Kelis is sharing her gratitude after a close call on an icy road.
In a video the “Milkshake” singer shared on Instagram, she’s seen standing on a darkened road, bundled up in winter gear.
Read More: Beyoncé Removes ‘Milkshake’ Interpolation From ‘Renaissance’ Song After Kelis Accuses Her Of Not Reaching Out For Permission
As she explained in the caption, she was driving to the Big Bear ski resort in California with her kids, “but we almost went off a cliff” during a snowstorm.
In the video, she reveals she’s waiting for a tow truck to rescue her vehicle, which was stuck in the snow.
View this post on Instagram
A post shared by Kelis (@kelis)
“We’ve been outside for a while, but we had all this snowboarding gear,” she said.
“So God is good. And I figured if you’re going to be in the situation, you...
In a video the “Milkshake” singer shared on Instagram, she’s seen standing on a darkened road, bundled up in winter gear.
Read More: Beyoncé Removes ‘Milkshake’ Interpolation From ‘Renaissance’ Song After Kelis Accuses Her Of Not Reaching Out For Permission
As she explained in the caption, she was driving to the Big Bear ski resort in California with her kids, “but we almost went off a cliff” during a snowstorm.
In the video, she reveals she’s waiting for a tow truck to rescue her vehicle, which was stuck in the snow.
View this post on Instagram
A post shared by Kelis (@kelis)
“We’ve been outside for a while, but we had all this snowboarding gear,” she said.
“So God is good. And I figured if you’re going to be in the situation, you...
- 2/28/2023
- by Brent Furdyk
- ET Canada
Netflix has another hit on its hands with Inventing Anna.
Deadline is reporting that the Shonda-Rhimes created miniseries was watched by 196 million hours between February 14 and 20.
The numbers are in addition to the 77 million the show racked up the previous week. It launched on a Friday that week, explaining the lower numbers for its opening week.
Many Netflix shows build in the second-week metrics due to them being available for longer and word-of-mouth.
In Inventing Anna's case, the Julia Garner-fronted drama has scored the most hours viewed for an English-language series since the streaming service changed the way it reports data.
Here are the runners up:
- You Season 3 with 179 million hours viewed
- The Witcher Season 2 with 168 million hours viewed
- Sex Education with 160 million hours viewed
"In Inventing Anna, a journalist with a lot to prove investigates the case of Anna Delvey, the Instagram-legendary German...
Deadline is reporting that the Shonda-Rhimes created miniseries was watched by 196 million hours between February 14 and 20.
The numbers are in addition to the 77 million the show racked up the previous week. It launched on a Friday that week, explaining the lower numbers for its opening week.
Many Netflix shows build in the second-week metrics due to them being available for longer and word-of-mouth.
In Inventing Anna's case, the Julia Garner-fronted drama has scored the most hours viewed for an English-language series since the streaming service changed the way it reports data.
Here are the runners up:
- You Season 3 with 179 million hours viewed
- The Witcher Season 2 with 168 million hours viewed
- Sex Education with 160 million hours viewed
"In Inventing Anna, a journalist with a lot to prove investigates the case of Anna Delvey, the Instagram-legendary German...
- 2/23/2022
- by Paul Dailly
- TVfanatic
Spoiler Alert: Do not read if you have not yet watched the two-hour April 4 second season premiere of “Marvel’s Cloak and Dagger.”
“Marvel’s Cloak & Dagger’s” second season kicked off with its central duo Tandy (Olivia Holt) and Tyrone (Aubrey Joseph) just starting to crack open the door of a very real, non-superpowered, problem: human trafficking.
“This is who Cloak and Dagger are in the comics,” showrunner Joe Polaski tells Variety. “They were introduced in the ‘80s and helped runaway kids and heroin addicts like that. Tandy and Tyrone are the patron saints of lost children. It felt like the right story for them to tell.”
Though the first season of “Cloak & Dagger” also tackled grounded issues, with the characters and their partnership established the second season gave the writers’ room opportunity to go a little deeper with darker issues. Pokaski, inspired by research he did for his previous show,...
