During the production of Genamore, Rome hosted the Jubilee: yet Rosati and Mario Amura entered the St. Peter Basilica without permission and only after having shot the scenes in which the Pivano invokes peace before the altar of Borromini, the troupe went out.
The name of Rosati does not appear in the Pivano's 'Diari' published by Bompiani. He has dedicated to this "Damnatio memoriae" (memory erasure) the hypertext "Four decades of plays for the Theater of Time with Fernanda Pivano and Marie Louise Von Franz" (PLAYS.IT/IPOD) and the videoplay Perdo/nanda Pivano (2018).
According to common friends, the cause of the conflict between Pivano and Rosati was the presentation at the Turin Cinema Festival of this docu-film when Pivano's divorce practices were underway from her husband the architect Ettore Sottsass. Adriana Mulassano and Italo Moscati are among the journalists and writers who have commented the hypertext of Rosati "Four decades of plays" and the video-play Perdo/nanda Pivano (2018) about their story from 1973 to 2001. Italo Moscati declared: "His hypertext on the Teatro del Tempo is a subdued and powerful song of love. 'You are still in battle, Ottavio, the mirror will speak to you and confirm you'". Adriano Mulassano (Giorgio Armani's press office), wrote: "Ottavio, I was an intimate friend of Nanda when her marriage with Sottsass ended and she was dying of it. Now I know what you did to keep her alive".
At the 2001 Torino Cinema Festival, the movie was protected by a comic and exceptional synchronicity: Pivano said to Ottavio that the way Mario Amura photographed her for Ottavio direction movie was "too much romantic and full of sun and love" and that this image could be a problem for her public image. The producers were shocked because Pivano suddenly stated to introduce with her presence at the festival only the competing documentary by Luca Facchini where she is dressed in black as a widow and wanders through the American cemeteries around the graves of her writers. Rosati was invited to return to Rome. But during the Festival, as soon as Pivano set foot on the red carpet for the second film, a fire broke out in the hall which blocked the screening and the planned cocktails. Rosati was not accused because, at Pivano's request, had left Turin in the morning. He was in Rome, sleeping in Fernanda's bedroom in their house of Trastevere.
In 2016 Rosati receives his inheritance: 8 unpublished pages written by Fernanda Pivano Presumption - Maldicenza - Envy - Hypocrisy - Grudge - Violence - Injustice and La Dolcezza. He reacts with a video-play about forgiveness Perdo/nanda Pivano (2018).