The Hollywood Reporter has landed 44 nominations for the 66th annual SoCal Journalism Awards, including print journalist of the year for Rebecca Keegan and best website.
Other nominations were bestowed upon THR’s Songwriter Roundtable, podcasts Awards Chatter and It Happened in Hollywood, and the Live Feed and Heat Vision blogs, in addition to THR’s original photography, videos, criticism and social media posts.
The awards are handed out by the Los Angeles Press Club, which noted that more than 2,300 entries were submitted this year. The winners will be announced at an awards dinner gala June 23 at the Millennium Biltmore Hotel in downtown Los Angeles.
Below is a list of THR’s nominations. See a full list of noms.
Journalist Of The Year
Print, over 50,000 circulation
Rebecca Keegan
All Media Platforms — Print, Radio, Podcast, TV or Online
Multimedia Package
Mesfin Fekadu, THR Photo Team, THR Video Team,, “The Hit Squad: Billie Eilish,...
Other nominations were bestowed upon THR’s Songwriter Roundtable, podcasts Awards Chatter and It Happened in Hollywood, and the Live Feed and Heat Vision blogs, in addition to THR’s original photography, videos, criticism and social media posts.
The awards are handed out by the Los Angeles Press Club, which noted that more than 2,300 entries were submitted this year. The winners will be announced at an awards dinner gala June 23 at the Millennium Biltmore Hotel in downtown Los Angeles.
Below is a list of THR’s nominations. See a full list of noms.
Journalist Of The Year
Print, over 50,000 circulation
Rebecca Keegan
All Media Platforms — Print, Radio, Podcast, TV or Online
Multimedia Package
Mesfin Fekadu, THR Photo Team, THR Video Team,, “The Hit Squad: Billie Eilish,...
- 5/9/2024
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
It’s always fascinating when a movie with a top star, and directed by another star, goes as far under the radar as Steve Buscemi‘s “The Listener,” starring Tessa Thompson, has.
But in the case of this particularly gentle movie — available on VOD now for $6.99 — maybe that’s part of its DNA. Like the mental health helpline operator Thompson plays, this is a movie that’s there if you need it: Quiet, thoughtful, and totally shunning the kind of splashiness that most movies are thought to require these days to stand out.
“The Listener” premiered at the Venice Film Festival in 2022, where it was the closing night film of the Venice Days sidebar. On April 13, it was the closing night film of the Sarasota Film Festival, out of competition — in this over 18-month festival journey, it’s also made stops at the festivals in Vienna, Thessaloniki, Stockholm, The Hague,...
But in the case of this particularly gentle movie — available on VOD now for $6.99 — maybe that’s part of its DNA. Like the mental health helpline operator Thompson plays, this is a movie that’s there if you need it: Quiet, thoughtful, and totally shunning the kind of splashiness that most movies are thought to require these days to stand out.
“The Listener” premiered at the Venice Film Festival in 2022, where it was the closing night film of the Venice Days sidebar. On April 13, it was the closing night film of the Sarasota Film Festival, out of competition — in this over 18-month festival journey, it’s also made stops at the festivals in Vienna, Thessaloniki, Stockholm, The Hague,...
- 4/20/2024
- by Christian Blauvelt
- Indiewire
When the Oscar shortlist of feature documentaries was announced in December, it was dominated by films that premiered at the Sundance Film Festival – films like Going to Mars: The Nikki Giovanni Project, The Eternal Memory, Beyond Utopia and A Still Small Voice.
The shortlist announcement provided the latest evidence of the festival’s status as the prime launchpad for the best in documentary filmmaking – and whets the appetite for the upcoming 40th edition of Sundance, which starts Thursday.
In the new edition of Deadline’s Doc Talk podcast, we talk with Sundance programmers Basil Tsiokos and Sudeep Sharma about what to expect from the festival’s nonfiction lineup. They tell us about Will & Harper, a road trip movie with Will Ferrell and his close friend Harper Steele that explores their evolving relationship after Harper’s transition, and Super/Man, the film about Christopher Reeve that features the late star’s children.
The shortlist announcement provided the latest evidence of the festival’s status as the prime launchpad for the best in documentary filmmaking – and whets the appetite for the upcoming 40th edition of Sundance, which starts Thursday.
In the new edition of Deadline’s Doc Talk podcast, we talk with Sundance programmers Basil Tsiokos and Sudeep Sharma about what to expect from the festival’s nonfiction lineup. They tell us about Will & Harper, a road trip movie with Will Ferrell and his close friend Harper Steele that explores their evolving relationship after Harper’s transition, and Super/Man, the film about Christopher Reeve that features the late star’s children.
- 1/16/2024
- by The Deadline Team
- Deadline Film + TV
Lots of celebs stepped out to attend the National Board of Review’s 2024 Awards Gala and we have all the red carpet photos!
Anne Hathaway, Zac Efron, Teyana Taylor, Bradley Cooper, and Jessica Chastain were just some of the stars who walked the carpet for the event on Thursday (January 11) at Cipriani 42nd Street in New York City.
All of the award winners were announced in advance, with Killers of the Flower Moon taking home the most awards with three wins, including Best Film, Best Director for Martin Scorsese, and Best Actress for Lily Gladstone.
NBC News’ Willie Geist hosted the gala and we gathered all the celeb attendees, plus the winners list.
Head inside to see everything…
Check out the winners list below…
Best Film: Killers of the Flower Moon
Best Director: Martin Scorsese, Killers of the Flower Moon
Best Actor: Paul Giamatti, The Holdovers
Best Actress: Lily Gladstone,...
Anne Hathaway, Zac Efron, Teyana Taylor, Bradley Cooper, and Jessica Chastain were just some of the stars who walked the carpet for the event on Thursday (January 11) at Cipriani 42nd Street in New York City.
All of the award winners were announced in advance, with Killers of the Flower Moon taking home the most awards with three wins, including Best Film, Best Director for Martin Scorsese, and Best Actress for Lily Gladstone.
NBC News’ Willie Geist hosted the gala and we gathered all the celeb attendees, plus the winners list.
Head inside to see everything…
Check out the winners list below…
Best Film: Killers of the Flower Moon
Best Director: Martin Scorsese, Killers of the Flower Moon
Best Actor: Paul Giamatti, The Holdovers
Best Actress: Lily Gladstone,...
- 1/12/2024
- by Just Jared
- Just Jared
2020 still has its hold on us, and will for a long time.
Not just because Covid is still circulating, but because of the emotional fallout of that time that so few of us seem to have processed. Grief is something Americans, in particular, have a hard time with. Nations as varied as Italy, China, and Kazakhstan have had National Days of Mourning for their Covid victims. Spain had 10 days of official national mourning. Mexico, a month. The U.S. had over a million victims, and there’s been no such nationwide remembrance.
Luke Lorentzen’s documentary “A Still Small Voice” is so powerful because, even though it’s not really about Covid at all — the word is only mentioned a couple of times in its entire 93 minutes — it’s about the processing of strong emotions American culture is all too likely to avoid through denial, distraction, and workaholism. Almost therapeutic,...
Not just because Covid is still circulating, but because of the emotional fallout of that time that so few of us seem to have processed. Grief is something Americans, in particular, have a hard time with. Nations as varied as Italy, China, and Kazakhstan have had National Days of Mourning for their Covid victims. Spain had 10 days of official national mourning. Mexico, a month. The U.S. had over a million victims, and there’s been no such nationwide remembrance.
Luke Lorentzen’s documentary “A Still Small Voice” is so powerful because, even though it’s not really about Covid at all — the word is only mentioned a couple of times in its entire 93 minutes — it’s about the processing of strong emotions American culture is all too likely to avoid through denial, distraction, and workaholism. Almost therapeutic,...
- 1/11/2024
- by Christian Blauvelt
- Indiewire
I tried making a conscious effort to find posters in areas I might not have normally visited this year. That’s the effect of having been able to follow so many design firms and artists on Twitter before a majority (justifiably) bailed upon its sale. With such broad and instant access, the ease at which I discovered new releases made it so I often forget to look elsewhere.
Imp Awards is still a great resource, if only to sift through everything they’ve tagged as a given year to see if something got missed. Then there’s Brandon Schaefer‘s year-end collections and Adrian Curry’s extensive Mubi posts and Instagram to get an inside look from two poster artists and connoisseurs. And there’s a slew of other accounts who keep on the pulse of the art form when so many (e.g. studios who commission the work) can...
Imp Awards is still a great resource, if only to sift through everything they’ve tagged as a given year to see if something got missed. Then there’s Brandon Schaefer‘s year-end collections and Adrian Curry’s extensive Mubi posts and Instagram to get an inside look from two poster artists and connoisseurs. And there’s a slew of other accounts who keep on the pulse of the art form when so many (e.g. studios who commission the work) can...
