The Academy of Motion Picture Arts and Sciences on Thursday revealed the 366 feature films that are eligible for consideration at the 93rd Oscars, which are set to air April 25 live on ABC.
The total number of films is up from last year’s 344 films in contention.
This year’s list was compiled based on tweaked eligibility rules implemented because of the coronavirus pandemic, which has pushed the ceremony to its latest date ever. For this year, feature films had to open by February 28 in a commercial motion picture theater for a seven-day qualifying run in at least one of six metro areas: Los Angeles County, New York City, the Bay Area, Chicago, Miami and Atlanta. Drive-in theaters open nightly were included as qualifying venues, as were films intended for theatrical release but because of the lockdown made available first via streaming, VOD service or other broadcast.
Today’s news comes...
The total number of films is up from last year’s 344 films in contention.
This year’s list was compiled based on tweaked eligibility rules implemented because of the coronavirus pandemic, which has pushed the ceremony to its latest date ever. For this year, feature films had to open by February 28 in a commercial motion picture theater for a seven-day qualifying run in at least one of six metro areas: Los Angeles County, New York City, the Bay Area, Chicago, Miami and Atlanta. Drive-in theaters open nightly were included as qualifying venues, as were films intended for theatrical release but because of the lockdown made available first via streaming, VOD service or other broadcast.
Today’s news comes...
- 2/25/2021
- by Patrick Hipes
- Deadline Film + TV
The director of Palmer helps us kick off our new season by walking us through some of his favorite movies.
Show Notes: Movies Referenced In This Episode
Bloodhounds Of Broadway (1989)
Salvador (1986)
True Believer (1989)
Palmer (2021)
Wonder Wheel (2017)
A Face In The Crowd (1957)
On The Waterfront (1954)
No Time For Sergeants (1958)
The Confidence Man (2018)
Lolita (1962)
Dr. Strangelove (1964)
The Ghost Of Peter Sellers (2018)
The Marrying Man (1991)
The Ruling Class (1972)
The Krays (1990)
Let Him Have It (1991)
The Changeling (1980)
On The Border (1998)
Murder By Decree (1979)
Bigger Than Life (1956)
The Night of the Iguana (1964)
Fat City (1972)
Angel (1984)
Animal House (1978)
My Science Project (1985)
Lucía (1968)
Paper Moon (1973)
Sullivan’s Travels (1941)
The Great McGinty (1940)
I Married A Witch (1942)
Do The Right Thing (1989)
Raging Bull (1980)
Once Upon A Time In America (1984)
The Rider (2017)
The Mustang (2019)
Nomadland (2020)
Murmur of the Heart (1971)
Sweet Smell Of Success (1957)
Mr. Smith Goes To Washington (1939)
Apocalypse Now (1979)
The Conversation (1974)
The Godfather (1972)
The Godfather Part III (1990)
The Magnificent Ambersons...
Show Notes: Movies Referenced In This Episode
Bloodhounds Of Broadway (1989)
Salvador (1986)
True Believer (1989)
Palmer (2021)
Wonder Wheel (2017)
A Face In The Crowd (1957)
On The Waterfront (1954)
No Time For Sergeants (1958)
The Confidence Man (2018)
Lolita (1962)
Dr. Strangelove (1964)
The Ghost Of Peter Sellers (2018)
The Marrying Man (1991)
The Ruling Class (1972)
The Krays (1990)
Let Him Have It (1991)
The Changeling (1980)
On The Border (1998)
Murder By Decree (1979)
Bigger Than Life (1956)
The Night of the Iguana (1964)
Fat City (1972)
Angel (1984)
Animal House (1978)
My Science Project (1985)
Lucía (1968)
Paper Moon (1973)
Sullivan’s Travels (1941)
The Great McGinty (1940)
I Married A Witch (1942)
Do The Right Thing (1989)
Raging Bull (1980)
Once Upon A Time In America (1984)
The Rider (2017)
The Mustang (2019)
Nomadland (2020)
Murmur of the Heart (1971)
Sweet Smell Of Success (1957)
Mr. Smith Goes To Washington (1939)
Apocalypse Now (1979)
The Conversation (1974)
The Godfather (1972)
The Godfather Part III (1990)
The Magnificent Ambersons...