“Marvel’s Cloak & Dagger’s” second season kicked off with its central duo Tandy (Olivia Holt) and Tyrone (Aubrey Joseph) just starting to crack open the door of a very real, non-superpowered, problem: human trafficking.
“This is who Cloak and Dagger are in the comics,” showrunner Joe Polaski tells Variety. “They were introduced in the ‘80s and helped runaway kids and heroin addicts like that. Tandy and Tyrone are the patron saints of lost children. It felt like the right story for them to tell.”
Though the first season of “Cloak & Dagger” also tackled grounded issues, with the characters and their partnership established the second season gave the writers’ room opportunity to go a little deeper with darker issues. Pokaski, inspired by research he did for his previous show,...
- 4/5/2019
- by Marisa Roffman
- Variety Film + TV
On April 18, 2012, Frédéric Boyer announced at the Tribeca Film Festival opening media breakfast for his inaugural year as Artistic Director, that he wanted to have more "World Premières" as he did when he was heading the Directors’ Fortnight program at the Cannes Film Festival. In 2013, he has succeeded triumphantly with the MoMA PS1 collaboration for Michelangelo Frammartino's Alberi and other innovative approaches to cinema, like Paul Verhoeven's latest film Tricked (Steekspel), which was presented in the Tribeca Talks After the Movie series. I asked Verhoeven at the North American premiere about the birth of his Dada Dial M For Murder moment and got an answer that revealed the process of the unprecedented script collaboration. Eric Steel's devastatingly luminescent Kiss The Water also had its world premiere at this year's festival. The documentary about a Scottish fishing fly-maker transforms itself...
- 4/25/2013
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Paul Verhoeven is finally feeling like an artist with a purpose and point of view again. It took a dozen years, two films and tens of thousands of citizen screenwriters, but here he is in New York City, smiling while discussing his work. The Dutch director, now 73 years old, is best known for his violent, semi-campy sci-fi classics Robocop and Total Recall, movies made in the late 1980's when it was okay for genre films to have a certain sense of self-awareness. He's now behind a new kind of experiment in cognizant storytelling, the crowdsourced movie Tricked, which is premiering at the Tribeca Film Festival.
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- 4/23/2013
- by Jordan Zakarin
- The Hollywood Reporter - Movie News
Chiefly known for his Hollywood output, which includes films such as Robocop, Basic Instinct, Total Recall and Showgirls, Paul Verhoeven is part of a distinguished lineage of European expats who have made the dream factory great. But the latest project from Verhoeven is the furthest thing from Hollywood one could possibly imagine. This manifests itself not so much in stylistic terms — Tricked (Steekspel) is in fact a soap opera of a comedy — as in the film’s creative process, which saw it being openly crowd-scripted by whomever wanted to contribute. After the first five minutes had been written, the screenplay was posted online where contribution from the public was encouraged in order to fashion a user-generated movie. In Verhoeven’s remarkably well-crafted and likeable film, real estate mogul Remco (Peter Blok) has a weak spot for extramarital affairs, and a wife who is apparently not very concerned about it as...
- 11/12/2012
- by Celluloid Liberation Front
- Filmmaker Magazine - Blog
It’s actually just the tip of an iceberg that encompasses an online component, mobile apps and a TV show in his native Netherlands, but Paul Verhoeven’s 50-minute-long “Tricked” (“Steekspel") provided what the Rome Film Festival so far has rather lacked: sheer entertainment value. A twisty-turny arch drama in which a philandering man’s chickens come home to roost in every area of his life, it feels like not a single scene passes without a major revelation occurring somewhere. As a result it’s kind of a blast, with fully enough plot to fill a two-hour feature crammed efficiently into less than half that time in a manner that demands nothing from you except that you enjoy the ride. The story begins with a birthday party, shot in a loose, handheld style that almost seems dogme-influenced until the first of the soapy elements comes into play: Nadya, a young...
- 11/10/2012
- by Jessica Kiang
- The Playlist
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