- 1/3/2024
- by Jared Mobarak
- The Film Stage
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
The greatest year in cinema since the monumental offerings of 2007––a transformative year that set the seeds for this very site to come into existence––2023 offered a resounding affirmative that indeed the medium is alive and well: auteurs flexing what they do best, newcomers providing a hopeful voice for the future of filmmaking, along with a plethora of worthwhile offers. Along with my personal favorites when it came to U.S. releases, two films also premiered that would’ve topped this list had they come out in 2023: Bertrand Bonello’s The Beast and Víctor Erice’s still-shockingly-undistributed Close Your Eyes.
While they didn’t make the top 15 cut below, I must make mention for the most essential, one-and-done viewing of the year with De Humani Corporis...
The greatest year in cinema since the monumental offerings of 2007––a transformative year that set the seeds for this very site to come into existence––2023 offered a resounding affirmative that indeed the medium is alive and well: auteurs flexing what they do best, newcomers providing a hopeful voice for the future of filmmaking, along with a plethora of worthwhile offers. Along with my personal favorites when it came to U.S. releases, two films also premiered that would’ve topped this list had they come out in 2023: Bertrand Bonello’s The Beast and Víctor Erice’s still-shockingly-undistributed Close Your Eyes.
While they didn’t make the top 15 cut below, I must make mention for the most essential, one-and-done viewing of the year with De Humani Corporis...
- 12/25/2023
- by Jordan Raup
- The Film Stage
The Academy of Motion Picture Arts and Sciences today announced shortlists in 10 categories for the 96th Academy Awards. 15 films from each of the categories below were shortlisted. There were no surprises when it came to most of the big film Oscar nominations like ‘Oppenheimer’, ‘Barbie’, ‘Poor Things’ and ‘Killers of the Flower Moon’. India’s Oscar entry ‘2018: Everyone is a Hero’ did not make the cut in a strong International feature film lineup. There were some surprises as well with Chilean film ‘The Settlers’, Argentinian film ‘The Delinquents’ and Turkish film ‘About Dry Grasses’ being snubbed.
Documentary Feature Film
“American Symphony”
“Apolonia, Apolonia”
“Beyond Utopia”
“Bobi Wine: The People’s President”
“Desperate Souls, Dark City and the Legend of Midnight Cowboy”
“The Eternal Memory”
“Four Daughters”
“Going to Mars: The Nikki Giovanni Project”
“In the Rearview”
“Stamped from the Beginning”
“Still: A Michael J. Fox Movie”
“A Still Small Voice...
Documentary Feature Film
“American Symphony”
“Apolonia, Apolonia”
“Beyond Utopia”
“Bobi Wine: The People’s President”
“Desperate Souls, Dark City and the Legend of Midnight Cowboy”
“The Eternal Memory”
“Four Daughters”
“Going to Mars: The Nikki Giovanni Project”
“In the Rearview”
“Stamped from the Beginning”
“Still: A Michael J. Fox Movie”
“A Still Small Voice...
- 12/21/2023
- by Prem
- Talking Films
Updated 12/22/2023 with details on shortlisted A Still Small Voice. Updated with quotes, 1:37 Pm: American Symphony, the Obamas-executive produced documentary about Grammy-winning musician Jon Batiste, scored a remarkable hat trick today as the Oscar shortlists were revealed, but a couple of documentary icons were left on the bench.
In more headlines from the announcement, a beloved documentary filmmaker who died unexpectedly in August earned a place on the nonfiction feature shortlist. And the film about cherished actor Michael J. Fox, directed by Oscar winner Davis Guggenheim, made the list. Two films earned double recognition – making shortlists for doc feature and International Feature Film. [See full shortlists for doc feature and doc short below].
Suleika Jouad and Jon Batiste in ‘American Symphony’
The most eye-popping takeaway is the recognition for American Symphony, the Netflix film directed by Oscar nominee Matthew Heineman and produced by Higher Ground, the production company of former President Obama and First Lady Michelle Obama. It made the...
In more headlines from the announcement, a beloved documentary filmmaker who died unexpectedly in August earned a place on the nonfiction feature shortlist. And the film about cherished actor Michael J. Fox, directed by Oscar winner Davis Guggenheim, made the list. Two films earned double recognition – making shortlists for doc feature and International Feature Film. [See full shortlists for doc feature and doc short below].
Suleika Jouad and Jon Batiste in ‘American Symphony’
The most eye-popping takeaway is the recognition for American Symphony, the Netflix film directed by Oscar nominee Matthew Heineman and produced by Higher Ground, the production company of former President Obama and First Lady Michelle Obama. It made the...
- 12/21/2023
- by Matthew Carey
- Deadline Film + TV
With the 2024 Oscars shortlists for 10 categories arriving in late December, one key element to look out for is the international contenders with the legs to make it into categories past Best International Feature Film. This time last year, Netflix’s “All Quiet on the Western Front” established itself as a possible Best Picture nominee with multiple craft mentions, and by the March ceremony, the Edward Berger film collected the majority of Academy Awards given to below-the-line artisans.
This year, lightning may strike twice, as established Hollywood filmmaker J.A. Bayona’s “Society of the Snow” (Netflix), Spain’s official submission for Best International Feature Film, landed on four shortlists. A last-minute premiere at the Venice Film Festival, the moving retelling of the harrowing story of how the Uruguayan rugby team survived a plane crash in the Andes in 1972 has been building momentum as a must-watch among voters this holiday season.
Still...
This year, lightning may strike twice, as established Hollywood filmmaker J.A. Bayona’s “Society of the Snow” (Netflix), Spain’s official submission for Best International Feature Film, landed on four shortlists. A last-minute premiere at the Venice Film Festival, the moving retelling of the harrowing story of how the Uruguayan rugby team survived a plane crash in the Andes in 1972 has been building momentum as a must-watch among voters this holiday season.
Still...
- 12/21/2023
- by Marcus Jones and Anne Thompson
- Indiewire
Shortlists announced in 10 categories for 96th Academy Awards.
The Academy of Motion Picture Arts and Sciences has announced shortlists in 10 categories for the 96th Academy Awards, with The Taste Of Things (France), The Zone Of Interest (UK), Fallen Leaves (Finland), The Mother Of All Lies (Morocco), and Totem (Mexico) among those to make the cut in the international feature film category.
Shortlists were also announced for documentary feature, documentary short film, makeup and hairstyling, music (original score), music (original song), animated short film, live action short film, sound and visual effects.
More to follow…
Documentary Feature Film
Fifteen films will...
The Academy of Motion Picture Arts and Sciences has announced shortlists in 10 categories for the 96th Academy Awards, with The Taste Of Things (France), The Zone Of Interest (UK), Fallen Leaves (Finland), The Mother Of All Lies (Morocco), and Totem (Mexico) among those to make the cut in the international feature film category.
Shortlists were also announced for documentary feature, documentary short film, makeup and hairstyling, music (original score), music (original song), animated short film, live action short film, sound and visual effects.
More to follow…
Documentary Feature Film
Fifteen films will...
- 12/21/2023
- by Jeremy Kay
- ScreenDaily
The academy released the 2043 Oscars shortlists in 10 categories on Thursday, December 21. The hopefuls in a wide range of races found out if they remain in contention for the 96th annual Academy Awards. Among these are the marquee categories for Best International Feature Film (which was pared down to 10 films from the 88 submitted) and Best Documentary Feature (which went from 167 to 15).
Both music awards – Best Original Song and Best Original Score — were winnowed down to just 15 contenders from 94 and 148 submissions respectively. Likewise for the three awards for shorts: animated (93), documentary (114) and live-action (187). The Best Makeup and Hairstyling, Best Sound and Best Visual Effects races were culled from dozens of entries to 10 apiece.
Documentary Feature
One hundred and sixty-seven films were eligible for consideration; there are 15 on the shortlist. Members of the Documentary Branch vote to determine the shortlist and the nominees. The films, listed in alphabetical order by title, are:
“American Symphony”
“Apolonia,...
Both music awards – Best Original Song and Best Original Score — were winnowed down to just 15 contenders from 94 and 148 submissions respectively. Likewise for the three awards for shorts: animated (93), documentary (114) and live-action (187). The Best Makeup and Hairstyling, Best Sound and Best Visual Effects races were culled from dozens of entries to 10 apiece.
Documentary Feature
One hundred and sixty-seven films were eligible for consideration; there are 15 on the shortlist. Members of the Documentary Branch vote to determine the shortlist and the nominees. The films, listed in alphabetical order by title, are:
“American Symphony”
“Apolonia,...
- 12/21/2023
- by Paul Sheehan
- Gold Derby
Just in time for the holiday season, the Academy of Motion Picture Arts and Sciences has gifted a slew of films the honor of being included on the 2024 Oscars shortlists in a range of categories.
