Chicago – On Tuesday, December 1st, the Midwest Independent Film Festival will award their 2015 “Best of the Midwest” with a ceremony at Rockit Bar & Grill, 22 W. Hubbard, in Chicago. The evening will be hosted by Festival Director Mike McNamara, and nominees include the short film “Baby Mary” (directed by Kris Swanberg), plus feature films “Full Frame” (directed by Christopher Kelley), and “Anguish” (directed by Sonny Mallhi).
Presented by the Midwest Independent Film Festival
Photo credit: MidwestFilm.com
A new category is being added this year, “Best Artistic Specialization.” This honors previously unsung production titles that are vital to the look and completion of their particular films. The Midwest Independent Film Festival is a year-round movie event in Chicago that takes place the first Tuesday of every month, at the Landmark Century Centre Cinema. The festival has been recognized by Chicago Magazine in their “Best of Chicago” issue, and has become one...
Presented by the Midwest Independent Film Festival
Photo credit: MidwestFilm.com
A new category is being added this year, “Best Artistic Specialization.” This honors previously unsung production titles that are vital to the look and completion of their particular films. The Midwest Independent Film Festival is a year-round movie event in Chicago that takes place the first Tuesday of every month, at the Landmark Century Centre Cinema. The festival has been recognized by Chicago Magazine in their “Best of Chicago” issue, and has become one...
- 11/29/2015
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Video memories and nostalgia blur together in Jennifer Reeder‘s classic installation piece, Lullaby, in which personal footage of ’80s cheerleading tryouts and ballet classes is set to a heavily slowed down and distorted version of Madonna’s early hit, Lucky Star.
Media appropriation in underground film has existed since the 1960s, but in 1999 — when Reeder produced Lullaby — combining personal and popular video sources was not a particularly common practice, especially given the cruddy quality of the analog equipment of the time.
However, Reeder brilliantly exploits that cruddiness by not hiding it and even calling attention to it through several methods, such as slowing down the footage intensely; keeping the bad tracking distortions of the VHS tape; and especially by heavily distorting the Lucky Star soundtrack. This manipulation works to let the audience know that we are looking at an artifact of a bygone era and acts as a commentary...
Media appropriation in underground film has existed since the 1960s, but in 1999 — when Reeder produced Lullaby — combining personal and popular video sources was not a particularly common practice, especially given the cruddy quality of the analog equipment of the time.
However, Reeder brilliantly exploits that cruddiness by not hiding it and even calling attention to it through several methods, such as slowing down the footage intensely; keeping the bad tracking distortions of the VHS tape; and especially by heavily distorting the Lucky Star soundtrack. This manipulation works to let the audience know that we are looking at an artifact of a bygone era and acts as a commentary...
- 6/18/2015
- by Mike Everleth
- Underground Film Journal
Held earlier this month on May 13-17, the epic 22nd annual Chicago Underground Film Festival gave out eight awards and six honorable mentions.
The big winner was Jennifer Reeder who took home this year’s Best of the Fest award for Blood Below the Skin, a 38-minute short film about three teenage girls who forge a special bond in the wake of an unanticipated incident. This marks back-to-back wins for Reeder who won the Best Short Award last year at Cuff for her previous film A Million Miles Away.
Other winners include Iva Radivojevic’s rumination on asylum seekers in Cyprus, Evaporating Borders, which won Best Feature; while David McMurry’s meditation on the world’s first nuclear town, Arco, Idaho, Atomic City, won Best Documentary. Also, ethnographic documentarian Ben Russell won the Poseidon’s Trident Award for Experimental Mythologies for Atlantis; and Laura Harrison’s animated The Lingerie Show...
The big winner was Jennifer Reeder who took home this year’s Best of the Fest award for Blood Below the Skin, a 38-minute short film about three teenage girls who forge a special bond in the wake of an unanticipated incident. This marks back-to-back wins for Reeder who won the Best Short Award last year at Cuff for her previous film A Million Miles Away.
Other winners include Iva Radivojevic’s rumination on asylum seekers in Cyprus, Evaporating Borders, which won Best Feature; while David McMurry’s meditation on the world’s first nuclear town, Arco, Idaho, Atomic City, won Best Documentary. Also, ethnographic documentarian Ben Russell won the Poseidon’s Trident Award for Experimental Mythologies for Atlantis; and Laura Harrison’s animated The Lingerie Show...
