Exclusive: Max Martini (The Tender Bar), Kirk Acevedo (Band Of Brothers) and Patricia De Leon (Mayans M.C.) have joined the Season 2 cast of Taylor Sheridan’s Lioness in recurring roles.
Lioness stars Zoe Saldaña, who also executive produces, Laysla De Oliveira, Genesis Rodriguez and Michael Kelly, with Morgan Freeman, and Nicole Kidman, who executive produces.
Inspired by an actual U.S. Military program, Lioness follows the life of Joe (Saldaña) while she attempts to balance her personal and professional life as the tip of the CIA’s spear in the war on terror.
In Season 2, as the CIA’s fight against terror moves closer to home, Joe (Saldaña), Kaitlyn (Kidman), and Byron (Kelly) enlist a new Lioness operative to infiltrate a previously unknown threat. With pressure mounting from all sides, Joe is forced to confront the profound personal sacrifices she has made as the leader of the Lioness program.
Lioness stars Zoe Saldaña, who also executive produces, Laysla De Oliveira, Genesis Rodriguez and Michael Kelly, with Morgan Freeman, and Nicole Kidman, who executive produces.
Inspired by an actual U.S. Military program, Lioness follows the life of Joe (Saldaña) while she attempts to balance her personal and professional life as the tip of the CIA’s spear in the war on terror.
In Season 2, as the CIA’s fight against terror moves closer to home, Joe (Saldaña), Kaitlyn (Kidman), and Byron (Kelly) enlist a new Lioness operative to infiltrate a previously unknown threat. With pressure mounting from all sides, Joe is forced to confront the profound personal sacrifices she has made as the leader of the Lioness program.
- 9/13/2024
- by Denise Petski
- Deadline Film + TV
Lo, the enduring miracle of the film awards year. Just when things begin to look hopeless—and it was looking pretty bleak a month ago—intriguing, maybe even watchable, prospects suddenly sprout. The movies are like Osiris, that old Egyptian resurrection god: You just can’t keep ‘em down.
As August arrives, more than a few adult viewers, unattuned to the ongoing fantasy-and-animation boom, are now peeking around the corner at Saturday Night, Jason Reitman’s Saturday Night Live origins story. The film was scheduled last week by Columbia Pictures for release on Oct. 11—the 49th anniversary of NBC’s first SNL broadcast, back in 1975.
As historical moments go, that may or may not impress the film Academy’s growing body of foreign-based Oscar voters. But for the domestic crowd, especially those in upper age brackets, the birth of an American comedy phenomenon, still alive some five decades later, is compelling.
As August arrives, more than a few adult viewers, unattuned to the ongoing fantasy-and-animation boom, are now peeking around the corner at Saturday Night, Jason Reitman’s Saturday Night Live origins story. The film was scheduled last week by Columbia Pictures for release on Oct. 11—the 49th anniversary of NBC’s first SNL broadcast, back in 1975.
As historical moments go, that may or may not impress the film Academy’s growing body of foreign-based Oscar voters. But for the domestic crowd, especially those in upper age brackets, the birth of an American comedy phenomenon, still alive some five decades later, is compelling.
- 8/4/2024
- by Michael Cieply
- Deadline Film + TV
Netflix’s latest addictive murder mystery comes with one heck of a dynamic soundtrack. Emma Myers, best known for playing bubbly werewolf roommate Enid Sinclair in “Wednesday,” stars as teen sleuth Pip Fitz-Amobi in “A Good Girl’s Guide to Murder.” Based on Holly Jackson’s best-selling YA mystery novel of the same name, the streaming adaptation follows Pip as she risks it all to solve a five-year-old high school murder case.
The six-episode series is jam-packed with eclectic tracks, from familiar favorites like Billie Eilish, Lykke Li and Charli Xcx, to club jams and soul classics. Check out a complete episode-by-episode guide to all the songs in “A Good Girl’s Guide to Murder” below.