- 2/2/2021
- by Kris Millsap
- Trailers from Hell
The Academy of Motion Picture Arts and Sciences on Thursday released its official entries for 2021 Oscars in the categories of Documentary Feature, Animated Feature and International Films. The takeaway: As expected, the eligible Documentary Feature lineup shatters the record for the most ever.
A total of 238 features are eligible for consideration in the Doc Feature category, breaking the previous record of 170 set in 2017. Last year, by contrast, 159 feature documentaries qualified. The Academy relaxed eligibility rules in light of Covid-19, so that any film that could make a claim of an intended theatrical release was deemed eligible. Earning awards from film festivals was an alternative way to qualify.
For the International Feature race, Lesotho, Sudan and Suriname are first-time entrants among the 93 eligible titles, the same total as last year. Earlier this year, the Academy’s Board of Governors boosted the number of films eligible for the shortlist from 10 to 15. Under the new rules,...
A total of 238 features are eligible for consideration in the Doc Feature category, breaking the previous record of 170 set in 2017. Last year, by contrast, 159 feature documentaries qualified. The Academy relaxed eligibility rules in light of Covid-19, so that any film that could make a claim of an intended theatrical release was deemed eligible. Earning awards from film festivals was an alternative way to qualify.
For the International Feature race, Lesotho, Sudan and Suriname are first-time entrants among the 93 eligible titles, the same total as last year. Earlier this year, the Academy’s Board of Governors boosted the number of films eligible for the shortlist from 10 to 15. Under the new rules,...
- 1/28/2021
- by Patrick Hipes and Matthew Carey
- Deadline Film + TV
The Oscars Best Documentary Feature race, which set a new record for entries in December when it passed the previous record of 170, has now left all previous years in the dust with 240 eligible films.
An additional 25 documentary features were placed in the members-only online screening room devoted to the category on Saturday, in what the Academy told voters would be “the final batch” of this year’s entries. It was the last of seven groups of documentaries that qualified and were placed into the screening room: 25 in July, 12 in August, 16 in September, 33 in October, 36 in November, a huge group of 93 in December and now 25 in January.
Academy rules put in place because of the Covid-19 pandemic made it easier than usual for documentaries to qualify for the Oscars this year, which opened the door for a field that obliterated the previous record, which was set in 2017. Films could qualify simply...
An additional 25 documentary features were placed in the members-only online screening room devoted to the category on Saturday, in what the Academy told voters would be “the final batch” of this year’s entries. It was the last of seven groups of documentaries that qualified and were placed into the screening room: 25 in July, 12 in August, 16 in September, 33 in October, 36 in November, a huge group of 93 in December and now 25 in January.
Academy rules put in place because of the Covid-19 pandemic made it easier than usual for documentaries to qualify for the Oscars this year, which opened the door for a field that obliterated the previous record, which was set in 2017. Films could qualify simply...
- 1/17/2021
- by Steve Pond
- The Wrap
The Academy dropped another 33 feature films into the online screening room for members of its Documentary Branch on Oct. 30, giving the Oscars doc race its biggest influx of new films to date. The branch now has 86 films to consider, with two or three more batches of films (and potentially more than 50 additional contenders) likely to be added to the field by early January.
Coming the same week that the Critics Choice Documentary Awards announced its nominees and the International Documentary Association’s Ida Documentary Awards revealed the 30-film shortlist from which it will make its final choices, the Academy move kicked the Oscar doc race into another gear in a year that promises to be highly competitive.
Among the docs that were made available to voters this week were Bryce Dallas Howard’s film about fatherhood, “Dads,” which means she’ll be competing against her father, Ron Howard, who is...
Coming the same week that the Critics Choice Documentary Awards announced its nominees and the International Documentary Association’s Ida Documentary Awards revealed the 30-film shortlist from which it will make its final choices, the Academy move kicked the Oscar doc race into another gear in a year that promises to be highly competitive.
Among the docs that were made available to voters this week were Bryce Dallas Howard’s film about fatherhood, “Dads,” which means she’ll be competing against her father, Ron Howard, who is...