- 5/26/2015
- by Mike Everleth
- Underground Film Journal
![Rihanna](https://m.media-amazon.com/images/M/MV5BMzVkMTUzNjMtMjYwNC00MmI4LTk0NWQtMGI0MmM1YzIyZjI3XkEyXkFqcGdeQXVyOTAyMDgxODQ@._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Rihanna](https://m.media-amazon.com/images/M/MV5BMzVkMTUzNjMtMjYwNC00MmI4LTk0NWQtMGI0MmM1YzIyZjI3XkEyXkFqcGdeQXVyOTAyMDgxODQ@._V1_QL75_UX140_CR0,0,140,140_.jpg)
Rihanna‘s reign won’t let up. Since she hit the scene in 2008, she’s had 13 No. 1 hits on the Billboard Hot 100—tying her with Michael Jackson for the third most No. 1 songs on the chart. And she’s achieved all this before her 27th birthday, which just so happens to be today, Feb. 20. Related: Kanye West Is Executive Producing Rihanna’s New Album While we anxiously await the release of RiRi’s next album—her eighth, oh so cleverly titled, R8—to drop, we decided to take stock of her entire career so far. From Barbadian dancehall queen to a good girl gone bad to a Beatle‘s new bestie, we’re ranking every single song she’s ever put her stamp on. All 131 of Rihanna’s tracks—every single solo track, collaboration and guest feature on an Eminem song that’s out there. So, from worst to best,...
- 2/20/2015
- by Shannon Carlin - Radio.com
- Hitfix
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/5/2015
- by Notebook
- MUBI
Not unlike the previous year, a whopping eight thousand plus short films were submitted to Sundance this year. Among some of the filmmaker names that we are already familiar with, we find several feature filmmakers moonlighting back to the short form; basically the short is healthier than ever. Topping the 2015 crop, we have Jake Mahaffy (whose feature, Free in Deed appears to be somewhere in post) who contributes to our understanding of 13th century rule with the year specific, A.D. 1363, The End of Chivalry. We have Cutie and the Boxer helmer working in the fiction form with Hugh the Hunter and form the same vintage 2013 year, fellow feature film helmer Shaka King (director of Newlyweeds) turns in a short in Mulignans (see pic above). Michael Mohan who has been to Sundance with features One Too Many Dates and Save the Date, returns with Pink Grapefruit.
Crossing into the international shorts,...
Crossing into the international shorts,...
- 12/9/2014
- by Eric Lavallee
- IONCINEMA.com
Top brass have announced 60 films culled from 8,061 submissions across four categories – Us and international narrative, documentary and animation.
“This year’s short film-makers have broken through their limited timeframe with a high level of artistry and story that will resonate with audiences long after each film has ended,” said senior programmer Mike Plante.
The Short Film programme is presented by YouTube.
Sundance 2015 is set to run in Park City, Salt Lake City, Ogden and Sundance, Utah, from January 22 to February 1.
All synopses provided by the festival.
Us Narrative Short Films
Actresses
Jeremy Hersh
The film follows the relationship between a young, aspiring actress and an established off-Broadway star.
A.D. 1363, The End Of Chivalry (USA-New Zealand)
Jake Mahaffy
A little-known historical catastrophe leads to the definitive end of the era of chivalry and questing.
Color Neutral
Jennifer Reeves
A color explosion sparkles, bubbles, and fractures in this handcrafted 16mm film. Jennifer Reeves utilises...
“This year’s short film-makers have broken through their limited timeframe with a high level of artistry and story that will resonate with audiences long after each film has ended,” said senior programmer Mike Plante.
The Short Film programme is presented by YouTube.
Sundance 2015 is set to run in Park City, Salt Lake City, Ogden and Sundance, Utah, from January 22 to February 1.
All synopses provided by the festival.
Us Narrative Short Films
Actresses
Jeremy Hersh
The film follows the relationship between a young, aspiring actress and an established off-Broadway star.
A.D. 1363, The End Of Chivalry (USA-New Zealand)
Jake Mahaffy
A little-known historical catastrophe leads to the definitive end of the era of chivalry and questing.
Color Neutral
Jennifer Reeves
A color explosion sparkles, bubbles, and fractures in this handcrafted 16mm film. Jennifer Reeves utilises...