Episode 1: “The Feminine Urge” by The Last Dinner Party “Chances” by Kaytranada “A New Error” by Moderat “In the Big Mood” by BBC Big Band “Gunshot” by Lykke Li Episode 2: “Seize the Power” by...
The six-episode series is jam-packed with eclectic tracks, from familiar favorites like Billie Eilish, Lykke Li and Charli Xcx, to club jams and soul classics. Check out a complete episode-by-episode guide to all the songs in “A Good Girl’s Guide to Murder” below.
Episode 1: “The Feminine Urge” by The Last Dinner Party “Chances” by Kaytranada “A New Error” by Moderat “In the Big Mood” by BBC Big Band “Gunshot” by Lykke Li Episode 2: “Seize the Power” by...
- 8/2/2024
- by Haleigh Foutch
- The Wrap
Emma Myers takes center-stage as Pip Fitz-Amobi in the television adaptation of Holly Jackson’s A Good Girl’s Guide to Murder. Moments of levity and suspense intertwine within the young adult murder mystery series, and the soundtrack contains songs to accompany happy and scary times.
Viewers may recognize Billie Eilish’s “you should see me in a crown” and Awolnation’s “Sail.” Beach House’s “Take Care” plays softly in a later episode and Yonaka’s “Seize the Power” features in Episode 2 after playing in the show’s trailer.
Episode 1
“The Feminine Urge” by The Last Dinner Party “A New Error” by Moderat “In the Big Mood” by BBC Big Band “Gunshot” by Lykke Li
Episode 2
“Seize the Power” by Yonaka “Wet Dream” by Wet Leg “Me and the Devil” by Gil Scott-Heron “Midnight” by Siobhan Sainte
Episode 3
“Sail” by Awolnation “Guillotine” by Mansionair & NMBe “Patient Zero (feat. Brett Castro...
Viewers may recognize Billie Eilish’s “you should see me in a crown” and Awolnation’s “Sail.” Beach House’s “Take Care” plays softly in a later episode and Yonaka’s “Seize the Power” features in Episode 2 after playing in the show’s trailer.
Episode 1
“The Feminine Urge” by The Last Dinner Party “A New Error” by Moderat “In the Big Mood” by BBC Big Band “Gunshot” by Lykke Li
Episode 2
“Seize the Power” by Yonaka “Wet Dream” by Wet Leg “Me and the Devil” by Gil Scott-Heron “Midnight” by Siobhan Sainte
Episode 3
“Sail” by Awolnation “Guillotine” by Mansionair & NMBe “Patient Zero (feat. Brett Castro...
- 8/1/2024
- by Dessi Gomez
- Deadline Film + TV
Screen Siren Pictures, the Canadian-based independent production company behind such recent titles as French Exit, Bones of Crows and Indian Horse, on Thursday announced the launch of Scream Siren, a new arm at the company focusing on original, genre-driven storytelling with a spotlight on female protagonists.
Christine Haebler, one of the producers on Scream Siren’s first few films out of the gate, said that the company will apply its “track record of producing elevated art house films to the thriller and horror genre,” prioritizing “unique and compelling stories that resonate with a wide audience, especially with strong female leads that challenge conventions and explore new horizons.”
The label will look to work with both up-and-coming and established writers and directors in the genre space. In addition to Haebler, producers on Scream Siren’s initial slate of films will include the company’s President Trish Dolman and COO, Steven Thibault.
First up on the slate is Ivy, an original teen horror about a malevolent ghost who wreaks havoc on a 17-year-old and everyone who comes into contact with her. Kaare Andrews (Sniper: Assassin’s End) is set to direct the project written and co-produced by Jason Bourque and Paul Birkett.
Next up is Running Girl, a tight action thriller about a young woman who witnesses a harrowing murder only to have to run for her life with a 9-year-old, outwitting the murderers in the high desert. Marie Clements (Bones of Crows) will direct from a script by Deon Meyer (Durban Poison).
