Exclusive: The news when Deadline speaks to Lisa Kramer is the launch of a Paramount+ branded hub with African pay-tv giant MultiChoice. But a conversation with the President, International TV Licensing at Paramount Global Content Distribution (Pgcd), offers a much wider insight into the world of TV in 2024.
The African launch is a case in point. The tie-up sees the Showmax owner ink a deal for a Paramount+ hub, bringing a raft of the studio’s content together in a branded block that will be available across the pay TV giant’s pan-African footprint. The deal puts the Paramount+ brand front and center, and hands MultiChoice content from CBS, Showtime, Paramount+ and Paramount Pictures ranging from Yellowstone to Poker Face to Special Ops: Lioness and Survivor.
The deal is indicative of a new approach to Paramount+. Rolling out a standalone Paramount+ service comes with hefty launch and operational costs and...
The African launch is a case in point. The tie-up sees the Showmax owner ink a deal for a Paramount+ hub, bringing a raft of the studio’s content together in a branded block that will be available across the pay TV giant’s pan-African footprint. The deal puts the Paramount+ brand front and center, and hands MultiChoice content from CBS, Showtime, Paramount+ and Paramount Pictures ranging from Yellowstone to Poker Face to Special Ops: Lioness and Survivor.
The deal is indicative of a new approach to Paramount+. Rolling out a standalone Paramount+ service comes with hefty launch and operational costs and...
- 2/26/2024
- by Stewart Clarke
- Deadline Film + TV
Paramount Global’s streaming service Paramount+ is removing some international original content across its markets and will not debut some planned programming sourced outside the U.S. as part of the entertainment giant’s goal of “managing costs” and “maximizing content with the biggest impact,” including a focus on big U.S. studio franchises and a reduction in local, international originals.
On Wednesday, Paramount+ in foreign markets started removing such international original fare as the film At Midnight, starring Top Gun: Maverick breakout Monica Barbaro, Brazilian series Marcelo, Marmelo, Martelo, and U.K. drama No Escape.
In addition, some international content previously set to debut on the streamer across markets will not launch on it, including German thriller series Turmschatten, Italian series Miss Fallaci, which tells “the true story of one of the most controversial Italian and international journalism icons,” Oriana Fallaci and
German anthology series Zeit Verbrechen, starring Sandra Hüller and Lars Eidinger,...
On Wednesday, Paramount+ in foreign markets started removing such international original fare as the film At Midnight, starring Top Gun: Maverick breakout Monica Barbaro, Brazilian series Marcelo, Marmelo, Martelo, and U.K. drama No Escape.
In addition, some international content previously set to debut on the streamer across markets will not launch on it, including German thriller series Turmschatten, Italian series Miss Fallaci, which tells “the true story of one of the most controversial Italian and international journalism icons,” Oriana Fallaci and
German anthology series Zeit Verbrechen, starring Sandra Hüller and Lars Eidinger,...
- 1/31/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Investment in original content production continues to grow in Italy where resources across all genres reached a total of €1.8 billion ($1.9 billion) thanks to increased investments from U.S. streamers. But linear TV remains the Italian industry’s main driver.
That’s the main takeaway from the annual report on local production presented on Friday by Italy’s TV producers’ association APA at Rome’s Mia market
The $1.9 billion pot of cash poured into Italian productions of all types in 2022 represented only a small increase over 2021, which is when local originals were boosted by a 55% post-pandemic growth spurt, according to figures from the APA report.
Film and TV product currently account for 55% of these investments with an increase in resources now going into documentaries and animation product mostly destined for streaming play.
“The constantly growing investment from streamers is currently worth almost a third of the total TV market,” said APA chief Chiara Sbarigia.
That’s the main takeaway from the annual report on local production presented on Friday by Italy’s TV producers’ association APA at Rome’s Mia market
The $1.9 billion pot of cash poured into Italian productions of all types in 2022 represented only a small increase over 2021, which is when local originals were boosted by a 55% post-pandemic growth spurt, according to figures from the APA report.
Film and TV product currently account for 55% of these investments with an increase in resources now going into documentaries and animation product mostly destined for streaming play.
“The constantly growing investment from streamers is currently worth almost a third of the total TV market,” said APA chief Chiara Sbarigia.
- 10/13/2023
- by Nick Vivarelli
- Variety Film + TV
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