Chinese mystery drama “Lost in the Stars” expanded in its second week on release and gave China its third biggest box office weekend of the year. That local success came as Hollywood tentpole “Indiana Jones: The Dial of Destiny” failed to land a top five place in the Middle Kingdom on its debut weekend.
“Indiana Jones” earned just $2.4 million in China, according to estimates from local data providers. It played some 25,000 screenings per day on Friday but earned less than $900,000. Exhibitors then slashed the number of sessions by half on Saturday. They further trimmed the number of playdates on Sunday when it slipped to seventh place. Consultancy, Artisan Gateway did not provide confirmed data for “Indiana Jones” in China.
“Lost in the Stars” earned $117 million, according to Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the...
“Indiana Jones” earned just $2.4 million in China, according to estimates from local data providers. It played some 25,000 screenings per day on Friday but earned less than $900,000. Exhibitors then slashed the number of sessions by half on Saturday. They further trimmed the number of playdates on Sunday when it slipped to seventh place. Consultancy, Artisan Gateway did not provide confirmed data for “Indiana Jones” in China.
“Lost in the Stars” earned $117 million, according to Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the...
- 7/3/2023
- by Patrick Frater
- Variety Film + TV
Indiana Jones and the Dial of Destiny may have opened soft in North America with $60 million, but it outright bombed in China, where filmgoers have little to no emotional connection to the classic adventure franchise.
Expectations for the Disney and Lucasfilm tentpole were always low in China, but the film’s $2.3 million opening from Friday to Sunday is on the far low end of most analysts’ already low forecasts. None of the first four films in the Indiana Jones franchise were distributed in China, so the country’s geriatric millennials — not to mention its Gen Zs and below — harbor no nostalgia for Harrison Ford’s octogenarian hero.
Dial of Destiny has been relatively well liked by those who have seen and rated it in China. It currently has respectable social scores of 8.8 from the ticketing app Maoyan, 8.9 on Alibaba’s Tao Piao Piao and 7.3 on Douban. Nonetheless, Maoyan projects the...
Expectations for the Disney and Lucasfilm tentpole were always low in China, but the film’s $2.3 million opening from Friday to Sunday is on the far low end of most analysts’ already low forecasts. None of the first four films in the Indiana Jones franchise were distributed in China, so the country’s geriatric millennials — not to mention its Gen Zs and below — harbor no nostalgia for Harrison Ford’s octogenarian hero.
Dial of Destiny has been relatively well liked by those who have seen and rated it in China. It currently has respectable social scores of 8.8 from the ticketing app Maoyan, 8.9 on Alibaba’s Tao Piao Piao and 7.3 on Douban. Nonetheless, Maoyan projects the...
- 7/3/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
’Spider-Man: Across The Spider Verse’ soars past $550m.
World box office June 23-25 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l)Cume (int’l) Territories 1. Lost In The Stars (Various) $70.4m $97.6m $70.4m $97.6m 1 2. Elemental (Disney) $49.8m $121.1m $31.3m $55.6m 41 3. The Flash (Warner Bros) $41.9m $210.9m $26.6m $123.3m 79 4. Spider-Man: Across The Spider-Verse (Sony) $41.3m $560.3m $22m $243.2m 64 5. Transformers: Rise Of The Beasts (Paramount) $37.2m $341.2m $25.6m $218.3m 70 6. No Hard Feelings (Sony) $24.6m $24.6m $9.5m $9.5m 49 7. The Little Mermaid (Disney) $18.1m $499.3m $9.4m $229.1m 53 8. Asteroid City (Focus) $12.9m $16.7m $3.9m $6.5m 36 9. Love Never Ends (Various) $11.7m $23.5m $11.7m $23.5m...
World box office June 23-25 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l)Cume (int’l) Territories 1. Lost In The Stars (Various) $70.4m $97.6m $70.4m $97.6m 1 2. Elemental (Disney) $49.8m $121.1m $31.3m $55.6m 41 3. The Flash (Warner Bros) $41.9m $210.9m $26.6m $123.3m 79 4. Spider-Man: Across The Spider-Verse (Sony) $41.3m $560.3m $22m $243.2m 64 5. Transformers: Rise Of The Beasts (Paramount) $37.2m $341.2m $25.6m $218.3m 70 6. No Hard Feelings (Sony) $24.6m $24.6m $9.5m $9.5m 49 7. The Little Mermaid (Disney) $18.1m $499.3m $9.4m $229.1m 53 8. Asteroid City (Focus) $12.9m $16.7m $3.9m $6.5m 36 9. Love Never Ends (Various) $11.7m $23.5m $11.7m $23.5m...
- 6/26/2023
- by Jeremy Kay
- ScreenDaily
Chinese mystery drama “Lost in the Stars” was the top-grossing film on the planet over the latest weekend – despite playing only a single territory.