The annual shortlists for International Feature Film, Documentary, Sound, Original Score, Original Song, Makeup and Hairstyling, Visual Effects, Live-Action Short Film, Documentary Short Subject, and Animated Short Film were unveiled December 21, almost one month exactly before the complete Oscar nominations will be announced.
Anticipated inclusions for Oscar frontrunners like “Barbie,” “Poor Things,” and “Maestro” made the cut in a variety of categories. Ukrainian documentary “20 Days in Mariupol” and Tunisian Isis saga “Four Daughters” are both pulling double duty with shortlist inclusions in the International Feature and Documentary Feature categories.
Academy Award nomination voting runs from January 11 – 16, with the official nominations announced on January 23. Final voting will then run from February 22 – 27, with the 96th annual...
The annual shortlists for International Feature Film, Documentary, Sound, Original Score, Original Song, Makeup and Hairstyling, Visual Effects, Live-Action Short Film, Documentary Short Subject, and Animated Short Film were unveiled December 21, almost one month exactly before the complete Oscar nominations will be announced.
Anticipated inclusions for Oscar frontrunners like “Barbie,” “Poor Things,” and “Maestro” made the cut in a variety of categories. Ukrainian documentary “20 Days in Mariupol” and Tunisian Isis saga “Four Daughters” are both pulling double duty with shortlist inclusions in the International Feature and Documentary Feature categories.
Academy Award nomination voting runs from January 11 – 16, with the official nominations announced on January 23. Final voting will then run from February 22 – 27, with the 96th annual...
- 12/21/2023
- by Samantha Bergeson
- Indiewire
The Academy of Motion Picture Arts and Sciences has announced the shortlists in 10 categories for the upcoming 96th Oscars ceremony.
Overall, Greta Gerwig’s meta-comedy “Barbie” had the most mentions with five including sound, original song for its three submissions from Billie Eilish (“What I Was Made For?”), Dua Lipa (“Dance the Night”) and Mark Ronson and Andrew Wyatt (“I’m Just Ken”), and original score, from the latter duo. The big miss for “Barbie” was in makeup and hairstyling, which was the category that yielded the most surprises.
In addition to “Barbie,” “The Color Purple,” and “Guardians of the Galaxy Vol. 3” all failed to make the shortlist. Instead, the branch selected A24’s eccentric “Beau is Afraid” and Universal Pictures’ horror summer film “The Last Voyage of the Demeter.”
In the music categories are compositions from Daniel Pemberton (“Spider-Man: Across the Spider-Verse”), Ludwig Göransson (“Oppenheimer”) and the late...
Overall, Greta Gerwig’s meta-comedy “Barbie” had the most mentions with five including sound, original song for its three submissions from Billie Eilish (“What I Was Made For?”), Dua Lipa (“Dance the Night”) and Mark Ronson and Andrew Wyatt (“I’m Just Ken”), and original score, from the latter duo. The big miss for “Barbie” was in makeup and hairstyling, which was the category that yielded the most surprises.
In addition to “Barbie,” “The Color Purple,” and “Guardians of the Galaxy Vol. 3” all failed to make the shortlist. Instead, the branch selected A24’s eccentric “Beau is Afraid” and Universal Pictures’ horror summer film “The Last Voyage of the Demeter.”
In the music categories are compositions from Daniel Pemberton (“Spider-Man: Across the Spider-Verse”), Ludwig Göransson (“Oppenheimer”) and the late...
- 12/21/2023
- by Clayton Davis
- Variety Film + TV
Art rises to a challenge, and 2023 saw plenty of documentaries do exactly that. Amid a swarm of vanity projects and puff pieces, brand extensions and overstretched stories, the best documentaries of the year stood out for their scrutiny and decisiveness; their unique perspectives and razor-sharp editing. Rather than be dragged down by industry forces, be it the lingering effects of streaming or resurgent demand for star vehicles masked as docs, these 20 nonfiction works rose above — and, as audience members, we thank them for it.
There were some heavy hitters working in 2023. Matthew Heineman, Maite Alberdi, Steve James, and Errol Morris all delivered impressive new pieces. Breakthroughs came screaming to the forefront as well, many aided by festival or critical support (or both). Films like “Kokomo City,” “Beyond Utopia,” and “A Still Small Voice” managed to crack the zeitgeist and pique cinephiles’ interest. While over in television, genre hybrids like “Paul T. Goldman...
There were some heavy hitters working in 2023. Matthew Heineman, Maite Alberdi, Steve James, and Errol Morris all delivered impressive new pieces. Breakthroughs came screaming to the forefront as well, many aided by festival or critical support (or both). Films like “Kokomo City,” “Beyond Utopia,” and “A Still Small Voice” managed to crack the zeitgeist and pique cinephiles’ interest. While over in television, genre hybrids like “Paul T. Goldman...
- 12/12/2023
- by Ben Travers and Anne Thompson
- Indiewire
By Glenn Charlie Dunks
The Academy has announced the long list for this year’s Best Documentary Feature category. 168 titles have qualified for members of the doc branch to whittle down to a 15-wide shortlist and then a nominated five. That figure is higher than last year, which had 144 eligible titles and which culminated in a win for Daniel Roher’s Navalny.
If you were to ask me right now what titles I expect to find on this year’s shortlist, I might say the following: Against the Tide (Sarvnik Kaur), American Symphony (Matthew Heineman), Anonymous Sister (Jamie Boyle), The Eternal Memory (Maite Alberdi), Four Daughters (Kaouther Ben Hania), Lakota Nation vs United States, Little Richard: I Am Everything (Lisa Cortés), The Mission, Occupied City (Steve McQueen), Silver Dollar Road (Raoul Peck), Smoke Sauna Sisterhood (Anna Hints), A Still Small Voice (Luke Lorentzen), Still: A Michael J Fox Movie (Davis Guggenheim...
The Academy has announced the long list for this year’s Best Documentary Feature category. 168 titles have qualified for members of the doc branch to whittle down to a 15-wide shortlist and then a nominated five. That figure is higher than last year, which had 144 eligible titles and which culminated in a win for Daniel Roher’s Navalny.
If you were to ask me right now what titles I expect to find on this year’s shortlist, I might say the following: Against the Tide (Sarvnik Kaur), American Symphony (Matthew Heineman), Anonymous Sister (Jamie Boyle), The Eternal Memory (Maite Alberdi), Four Daughters (Kaouther Ben Hania), Lakota Nation vs United States, Little Richard: I Am Everything (Lisa Cortés), The Mission, Occupied City (Steve McQueen), Silver Dollar Road (Raoul Peck), Smoke Sauna Sisterhood (Anna Hints), A Still Small Voice (Luke Lorentzen), Still: A Michael J Fox Movie (Davis Guggenheim...
- 12/10/2023
- by Glenn Dunks
- FilmExperience
Director Martin Scorsese and Lily Gladstone on the set of ‘Killers of the Flower Moon’ (Photo Courtesy of Apple TV+)
The National Board of Review selected Killers of the Flower Moon, based on the bestselling book by David Grann, as the Best Film of 2023. NBR also recognized the drama with the Best Director (Martin Scorsese) and Best Actress (Lily Gladstone) awards.
“Killers of the Flower Moon is a stunning masterpiece from one of our greatest filmmakers, Martin Scorsese. The NBR is proud to award this complex, important, and deeply resonant epic as our Best Film and Scorsese as our Best Director,” stated NBR President Annie Schulhof. “We are also thrilled to honor Bradley Cooper with the NBR Icon Award – an equally impressive actor, writer, producer, and director, who brings his passion, artistry, and dedication to everything he does, including his latest beautifully sublime film, Maestro.”
NBR’s annual Best Of...
The National Board of Review selected Killers of the Flower Moon, based on the bestselling book by David Grann, as the Best Film of 2023. NBR also recognized the drama with the Best Director (Martin Scorsese) and Best Actress (Lily Gladstone) awards.
“Killers of the Flower Moon is a stunning masterpiece from one of our greatest filmmakers, Martin Scorsese. The NBR is proud to award this complex, important, and deeply resonant epic as our Best Film and Scorsese as our Best Director,” stated NBR President Annie Schulhof. “We are also thrilled to honor Bradley Cooper with the NBR Icon Award – an equally impressive actor, writer, producer, and director, who brings his passion, artistry, and dedication to everything he does, including his latest beautifully sublime film, Maestro.”
NBR’s annual Best Of...
- 12/6/2023
- by Rebecca Murray
- Showbiz Junkies
The National Board of Review gave its stamp of approval to Martin Scorsese’s “Killers of the Flower Moon” on Wednesday, bestowing the American epic with four awards including Best Film, Best Director for Scorsese, Best Actress for Lily Gladstone, and Best Cinematography for Rodrigo Prieto (who was also cited for his work on “Barbie”).
