Celebrated Indian filmmaker Rima Das is at the Busan International Film Festival’s Asian Project Market with “Malati, My Love.”
Like all of Das’ previous films, “Malati, My Love” is set in Assam, eastern India. It will follow Apurva and Malati who are happily married and madly in love, unabashed by what people in their small town think. When an unfortunate incident turns their lives upside down, in hardship, just as in love, they refuse to conform to societal norms.
“As a filmmaker, I aspire to explore diverse narratives and storytelling techniques. Recently, I’ve been contemplating delving into the realm of love stories. “Malati, My Love” represents a tale of profound love and yearning. In contrast to my prior films, characterized by rawness, this project aims for a more intentional and designed approach. I aim to craft atmospheres that intricately unravel emotions,” Das told Variety. “Currently in the development stage,...
Like all of Das’ previous films, “Malati, My Love” is set in Assam, eastern India. It will follow Apurva and Malati who are happily married and madly in love, unabashed by what people in their small town think. When an unfortunate incident turns their lives upside down, in hardship, just as in love, they refuse to conform to societal norms.
“As a filmmaker, I aspire to explore diverse narratives and storytelling techniques. Recently, I’ve been contemplating delving into the realm of love stories. “Malati, My Love” represents a tale of profound love and yearning. In contrast to my prior films, characterized by rawness, this project aims for a more intentional and designed approach. I aim to craft atmospheres that intricately unravel emotions,” Das told Variety. “Currently in the development stage,...
- 10/7/2023
- by Naman Ramachandran
- Variety Film + TV
Japan heads the nominations, followed by China.
Ryusuke Hamaguchi’s Evil Does Not Exist heads the nominations for the Asia Pacific Screen Awards, with nods in four categories including best film, best director, best screenplay and best cinematography.
The Japanese feature premiered at Venice where it picked up both the jury and Fipresci prize, and centres on a father and daughter in a rural village, whose peaceful lives are disrupted by proposals to build a camping site in their area.
Hamaguchi’s latest film, following Oscar-winner Drive My Car, was just ahead of China’s Snow Leopard by the late Tibetan director Pema Tseden,...
Ryusuke Hamaguchi’s Evil Does Not Exist heads the nominations for the Asia Pacific Screen Awards, with nods in four categories including best film, best director, best screenplay and best cinematography.
The Japanese feature premiered at Venice where it picked up both the jury and Fipresci prize, and centres on a father and daughter in a rural village, whose peaceful lives are disrupted by proposals to build a camping site in their area.
Hamaguchi’s latest film, following Oscar-winner Drive My Car, was just ahead of China’s Snow Leopard by the late Tibetan director Pema Tseden,...
- 10/3/2023
- by Michael Rosser
- ScreenDaily
Japanese filmmaker Ryusuke Hamaguchi’s latest feature, Evil Does Not Exist, leads this year’s Asia Pacific Screen Awards (Apsa) with four nods, including the gong for Best Film.
Hamaguchi’s nominations haul includes Best Director, Best Screenplay, and Best Cinematography for Yoshio Kitagawa. The film is Hamaguchi’s first film since his Oscar-winning Drive My Car and debuted at this year’s Venice Film Festival. The pic follows Takumi and his daughter Hana, who live in Mizubiki Village, close to Tokyo. Like generations before them, they live a modest life according to the cycles and order of nature. A plan to construct a glamping site near Takumi’s house, offering city residents a comfortable “escape” to nature, threatens to endanger the ecological balance of the area and the local people’s way of life.
Also nominated in the Best Film category are Wim Wenders’s Perfect Days, Snow Leopard by Pema Tseden,...
Hamaguchi’s nominations haul includes Best Director, Best Screenplay, and Best Cinematography for Yoshio Kitagawa. The film is Hamaguchi’s first film since his Oscar-winning Drive My Car and debuted at this year’s Venice Film Festival. The pic follows Takumi and his daughter Hana, who live in Mizubiki Village, close to Tokyo. Like generations before them, they live a modest life according to the cycles and order of nature. A plan to construct a glamping site near Takumi’s house, offering city residents a comfortable “escape” to nature, threatens to endanger the ecological balance of the area and the local people’s way of life.
Also nominated in the Best Film category are Wim Wenders’s Perfect Days, Snow Leopard by Pema Tseden,...
- 10/3/2023
- by Zac Ntim
- Deadline Film + TV
The Busan film festival’s Asian Project Market is set to welcome several of the region’s top auteurs either as producers or prospective directors at its next edition in October.
Apm organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions.
India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.”
Among the successful producers adding their weight to Apm contenders are: Patrick Mao Huang selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua, pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.”
The project...
Apm organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions.
India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.”
Among the successful producers adding their weight to Apm contenders are: Patrick Mao Huang selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua, pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.”
The project...
- 8/3/2023
- by Patrick Frater
- Variety Film + TV
National Award-winning filmmaker Rima Das’ fourth Assamese feature, Tora’s Husband had its Trailer launch in her hometown Assam on 17th of February. The film had its World Premiere at the 47th Toronto International Film Festival followed by its Asia Premiere at the 27th Busan International Film Festival and Indian Premiere at 28th Kolkata International Film Festival.
The writer-director-producer made the film independently, with a small crew. The film featuring Abhijit Das and Tarali Kalita Das in the lead roles, is a story of a loving father and a kind neighbour, who struggles to keep his small-town business afloat while his relationships deteriorate, amidst loss and lockdowns. Shot during the lockdown, the film depicts life in a small town during the pandemic.
Excited about the Trailer launch, Rima says, “Tora’s Husband is a very personal film. I started observing how the pandemic was affecting different people and me, and the film evolved.
The writer-director-producer made the film independently, with a small crew. The film featuring Abhijit Das and Tarali Kalita Das in the lead roles, is a story of a loving father and a kind neighbour, who struggles to keep his small-town business afloat while his relationships deteriorate, amidst loss and lockdowns. Shot during the lockdown, the film depicts life in a small town during the pandemic.
Excited about the Trailer launch, Rima says, “Tora’s Husband is a very personal film. I started observing how the pandemic was affecting different people and me, and the film evolved.
- 2/17/2023
- by Glamsham Editorial
- GlamSham
Indian filmmaker Rima Das is back at the Toronto International Film Festival for the third time with “Tora’s Husband” this year, after “Village Rockstars” in 2017 and “Bulbul Can Sing” in 2018.
“Tora’s Husband” follows a small-business owner and his family in the eastern Indian state of Assam, as the country emerges from Covid-19 lockdown.
” ‘Tora’s Husband’ tells the stories of common people whose lives and livelihood are directly or indirectly affected by the pandemic, yet they have to keep going,” Das told Variety. “My family wasn’t directly affected by the pandemic, but there was a constant sense of fear and restlessness. I lost my father during these times, though not due to Covid, it is still difficult to come to terms with his loss.”
Das is a renaissance woman of Indian cinema who writes, shoots, directs, edits and produces her own films. Her previous two films were...
“Tora’s Husband” follows a small-business owner and his family in the eastern Indian state of Assam, as the country emerges from Covid-19 lockdown.
” ‘Tora’s Husband’ tells the stories of common people whose lives and livelihood are directly or indirectly affected by the pandemic, yet they have to keep going,” Das told Variety. “My family wasn’t directly affected by the pandemic, but there was a constant sense of fear and restlessness. I lost my father during these times, though not due to Covid, it is still difficult to come to terms with his loss.”
Das is a renaissance woman of Indian cinema who writes, shoots, directs, edits and produces her own films. Her previous two films were...
- 9/10/2022
- by Naman Ramachandran
- Variety Film + TV
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