- 11/2/2020
- by Steve Pond
- The Wrap
Once upon a time, “Tenet” was set to open today, July 17. When Warners dated the film, rivals got out of the way. At this writing, it’s scheduled for August 12 worldwide, and it’s just one of many major releases to see (sometimes multiple) delays — or, rerouting to VOD release. Trying to track, or even remember, all the films that shifted would challenge even the most obsessed film fan.
With that in mind, we’ve recreated the original release calendar for March 20 through July 17 as it stood on March 3 — the day before Bond film “No Time to Die” shifted from April to November, auguring a massive number of changes to come.
The list, which we will continue updating, includes all studio wide release titles to date, and the most significant specialized titles that anticipated a limited release. Of note: A film like “Palm Springs” (Neon) was expected to have a...
With that in mind, we’ve recreated the original release calendar for March 20 through July 17 as it stood on March 3 — the day before Bond film “No Time to Die” shifted from April to November, auguring a massive number of changes to come.
The list, which we will continue updating, includes all studio wide release titles to date, and the most significant specialized titles that anticipated a limited release. Of note: A film like “Palm Springs” (Neon) was expected to have a...
- 7/17/2020
- by Tom Brueggemann
- Indiewire
Call me a heretic, but I’m someone who never gloried all that much in the comedic awesomeness of Peter Sellers. Well, okay, I did in “Dr. Strangelove” — who would deny the delectable punch of that virtuoso hat trick of performances? But the “Pink Panther” films were always a hit-or-miss mélange of the funny and the slapdash corny, and there’s an underlying zaniness to the Sellers mystique that to me, at least, doesn’t age that well. I make a point of this because there’s a kind of cult for the idea that Peter Sellers was a mad genius: the guy who had no self and only came into being when he played a character, the Swinging Sixties devil who stole movies right out from under their creators. That cult is at the center of “The Ghost of Peter Sellers,” a documentary about the making of one of...
- 6/27/2020
- by Owen Gleiberman
- Variety Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Beats (Brian Welsh)
What exactly are Johnno and Spanner? There are moments when the two Scottish teens hate each other’s guts with bilious fervor, others when they’re the “dream team and that,” inseparable and co-dependent best friends à la Diego Luna and Gael Garcia Bernal in Y Tu Mamá También, others still when their bromance veers into an uncharted, emotionally complex terrain. Brian Welsh’s rollicking Beats thrives on these ambiguities, on a greater-than-life friendship between an introvert and his volcanic and beguilingly ruffian neighbor as they brace for a night out that’s likely to be their last–or at any rate, the...
Beats (Brian Welsh)
What exactly are Johnno and Spanner? There are moments when the two Scottish teens hate each other’s guts with bilious fervor, others when they’re the “dream team and that,” inseparable and co-dependent best friends à la Diego Luna and Gael Garcia Bernal in Y Tu Mamá También, others still when their bromance veers into an uncharted, emotionally complex terrain. Brian Welsh’s rollicking Beats thrives on these ambiguities, on a greater-than-life friendship between an introvert and his volcanic and beguilingly ruffian neighbor as they brace for a night out that’s likely to be their last–or at any rate, the...
- 6/26/2020
- by Jordan Raup
- The Film Stage
Most stories of tortured film productions turn on the tragedy of missed opportunities: We’ll never know if Alejandro Jodoworsky’s “Dune” or the original version of Terry Gilliam’s “The Man Who Killed Don Quixote” would have delivered on their directors’ audacious visions. “Ghost in the Noonday Sun” is a different situation. The 1974 pirate comedy, which starred Peter Sellers as a 17th century troublemaker named Dick Scratcher, actually got made — and it sucked. In fact, everyone involved felt that the movie was a mistake. Sellers, at the height of his commercial and creative powers, clashed with director Peter Medak on a nightmarish shoot riddled with practical challenges and indecision; Columbia shelved the project, dumping it on home video a decade later, Medak’s career was forever tarnished, and Sellers died by the end of the decade.
In the grand tradition of “Jodoworsky’s Dune” and “Lost in La Mancha,...