“‘Killers of the Flower Moon’ is a stunning masterpiece from one of our greatest filmmakers, Martin Scorsese. The NBR is proud to award this complex, important, and deeply resonant epic as our Best Film and Scorsese as our Best Director,” said NBR President Annie Schulhof.
What is the National Board of Review? The group helpfully provided its own origin story in a press release announcing this year’s crop of winners. “Established in 1909, the NBR recognizes excellence in filmmaking. This year, 245 films were viewed by a select group of film enthusiasts, filmmakers, professionals, academics, and students,...
“‘Killers of the Flower Moon’ is a stunning masterpiece from one of our greatest filmmakers, Martin Scorsese. The NBR is proud to award this complex, important, and deeply resonant epic as our Best Film and Scorsese as our Best Director,” said NBR President Annie Schulhof.
What is the National Board of Review? The group helpfully provided its own origin story in a press release announcing this year’s crop of winners. “Established in 1909, the NBR recognizes excellence in filmmaking. This year, 245 films were viewed by a select group of film enthusiasts, filmmakers, professionals, academics, and students,...
- 12/6/2023
- by Christopher Rosen
- Gold Derby
The National Board of Review has unveiled its 2023 award winners, led by Martin Scorsese’s Killers of the Flower Moon, which picked up Best Film, Best Director, Best Actress for Lily Gladstone, and Best Cinematography, which Rodrigo Prieto also received for Barbie. (Read our interview with him here). Elsewhere, Paul Giamatti, Mark Ruffalo, Da’Vine Joy Randolph, and Teyana Taylor picked up acting nods, while Anatomy of a Fall received Best International Film and Still was awarded Best Documentary.
See the full list of winners below ahead of their awards gala on January 11, 2024.
Best Film
Killers of the Flower Moon
Best Director
Martin Scorsese, Killers of the Flower Moon
Best Actor
Paul Giamatti, The Holdovers
Best Actress
Lily Gladstone, Killers of the Flower Moon
Best Supporting Actor
Mark Ruffalo, Poor Things
Best Supporting Actress
Da’Vine Joy Randolph, The Holdovers
NBR Icon Award
Bradley Cooper
Best Original Screenplay
David Hemingson, The...
See the full list of winners below ahead of their awards gala on January 11, 2024.
Best Film
Killers of the Flower Moon
Best Director
Martin Scorsese, Killers of the Flower Moon
Best Actor
Paul Giamatti, The Holdovers
Best Actress
Lily Gladstone, Killers of the Flower Moon
Best Supporting Actor
Mark Ruffalo, Poor Things
Best Supporting Actress
Da’Vine Joy Randolph, The Holdovers
NBR Icon Award
Bradley Cooper
Best Original Screenplay
David Hemingson, The...
- 12/6/2023
- by Leonard Pearce
- The Film Stage
Bradley Cooper to receive NBR Icon Award.
Killers Of The Flower Moon’s awards season continues to gather pace in the US as it was named best film, Martin Scorsese best director, and Lily Gladstone best actress in National Board of Review’s (NBR) list of annual honourees on Wednesday.
The film and Gladstone were named best film and lead actress by New York Film Critics Circle last week, and the feature was awarded the Icon & Creator Tribute at the Gothams.
Paul Giamatti was named NBR’s best actor for The Holdovers, with fellow cast member Da’Vine Joy Randolph earning best supporting actress,...
Killers Of The Flower Moon’s awards season continues to gather pace in the US as it was named best film, Martin Scorsese best director, and Lily Gladstone best actress in National Board of Review’s (NBR) list of annual honourees on Wednesday.
The film and Gladstone were named best film and lead actress by New York Film Critics Circle last week, and the feature was awarded the Icon & Creator Tribute at the Gothams.
Paul Giamatti was named NBR’s best actor for The Holdovers, with fellow cast member Da’Vine Joy Randolph earning best supporting actress,...
- 12/6/2023
- by Jeremy Kay
- ScreenDaily
The National Board of Review has unveiled its 2023 winners list, with Martin Scorsese’s “Killers of the Flower Moon” leading the top awards.
Actress Lily Gladstone and director Scorsese were both recognized for their respective work on the period piece, which co-stars Leonardo DiCaprio and Robert De Niro. “Killers of the Flower Moon” received Best Film, Best Director, and Best Actress wins.
In addition to the core sweep of “Killers of the Flower Moon,” Paul Giamatti won Best Actor for “The Holdovers,” along with co-star Da’Vine Joy Randolph, who was recognized for Best Supporting Actress. “Poor Things” star Mark Ruffalo won Best Supporting Actor, and “Maestro” writer/director/producer/actor Bradley Cooper was announced to win the NBR Icon Award.
“‘Killers of the Flower Moon’ is a stunning masterpiece from one of our greatest filmmakers, Martin Scorsese. The NBR is proud to award this complex, important, and deeply resonant epic...
Actress Lily Gladstone and director Scorsese were both recognized for their respective work on the period piece, which co-stars Leonardo DiCaprio and Robert De Niro. “Killers of the Flower Moon” received Best Film, Best Director, and Best Actress wins.
In addition to the core sweep of “Killers of the Flower Moon,” Paul Giamatti won Best Actor for “The Holdovers,” along with co-star Da’Vine Joy Randolph, who was recognized for Best Supporting Actress. “Poor Things” star Mark Ruffalo won Best Supporting Actor, and “Maestro” writer/director/producer/actor Bradley Cooper was announced to win the NBR Icon Award.
“‘Killers of the Flower Moon’ is a stunning masterpiece from one of our greatest filmmakers, Martin Scorsese. The NBR is proud to award this complex, important, and deeply resonant epic...
- 12/6/2023
- by Samantha Bergeson
- Indiewire
The National Board of Review has revealed its picks for the top films and performances of 2023.
Killers of the Flower Moon was named best film, the second high-profile honor for the Martin Scorsese-directed movie within the past week after it was also named best film of the year by the New York Film Critics Circle.
The film about the Osage Murders also won best director (Scorsese) and best actress (Lily Gladstone).
And its cinematographer Rodrigo Prieto won best cinematography for his work on both Killers and Barbie, which was named one of the top films of the year.
The Holdovers also won three awards: best actor (Paul Giamatti) and supporting actress (Da’Vine Joy Randolph), original screenplay (David Hemingson) and was named one of the best films of the year.
Poor Things received two awards: best supporting actor (Mark Ruffalo) and adapted screenplay (Tony McNamara) and was named one of...
Killers of the Flower Moon was named best film, the second high-profile honor for the Martin Scorsese-directed movie within the past week after it was also named best film of the year by the New York Film Critics Circle.
The film about the Osage Murders also won best director (Scorsese) and best actress (Lily Gladstone).
And its cinematographer Rodrigo Prieto won best cinematography for his work on both Killers and Barbie, which was named one of the top films of the year.
The Holdovers also won three awards: best actor (Paul Giamatti) and supporting actress (Da’Vine Joy Randolph), original screenplay (David Hemingson) and was named one of the best films of the year.
Poor Things received two awards: best supporting actor (Mark Ruffalo) and adapted screenplay (Tony McNamara) and was named one of...
- 12/6/2023
- by Hilary Lewis
- The Hollywood Reporter - Movie News
Martin Scorsese’s Western historical epic Killers of the Flower Moon on Wednesday was named Best Film by the National Board of Review, the second major awards honor for the Apple Original Films pic this week after it also won the top prize from the New York Film Critics Circle.
Scorsese was also picked as NBR’s Best Director, while Lily Gladstone repeated her Nyfccc feat by being named Best Actress. She stars in the pic as Mollie Burkhart, an Osage woman who was married to white settler Ernest Burkhart (Leonardo DiCaprio) in the true story about the Reign of Terror in 1920s Oklahoma. Robert De Niro also stars in the script written by Scorsese and Eric Roth based on David Grann’s bestseller.
Flower Moon‘s got four wins today including for Rodrigo Prieto’s cinematography; he was cited for his work both for Scorsese and as Dp on Barbie.
Scorsese was also picked as NBR’s Best Director, while Lily Gladstone repeated her Nyfccc feat by being named Best Actress. She stars in the pic as Mollie Burkhart, an Osage woman who was married to white settler Ernest Burkhart (Leonardo DiCaprio) in the true story about the Reign of Terror in 1920s Oklahoma. Robert De Niro also stars in the script written by Scorsese and Eric Roth based on David Grann’s bestseller.
Flower Moon‘s got four wins today including for Rodrigo Prieto’s cinematography; he was cited for his work both for Scorsese and as Dp on Barbie.
- 12/6/2023
- by Patrick Hipes
- Deadline Film + TV
In hindsight, it shouldn’t be surprising that the cinema of 2023 was so preoccupied with the unknown, as the first proper year after the start of the pandemic was always going to find the movie industry plunging into a brave new world.
