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Netflix is as interested in acquiring third-party titles as it is in producing original films, said Larry Tanz, Netflix VP of content for Emea.
Tanz underlined the importance of films to the streamer on a visit to Netflix’s European production hub in Tres Cantos on the outskirts of Madrid.
“What we care about is bringing the best films and series to our members,” said Tanz. “If it’s a huge film from Constantin that’s in theatres and then on Netflix, if our members love it, that’s great. If it’s something that we commission, that’s great as well.
Tanz underlined the importance of films to the streamer on a visit to Netflix’s European production hub in Tres Cantos on the outskirts of Madrid.
“What we care about is bringing the best films and series to our members,” said Tanz. “If it’s a huge film from Constantin that’s in theatres and then on Netflix, if our members love it, that’s great. If it’s something that we commission, that’s great as well.
- 6/19/2024
- ScreenDaily
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Exclusive: It was on the set of Sky and HBO’s We Are Who We Are that Lorenzo Mieli asked Francesca Manieri, a screenwriter known for crafting stories about female empowerment, to pen a TV series about Rocco Siffredi, the infamous hardcore porn star. Initially, she could barely believe it. “I laughed,” she recalls. “I was sure he was joking.”
Only he wasn’t, and after a week of deliberation, she said yes, having realized it would give her the chance to explore “the core of contemporary masculinity.”
Manieri — known for films such as Rose Island, Italian Race, The First King and The Miracle and as co-writer of We Are Who We Are — went away and drew up her plan for a series that would allow her to “turn the tables” on the narratives men have dictated to women for, well, probably ever: a series about what porn represents and how modern masculinity is constructed.
Only he wasn’t, and after a week of deliberation, she said yes, having realized it would give her the chance to explore “the core of contemporary masculinity.”
Manieri — known for films such as Rose Island, Italian Race, The First King and The Miracle and as co-writer of We Are Who We Are — went away and drew up her plan for a series that would allow her to “turn the tables” on the narratives men have dictated to women for, well, probably ever: a series about what porn represents and how modern masculinity is constructed.
- 3/5/2024
- by Jesse Whittock
- Deadline Film + TV
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