If money could speak, what would it tell us about its journeys? That’s the conceit (some would say gimmick) at the heart of ad director Fabien Dufils' debut feature, One Buck. Taking a page from Luc Besson’s recipe book focused on low-budget thrillers, One Buck is the kind of unpleasant (mostly) cop drama that is EuropaCorp’s stock in trade — and that Cinemax would put in its lineup if it hadn’t found respectability with Banshee and The Knick. Also taking cues from Lethal Weapon (a wounded cop mourning the death of his wife in all the wrong ways), Triple 9...
- 3/21/2017
- by Elizabeth Kerr
- The Hollywood Reporter - Movie News
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