The Osaka Asian Film Festival will return in March for its 18th edition with a lineup of current Asian feature and short films and a spotlight on works from Hong Kong.
The competition section, which selects from films that are currently unreleased in Japan, numbers 13 titles. These include: Kai Ko’s “Bad Education,” “December” from Japan-based Indian director Anshul Chauhan, and two Indian-made films Rima Das’ “Tora’s Husband” and Padmakumar Narasimhamurthy’s “Max, Min and Meowzaki.”
The indie section comprises a mix of Japanese feature and short films from challenging or emerging talents, with a winner set to receive the separate Japan Cuts prize.
A Spotlight section of other independent films by up-and-coming directors includes: Martika Ramirez Escobar’s “Leonor Will Never Die,” Mejbaur Rahman Sumon’s Bangladesh-France production “Hawa,” Thitipong Kerdtongtawee’s “Omg! Oh My Girl” and documentary “Jiseok.”
The Hong Kong spotlight, consisting of five titles, cuts...
The competition section, which selects from films that are currently unreleased in Japan, numbers 13 titles. These include: Kai Ko’s “Bad Education,” “December” from Japan-based Indian director Anshul Chauhan, and two Indian-made films Rima Das’ “Tora’s Husband” and Padmakumar Narasimhamurthy’s “Max, Min and Meowzaki.”
The indie section comprises a mix of Japanese feature and short films from challenging or emerging talents, with a winner set to receive the separate Japan Cuts prize.
A Spotlight section of other independent films by up-and-coming directors includes: Martika Ramirez Escobar’s “Leonor Will Never Die,” Mejbaur Rahman Sumon’s Bangladesh-France production “Hawa,” Thitipong Kerdtongtawee’s “Omg! Oh My Girl” and documentary “Jiseok.”
The Hong Kong spotlight, consisting of five titles, cuts...
- 1/31/2023
- by Patrick Frater
- Variety Film + TV
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