Some of the most pressing questions we had at the start of January were answered with resounding force. Would the studios — some of which had fatally diluted their brands with streaming options in a desperate bid to appease the stock market — find that once-reliable franchises had lust their luster? Yes. Would audiences — so eager for a different breed of “event film” that they had already started to redefine the term themselves — actually follow through on the “Barbenheimer” meme that first spread across social media in late 2022? Yes. Would titans like Martin Scorsese, Christopher Nolan, and Wes Anderson make good on the breathless chatter that surrounded their latest projects...
Some of the most pressing questions we had at the start of January were answered with resounding force. Would the studios — some of which had fatally diluted their brands with streaming options in a desperate bid to appease the stock market — find that once-reliable franchises had lust their luster? Yes. Would audiences — so eager for a different breed of “event film” that they had already started to redefine the term themselves — actually follow through on the “Barbenheimer” meme that first spread across social media in late 2022? Yes. Would titans like Martin Scorsese, Christopher Nolan, and Wes Anderson make good on the breathless chatter that surrounded their latest projects...
- 11/28/2023
- by David Ehrlich and Kate Erbland
- Indiewire
The Indie Film Site Network (Ifsn) which Ioncinema.com is a part of is thrilled to announce D. Smith’s vibrant directorial debut Kokomo City as the recipient of the 2023 Ifsn Advocate Award. The recipient of the award, established to highlight one indie film each year that illuminates a humanitarian or environmental issue with a singular artistic vision, is awarded one million (1M) media impressions across the Indie Film Site Network, which represents The Film Stage, Hammer to Nail, RogerEbert.com, and Screen Anarchy. Letterboxd, the popular social network for cinephiles, is also contributing to the award.
Finalists for the 2023 Ifsn Advocate Award are another pair of films from Sundance in Raven Jackson’s All Dirt Roads Taste of Salt and Luke Lorentzen’s A Still Small Voice, one from Cannes in Asmae El Moudir’s The Mother of All Lies, and the other from Telluride in Pawo Choyning Dorji...
Finalists for the 2023 Ifsn Advocate Award are another pair of films from Sundance in Raven Jackson’s All Dirt Roads Taste of Salt and Luke Lorentzen’s A Still Small Voice, one from Cannes in Asmae El Moudir’s The Mother of All Lies, and the other from Telluride in Pawo Choyning Dorji...
- 11/16/2023
- by Eric Lavallée
- IONCINEMA.com
As part of Indie Film Site Network (Ifsn), we’re thrilled to announce D. Smith’s vibrant directorial debut Kokomo City as the recipient of the 2023 Ifsn Advocate Award. The recipient of the award, established to highlight one indie film each year that illuminates a humanitarian or environmental issue with a singular artistic vision, is awarded one million (1M) media impressions across the Indie Film Site Network, which represents The Film Stage, Hammer to Nail, Ioncinema.com, RogerEbert.com, and Screen Anarchy. Letterboxd, the popular social network for cinephiles, is also contributing to the award.
Finalists for the 2023 Ifsn Advocate Award are Raven Jackson’s All Dirt Roads Taste of Salt, Pawo Choyning Dorji’s The Monk and the Gun, Asmae El Moudir’s The Mother of All Lies, and Luke Lorentzen’s A Still Small Voice, which will each be awarded 100K media impressions across Ifsn.
In the wildly...
Finalists for the 2023 Ifsn Advocate Award are Raven Jackson’s All Dirt Roads Taste of Salt, Pawo Choyning Dorji’s The Monk and the Gun, Asmae El Moudir’s The Mother of All Lies, and Luke Lorentzen’s A Still Small Voice, which will each be awarded 100K media impressions across Ifsn.
In the wildly...
- 11/16/2023
- by Jordan Raup
- The Film Stage
There are so many scenes in A Still Small Voice that will stay with viewers. Or at least it feels that way. In truth, the 90-minute documentary mostly consists of a handful of powerful interactions between a hospital chaplain named Mati and her patients. Additional interactions between Mati and her administrator David are equally compelling.
With the Sundance selection now arriving in theaters, we got the chance to speak with the film’s director, Luke Lorentzen, about the long, tactful process of capturing these essential moments without ever feeling intrusive. The location (Mount Sinai Hospital in New York City) suggests privacy and care. And A Still Small Voice somehow conveys that feeling while also revealing extreme emotions in extraordinary circumstances. Lorentzen speaks to this tightrope walk of a production, and the laborious editing process that followed.
This interview has been edited for length and clarity.
The Film Stage: How do you get into that hospital?...
With the Sundance selection now arriving in theaters, we got the chance to speak with the film’s director, Luke Lorentzen, about the long, tactful process of capturing these essential moments without ever feeling intrusive. The location (Mount Sinai Hospital in New York City) suggests privacy and care. And A Still Small Voice somehow conveys that feeling while also revealing extreme emotions in extraordinary circumstances. Lorentzen speaks to this tightrope walk of a production, and the laborious editing process that followed.
This interview has been edited for length and clarity.
The Film Stage: How do you get into that hospital?...
- 11/13/2023
- by Dan Mecca
- The Film Stage
A24 continues its stream of special runs opening dark comedy Dream Scenario in limited release on six screens in New York and LA. Written and directed by Kristoffer Borgli (Sick Of Myself) and produced by Ari Aster, it stars Nicolas Cage as a hapless family man whose life is turned upside down when millions of strangers suddenly start seeing him in their dreams.
The film premiered at Toronto Film Festival to stellar reviews (see Deadline’s here). A24 had a SAG-AFTRA waiver and Cage began promoting the film at TIFF. The English-language debut for Norwegian helmer Borgli — whose satire Sick Of Myself premiered at Cannes last year — also features Julianne Nicholson, Michael Cera, Kate Berlant, Nicholas Braun and Noah Centineo.
Opens NY at AMC Lincoln Square, Angelika, Alamo, In LA at The Grove, Century City, Burbank. Q&As with filmmaker Borgli and cast members Berlant (who plays an executive...
The film premiered at Toronto Film Festival to stellar reviews (see Deadline’s here). A24 had a SAG-AFTRA waiver and Cage began promoting the film at TIFF. The English-language debut for Norwegian helmer Borgli — whose satire Sick Of Myself premiered at Cannes last year — also features Julianne Nicholson, Michael Cera, Kate Berlant, Nicholas Braun and Noah Centineo.
Opens NY at AMC Lincoln Square, Angelika, Alamo, In LA at The Grove, Century City, Burbank. Q&As with filmmaker Borgli and cast members Berlant (who plays an executive...
- 11/10/2023
- by Jill Goldsmith
- Deadline Film + TV
A raw and lucid observational documentary about people whose life’s work is making space for death, Luke Lorentzen’s “A Still Small Voice” watches — sometimes from a distance, and sometimes at a bracing closeness — a young Jewish chaplain-in-training named Margaret “Mati” Engel as she offers spiritual care to the sick and dying at New York City’s Mt. Sinai Hospital.
Engel’s role might seem inherently religious on paper, but she struggles to embrace a God cruel enough to allow for the Holocaust, and seldom leads a session with her faith. Instead, Engel tends to offer comfort through uncertainty. “I have no understanding of what your body is going through right now,” she tells a patient during his final hours in the film’s opening scene, “but I’m doing my best, alright?” Her job isn’t to soften the enormity of these situations, but rather to help create...
Engel’s role might seem inherently religious on paper, but she struggles to embrace a God cruel enough to allow for the Holocaust, and seldom leads a session with her faith. Instead, Engel tends to offer comfort through uncertainty. “I have no understanding of what your body is going through right now,” she tells a patient during his final hours in the film’s opening scene, “but I’m doing my best, alright?” Her job isn’t to soften the enormity of these situations, but rather to help create...
- 11/8/2023
- by David Ehrlich
- Indiewire
The subject matter and environment of Luke Lorentzen’s A Still Small Voice come with inherent stakes, so there’s no need to dress them up or stylistically telegraph themes and emotion. The documentary traces the final portion of palliative care chaplain-in-training Margaret “Mati” Engel’s yearlong residency at Mount Sinai Hospital’s spiritual care department. Scene after scene passes by with a near-total absence of orchestral score, and many of its shots keep a respectful distance from the moments where we witness Mati at work, including her first interaction with a paralyzed individual barely hanging onto consciousness.
Lorentzen and Engel engaged in a series of collaborative discussions to ensure that the documentary’s depictions of these interactions with patients were ethical and that the people shown wanted to be in the movie, which is a comfort to learn, though simply watching the scenes themselves never feels exploitative. This is...
Lorentzen and Engel engaged in a series of collaborative discussions to ensure that the documentary’s depictions of these interactions with patients were ethical and that the people shown wanted to be in the movie, which is a comfort to learn, though simply watching the scenes themselves never feels exploitative. This is...
