In this episode our hero (Craig McLachlan) investigates the death of a rock 'n roll singer (Steve Danielsen) and becomes involved in a complicated tale of a violent criminal turned religious preacher (Cameron Daddo) and a young girl with a crush on the deceased singer (Nicole Gulasekharam).
Once again the production vividly evokes the spirit of the late Fifties, a time when rock 'n roll not only attracted legions of screaming fans, but also produced a backlash as many conservatives believed that it would signal the death of the family and 'respectable' life as we know it. Blake himself remains a statuesque figure, apparently impervious to its charms; but as the episode unfolds, and he begins to understand its rhythms, so his attitude changes. By the end both he and Jean Beazley (Nadine Garner) have become attracted to it.
This production highlights the often rocky relationship between Blake, Spt. Lawson (Joel Tobeck) and constable Charlie Davis (Charles Cousins), a particularly over-zealous police officer who seems to be suspicious about Blake's past. Nothing has been overtly stated at present, but we understand that this is a plot-line that will be developed in future episodes.