- 12/9/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
![Lena Dunham](https://m.media-amazon.com/images/M/MV5BMTQ4MTQzNDI1NV5BMl5BanBnXkFtZTcwNTU5MTA1NA@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Lena Dunham](https://m.media-amazon.com/images/M/MV5BMTQ4MTQzNDI1NV5BMl5BanBnXkFtZTcwNTU5MTA1NA@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
There will be some Eloise and Lena Dunham, protests from Hong Kong, self-declared pop-ups from Canada, and unbelievable animated images of the final moments of a World War II hero. Those are just a few of the offerings among the 60 short films revealed today by the Sundance Film Festival. In the last of its four official announcements, the 31st annual Park City shindig rolled out an eclectic mix culled from the 8,061 submissions in the category that perhaps shows the true scope of Sundance most acutely.
The fest runs January 22-February 1. (As in past years, Deadline co-Editor-in-Chief, Film Mike Fleming Jr. and myself will be in Park City.)
Here is the full short films list:
U.S. Narrative Short Films
Actresses / U.S.A. (Director and screenwriter: Jeremy Hersh) — The film follows the relationship between a young, aspiring actress and an established off-Broadway star.
A.D. 1363, The End of Chivalry / U.
The fest runs January 22-February 1. (As in past years, Deadline co-Editor-in-Chief, Film Mike Fleming Jr. and myself will be in Park City.)
Here is the full short films list:
U.S. Narrative Short Films
Actresses / U.S.A. (Director and screenwriter: Jeremy Hersh) — The film follows the relationship between a young, aspiring actress and an established off-Broadway star.
A.D. 1363, The End of Chivalry / U.
- 12/9/2014
- by Dominic Patten
- Deadline
![Jennifer Reeder](https://m.media-amazon.com/images/M/MV5BNmVmMzFjMTgtYmNiOS00Zjc1LTg3N2EtMzJiODNkMjgwNDUxXkEyXkFqcGdeQXVyNjkwNzEwMzY@._V1_QL75_UX500_CR0,26,500,281_.jpg)
Wrapping up its series of lineup announcements, the Sundance Film Festival unveiled its slate of short films that will be highlighted next month. This year’s festival — which runs Jan. 22-Feb. 1 in and around Park City, Utah — will feature 60 short films culled from a record-high 8,061 submissions. Among the highlights are Jennifer Reeder’s A Million Miles Away (screening in the U.S. section) about a woman and a group of teenage girls who simultaneously experience a supernatural coming-of-age, and Mike Forshaw’s Saturday (international), a fictional account of the real-life story of
read more...
read more...
- 12/9/2014
- by Tatiana Siegel
- The Hollywood Reporter - Movie News
![Jan Kummer in Short Film (2013)](https://m.media-amazon.com/images/M/MV5BNzM5MDJkOGUtYjAxMS00ODZmLWIxZjktM2JiODYzNDFjYzZmXkEyXkFqcGdeQXVyMTY5MTI1MDk@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Jan Kummer in Short Film (2013)](https://m.media-amazon.com/images/M/MV5BNzM5MDJkOGUtYjAxMS00ODZmLWIxZjktM2JiODYzNDFjYzZmXkEyXkFqcGdeQXVyMTY5MTI1MDk@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Winning films will now be put forward for selection for the BAFTAs and Oscars.
The 20th Encounters Short Film and Animation Festival (Sept 16-21) has announced its award winners with Argentinian director Santiago ‘Bou’ Grasso winning the Animated Grand Prix for Padre (Father) and Us filmmaker Jennifer Reeder winning the Brief Grand Prix for A Million Miles Away.
The awards showcased both established and emerging talent, with the jury watching 219 short films in three days to determine the winning selection in 13 categories.
The jury presented the Animation Grand Prix to Padre and commented: “A powerful and poignant film which channels the spirit of Argentina’s missing to the world’s consciousness through subtle and haunting performance.”
Reeder was praised for her “imaginative and multi-layered approach to the film form, achieving depth and authenticity in both script and performance”.
The animation jury also gave a special mention to Chris Landreth for his short film Subconscious Password, which it said...
The 20th Encounters Short Film and Animation Festival (Sept 16-21) has announced its award winners with Argentinian director Santiago ‘Bou’ Grasso winning the Animated Grand Prix for Padre (Father) and Us filmmaker Jennifer Reeder winning the Brief Grand Prix for A Million Miles Away.
The awards showcased both established and emerging talent, with the jury watching 219 short films in three days to determine the winning selection in 13 categories.
The jury presented the Animation Grand Prix to Padre and commented: “A powerful and poignant film which channels the spirit of Argentina’s missing to the world’s consciousness through subtle and haunting performance.”
Reeder was praised for her “imaginative and multi-layered approach to the film form, achieving depth and authenticity in both script and performance”.
The animation jury also gave a special mention to Chris Landreth for his short film Subconscious Password, which it said...
