Mubi is proud to present the 2nd Dialogue of Culture International Film Festival (Dciff), hosted globally online by Mubi. This free film festival will run online from November 1 – 14, 2013, and be available exclusively on Mubi.
The Dciff is the world's first film festival dedicated to the worldwide phenomenon of people in search of their identity in the era of mass migration and globalization. Its goal is to jumpstart a dialogue between cultures through the universal language of cinema.
The festival program includes films from across the globe, giving voice to multiple perspectives on issues of culture and identity. To create a global dialogue and promote better understanding between cultures, the participating filmmakers, producers, and rights holders have agreed to show their films online for free. The Dciff and Mubi are proud to bring these vital and necessary films to a global audience.
The 2013 Program:
After the Battle (Yousry Nasrallah, Egypt/France) Alì Blue Eyes (Claudio Giovannesi,...
The Dciff is the world's first film festival dedicated to the worldwide phenomenon of people in search of their identity in the era of mass migration and globalization. Its goal is to jumpstart a dialogue between cultures through the universal language of cinema.
The festival program includes films from across the globe, giving voice to multiple perspectives on issues of culture and identity. To create a global dialogue and promote better understanding between cultures, the participating filmmakers, producers, and rights holders have agreed to show their films online for free. The Dciff and Mubi are proud to bring these vital and necessary films to a global audience.
The 2013 Program:
After the Battle (Yousry Nasrallah, Egypt/France) Alì Blue Eyes (Claudio Giovannesi,...
- 11/1/2013
- by Notebook
- MUBI
★★★☆☆ Belgian director Marc-Henri Wajnberg brings to London his first feature film in almost twenty years. Kinshasa Kids (2012) is a fiction film shot in a documentary style which actually seems to veer across the fiction dividing line on more than one occasion and was initially conceived of by the director as a doc. Inspired, though, by the spirit of the people he met on the Kinshasa streets, he opted to construct a story that is able to reflect their brio.
Read more »...
Read more »...
- 10/15/2012
- by CineVue UK
- CineVue
Kinshasa Kids
Written by Marc-Henri Wajnberg
Directed by Marc-Henri Wajnberg
Kinshasa Kids introduces a surreal and hostile world right from the start in its very first scenes. It opens with an exorcism ceremony. Amidst the frantic chanting and bombastic drumbeats, village priests intone their spells and try to channel demonic influences out of inflicted children by way of animal gizzards and reptile carcasses. José (José Mawanda) is one of these unfortunate souls. His unsympathetic stepmother has accused him of bringing bad luck to their family, but he runs away before she can subject him to the unsettling process of an exorcism. Jose runs to Kinshasa, where he and thousands of children like him live on the streets, hustling, stealing, and performing to make a living.
The term for kids like José is “shegue,” and this film employs a documentary approach to tell the fictitious story of eight shegues who band...
Written by Marc-Henri Wajnberg
Directed by Marc-Henri Wajnberg
Kinshasa Kids introduces a surreal and hostile world right from the start in its very first scenes. It opens with an exorcism ceremony. Amidst the frantic chanting and bombastic drumbeats, village priests intone their spells and try to channel demonic influences out of inflicted children by way of animal gizzards and reptile carcasses. José (José Mawanda) is one of these unfortunate souls. His unsympathetic stepmother has accused him of bringing bad luck to their family, but he runs away before she can subject him to the unsettling process of an exorcism. Jose runs to Kinshasa, where he and thousands of children like him live on the streets, hustling, stealing, and performing to make a living.
The term for kids like José is “shegue,” and this film employs a documentary approach to tell the fictitious story of eight shegues who band...
- 10/13/2012
- by Kenneth
- SoundOnSight
Above: Passion (Brian de Palma, France/Germany).
Tonight the 50th incarnation of the New York Film Festival gets underway at Lincoln Center, and for the third year running I have tried to find posters for all the films in the festival’s main slate (see 2010 and 2011). Poster art not being what it used to be, these inevitably pale in comparison to the posters I collected last week for the very first Nyff of 1963. For starters, most of those were illustrated, whereas only two of this year’s batch are hand drawn: the folk-art Filipino design for Bwakaw and Spanish artist Riki Blanco’s illustration for The Dead Man and Being Happy. But there are some other standouts, like the striking UK quads for Holy Motors and Ginger and Rosa, the near-abstract monochrome and gothic lettering of Leviathan, the unconventional titling for Barbara (coupled with that can’t-lose photo of Nina Hoss on a bike,...
Tonight the 50th incarnation of the New York Film Festival gets underway at Lincoln Center, and for the third year running I have tried to find posters for all the films in the festival’s main slate (see 2010 and 2011). Poster art not being what it used to be, these inevitably pale in comparison to the posters I collected last week for the very first Nyff of 1963. For starters, most of those were illustrated, whereas only two of this year’s batch are hand drawn: the folk-art Filipino design for Bwakaw and Spanish artist Riki Blanco’s illustration for The Dead Man and Being Happy. But there are some other standouts, like the striking UK quads for Holy Motors and Ginger and Rosa, the near-abstract monochrome and gothic lettering of Leviathan, the unconventional titling for Barbara (coupled with that can’t-lose photo of Nina Hoss on a bike,...
- 9/28/2012
- by Adrian Curry
- MUBI
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.