- 11/7/2023
- by Charles Lyons-Burt
- Slant Magazine
Every year the race for the Oscar for best documentary feature gets more expensive and less inclusive.
The challenging doc marketplace favors a handful of big-name filmmakers commissioned to make one-off films or docuseries. During the last two years, directors of independently made docs, especially those tackling hard-hitting social issues, have been facing an uphill battle to secure distribution.
The major streaming services, who just a few years ago were spending millions to acquire indie fare, seem to no longer be interested in garnering titles out of festivals.
There have, of course, been exceptions. Matthew Heineman’s “American Symphony” sold to Netflix immediately after the film’s Telluride premiere in September, and HBO Documentary Films/Max picked up Joe Brewster and Michèle Stephenson’s Sundance Grand Jury Prize U.S. Documentary winner “Going to Mars: The Nikki Giovanni Project” eight months after it debuted in Park City. Netflix acquired Laura McGann...
The challenging doc marketplace favors a handful of big-name filmmakers commissioned to make one-off films or docuseries. During the last two years, directors of independently made docs, especially those tackling hard-hitting social issues, have been facing an uphill battle to secure distribution.
The major streaming services, who just a few years ago were spending millions to acquire indie fare, seem to no longer be interested in garnering titles out of festivals.
There have, of course, been exceptions. Matthew Heineman’s “American Symphony” sold to Netflix immediately after the film’s Telluride premiere in September, and HBO Documentary Films/Max picked up Joe Brewster and Michèle Stephenson’s Sundance Grand Jury Prize U.S. Documentary winner “Going to Mars: The Nikki Giovanni Project” eight months after it debuted in Park City. Netflix acquired Laura McGann...
- 11/3/2023
- by Addie Morfoot
- Variety Film + TV
"Deeply moving and unforgettable." Abramorama has released the official trailer for a documentary titled A Still Small Voice, from filmmaker Luke Lorentzen, who last made the acclaimed Midnight Family. This initially premiered at the 2023 Sundance Film Festival earlier this year, where it won the Best Director prize at the end of the fest. An aspiring hospital chaplain named Margaret (aka Mati) begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. Described in reviews as "one of the most profound and rewarding experiences any film offers this year." Through Mati's experiences with her patients, her struggle with professional burnout, and her own spiritual questioning, we gain new perspectives on how meaningful connection can be and how painful its absence is. As Mati and her patients take stock of their lives and experiences, space opens up to reflect on our own.
- 10/20/2023
- by Alex Billington
- firstshowing.net
One of the most riveting, harrowing documentaries of the year finally has a home. After premiering at Sundance Film Festival earlier this year, where it picked up the Directing Award in its U.S. Documentary section, Luke Lorentzen’s Midnight Family follow-up A Still Small Voice will now arrive in theaters on November 10 from Abramorama. Ahead of the release, the first trailer has now arrived.
Here’s the synopsis: “Director Luke Lorentzen’s A Still Small Voice follows Mati, a chaplain completing a year-long hospital residency, as she learns to provide spiritual care to people confronting profound life changes. Through Mati’s experiences with her patients, her struggle with professional burnout, and her own spiritual questioning, we gain new perspectives on how meaningful connection can be and how painful its absence is.”
Dan Mecca said in his Sundance review, “At times shockingly personal, the documentary A Still Small Voice will sneak up on most viewers.
Here’s the synopsis: “Director Luke Lorentzen’s A Still Small Voice follows Mati, a chaplain completing a year-long hospital residency, as she learns to provide spiritual care to people confronting profound life changes. Through Mati’s experiences with her patients, her struggle with professional burnout, and her own spiritual questioning, we gain new perspectives on how meaningful connection can be and how painful its absence is.”
Dan Mecca said in his Sundance review, “At times shockingly personal, the documentary A Still Small Voice will sneak up on most viewers.
- 10/19/2023
- by Leonard Pearce
- The Film Stage
In recommending Luke Lorentzen’s “A Still Small Voice” as one of the best films of Sundance 2023, I wrote, “When’s the last time a documentary made you cry? If you’re really a cinephile, you will have an answer to that question.” Well, if you watch “A Still Small Voice” when it’s released November 10 at Dctv Firehouse in New York City, at LA’s Laemmle Royal on November 17, or in the markets to follow, it will certainly be the next doc to elicit tears. Check out the first trailer below.
Serving as the kind of cinematic catharsis that we all need after enduring the past three-plus years of the Covid-19 era, “A Still Small Voice” tackles grief as its subject head-on. It follows Mati, a chaplain-in-training at New York City’s Mt. Sinai hospital, over the course of a year as she counsels patients and their bereft family members facing terminal illness.
Serving as the kind of cinematic catharsis that we all need after enduring the past three-plus years of the Covid-19 era, “A Still Small Voice” tackles grief as its subject head-on. It follows Mati, a chaplain-in-training at New York City’s Mt. Sinai hospital, over the course of a year as she counsels patients and their bereft family members facing terminal illness.
- 10/19/2023
- by Christian Blauvelt
- Indiewire
“A Still Small Voice,” which received the Directing Award: US Documentary at the Sundance Film Festival in January, has been acquired by Abramorama for North American theatrical distribution.
The film’s theatrical release will begin at Dctv’s Firehouse Cinema in New York City on Nov. 10 and will be followed by an expansion to Los Angeles and San Francisco theaters Nov. 17. After that it will open across the United States and Canada.
According to the official synopsis, the documentary “explores the world of hospital chaplains, who offer vital emotional and spiritual support to patients, families, and staff. The documentary follows Mati, a chaplain at New York City’s Mount Sinai Hospital, on a transformative year-long residency. Lorentzen reveals Mati’s spiritual journey and the universal quest for meaning amidst suffering and grief. Through Mati’s encounters and reflections on her own path, the film illuminates the profound impact of meaningful...
The film’s theatrical release will begin at Dctv’s Firehouse Cinema in New York City on Nov. 10 and will be followed by an expansion to Los Angeles and San Francisco theaters Nov. 17. After that it will open across the United States and Canada.
According to the official synopsis, the documentary “explores the world of hospital chaplains, who offer vital emotional and spiritual support to patients, families, and staff. The documentary follows Mati, a chaplain at New York City’s Mount Sinai Hospital, on a transformative year-long residency. Lorentzen reveals Mati’s spiritual journey and the universal quest for meaning amidst suffering and grief. Through Mati’s encounters and reflections on her own path, the film illuminates the profound impact of meaningful...
- 9/28/2023
- by Drew Taylor
- The Wrap
Abramorama has acquired North American theatrical rights to Luke Lorentzen’s feature-length documentary “A Still Small Voice.”
The pact comes after the film made its world premiere earlier this year at the Sundance Film Festival, where Lorentzen received the Directing Award: U.S. Documentary. In 2019 Lorentzen’s “Midnight Family” made the Oscar feature doc shortlist.
The 93-minute film, which explores the world of hospital chaplains and the vital emotional and spiritual support they offer patients, families, and staff, will begin its nationwide theatrical rollout at New York City’s Dctv’s Firehouse Cinema on Nov. 10.
The movie has been a hit with audiences and critics at various film festivals across the world including Hot Docs Canadian Documentary Film Festival, DOC10 in Chicago, Hong Kong International Film Festival and the Melbourne International Film Festival.
The sale of the film to a major theatrical distributor is significant given the fact that over...
The pact comes after the film made its world premiere earlier this year at the Sundance Film Festival, where Lorentzen received the Directing Award: U.S. Documentary. In 2019 Lorentzen’s “Midnight Family” made the Oscar feature doc shortlist.
The 93-minute film, which explores the world of hospital chaplains and the vital emotional and spiritual support they offer patients, families, and staff, will begin its nationwide theatrical rollout at New York City’s Dctv’s Firehouse Cinema on Nov. 10.
The movie has been a hit with audiences and critics at various film festivals across the world including Hot Docs Canadian Documentary Film Festival, DOC10 in Chicago, Hong Kong International Film Festival and the Melbourne International Film Festival.
The sale of the film to a major theatrical distributor is significant given the fact that over...
- 9/28/2023
- by Addie Morfoot
- Variety Film + TV
The growing amount of homeless, independently made documentaries has made film festivals like Hot Docs, arguably more important than ever before. Many docus that premiered at Sundance 2023 but have yet to find distribution are part of the Toronto-based documentary festival’s lineup, which in turn allows those titles to stay on buyers’ radars.
But corporate consolidation, along with streamers’ current mandate for nonfiction content that fits into one of three boxes – celebrity, true crime, or sports – means that many docu filmmakers will eventually have to turn to non-traditional distribution to get their films seen outside the fest circuit.