- 9/22/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
“Short films matter. Teenage girls matter.”
That’s two powerful statements made by filmmaker Jennifer Reeder in her Kickstarter promotional video for her upcoming film Blood Below the Skin. If you believe in those two statements, then please consider donating to her project.
As of this writing, Reeder has raised just over two-thirds of what she is asking and only needs a little bit more to make her goal. So, any funds now that you can contribute will really make a difference.
Reeder describes Blood Below the Skin as a drama about three female high school students from different social strata who form a unique bond following an unanticipated incident. The film is planned to be about 30 minutes long and, as Reeder describes, is her most ambitious project yet.
Reeder’s previous film, A Million Miles Away, was another drama about teenage girls who bond with their substitute teacher who...
That’s two powerful statements made by filmmaker Jennifer Reeder in her Kickstarter promotional video for her upcoming film Blood Below the Skin. If you believe in those two statements, then please consider donating to her project.
As of this writing, Reeder has raised just over two-thirds of what she is asking and only needs a little bit more to make her goal. So, any funds now that you can contribute will really make a difference.
Reeder describes Blood Below the Skin as a drama about three female high school students from different social strata who form a unique bond following an unanticipated incident. The film is planned to be about 30 minutes long and, as Reeder describes, is her most ambitious project yet.
Reeder’s previous film, A Million Miles Away, was another drama about teenage girls who bond with their substitute teacher who...
- 5/29/2014
- by Mike Everleth
- Underground Film Journal
This year’s student-run Milwaukee Underground Film Festival will screen on May 1-4 at various locations on the University of Wisconsin-Milwaukee campus and off-campus at the Microlights Cinema. Once again, the festival will feature eclectic and amazing avant-garde and experimental short films in video, 16mm and 8mm formats.
The fest opens on May 1 with a screening of films made by this year’s three-member jury — David Witzling, Diane Kitchen and Scott Stark — followed by a special presentation of works from NYC’s Lgbt screening series, “Dirty Looks,” including Michael Robinson‘s hilarious The Dark, Krystle, Luther Price‘s recently restored Home and Michael Lucid‘s online video sensation Dirty Girls.
Other films to look out for are a pair of award-winning pieces: The May 2 at 2:00 p.m. shorts block will conclude with Jennifer Reeder‘s absolutely amazing A Million Miles Away, which took home the Best Short Film at the Chicago Underground Film Festival.
The fest opens on May 1 with a screening of films made by this year’s three-member jury — David Witzling, Diane Kitchen and Scott Stark — followed by a special presentation of works from NYC’s Lgbt screening series, “Dirty Looks,” including Michael Robinson‘s hilarious The Dark, Krystle, Luther Price‘s recently restored Home and Michael Lucid‘s online video sensation Dirty Girls.
Other films to look out for are a pair of award-winning pieces: The May 2 at 2:00 p.m. shorts block will conclude with Jennifer Reeder‘s absolutely amazing A Million Miles Away, which took home the Best Short Film at the Chicago Underground Film Festival.
- 5/1/2014
- by Mike Everleth
- Underground Film Journal
The 21st annual Chicago Underground Film Festival programmed an amazing lineup of wonderful short films over its five days, way too many to review them all. Below are just a few selected reviews of the short films that made the biggest impression on the Underground Film Journal. Also, the four incredibly strong films reviewed below were all also selected for awards at the fest by Journal editor Mike Everleth and his jury cohorts, Brian Chankin and Alison Cuddy.
A Million Miles Away, dir. Jennifer Reeder. A Million Miles Away was the first film projected at the festival on Opening Night and, still with several dozen other films following it throughout the fest, the jury awarded this Best Short. The film begins with several seemingly disconnected scenes of teenage girls discussing the deteriorating adult relationships in their lives — each one appears to be the child of a divorced, separated or cheating parent.
A Million Miles Away, dir. Jennifer Reeder. A Million Miles Away was the first film projected at the festival on Opening Night and, still with several dozen other films following it throughout the fest, the jury awarded this Best Short. The film begins with several seemingly disconnected scenes of teenage girls discussing the deteriorating adult relationships in their lives — each one appears to be the child of a divorced, separated or cheating parent.
- 4/21/2014
- by Mike Everleth
- Underground Film Journal
The 21st annual Chicago Underground FIlm Festival, which ran April 2-6 at the Logan Theatre, has announced their list of award winners.