Then, there’s Osiris, a supernatural psychological thriller that takes place aboard an IceBreaker on a retrieval mission, which is on a race against time to uncover the origins of a mysterious sound emanating from the deepest part of the southern Atlantic Ocean. Rachel Leiterman will direct from a screenplay by Coz Greenop (Dark Beacon) and Lucinda Royden (It All Comes with Cold Water). This project will be produced in partnership with Gareth Wiley from Phoenix Wiley Films in the UK .
In a statement to Deadline, Dolman stressed that Screen Siren’s genre push through the new label “underscores our dedication to delivering high-quality, captivating content that not only entertains but also sparks meaningful conversations.”
Added Thibault, “Launching our new genre label marks an exhilarating chapter for Screen Siren Pictures. We are thrilled about the projects currently in development and the amazing filmmakers we’ve attached. This initiative not only reinforces our commitment to diverse and original content but also amplifies our impact on the industry.”
Scream Siren’s first trio of films are being cast by Rene Haynes, CSA, whose past works includes Killers of the Flower Moon, Prey and The Revenant. The films are financed and will aim shoot in the fall of 2024 and early Q1 of 2025.
Dolman founded Screen Siren Pictures in 1997, joining forces with veteran producer Haebler and producer and COO Thibault in 2008 and 2023, respectively. Collectively, their productions have screened at Cannes, Berlin, Sundance, TIFF and many other international festivals.
Christine Haebler, one of the producers on Scream Siren’s first few films out of the gate, said that the company will apply its “track record of producing elevated art house films to the thriller and horror genre,” prioritizing “unique and compelling stories that resonate with a wide audience, especially with strong female leads that challenge conventions and explore new horizons.”
The label will look to work with both up-and-coming and established writers and directors in the genre space. In addition to Haebler, producers on Scream Siren’s initial slate of films will include the company’s President Trish Dolman and COO, Steven Thibault.
First up on the slate is Ivy, an original teen horror about a malevolent ghost who wreaks havoc on a 17-year-old and everyone who comes into contact with her. Kaare Andrews (Sniper: Assassin’s End) is set to direct the project written and co-produced by Jason Bourque and Paul Birkett.
Next up is Running Girl, a tight action thriller about a young woman who witnesses a harrowing murder only to have to run for her life with a 9-year-old, outwitting the murderers in the high desert. Marie Clements (Bones of Crows) will direct from a script by Deon Meyer (Durban Poison).
Then, there’s Osiris, a supernatural psychological thriller that takes place aboard an IceBreaker on a retrieval mission, which is on a race against time to uncover the origins of a mysterious sound emanating from the deepest part of the southern Atlantic Ocean. Rachel Leiterman will direct from a screenplay by Coz Greenop (Dark Beacon) and Lucinda Royden (It All Comes with Cold Water). This project will be produced in partnership with Gareth Wiley from Phoenix Wiley Films in the UK .
In a statement to Deadline, Dolman stressed that Screen Siren’s genre push through the new label “underscores our dedication to delivering high-quality, captivating content that not only entertains but also sparks meaningful conversations.”
Added Thibault, “Launching our new genre label marks an exhilarating chapter for Screen Siren Pictures. We are thrilled about the projects currently in development and the amazing filmmakers we’ve attached. This initiative not only reinforces our commitment to diverse and original content but also amplifies our impact on the industry.”
Scream Siren’s first trio of films are being cast by Rene Haynes, CSA, whose past works includes Killers of the Flower Moon, Prey and The Revenant. The films are financed and will aim shoot in the fall of 2024 and early Q1 of 2025.
Dolman founded Screen Siren Pictures in 1997, joining forces with veteran producer Haebler and producer and COO Thibault in 2008 and 2023, respectively. Collectively, their productions have screened at Cannes, Berlin, Sundance, TIFF and many other international festivals.
- 6/20/2024
- by Matt Grobar
- Deadline Film + TV
Jinjer have announced a Fall 2024 North American tour with support from Born of Osiris and Hanabie.