Tracy Droz Tragos’ docu “Plan C” follows a grassroots organization fighting to expand access to abortion pills across the United States. The timely film premiered at Sundance in January, but despite good reviews, Tragos hasn’t found distribution for “Plan C.”
“We are hearing things from the big buyers like, ‘The subject matter is hugely important,...
But corporate consolidation, along with streamers’ current mandate for nonfiction content that fits into one of three boxes – celebrity, true crime, or sports – means that many docu filmmakers will eventually have to turn to non-traditional distribution to get their films seen outside the fest circuit.
Tracy Droz Tragos’ docu “Plan C” follows a grassroots organization fighting to expand access to abortion pills across the United States. The timely film premiered at Sundance in January, but despite good reviews, Tragos hasn’t found distribution for “Plan C.”
“We are hearing things from the big buyers like, ‘The subject matter is hugely important,...
- 4/27/2023
- by Addie Morfoot
- Variety Film + TV
Despite a dismal documentary distribution landscape, hundreds of nonfiction filmmakers are heading to Toronto for the 30th edition of Hot Docs Canadian Intl. Documentary Festival determined to sell their independently made docus.
This year, Hot Docs’ programming director Shane Smith selected 214 films from 2848 submissions to screen in-person and online beginning April 27. The slate of nonfiction films from 72 countries will be spread across 13 programs and will feature 70 world and 33 international premieres.
“Part of our value proposition is really mining all of the corners and shining a light in all of the corners of the documentary landscape,” Smith tells Variety. “Kanopy and Tenk are going to be here as well as the bigger players like Netflix. So, we are looking to be a valuable resource for the entire landscape of documentary. Not every film is one that the streamers are going to acquire, but there’s a home for every doc that we show in the festival.
This year, Hot Docs’ programming director Shane Smith selected 214 films from 2848 submissions to screen in-person and online beginning April 27. The slate of nonfiction films from 72 countries will be spread across 13 programs and will feature 70 world and 33 international premieres.
“Part of our value proposition is really mining all of the corners and shining a light in all of the corners of the documentary landscape,” Smith tells Variety. “Kanopy and Tenk are going to be here as well as the bigger players like Netflix. So, we are looking to be a valuable resource for the entire landscape of documentary. Not every film is one that the streamers are going to acquire, but there’s a home for every doc that we show in the festival.
- 4/27/2023
- by Addie Morfoot
- Variety Film + TV
Davis Guggenheim’s “Still: A Michael J. Fox Movie” will open the eighth edition of Chicago’s Doc10 documentary film festival on May 4.
About Fox’s life, career and work as a public advocate for Parkinson’s research, “Still: A Michael J. Fox Movie” debuted at Sundance in January. Guggenheim, the Oscar-winning filmmaker behind “An Inconvenient Truth” will be at Doc10 to participate in a post-screening conversation.
Doc10, a four-day fest running May 4-7, features a selection of 10 of this year’s most acclaimed documentaries and a package of prestigious doc shorts. Dedicated to supporting social-impact documentary films, the fest is hosted by Chicago Media Project, a company that raises funds for and produces docus including “Crip Camp” and “Won’t You Be My Neighbor?”
In addition to “Still: A Michael J. Fox Movie” Doc10 will screen: Penny Lane’s “Confessions of a Good Samaritan,” Nicole Newnham’s “The Disappearance of the Shere Hite,...
About Fox’s life, career and work as a public advocate for Parkinson’s research, “Still: A Michael J. Fox Movie” debuted at Sundance in January. Guggenheim, the Oscar-winning filmmaker behind “An Inconvenient Truth” will be at Doc10 to participate in a post-screening conversation.
Doc10, a four-day fest running May 4-7, features a selection of 10 of this year’s most acclaimed documentaries and a package of prestigious doc shorts. Dedicated to supporting social-impact documentary films, the fest is hosted by Chicago Media Project, a company that raises funds for and produces docus including “Crip Camp” and “Won’t You Be My Neighbor?”
In addition to “Still: A Michael J. Fox Movie” Doc10 will screen: Penny Lane’s “Confessions of a Good Samaritan,” Nicole Newnham’s “The Disappearance of the Shere Hite,...
- 3/27/2023
- by Addie Morfoot
- Variety Film + TV
As the market for independently made documentaries continues to dry up, regional film festivals have become essential to filmmakers hoping to sell their docs.
At this year’s Sarasota Film Festival, which kicks off on March 25, 36 documentaries are part of the lineup. Over 25 of them are seeking distribution. They include Luke Lorentzen’s “A Still Small Voice,” Alexandria Bombach’s “It’s Only Life After All” about the Indigo Girls, Ben Braun and Chiaki Yanagimoto “Aum: The Cult at the End of the World” and Bethann Hardison and Frédéric Tcheng’s “Invisible Beauty.” All four films premiered at Sundance in January.
“From Submarine’s point of view, we’ve always encouraged great regional festivals like Sarasota, the Berkshires, Woodstock and the Hamptons partially because there is the possibility that awards voters are there,” says Submarine Entertainment sales agent Josh Braun, who reps both “Aum: The Cult at the End of the World” and “Invisible Beauty.
At this year’s Sarasota Film Festival, which kicks off on March 25, 36 documentaries are part of the lineup. Over 25 of them are seeking distribution. They include Luke Lorentzen’s “A Still Small Voice,” Alexandria Bombach’s “It’s Only Life After All” about the Indigo Girls, Ben Braun and Chiaki Yanagimoto “Aum: The Cult at the End of the World” and Bethann Hardison and Frédéric Tcheng’s “Invisible Beauty.” All four films premiered at Sundance in January.
“From Submarine’s point of view, we’ve always encouraged great regional festivals like Sarasota, the Berkshires, Woodstock and the Hamptons partially because there is the possibility that awards voters are there,” says Submarine Entertainment sales agent Josh Braun, who reps both “Aum: The Cult at the End of the World” and “Invisible Beauty.
- 3/25/2023
- by Addie Morfoot
- Variety Film + TV
It’s the hardest thing to wait to see them after hearing about the movies that debuted at Sundance. But if you live in the Southeast, there’s no better way to cut that wait short than a trip to the Sarasota Film Festival, running this year from March 24 to April 2. Want to see the moving doc “A Still Small Voice”? Or the near-future pregnancy satire “The Pod Generation” with Emilia Clarke and Chiwetel Ejiofor? Not to mention the Alexandria Bombach Indigo Girls documentary “It’s Only Life After All,” “Aum: The Cult at the End of the World,” “Judy Blume Forever,” and “Fairyland”? This festival’s got you covered.
Some titles not yet available to the public from the fall festivals will screen as well, such as Paul Schrader’s “Master Gardener,” Daniel Goldhaber’s Neon title “How to Blow up a Pipeline,” and Kelly Reichardt’s “Showing Up,” as...
Some titles not yet available to the public from the fall festivals will screen as well, such as Paul Schrader’s “Master Gardener,” Daniel Goldhaber’s Neon title “How to Blow up a Pipeline,” and Kelly Reichardt’s “Showing Up,” as...
- 3/15/2023
- by Christian Blauvelt
- Indiewire
On his recent promotional tour for “Pinocchio,” Guillermo del Toro went on more than one tirade about how “animation is a medium, not a genre,” and more than children’s entertainment. That’s a message that documentaries could have used at the 2023 edition of the Sundance Film Festival, which provided a stark reminder that the non-fiction community needs to start talking about its work in broader terms than the so-called “genre” that limits its appeal.
Blockbuster documentaries about treasured icons, thrilling subjects, and complicated pop-culture figures were everywhere at Sundance. For the most part, they came with distribution: Apple had “Still: A Michael J. Fox Movie” and “Steph Curry: Underrated,” Amazon premiered “Judy Blume Forever,” and Netflix brought diving survival saga “The Deepest Breath.”
Then there was… well, pretty much, everything else. No disrespect to any of the aforementioned titles (I haven’t seen them all), but it was disheartening...
Blockbuster documentaries about treasured icons, thrilling subjects, and complicated pop-culture figures were everywhere at Sundance. For the most part, they came with distribution: Apple had “Still: A Michael J. Fox Movie” and “Steph Curry: Underrated,” Amazon premiered “Judy Blume Forever,” and Netflix brought diving survival saga “The Deepest Breath.”
Then there was… well, pretty much, everything else. No disrespect to any of the aforementioned titles (I haven’t seen them all), but it was disheartening...