The film earned $70.7 million (RMB502 million) between Friday and Sunday in mainland China, according to data from consultancy Artisan Gateway. That put it far and away ahead of other Chinese new releases and Hollywood’s holdovers “Transformers: Rise of the Beasts” and “The Flash.”
With the Dragon Boat Festival holiday occurring on Thursday, the film was given an unusual one-day advance on the normal releasing pattern in China. Including Thursday takings, the film made a total of $98.3 million (RMB968 million).
Data from Comscore shows “Lost in the Stars” handily beating second-placed “Elemental,” which earned $49.8 million between Friday and Sunday ($31.3 million in 40 international markets and $18.5 million in North America).
“Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,...
The film earned $70.7 million (RMB502 million) between Friday and Sunday in mainland China, according to data from consultancy Artisan Gateway. That put it far and away ahead of other Chinese new releases and Hollywood’s holdovers “Transformers: Rise of the Beasts” and “The Flash.”
With the Dragon Boat Festival holiday occurring on Thursday, the film was given an unusual one-day advance on the normal releasing pattern in China. Including Thursday takings, the film made a total of $98.3 million (RMB968 million).
Data from Comscore shows “Lost in the Stars” handily beating second-placed “Elemental,” which earned $49.8 million between Friday and Sunday ($31.3 million in 40 international markets and $18.5 million in North America).
“Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,...
- 6/26/2023
- by Patrick Frater
- Variety Film + TV
China’s first big blockbuster of the summer has arrived. Lost in the Stars, a mystery thriller produced by As One Productions, opened to $98.3 million over the four-day Dragon Boat Festival holiday weekend, according to data from regional box office consultancy Artisan Gateway. With advance ticket sales for Monday added to the tally, Lost in the Stars has easily crossed the $100 million mark.
Romantic drama Love Never Ends, from Lian Ray Picutres, came out one day earlier and scored second for the holiday with a $23.7 million five-day opening.
Lost in the Stars is co-written by Chen Sicheng, the hitmaking writer-director behind the Detective Chinatown franchise (the three films in the series have earned over $1.3 billion). Ticketing app Maoyan projects Lost in the Stars to eventually earn over $400 million.
Co-directed by Rui Cui and Xiang Liu, the film stars Zhu Yilong as a man whose wife (played by Janice Man) mysteriously...
Romantic drama Love Never Ends, from Lian Ray Picutres, came out one day earlier and scored second for the holiday with a $23.7 million five-day opening.
Lost in the Stars is co-written by Chen Sicheng, the hitmaking writer-director behind the Detective Chinatown franchise (the three films in the series have earned over $1.3 billion). Ticketing app Maoyan projects Lost in the Stars to eventually earn over $400 million.
Co-directed by Rui Cui and Xiang Liu, the film stars Zhu Yilong as a man whose wife (played by Janice Man) mysteriously...
- 6/26/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Chinese director Han Yan says he’s been inspired by his own movie after one of the biggest talents in the country’s commercial scene saw his latest film Love Never Ends open the 25th edition of the Shanghai International Film Festival on Friday.
Han quickly developed a reputation as a filmmaker with his finger on the pulse of the Chinese audience after emerging with box office hits such as Go Away Mr. Tumor (2015), a film that tapped into the contemporary popularity for drama tinged with very dark humor.
Love Never Ends shows he’s not lost that touch, either, as it’s a film that’s lifted from a popular webcomic by South Korean artist Kang Full, while it tells the story of an ageing couple who find love towards the end of their lives. It comes at a time when the fact that the headlines are full of...
Han quickly developed a reputation as a filmmaker with his finger on the pulse of the Chinese audience after emerging with box office hits such as Go Away Mr. Tumor (2015), a film that tapped into the contemporary popularity for drama tinged with very dark humor.
Love Never Ends shows he’s not lost that touch, either, as it’s a film that’s lifted from a popular webcomic by South Korean artist Kang Full, while it tells the story of an ageing couple who find love towards the end of their lives. It comes at a time when the fact that the headlines are full of...
- 6/9/2023
- by Mathew Scott
- The Hollywood Reporter - Movie News
The Shanghai International Film Festival kicked off on a triumphant note Friday night in China’s commercial capital as the country’s film industry threw open its doors to the global film community.
This year’s edition of China’s most prestigious cinema event is the first in over three years that is easily accessible to the outside world after the past three festivals were either canceled, put online or simply very difficult to attend because of the country’s strict Covid-19 travel restrictions. The festival also happens to be celebrating its 30th anniversary this year, as well as arriving at a moment when China’s commercial film industry is finally regaining some momentum after the long years of the pandemic.
“Each section of this year’s Shanghai International Film Festival is fully back offline, and we are more than thrilled to meet all guests in-person again,” says Wenquan He,...
