South Korean comedy drama Victory is to world premiere as the opening film of this year’s New York Asian Film Festival (Nyaff) where lead actress Lee Hye-ri will be honoured with the Screen International Rising Star Asia Award.
The performer, better known as Hyeri, will attend the festival to receive the honour on July 12 ahead of the premiere of Victory at New York’s Lincoln Center.
Hye-ri will introduce the film alongside director Park Beom-soo and co-star Park Se-wan. All three will also attend a post-screening Q&a.
The Rising Star Asia Award recognises emerging talent from Asian cinema...
The performer, better known as Hyeri, will attend the festival to receive the honour on July 12 ahead of the premiere of Victory at New York’s Lincoln Center.
Hye-ri will introduce the film alongside director Park Beom-soo and co-star Park Se-wan. All three will also attend a post-screening Q&a.
The Rising Star Asia Award recognises emerging talent from Asian cinema...
- 6/11/2024
- ScreenDaily
Fact-based action drama “12.12: The Day” won a fourth weekend at the South Korea box office and became the second highest grossing film of the year.
The political thriller incurred a steep week-on-week drop in takings, managing only $5.89 million in its fourth weekend, compared with $11.4 million in its third. But it still hogged a 72% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).
After releasing on Nov. 22, the film now has a cumulative box office of $62.9 million earned from 8.50 million ticket sales. That total means it has overtaken “Elemental” to become the number two film of the year in Korea. The year-to-dater table is still lead by behind summer hit “The Roundup: No Way Out,” with $80.3 million earned from 10.7 million spectators.
The reduced pace of the frontrunner brought the nationwide weekend box office total to a more humdrum $8.18 million, after three weekends above $10 million.
The political thriller incurred a steep week-on-week drop in takings, managing only $5.89 million in its fourth weekend, compared with $11.4 million in its third. But it still hogged a 72% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).
After releasing on Nov. 22, the film now has a cumulative box office of $62.9 million earned from 8.50 million ticket sales. That total means it has overtaken “Elemental” to become the number two film of the year in Korea. The year-to-dater table is still lead by behind summer hit “The Roundup: No Way Out,” with $80.3 million earned from 10.7 million spectators.
The reduced pace of the frontrunner brought the nationwide weekend box office total to a more humdrum $8.18 million, after three weekends above $10 million.
- 12/17/2023
- by Patrick Frater
- Variety Film + TV
Fact-based political thriller “12.12: The Day” dominated the Korean box office for the third successive weekend and advanced its takings haul beyond $50 million. It was far ahead of “Napoleon,” which opened a disappointing third.
The Kim Sung-soo-directed picture earned $11.4 million between Friday and Sunday, accounting for 75.8% of nationwide weekend cinema revenues, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).
It has held up particularly strongly and dropped by only 12% in its third weekend. The latest weekend score was again higher than its opening frame. It earned $11.3 million in its opening weekend and expanded to $12.95 million in its second weekend.
Over 19 days of release, “12.12: The Day” (aka “Seoul Spring”) has earned $50.9 million from 6.97 million admissions. On both measures, that is the second highest performance this year by any Korean-produced movie and the third highest score in Korean cinemas in 2023. Disney/Pixar’s...
The Kim Sung-soo-directed picture earned $11.4 million between Friday and Sunday, accounting for 75.8% of nationwide weekend cinema revenues, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).
It has held up particularly strongly and dropped by only 12% in its third weekend. The latest weekend score was again higher than its opening frame. It earned $11.3 million in its opening weekend and expanded to $12.95 million in its second weekend.
Over 19 days of release, “12.12: The Day” (aka “Seoul Spring”) has earned $50.9 million from 6.97 million admissions. On both measures, that is the second highest performance this year by any Korean-produced movie and the third highest score in Korean cinemas in 2023. Disney/Pixar’s...
- 12/10/2023
- by Patrick Frater
- Variety Film + TV
Political drama thriller “12.12: The Day” dominated the South Korean box office for a second weekend with a $13 million haul.
Its second weekend outing topped its first session, when it earned $11.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And the film (aka “Seoul Spring”) increased its share of the weekend’s total cinema market to a crushing 81%.
Separately, ComScore calculated that the film’s single country receipts made it the seventh highest grossing film in the world over the weekend.
After two weekends on release, “12.12: The Day” has garnered $34.2 million, making it already the sixth ranking film in Korea this year and the third biggest Korean-produced picture. On this track, it will overtake “Smugglers” before the next weekend.
In terms of admissions, “12.12: The Day” enjoyed 1.7 million ticket sales over the weekend, for a running total of 4.66 million. The traditional...
Its second weekend outing topped its first session, when it earned $11.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And the film (aka “Seoul Spring”) increased its share of the weekend’s total cinema market to a crushing 81%.
Separately, ComScore calculated that the film’s single country receipts made it the seventh highest grossing film in the world over the weekend.
After two weekends on release, “12.12: The Day” has garnered $34.2 million, making it already the sixth ranking film in Korea this year and the third biggest Korean-produced picture. On this track, it will overtake “Smugglers” before the next weekend.
In terms of admissions, “12.12: The Day” enjoyed 1.7 million ticket sales over the weekend, for a running total of 4.66 million. The traditional...
- 12/4/2023
- by Patrick Frater
- Variety Film + TV
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