- With Derek and Eileen's experiment to take the show in a different direction musically a failure, everything about the show truly is up in the air. With much work ahead of them before anything substantive can be shown, Derek isn't sure he can wait and thinks about quitting. Eileen has her own idea of directors to replace him. The one thing that they can agree on is that a star is needed to headline the show. Ellis believes that his behind-the-scenes work in getting that star will provide him with the ammunition he needs to get his career to that next level. Despite the tremendous amount of work they have to do on the show, both Julia and Tom become further preoccupied with their respective personal lives. Frank believes the song he finds on Julia's nightstand is an indication that not all is all right in the Houston home life. Frank decides to take direct action at least to receive his small sense of justice. And Tom receives yet another piece of information about John which is the latest in a long string of potential deal breakers in their relationship. He also has to deal with a despondent Ivy, who believes she is handed one bad piece of news after another. The latest is losing a part to Karen - this one for a national commercial - which in part leads to an on-stage incident at "Heaven on Earth". That incident leads to an unexpected albeit temporary point of connection with Karen.—Huggo
- Ivy and Karen bump into each other at an audition, Derek looks for other work while telling Eileen to give Julia and Tom a year to finish the show, Eileen looks for a way to regain Derek's attention, Ellis fancies himself a producer, John's politics give Tom pause, and Frank puts one and one together. Ivy mopes in the chorus of "Heaven on Earth," the pills she's taking remind us of Marilyn, and support comes from an unlikely source when she falls flat.—<jhailey@hotmail.com>
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