film’s domestic chances,...
- 5/12/2018
- by Peter Debruge
- Variety Film + TV
Rodrigo Teixeira’s Rt Features and Martin Scorsese’s Sikelia Prods. are re-teaming to produce and finance a pair of feature debuts: Danielle Lessovitz’s “Port Authority” and Antoneta Alamat Kusijanovic’s “Murina.”
Rt Features launched a joint venture in 2014 with Scorsese’s Sikelia Prods. in order to discover emerging talents from around the world and produce their
Rt and Sikelia Prods. had “A Ciambra” in Directors’ Fortnight last year. Other recent Rt credits include Luca Guadagnino’s Oscar-winning “Call Me By Your Name” among its recent credits.
“Port Authority” is a love story set in New York’s underground ballroom culture. The film follows Paul, a midwestern teenager, who arrives at the central bus station and quickly catches feelings for Wye, a 22 year old girl voguing on the sidewalk. When he discovers Wye is trans, crisis occurs and he is forced to confront his own identity and what it means to belong.
Rt Features launched a joint venture in 2014 with Scorsese’s Sikelia Prods. in order to discover emerging talents from around the world and produce their
Rt and Sikelia Prods. had “A Ciambra” in Directors’ Fortnight last year. Other recent Rt credits include Luca Guadagnino’s Oscar-winning “Call Me By Your Name” among its recent credits.
“Port Authority” is a love story set in New York’s underground ballroom culture. The film follows Paul, a midwestern teenager, who arrives at the central bus station and quickly catches feelings for Wye, a 22 year old girl voguing on the sidewalk. When he discovers Wye is trans, crisis occurs and he is forced to confront his own identity and what it means to belong.
- 5/9/2018
- by Elsa Keslassy
- Variety Film + TV
Dark Star Pictures has acquired U.S. rights to the Imogen Poots-starring drama Mobile Homes.
The Canada-France co-production was written and directed by Vladimir de Fontenay, and features Poots as Ali, a young woman drifting from one motel to the next with her boyfriend and 8-year-old son. After a crisis rips their lives apart, Ali lands in a mobile home community and must reassess her sense of motherhood.
Callum Turner, Callum Keith Rennie and Frank Oulton also star in the indie. Mobile Homes is based on an earlier short film of the same name by French director de Fontenay.
"We are...
The Canada-France co-production was written and directed by Vladimir de Fontenay, and features Poots as Ali, a young woman drifting from one motel to the next with her boyfriend and 8-year-old son. After a crisis rips their lives apart, Ali lands in a mobile home community and must reassess her sense of motherhood.
Callum Turner, Callum Keith Rennie and Frank Oulton also star in the indie. Mobile Homes is based on an earlier short film of the same name by French director de Fontenay.
"We are...
- 2/18/2018
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Winners of the 2017 Whistler Film Festival were announced at the Awards Celebration this morning on the final day of the 17th annual Festival. Ian Lagarde’s first feature All You Can Eat Buddha and Jason and Carlos Sanchez’s A Worthy Companion tied for the $15,000 cash prize presented by the Directors Guild of Canada, British Columbia and the $15,000 post-production prize sponsored by Encore Vancouver in the 14th edition of the coveted Borsos Competition for Best Canadian Feature Film. The jury states “each in their own way convey unique visions and creative storytelling the jury believes have made and will make powerful contributions to the world of cinema.”A Worthy Companion
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
- 12/5/2017
- by Sydney Levine
- Sydney's Buzz
‘Mobile Homes’ Starring Imogen Poots Is Made With Skill, But Frustrates Dramatically [Cannes Review]
Every year journalists cry foul at the Cannes Film Festival, demanding an expiation why their nation’s cinema is underrepresented (or plain absent) from the various selections: China, India, Spain, et cetera. Of course, Canadians are too polite to interject in a press conference, but the only nominally Canuck film to be found on the Croisette this year, “Mobile Homes,” was in the Directors’ Fortnight program. Paris-born, U.S.
Continue reading ‘Mobile Homes’ Starring Imogen Poots Is Made With Skill, But Frustrates Dramatically [Cannes Review] at The Playlist.
Continue reading ‘Mobile Homes’ Starring Imogen Poots Is Made With Skill, But Frustrates Dramatically [Cannes Review] at The Playlist.
- 5/31/2017
- by Bradley Warren
- The Playlist
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