A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.
- Won 3 Oscars
- 233 wins & 309 nominations total
Alex R. Hibbert
- Little
- (as Alex Hibbert)
Duan Sanderson
- Azu
- (as Duan 'Sandy' Sanderson)
Herman 'Caheei McGloun
- Longshoreman
- (as Herman 'Caheej' McGloun)
Rudi Goblen
- Gee
- (as Rudi Goblin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Storyline
Did you know
- TriviaNaomie Harris had to shoot her entire role in three days, in between her promotional tour of Spectre (2015), due to a visa problem (Harris is British). The scenes spanned 15 years in the character's life and were filmed out of sequence.
- GoofsWhen Chiron and his mother are in their house and she asks him for money, his backpack is placed at his front, strapped over both shoulders. However, in several shots where he is seen from the back, there is no strap over his left shoulder. At one point he switches the backpack from his front to his back, but right after that, when his mother starts struggling with him, the backpack is at his front again.
- Crazy creditsThere are no opening credits.
- Alternate versionsDespite the 'A' (adults only) rating, the Indian theatrical release was cut by 53 seconds by the Censor Board to mute all instances of "bitch/bitches, motherfucker, and dick", the sex scene between Kevin and Chiron, and the homosexual kiss between 2 boys. After cuts, 2 minutes was added to promote anti-smoking disclaimers.
- SoundtracksEvery Nigger Is a Star
Written by Boris Gardiner and Barrington Gardiner
Performed by Boris Gardiner
Remix by Dennis "DEZO" Williams
Courtesy of Now-Again Records, LLC obo Jazzman Records LTD.
Featured review
Coming of Age in All Its Complexities
"Moonlight" may very well be a breath of fresh air to others who are tired to death of our culture's obsession with labeling and categorizing everything in an attempt to understand it. If it can't be easily categorized, it's either frightening and something to be opposed to, or it's abnormal and therefore something to be marginalized.
The main conflict at the heart of "Moonlight," a beautiful movie about a young black man's coming of age in poor and drug-afflicted Miami, is our protagonist's inability to define himself in terms that his environment will allow. He doesn't fit into any of the categories available to him, so he sets out to force himself into one that seems like the best option. His name is Chiron, and the movie shows him to us at three stages of his life, portrayed by three different but wonderful actors. As a little boy, he struggles with loneliness and neglect thanks to a crack-addicted mom (played by Naomie Harris) and takes to the first person who offers to be a father figure to him. In a Dickensian twist, this person happens to be a drug dealer who nevertheless offers him sympathy and understanding not to be found anywhere else. The middle section depicts Chiron as a young man navigating his emerging homosexuality and the high school bullying that goes along with it. In the film's final and most breathtaking sequence, we follow Chiron as a man in his twenties to a reunion with a high school friend who gave him his first gay experience and whom he's never been able to completely move on from. This entire sequence is directed, written, and acted with utmost delicacy.
I can't think of a movie in recent memory that puts loneliness and anguish on screen more effectively than "Moonlight." It's a movie that asks us to see life from the perspective of a very specific individual but then draws universal conclusions from it that makes the superficial differences between him and the viewer (I'm not black, I'm not gay, I didn't grow up in a poor urban environment) melt away until you feel deep compassion and sympathy for a fellow human being who is doing what we all are -- navigating the complexities of living on this world and making the best of it we can.
Grade: A
The main conflict at the heart of "Moonlight," a beautiful movie about a young black man's coming of age in poor and drug-afflicted Miami, is our protagonist's inability to define himself in terms that his environment will allow. He doesn't fit into any of the categories available to him, so he sets out to force himself into one that seems like the best option. His name is Chiron, and the movie shows him to us at three stages of his life, portrayed by three different but wonderful actors. As a little boy, he struggles with loneliness and neglect thanks to a crack-addicted mom (played by Naomie Harris) and takes to the first person who offers to be a father figure to him. In a Dickensian twist, this person happens to be a drug dealer who nevertheless offers him sympathy and understanding not to be found anywhere else. The middle section depicts Chiron as a young man navigating his emerging homosexuality and the high school bullying that goes along with it. In the film's final and most breathtaking sequence, we follow Chiron as a man in his twenties to a reunion with a high school friend who gave him his first gay experience and whom he's never been able to completely move on from. This entire sequence is directed, written, and acted with utmost delicacy.
I can't think of a movie in recent memory that puts loneliness and anguish on screen more effectively than "Moonlight." It's a movie that asks us to see life from the perspective of a very specific individual but then draws universal conclusions from it that makes the superficial differences between him and the viewer (I'm not black, I'm not gay, I didn't grow up in a poor urban environment) melt away until you feel deep compassion and sympathy for a fellow human being who is doing what we all are -- navigating the complexities of living on this world and making the best of it we can.
Grade: A
helpful•16193
- evanston_dad
- Nov 28, 2016
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $27,854,932
- Opening weekend US & Canada
- $402,075
- Oct 23, 2016
- Gross worldwide
- $65,172,611
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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