Directed by
Shea E. Butler |
Writing Credits (in alphabetical order)
Shea E. Butler | ||
Aaron Iverson | ... | (original play) |
Cast (in credits order)
Richard Roundtree | ... | Ben Barry | |
Lawrence Gilliard Jr. | ... | June | |
Eddie Richardson | ... | Shooter | |
Rick Wallace | ... | Mr. Palmer |
Produced by
Shea E. Butler | ... | producer |
Jane Loughman | ... | producer |
Music by
Stacey K. Black | ||
Josh Klein |
Cinematography by
Patrick Meade Jones |
Editing by
Susan Demskey-Horiuchi |
Casting By
Elisabeth Jereski |
Production Design by
Heather Lembke |
Set Decoration by
Mat Judd |
Makeup Department
Jennifer M. Quinteros | ... | makeup artist |
Production Management
Sheelin Choksey | ... | post-production supervisor |
Daly Parker | ... | production manager |
Second Unit Director or Assistant Director
Brandice Lawson | ... | first assistant director |
Art Department
Jeanne Bueche | ... | property master |
Sound Department
Lawrence L. Commans | ... | boom operator |
Matthew T. Duncan | ... | adr mixer |
Mark Fay | ... | boom operator |
Patrick Hogan | ... | supervising sound editor |
Bob Lacivita | ... | re-recording mixer |
Jordan Lezama | ... | dialogue editor |
Brian Nichols | ... | foley artist |
Raquel Quiroz | ... | boom operator |
Daniel Salas | ... | sound effects editor |
Ren Schoolnik | ... | boom operator |
Roger V. Stevenson | ... | sound mixer |
Jennifer Winslow | ... | boom operator |
Visual Effects by
Jon Massey | ... | visual effects supervisor |
Camera and Electrical Department
Maya Bernau | ... | assistant camera |
Stacey K. Black | ... | data manager |
Andrew Crighton | ... | gaffer |
Aaron Dowell | ... | key grip |
Eric R. Evans | ... | grip |
Debbie Formoso | ... | assistant camera |
Roy Heath | ... | grip |
Mike Herrera | ... | assistant camera |
Simon Jayes | ... | camera operator |
Michael Lockridge | ... | camera operator / gaffer |
Rico Priem | ... | grip |
Jaime Rauch | ... | still photographer |
Alyssa Soetebier | ... | assistant camera |
Costume and Wardrobe Department
Charlotte Jelinski | ... | costume consultant |
Greg LaVoi | ... | costume consultant |
Janice Mayeda | ... | costume supervisor |
Editorial Department
Jeremy Sawyer | ... | colorist |
Music Department
Aaron Kaplan | ... | musician |
Script and Continuity Department
Carol A. Compton | ... | script clearance |
Tracy L. Moody | ... | script supervisor |
Transportation Department
Louie Moreno III | ... | picture car coordinator (as Louie Moreno) |
Bobby Nelson | ... | transportation |
Additional Crew
Mike Blaha | ... | lawyer |
Marlene Fenton | ... | massage therapist |
Derek Jennings | ... | production assistant / stand-in |
Sue McGraw | ... | bookkeeper |
Wayne Miller | ... | layout board |
Louie Moreno III | ... | key craft service (as Louie Moreno) |
Ren Schoolnik | ... | production assistant |
Pablo Soriano | ... | production assistant |
Tony Stackhouse | ... | stand-in |
Tony Stackhouse | ... | production assistant |
Thanks
Art Anderson | ... | special thanks |
Jane Anderson | ... | special thanks |
Charles Berg | ... | special thanks |
Gene Bishop | ... | special thanks |
Ronald Chong | ... | special thanks |
Bryan Godwin | ... | special thanks |
David Hewlett | ... | special thanks |
Susan Hillyard | ... | special thanks |
Will Hillyard | ... | special thanks |
Masaru Horiuchi | ... | special thanks |
Ken Martin | ... | special thanks |
Robin Russell | ... | special thanks |
Andrew J. Sacks | ... | special thanks |
Spike Silver | ... | special thanks |
Jennifer Tait | ... | special thanks |
Scott Young | ... | thanks |