In the grand tradition of “Jodoworsky’s Dune” and “Lost in La Mancha,...
- 6/23/2020
- by Eric Kohn
- Thompson on Hollywood
Most stories of tortured film productions turn on the tragedy of missed opportunities: We’ll never know if Alejandro Jodoworsky’s “Dune” or the original version of Terry Gilliam’s “The Man Who Killed Don Quixote” would have delivered on their directors’ audacious visions. “Ghost in the Noonday Sun” is a different situation. The 1974 pirate comedy, which starred Peter Sellers as a 17th century troublemaker named Dick Scratcher, actually got made — and it sucked. In fact, everyone involved felt that the movie was a mistake. Sellers, at the height of his commercial and creative powers, clashed with director Peter Medak on a nightmarish shoot riddled with practical challenges and indecision; Columbia shelved the project, dumping it on home video a decade later, Medak’s career was forever tarnished, and Sellers died by the end of the decade.
In the grand tradition of “Jodoworsky’s Dune” and “Lost in La Mancha,...
In the grand tradition of “Jodoworsky’s Dune” and “Lost in La Mancha,...
- 6/23/2020
- by Eric Kohn
- Indiewire
Movie junkies, rejoice. Director Peter Medak has made an instructive and nightmarishly funny documentary about how actor Peter Sellers drove him crazy and nearly trashed his career. The Ghost of Peter Sellers (now available on demand) recounts the filming of Ghost in the Noonday Sun, a 1973 pirate-epic folly so riven by fits, fights and clashing egos that its producers decided never to release it. “We all just wanted to kill ourselves,” said Medak after the film’s first screening.
On Cyrus, where this 17th-century adventure was shot, disaster was in the air from Day One,...
On Cyrus, where this 17th-century adventure was shot, disaster was in the air from Day One,...
- 6/23/2020
- by Peter Travers
- Rollingstone.com
The life of accomplished film actor Peter Sellers has been one of the most infamous in Hollywood history. Known most for his creation of Chief Inspector Clouseau in The Pink Panther movies, Sellers was also the star of classic films such as Being There, Dr. Strangelove, and Lolita. The Oscar-nominated actor struggled with depression and addiction throughout his career and often clashed with fellow actors and directors. One such director is Peter Medak, who outlines his tumultuous working relationship with Sellers in his new documentary The Ghost of Peter Sellers.
In 1973, Medak enlisted Sellers to star in his pirate comedy movie Ghost in the Noonday Sun, where the two had a disastrous working experience that Medak is still reeling from to this day. The trailer for the documentary shows Medak emotional over the experience, detailing Sellers using drugs and faking a heart attack during the filming. The final product stayed...
In 1973, Medak enlisted Sellers to star in his pirate comedy movie Ghost in the Noonday Sun, where the two had a disastrous working experience that Medak is still reeling from to this day. The trailer for the documentary shows Medak emotional over the experience, detailing Sellers using drugs and faking a heart attack during the filming. The final product stayed...
- 6/19/2020
- by Stephen Hladik
- The Film Stage
Filmmaker Peter Medak has carved out a successful career in the industry, but it’s almost impossible to experience failure and disappointment along the way. The documentary The Ghost of Peter Sellers centers on Medak’s relationship with the late actor.
Sellers starred in Medak’s 1973 bomb Ghost in the Noonday Sun, and part [...]
The post Peter Medak Documentary ‘The Ghost of Peter Sellers’ Hits On Demand In June appeared first on Hollywood Outbreak.
Sellers starred in Medak’s 1973 bomb Ghost in the Noonday Sun, and part [...]
The post Peter Medak Documentary ‘The Ghost of Peter Sellers’ Hits On Demand In June appeared first on Hollywood Outbreak.
- 5/19/2020
- by Hollywood Outbreak
- HollywoodOutbreak.com
Peter Sellers is one of the most famous comedic actors of all time. But that doesn’t mean he was the easiest performer to work with, which is evident in the new documentary, “The Ghost of Peter Sellers.”
