Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress, as presented by the creators themselves. At the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
Tormenting the Hen
Logline: A feature film tumult of social malaise and toxic love, set in the picturesque Berkshires!
Elevator Pitch:
When playwright Claire is invited to set her latest work at a rural theatre company, her fiancé Monica tags along for a much-needed vacation. Upon encountering Mutty, an enigmatic groundskeeper with a gross lack of boundaries, Monica’s hopes for respite, her future with Claire, and her very sanity are thrown into jeopardy.
Production Team:
Theodore Collatos – Writer, Director, Cinematographer and co-editor (“Dipso”, “Time”)
Ben Umstead – Producer (“Albatross”, “Three Fingers”)
George Manatos – Producer, Editor...
In the meantime: Is this a project you’d want to see? Tell us in the comments.
Tormenting the Hen
Logline: A feature film tumult of social malaise and toxic love, set in the picturesque Berkshires!
Elevator Pitch:
When playwright Claire is invited to set her latest work at a rural theatre company, her fiancé Monica tags along for a much-needed vacation. Upon encountering Mutty, an enigmatic groundskeeper with a gross lack of boundaries, Monica’s hopes for respite, her future with Claire, and her very sanity are thrown into jeopardy.
Production Team:
Theodore Collatos – Writer, Director, Cinematographer and co-editor (“Dipso”, “Time”)
Ben Umstead – Producer (“Albatross”, “Three Fingers”)
George Manatos – Producer, Editor...
- 10/18/2016
- by Steve Greene
- Indiewire
Yesterday we premiered Christopher Jason Bell’s short film One Times One; today, we’re following up with the premiere of his colleague/interlocutor Theodore Collatos’ short Albatross. It’s the story of a young girl being raised by her uncle, only to have their relationship disrupted by the unexpected return of her father. As Collatos told Bell in their conversation (which we published Tuesday), “I really wanted to continue to build a fictional story within the context of Matt Shaw’s actual life. Elements of real story beats with real people in a poetic and seasonal time structure. Seasons pass, family changes and the mysteries of life go […]...
- 5/26/2016
- by Filmmaker Staff
- Filmmaker Magazine - Blog
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