Winners were decided by a three-panel jury that included Brian Chankin, owner of the Odd Obsession Movies video store in Chicago; Alison Cuddy, the arts and culture reporter for Wbez 91.5 FM Chicago Public Media; and Mike Everleth, editor of the Underground Film Journal.
In total, the jury gave out eight official awards, which are listed below. In addition, given the incredibly strong lineup of films that screened at the festival, a total of 11 Honorable Mentions were also given out, and are listed below as well.
To add a personal note, it was a pleasure and and honor to serve on the jury with Brian and Alison, and our decisions came to us fairly easily, which is a testament to the strength of the work that was made and...
Winners were decided by a three-panel jury that included Brian Chankin, owner of the Odd Obsession Movies video store in Chicago; Alison Cuddy, the arts and culture reporter for Wbez 91.5 FM Chicago Public Media; and Mike Everleth, editor of the Underground Film Journal.
In total, the jury gave out eight official awards, which are listed below. In addition, given the incredibly strong lineup of films that screened at the festival, a total of 11 Honorable Mentions were also given out, and are listed below as well.
To add a personal note, it was a pleasure and and honor to serve on the jury with Brian and Alison, and our decisions came to us fairly easily, which is a testament to the strength of the work that was made and...
- 4/9/2014
- by Mike Everleth
- Underground Film Journal
The 21st annual Chicago Underground Film Festival, which will run April 2-6 at the Logan Theater, will be extra special this year. Why? Because Mike Everleth, the Executive Editor of the Underground Film Journal, is sitting on this year’s festival jury! And looking over the fest lineup below, he is incredibly excited to witness this visual extravaganza of revolutionary cinematic madness. (Other jurors are Brian Chankin, Therese Grisham and Alison Cuddy.)
Opening Night Film: What I Love About Concrete is the debut feature by the directing team of Katherine Dohan and Alanna Stewart and is a surreal suburban tale about a teenage girl who believes she is transforming into a swan.
Closing Night Film: Usama Alshaibi will be making his triumphant return to Chicago with his latest documentary, American Arab, a personal and sociological examination of what it means to be an Arab in a post-9/11 United States. This...
Opening Night Film: What I Love About Concrete is the debut feature by the directing team of Katherine Dohan and Alanna Stewart and is a surreal suburban tale about a teenage girl who believes she is transforming into a swan.
Closing Night Film: Usama Alshaibi will be making his triumphant return to Chicago with his latest documentary, American Arab, a personal and sociological examination of what it means to be an Arab in a post-9/11 United States. This...
- 3/28/2014
- by Mike Everleth
- Underground Film Journal
The 52nd annual Ann Arbor Film Festival will be a jam-packed experimental feature and short film screening event running for six days and nights, this time on March 25-30.
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
- 3/18/2014
- by Mike Everleth
- Underground Film Journal
24 films will compete for three Canon Tiger awards for short films; programme will also include tributes to British film-maker Jodie Mack and Swiss film-maker and artist HannesSchüpbach.
The International Film Festival Rotterdam (Iffr) has unveiled the 24 films competing for the Tiger Awards Competition for Short Films.
Shorts include Yael Bartana’s Inferno [pictured] and Adan Jodorowsky’s The Voice Thief. The full programme of Tiger and Spectrum Shorts, with 217 short and mid-length films, will be screened from Jan 23-27 at LantarenVenster.
The programme also includes tributes to British film-maker Jodie Mack, with five of her works presented at the festival, and Swiss film-maker and artist Hannes Schüpbach with three of his works screened during Iffr.
Jan 23-26 will see Iffr and Gonzo (circus) magazine present Mind The Gap Nights, four evenings of unique collaborations between musicians, video artists, film-makers and other image makers.
The full list of titles competing for the three Canon Tiger awards for short films are:...
The International Film Festival Rotterdam (Iffr) has unveiled the 24 films competing for the Tiger Awards Competition for Short Films.
Shorts include Yael Bartana’s Inferno [pictured] and Adan Jodorowsky’s The Voice Thief. The full programme of Tiger and Spectrum Shorts, with 217 short and mid-length films, will be screened from Jan 23-27 at LantarenVenster.
The programme also includes tributes to British film-maker Jodie Mack, with five of her works presented at the festival, and Swiss film-maker and artist Hannes Schüpbach with three of his works screened during Iffr.
Jan 23-26 will see Iffr and Gonzo (circus) magazine present Mind The Gap Nights, four evenings of unique collaborations between musicians, video artists, film-makers and other image makers.
The full list of titles competing for the three Canon Tiger awards for short films are:...
- 1/7/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
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