Directed by
| Rachel Perkins | ||
Writing Credits (in alphabetical order)
| Sue Smith | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Darren Dale | ... | producer |
| Stewart Dean | ... | post producer |
| Miranda Dear | ... | producer |
| Julie Forster | ... | line producer |
| David Ogilvy | ... | executive producer |
| Sally Riley | ... | executive producer |
| Carole Sklan | ... | executive producer |
Music by
| Antony Partos | ... | score composer |
Cinematography by
| Andrew Commis | ||
Editing by
| Rochelle Oshlack | ||
Casting By
| Anousha Zarkesh | ||
Production Design by
| Felicity Abbott | ||
Art Direction by
| Nathan Blanco Fouraux | ||
Set Decoration by
| Christian Petersen | ||
Costume Design by
| Margot Wilson | ||
Makeup Department
| Louise Coulston | ... | hair stylist |
| Gail Kane | ... | hair stylist / makeup artist |
| Anita Morgan | ... | hair supervisor / makeup supervisor |
| Jacqueline Priem | ... | additional hair stylist / additional makeup artist |
Production Management
| Jamie Whitfield | ... | unit manager |
Second Unit Director or Assistant Director
| John Clabburn | ... | first assistant director |
| Mark J. Ingram | ... | second assistant director |
Art Department
| Stephen Cunnington | ... | standby props assistant |
| Dan Eyre | ... | construction manager |
| Nick Foley | ... | art department assistant |
| Michael Kissane | ... | stand by props |
| Peter Malatesta | ... | property master |
| Steven Parsons | ... | art runner |
| Lauren Richards | ... | buyer/dresser |
| Jocelyn Thomas | ... | art department coordinator |
Sound Department
| Wes Chew | ... | sound designer / sound supervisor |
| Rod Conder | ... | sound recordist |
| Sam Gain-Emery | ... | dialogue editor |
| Dan Johnston | ... | foley artist |
| Robert Mackenzie | ... | re-recording mixer |
| Duncan McAllister | ... | foley recordist |
| Todd Moore | ... | boom operator |
| Luke Mynott | ... | sound designer |
| Andrew Simmons | ... | foley editor |
Camera and Electrical Department
| Robbie MacKinnon | ... | second assistant camera: "b" camera (as Robbie McKinnon) |
| Matt Nettheim | ... | documentary videographer / still photographer |
| Duncan Scott | ... | focus puller |
| Daniel Andrew Shelton | ... | camera attachment |
| Luke Stone | ... | key grip |
| Alan Willis | ... | best boy |
Casting Department
| Micaeley Gibson | ... | casting assistant |
| Bud Hopes | ... | extras casting director: Australia |
| Ben Parkinson | ... | casting associate |
| Joshua Taylor | ... | casting assistant |
Costume and Wardrobe Department
| Nathanael Martin | ... | costumer |
| Samantha Walker | ... | set costumer |
Editorial Department
| Dwaine Hyde | ... | colorist |
| Anna Hynek | ... | post-production coordinator |
| Rishi Shukla | ... | assistant editor |
Location Management
| Karen Jones | ... | location manager |
Music Department
| Wes Chew | ... | music producer |
| Kim Green | ... | music licensing |
Script and Continuity Department
| Brett Sleigh | ... | network script executive |
| Kristin Witcombe | ... | script supervisor |
Transportation Department
| Karen Leigh Smith | ... | driver: cast (as Karen Smith Skoczylas) |
Additional Crew
| Mackenzie Benstead | ... | production secretary |
| Nicki Ellis | ... | production coordinator |
| Mark 'Lurch' Houstein | ... | unit assistant |
| Catherine Lavelle | ... | unit publicist |
| David Mansley | ... | insurance |
| Karen Leigh Smith | ... | production assistant (as Karen Smith Skoczylas) / runner (as Karen Smith Skoczylas) |
Thanks
| Meredith Garlick | ... | thanks |