- 2/4/2023
- by Eric Kohn
- Indiewire
An aspiring chaplain must complete her yearlong residency at NYC’s Mount Sinai Hospital during a particularly dark period for public health in A Still Small Voice, the latest from doc filmmaker Luke Lorentzen. Between 2020 and 2021, Mati conducts visits as part of the hospital’s spiritual care department, navigating the grief, trauma and uncertainly that weighs heavily on these patients—and herself. Lorentzen, who acted as director, cinematographer and editor, discusses his experience cutting the film, which he describes as his “favorite part of the filmmaking process.” See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did […]
The post “Each Film I Make Will Require New and Different Ways of Thinking”: Editor Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
The post “Each Film I Make Will Require New and Different Ways of Thinking”: Editor Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
- 1/31/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
An aspiring chaplain must complete her yearlong residency at NYC’s Mount Sinai Hospital during a particularly dark period for public health in A Still Small Voice, the latest from doc filmmaker Luke Lorentzen. Between 2020 and 2021, Mati conducts visits as part of the hospital’s spiritual care department, navigating the grief, trauma and uncertainly that weighs heavily on these patients—and herself. Lorentzen, who acted as director, cinematographer and editor, discusses his experience cutting the film, which he describes as his “favorite part of the filmmaking process.” See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did […]
The post “Each Film I Make Will Require New and Different Ways of Thinking”: Editor Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
The post “Each Film I Make Will Require New and Different Ways of Thinking”: Editor Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
- 1/31/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
An aspiring chaplain named Mati navigates tragedy, grief and her own bandwidth for handling the incalculable loss of the pandemic in A Still Small Voice, the latest from documentary filmmaker Luke Lorentzen. Finishing her yearlong residency at the spiritual care department in New York City’s Mount Sinai Hospital, Lorentzen captures Mati and her supervisor Rev. David’s fight to maintain hope and warmth between 2020 and 2021, two of the deadliest years in U.S. history. Lorentzen, who directed, shot and edited the film, discusses how his one-person shoot allowed him to blend into the doc’s setting—and gain the trust of subjects—more […]
The post “I Had To Shoot This Film as a One-Person Crew”: Dp Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
The post “I Had To Shoot This Film as a One-Person Crew”: Dp Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
- 1/31/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
An aspiring chaplain named Mati navigates tragedy, grief and her own bandwidth for handling the incalculable loss of the pandemic in A Still Small Voice, the latest from documentary filmmaker Luke Lorentzen. Finishing her yearlong residency at the spiritual care department in New York City’s Mount Sinai Hospital, Lorentzen captures Mati and her supervisor Rev. David’s fight to maintain hope and warmth between 2020 and 2021, two of the deadliest years in U.S. history. Lorentzen, who directed, shot and edited the film, discusses how his one-person shoot allowed him to blend into the doc’s setting—and gain the trust of subjects—more […]
The post “I Had To Shoot This Film as a One-Person Crew”: Dp Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
The post “I Had To Shoot This Film as a One-Person Crew”: Dp Luke Lorentzen on A Still Small Voice first appeared on Filmmaker Magazine.
- 1/31/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Most Oscar documentary nominees launch at Sundance. There are exceptions, like winners “Citizenfour,” “Free Solo,” and “My Octopus Teacher,” but it remains the festival of choice for non-fiction films.
A Sundance award doesn’t hurt, either: The 2022 documentary Oscar winner, Questlove’s “Summer of Soul,” began its journey as a 2021 Sundance double winner with an Audience Award and Grand Jury Prize. This year, the Oscar nominees include “Navalny” (U.S. Documentary audience and Festival Favorite award), “Fire of Love” (editing award), “All that Breathes,” (Grand Jury Prize for World Cinema Documentary), and “House Made of Splinters” (World Cinema Documentary Directing Award).
This year’s Sundance crop, sampled by those in Park City theaters as well as online, is just as impressive. Jury prizes didn’t always go to the buzziest titles, but Sundance award-winners get a lift toward getting seen and often acquired.
Sheila Nevins’ MTV Documentary Films grabbed Chilean...
A Sundance award doesn’t hurt, either: The 2022 documentary Oscar winner, Questlove’s “Summer of Soul,” began its journey as a 2021 Sundance double winner with an Audience Award and Grand Jury Prize. This year, the Oscar nominees include “Navalny” (U.S. Documentary audience and Festival Favorite award), “Fire of Love” (editing award), “All that Breathes,” (Grand Jury Prize for World Cinema Documentary), and “House Made of Splinters” (World Cinema Documentary Directing Award).
This year’s Sundance crop, sampled by those in Park City theaters as well as online, is just as impressive. Jury prizes didn’t always go to the buzziest titles, but Sundance award-winners get a lift toward getting seen and often acquired.
Sheila Nevins’ MTV Documentary Films grabbed Chilean...
- 1/29/2023
- by Anne Thompson
- Indiewire
The 2023 Sundance Film Festival, the festival’s first in-person competition since 2020, has revealed its award winners.
The big winners included Maryam Keshavarz‘s The Persian Version, which earned both the Audience Award and Waldo Salt Screenwriting Award in the U.S. Dramatic Competition, and A.V. Rockwell‘s A Thousand and One, which took home the Grand Jury Prize in the same category.
The Persian Version explores an Iranian-American family’s past as its patriarch gets a heart transplant while A Thousand and One centers around a mother who kidnaps her son from the foster care system in order to find a path toward redemption.
Other winners include Festival Favorite Radical directed by Christopher Zalla and Grand Jury Prize winner for U.S. Documentary, Going to Mars: The Nikki Giovanni Project.
The festival has highlighted 101 different features and 64 shorts. These films were selected from a total of 15,856 submissions. Most of...
The big winners included Maryam Keshavarz‘s The Persian Version, which earned both the Audience Award and Waldo Salt Screenwriting Award in the U.S. Dramatic Competition, and A.V. Rockwell‘s A Thousand and One, which took home the Grand Jury Prize in the same category.
The Persian Version explores an Iranian-American family’s past as its patriarch gets a heart transplant while A Thousand and One centers around a mother who kidnaps her son from the foster care system in order to find a path toward redemption.
Other winners include Festival Favorite Radical directed by Christopher Zalla and Grand Jury Prize winner for U.S. Documentary, Going to Mars: The Nikki Giovanni Project.
The festival has highlighted 101 different features and 64 shorts. These films were selected from a total of 15,856 submissions. Most of...
- 1/28/2023
- by Alex Nguyen
- Uinterview
As this year’s Sundance comes to a close on its final weekend, awards winners have been announced, big deals have been brokered, and buzz has reached a fever pitch. And thus, the inevitable: a list of all our own favorite films of the festival, the entries we’ve been yapping about for days on end and that we just can’t wait for more people to see and enjoy.
Of this year’s batch of best-of-fest, we fell hard for films like “Eileen,” “Fair Play,” “Past Lives,” and “Passages,” which all arrived at Sundance with strong headwinds, but were also delighted by dark horses like late entry “Flora and Son” and little gems “Scrapper” and “Radical.” here are narrative features and documentaries among these picks, along with plenty of first-time filmmakers making big debuts and new offerings from some of our long-time favorite directors. And some of the festival’s prize winners,...
Of this year’s batch of best-of-fest, we fell hard for films like “Eileen,” “Fair Play,” “Past Lives,” and “Passages,” which all arrived at Sundance with strong headwinds, but were also delighted by dark horses like late entry “Flora and Son” and little gems “Scrapper” and “Radical.” here are narrative features and documentaries among these picks, along with plenty of first-time filmmakers making big debuts and new offerings from some of our long-time favorite directors. And some of the festival’s prize winners,...
- 1/28/2023
- by Kate Erbland, David Ehrlich and Eric Kohn
- Indiewire
Festival runs through January 29.
A.V. Rockwell’s A Thousand And One took the 2023 Sundance U.S. Grand Jury Prize: Dramatic prize and Charlotte Regan’s UK entry Scrapper earned the World Cinema Grand Jury Prize: Dramatic at the 2023 Sundance awards ceremony on Friday.
Audience award winners included Maryam Keshavarz’s The Persian Version in U.S. Dramatic Competition, Madeleine Gavin’s Beyond Utopia in U.S. Documentary, Mstylav Chernov’s 20 Days In Mariupol in World Cinema Documentary, and Noora Niasari’s Shayda in World Cinema Dramatic.
Sundance Institute CEO Joana Vicente said the selection “demonstrated a sense of...
A.V. Rockwell’s A Thousand And One took the 2023 Sundance U.S. Grand Jury Prize: Dramatic prize and Charlotte Regan’s UK entry Scrapper earned the World Cinema Grand Jury Prize: Dramatic at the 2023 Sundance awards ceremony on Friday.
Audience award winners included Maryam Keshavarz’s The Persian Version in U.S. Dramatic Competition, Madeleine Gavin’s Beyond Utopia in U.S. Documentary, Mstylav Chernov’s 20 Days In Mariupol in World Cinema Documentary, and Noora Niasari’s Shayda in World Cinema Dramatic.
Sundance Institute CEO Joana Vicente said the selection “demonstrated a sense of...
- 1/27/2023
- by Jeremy Kay
- ScreenDaily
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