The trek kicks off September 20th in Sayreville, New Jersey, and runs through Jinjer’s October 13th appearance at the Aftershock Festival in Sacramento, California. Along the way, they’ll play shows in Brooklyn, Pittsburgh, Toronto, Montreal, Baltimore, Atlanta, Charlotte, Houston, San Antonio, Denver, and more.
Get Jinjer Tickets Here
A Live Nation ticket pre-sale begins Wednesday (June 12th) at 10 a.m. local time using the code Chord. General ticket sales start Friday (June 14th) at 10 a.m. local time via Ticketmaster. Fans can also look for deals or get tickets to sold-out dates via StubHub, where your purchase is 100% guaranteed through StubHub’s Fan Protect program.
“It’s finally time for some huge announcements: We’re stoked to report that this September, Jinjer will return to North America with not only two absolutely...
The trek kicks off September 20th in Sayreville, New Jersey, and runs through Jinjer’s October 13th appearance at the Aftershock Festival in Sacramento, California. Along the way, they’ll play shows in Brooklyn, Pittsburgh, Toronto, Montreal, Baltimore, Atlanta, Charlotte, Houston, San Antonio, Denver, and more.
Get Jinjer Tickets Here
A Live Nation ticket pre-sale begins Wednesday (June 12th) at 10 a.m. local time using the code Chord. General ticket sales start Friday (June 14th) at 10 a.m. local time via Ticketmaster. Fans can also look for deals or get tickets to sold-out dates via StubHub, where your purchase is 100% guaranteed through StubHub’s Fan Protect program.
“It’s finally time for some huge announcements: We’re stoked to report that this September, Jinjer will return to North America with not only two absolutely...
- 6/11/2024
- by Jon Hadusek
- Consequence - Music
Truth be told, I’m not crazy about Oscar night. The shoes pinch. Security’s a bother. All the red-carpet nattering unnerves me.
And watching at home isn’t much better. Who really wants to turn on the television at 5 — oops, make that 4 — o’clock on an almost spring Sunday afternoon? I’d rather barbecue some chicken.
But the morning after, one week from today, that’s another story. In fact, Oscar Monday is pretty much my favorite day in the whole movie year. Since I started covering Hollywood 40 years ago, I have always loved that day. If it were up to me, it would be an official holiday. They could call it something fancy, the Feast of the Eternal Reboot, something like that.
Anyway, it’s always fun. For starters, you’ve got the second-guessing, and who doesn’t enjoy that? It’s better than cocoa and cookies on Christmas.
And watching at home isn’t much better. Who really wants to turn on the television at 5 — oops, make that 4 — o’clock on an almost spring Sunday afternoon? I’d rather barbecue some chicken.
But the morning after, one week from today, that’s another story. In fact, Oscar Monday is pretty much my favorite day in the whole movie year. Since I started covering Hollywood 40 years ago, I have always loved that day. If it were up to me, it would be an official holiday. They could call it something fancy, the Feast of the Eternal Reboot, something like that.
Anyway, it’s always fun. For starters, you’ve got the second-guessing, and who doesn’t enjoy that? It’s better than cocoa and cookies on Christmas.
- 3/4/2024
- by Michael Cieply
- Deadline Film + TV
Record market attendance, headline acquisitions by Sony and ongoing interest in starry packages tell only part of the story of a busy European Film Market (EFM).
An event brimming with late-arriving projects gave buyers plenty to consider and the mood was buoyant following what some had cited as the least productive AFM in decades last October.
“People had had a bit of a disappointing AFM in so many different ways, and everyone was ready,” said Ella Field, EVP of international sales at the UK’s Signature Entertainment, who described EFM as the most cost-effective market of the year. “Where there are great films,...
An event brimming with late-arriving projects gave buyers plenty to consider and the mood was buoyant following what some had cited as the least productive AFM in decades last October.
“People had had a bit of a disappointing AFM in so many different ways, and everyone was ready,” said Ella Field, EVP of international sales at the UK’s Signature Entertainment, who described EFM as the most cost-effective market of the year. “Where there are great films,...
- 2/27/2024
- ScreenDaily
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