As seen in the trailer, “The Ghost of Peter Sellers” tells the story of the tumultuous filming of the pirate comedy film, “Ghost in the Noonday Sun.” The film shows just how the contentious production left lasting scars on those involved, including Sellers and the film’s director.
Continue reading ‘Ghost Of Peter Sellers’ Trailer: Peter Medak’s New Doc Recalls The Tumultuous Production Of A ’70s Pirate Comedy at The Playlist.
As seen in the trailer, “The Ghost of Peter Sellers” tells the story of the tumultuous filming of the pirate comedy film, “Ghost in the Noonday Sun.” The film shows just how the contentious production left lasting scars on those involved, including Sellers and the film’s director.
Continue reading ‘Ghost Of Peter Sellers’ Trailer: Peter Medak’s New Doc Recalls The Tumultuous Production Of A ’70s Pirate Comedy at The Playlist.
- 5/18/2020
- by Charles Barfield
- The Playlist
Peter Medak’s new documentary “The Ghost of Peter Sellers,” about the catastrophic production of the actor’s failed 1973 pirate comedy “Ghost in the Noonday Sun,” begins with a little back-patting.
Medak, who also directed the classic films “The Ruling Class” and “The Changeling,” says he’s fairly certain that no filmmaker has ever made a movie about the making of his own movie before. “It’s incredible,” he remarks. And also “completely insane.”
That statement isn’t strictly true. Richard Rush made a documentary about his Oscar-nominated drama “The Stunt Man” called “The Sinister Saga of Making ‘The Stunt Man,'” and Richard Stanley catalogued his catastrophic production of “The Island of Dr. Moreau” (which was eventually finished by John Frankenheimer) in “Lost Soul: The Doomed Journey of Richard Stanley’s ‘Island of Dr. Moreau.'” But it’s always intriguing, regardless, to look back at what was, what could have been,...
Medak, who also directed the classic films “The Ruling Class” and “The Changeling,” says he’s fairly certain that no filmmaker has ever made a movie about the making of his own movie before. “It’s incredible,” he remarks. And also “completely insane.”
That statement isn’t strictly true. Richard Rush made a documentary about his Oscar-nominated drama “The Stunt Man” called “The Sinister Saga of Making ‘The Stunt Man,'” and Richard Stanley catalogued his catastrophic production of “The Island of Dr. Moreau” (which was eventually finished by John Frankenheimer) in “Lost Soul: The Doomed Journey of Richard Stanley’s ‘Island of Dr. Moreau.'” But it’s always intriguing, regardless, to look back at what was, what could have been,...
- 9/8/2018
- by William Bibbiani
- The Wrap
“I want to kill people, but they’re all dead,” director Peter Medak says with unambiguous bitterness and enduring resentment in the new documentary “The Ghost Of Peter Sellers.” Usually, when a doc recounts the disastrous making of a runaway film — in this case, Medak’s ill-fated, still-unreleased 17th Century pirate comedy “Ghost In The Noonday Sun” starring the great Peter Sellers — the film has objectivity in another filmmaker.
Continue reading ‘The Ghost of Peter Sellers’: Peter Medak Is Still Haunted By A Disastrous, Unreleased Pirate Comedy [Venice Review] at The Playlist.
Continue reading ‘The Ghost of Peter Sellers’: Peter Medak Is Still Haunted By A Disastrous, Unreleased Pirate Comedy [Venice Review] at The Playlist.
- 9/5/2018
- by Rodrigo Perez
- The Playlist
"What kind of person would fake a heart attack?" An official trailer has debuted for a documentary titled The Ghost of Peter Sellers, which is playing at film festivals this fall without a release date yet. The film tells the story of how famed actor Peter Sellers started to work an epic 17th Century pirate movie near Cyprus, called Ghost in the Noonday Sun, which became a disaster while filming and was never released in theaters. Structured around the original director Peter Medak and his journey back to the island 42 years later, the film is about how it all went wrong and what happened, and the story of how Peter Sellers helped turn it into a shipwreck. After troubles while filming, Medak later described the film as "the biggest disaster of my life." This film seems to be his attempt to wash himself clean and examine in closer detail exactly what went wrong.
- 9/3/2018
- by Alex Billington
- firstshowing.net
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