Directed by
| Phil Hawkins | ||
Writing Credits (in alphabetical order)
| Phil Hawkins | ... | (script) |
| Max Kinnings | ... | (novel) |
Cast (in credits order)
Produced by
| Alexandra Bentley | ... | producer (as Alexandra Baranska) |
| Phil Hawkins | ... | producer |
Music by
| Richard Bodgers | ||
Cinematography by
| Ed Moore | ||
Editing by
| Phil Hawkins | ||
Makeup Department
| Chloe Edwards | ... | special makeup effects artist |
| Scarlett McGrath | ... | assistant makeup artist |
Second Unit Director or Assistant Director
| Ionut Paliev | ... | third assistant director |
Art Department
| Rick Kent | ... | props |
| Jeff Spain | ... | props |
Sound Department
| Alan Sheldon | ... | sound mixer |
| Caroline Singh | ... | sound mixer |
Special Effects by
| Paul Glitson | ... | special effects |
| Scott MacIntyre | ... | special effects supervisor (as Scott McIntyre) |
| Doug McCarthy | ... | special effects |
Visual Effects by
| Rodney J. McFall | ... | visual effects artist |
Stunts
| Paul Terry | ... | underwater stunts |
Camera and Electrical Department
| George Ambrose | ... | grip (as George Keightley Ambrose) |
| Gareth Gatrell | ... | still photographer |
| Tom Lane | ... | clapper loader / underwater focus puller |
| Paul Lilley | ... | phantom cinematography |
| Fabrizio Sciarra | ... | camera operator / steadicam operator |
| Sam Spurgeon | ... | digital imaging technician / underwater camera operator |
Additional Crew
| James Bentley | ... | production assistant |
| Charlotte Millar | ... | production assistant |
| Lottie Millar | ... | floor runner |