Directed by
| Imelda O'Reilly | ||
Writing Credits (in alphabetical order)
| Imelda O'Reilly | ... | (writer) |
| Imelda O'Reilly | ||
Cast (in credits order)
| Deema Aitken | ... | Ned | |
 |
Jomil Elijah Robinson | ... | Marco |
| Quentin Mare | ... | Christian | |
| Daphne Gaines | ... | Homeless Woman | |
|
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Savannah DesOrmeaux | ... | Carol |
|
|
Michael McMonagle | ... | Tom |
| Don Close | ... | Tree Vendor | |
|
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Amy Redmond | ... | Rosie |
Produced by
| Scott Joseph Brothers | ... | co-producer |
| Effie Fradelakis | ... | co-producer (as Effie Fradelos) |
| Katie Maguire | ... | producer |
| Imelda O'Reilly | ... | producer |
| Amy Redmond | ... | associate producer |
Music by
| Joel Diamond | ||
Cinematography by
| Joe Foley | ||
Editing by
| Timothy Donovan | ||
Casting By
| Judy Bowman | ||
Production Design by
| T.V. Alexander | ||
Costume Design by
| Michael Bevins | ||
Makeup Department
| Damien Leone | ... | special makeup effects artist |
Production Management
| Victoria Negri | ... | production manager |
| Greg White | ... | production supervisor |
Art Department
| Dylan Lubetkin | ... | set dresser |
| Amy Redmond | ... | set dresser |
Sound Department
| Jake Bjork | ... | sound |
| Fredrick Helm | ... | sound mixer |
| Eric Milano | ... | re-recording mixer |
| Brian O'Hara | ... | sound editor |
| Thomas Zaccheo | ... | sound |
Stunts
| Erica Gould | ... | fight choreographer |
Camera and Electrical Department
| Yuri Inoue | ... | assistant camera |
| Cory C. Maffucci | ... | assistant camera / grip |
| Jose del Carmen Martinez | ... | gaffer (as Jose Del Carmen Martinez) |
| Guy Morgan | ... | assistant camera |
| David Marcus Pascaru | ... | second assistant camera |
Casting Department
| Imelda O'Reilly | ... | additional casting |
Editorial Department
| Jodi Gibson | ... | additional editor |
| Phillip Kimsey | ... | additional editor |
Additional Crew
| Dennis Golin | ... | production assistant |
Thanks
| Boris Frumin | ... | special thanks |
| Julian Goldberger | ... | special thanks |
| Brendan Mallee | ... | special thanks |