This year’s edition of China’s most prestigious cinema event is the first in over three years that is easily accessible to the outside world after the past three festivals were either canceled, put online or simply very difficult to attend because of the country’s strict Covid-19 travel restrictions. The festival also happens to be celebrating its 30th anniversary this year, as well as arriving at a moment when China’s commercial film industry is finally regaining some momentum after the long years of the pandemic.
“Each section of this year’s Shanghai International Film Festival is fully back offline, and we are more than thrilled to meet all guests in-person again,” says Wenquan He,...
- 6/9/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The Shanghai International Film Festival, China’s most prestigious movie industry event, kicks off its 30th-anniversary edition Friday night. It will be the first version of the festival that’s easily accessible to the global film community since 2019, after the past three editions were either canceled or rendered difficult to attend by strict Covid-19 travel restrictions at the time.
This year, film stars from at home and afar will descend on China’s commercial capital to celebrate the ongoing comeback of China’s movie business. Jason Statham will lend some Hollywood star power to the proceedings when he walks the red carpet for the festival’s opening ceremony Friday night in promotion of his upcoming Warner Bros. blockbuster sequel, Meg 2: The Trench, which opens Aug. 4 and co-stars Chinese leading man Wu Jing. European film legend, Jerzy Skolimowski of Poland — who wrote Roman Polansky’s landmark Knife in the Water...
This year, film stars from at home and afar will descend on China’s commercial capital to celebrate the ongoing comeback of China’s movie business. Jason Statham will lend some Hollywood star power to the proceedings when he walks the red carpet for the festival’s opening ceremony Friday night in promotion of his upcoming Warner Bros. blockbuster sequel, Meg 2: The Trench, which opens Aug. 4 and co-stars Chinese leading man Wu Jing. European film legend, Jerzy Skolimowski of Poland — who wrote Roman Polansky’s landmark Knife in the Water...
- 6/9/2023
- by Patrick Brzeski and Mathew Scott
- The Hollywood Reporter - Movie News
Distribution
Anthony Lapaglia‘s upcoming factual series “The Black Hand” is set to be distributed internationally by eOne.
The three-part series will explore Australia’s Italian community, looking at the difficulties they face, their politics, the threat of war and the mafia. According to the series synopsis, The Black Hand is the name for a gang of Italian criminals in Australia.
Alan Erson, Lapaglia, Michael Tear exec produce. Adam Grossetti and Kate Pappas produce. “The Black Hand” is directed by Kriv Stenders and written by Grossetti, Stenders and Anya Beyersdorf.
The series was produced by Wildbear Entertainment for ABC in Australia. The deal with eOne excludes Australia and Scandinavia.
“The Black Hand is truly the definition of premium factual,” said Kate Cundall, eOne’s VP for acquisitions. “We’re very excited about the opportunity to take to market a hugely popular genre like true crime with some amazing auspicious.”
***
Meanwhile,...
Anthony Lapaglia‘s upcoming factual series “The Black Hand” is set to be distributed internationally by eOne.
The three-part series will explore Australia’s Italian community, looking at the difficulties they face, their politics, the threat of war and the mafia. According to the series synopsis, The Black Hand is the name for a gang of Italian criminals in Australia.
Alan Erson, Lapaglia, Michael Tear exec produce. Adam Grossetti and Kate Pappas produce. “The Black Hand” is directed by Kriv Stenders and written by Grossetti, Stenders and Anya Beyersdorf.
The series was produced by Wildbear Entertainment for ABC in Australia. The deal with eOne excludes Australia and Scandinavia.
“The Black Hand is truly the definition of premium factual,” said Kate Cundall, eOne’s VP for acquisitions. “We’re very excited about the opportunity to take to market a hugely popular genre like true crime with some amazing auspicious.”
***
Meanwhile,...
- 5/31/2023
- by K.J. Yossman
- Variety Film + TV
The 25th edition marks a return in-person after being cancelled last year.
Han Yan’s Love Never Ends is set to open the 25th Shanghai International Film Festival (Siff), which has also revealed the nominations for its Golden Goblet Awards.
The romance drama is adapted from a cartoon of the same name created by Kang Full. Ni Dahong, Kara Wai, Tony Leung Ka-Fai and Cecilia Yip play two elderly couples who show it is never too late to love.
Director Han previously directed 2015’s Go Away Mr. Tumor and 2020’s A Little Red Flower. Love Never Ends is set for...
Han Yan’s Love Never Ends is set to open the 25th Shanghai International Film Festival (Siff), which has also revealed the nominations for its Golden Goblet Awards.
The romance drama is adapted from a cartoon of the same name created by Kang Full. Ni Dahong, Kara Wai, Tony Leung Ka-Fai and Cecilia Yip play two elderly couples who show it is never too late to love.
Director Han previously directed 2015’s Go Away Mr. Tumor and 2020’s A Little Red Flower. Love Never Ends is set for...
- 5/30/2023
- by Silvia Wong
- ScreenDaily
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