’Vine has expressed interest in a potential stake in the capital of the company.’
Luc Besson’s EuropaCorp has confirmed French media reports on Sunday (14) that it is in talks with New York-based asset management company Vine Alternative Investments, for the latter to take a stake in the debt-ridden company.
EuropaCorp did not comment on whether talks with Pathé, first reported in late May, had stalled.
The Paris-based company put out a statement on Sunday evening in response to a report earlier in the day in French newspaper Le Journal du Dimanche that it had dropped rescue plan talks with...
Luc Besson’s EuropaCorp has confirmed French media reports on Sunday (14) that it is in talks with New York-based asset management company Vine Alternative Investments, for the latter to take a stake in the debt-ridden company.
EuropaCorp did not comment on whether talks with Pathé, first reported in late May, had stalled.
The Paris-based company put out a statement on Sunday evening in response to a report earlier in the day in French newspaper Le Journal du Dimanche that it had dropped rescue plan talks with...
- 7/14/2019
- by Melanie Goodfellow
- ScreenDaily
Two-part programme will nurture film and TV projects from leading international producers.
The Climb producer Noah Lang, Finnish Making Movies Oy chief Kaarle Aho and Canadian actress and producer Rebecca Gibson are among the 26 producers who will participate in the 11th edition of Trans-Atlantic Partners (Tap).
A joint initiative between Germany’s Erich Pommer Institute (Epi) and the Canadian Media Producers Association (Cmpa), with the support of Telefilm Canada and the Canada Media Fund, the two-part Tap programme is the only one of its kind devoted to supporting transatlantic film and high-end TV productions.
The first module runs in Berlin...
The Climb producer Noah Lang, Finnish Making Movies Oy chief Kaarle Aho and Canadian actress and producer Rebecca Gibson are among the 26 producers who will participate in the 11th edition of Trans-Atlantic Partners (Tap).
A joint initiative between Germany’s Erich Pommer Institute (Epi) and the Canadian Media Producers Association (Cmpa), with the support of Telefilm Canada and the Canada Media Fund, the two-part Tap programme is the only one of its kind devoted to supporting transatlantic film and high-end TV productions.
The first module runs in Berlin...
- 6/18/2019
- by Melanie Goodfellow
- ScreenDaily
As the new film of Sound and Fury's Kursk reveals, capturing live theatre on video is tough – even more so when it's immersive, interactive or promenade
Theatre on film? Better than nothing, is my take. If you can't see a show in person, watching a recording of a production is a pretty decent second-best. It will, inevitably, lack all the trappings of the live event – both temporal and spatial – but at least you get a sense of the performance as it might have been. In fact, thanks to multiple cameras and zoom lenses, filming technique can allow an audience a better sense of what happens onstage, even if it can't capture the full experience.
But what about those forms of theatre where the liveness isn't simply brilliant to have, but entirely integral? Sure, a camera and microphone can stand in for our eyes and ears – but how do you...
Theatre on film? Better than nothing, is my take. If you can't see a show in person, watching a recording of a production is a pretty decent second-best. It will, inevitably, lack all the trappings of the live event – both temporal and spatial – but at least you get a sense of the performance as it might have been. In fact, thanks to multiple cameras and zoom lenses, filming technique can allow an audience a better sense of what happens onstage, even if it can't capture the full experience.
But what about those forms of theatre where the liveness isn't simply brilliant to have, but entirely integral? Sure, a camera and microphone can stand in for our eyes and ears – but how do you...
- 8/1/2012
- by Matt Trueman
- The Guardian - Film News
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