Maleficent.s Elle Fanning will play the teenage Mary Shelley in A Storm in the Stars, a romantic drama scripted by Australian writer Emma Jensen, with Haifaa Al-Mansour attached to direct.
With a bit of luck, another of Jensen.s screenplays, Em, a comedic take on Jane Austen.s classic novel Emma, will shoot in Australia next year.
Those will be the Brisbane-based writer.s first works to be filmed. Romantic comedy Sex on the First Date, which she co-wrote with Los Angeles-based Aussie Sal Grover, was optioned by Gold Circle Films two years ago and Walt Becker (Wild Hogs) is attached to direct.
The prolific Jensen is pitching another project, the saga of actress Ava Gardner.s long-time friendship with her African-American personal assistant, which pre-dated the Civil Rights movement, at the Miff 37ºSouth Market.
Development of A Storm in the Stars was funded by Screen Nsw and Screen Australia,...
With a bit of luck, another of Jensen.s screenplays, Em, a comedic take on Jane Austen.s classic novel Emma, will shoot in Australia next year.
Those will be the Brisbane-based writer.s first works to be filmed. Romantic comedy Sex on the First Date, which she co-wrote with Los Angeles-based Aussie Sal Grover, was optioned by Gold Circle Films two years ago and Walt Becker (Wild Hogs) is attached to direct.
The prolific Jensen is pitching another project, the saga of actress Ava Gardner.s long-time friendship with her African-American personal assistant, which pre-dated the Civil Rights movement, at the Miff 37ºSouth Market.
Development of A Storm in the Stars was funded by Screen Nsw and Screen Australia,...
- 8/1/2014
- by Don Groves
- IF.com.au
Boost! is a cooperation between the Hubert Bals Fund, Iffr's CineMart, Binger Filmlab and Nfdc of India and supported by Media Mundus. Yearly five projects selected for Hubert Bals Fund Script and Project Development support are offered the opportunity to further develop their project at Binger Filmlab as part of the Binger On Demand programme. At Binger Filmlab, the filmmakers are offered coaching based on the specific needs of the project and filmmaker. Strange but True by Michel Lipkes (Mexico) and Days of Cannibalism by Teboho Edkins (South Africa) are the final two Hbf supported projects that will receive a special coaching trajectory from the Binger Filmlab.
Strange but True tells the love story of two young trash collectors working under the despotic direction of Mr.Clean. Tragedy ensues when they find a corpse of a wealthy man and Mr. Clean takes terrible decisions.
Days of Cannibalism is a three-part feature film in three parts, stylistically a Western, set in contemporary Africa. It is a film about man-eat-man, from the business of globalised trade in China, to a band of smugglers in Lesotho to the violence of a cattle raid deep in the high mountains.
Selected earlier this year were:
Silver Shadow by Pablo Stoll (Uruguay/Argentina)
The Load by Ognjen Glavonic (Serbia)
The Fourth Direction by Gurvinder Singh (India)
Their first coaching sessions already took place in Berlin, Amsterdam and Mumbai. All Boost! projects will be presented at CineMart during the International Film Festival Rotterdam, where they will be offered special pitching and project development sessions prior to taking one-to-one meetings at the co-production market.
Boost!-project taking part in Rotterdam Lab 2013:
- The Fourth Direction / Gurvinder Singh / India
Check out Boost! on the Web
Additional Binger Filmlab News:
Eurimages is supporting Land. by writer/director Jan-Willem van Ewijk with Eur 230.000! Current Lab participant Meikeminne Clinckspoor has won 7 prices in the Cinekid Festival edition of the 48 hour project with Gewoon Ongewoon. Milo, by Berend and Roel Boorsma, has taken another prize: MovieSquad Best International Children’s Movie at the Cinekid Festival. Miro Bilbrough's Being Venice developed in the 2006 Writers Lab, had it's international premiere at The International Film Festival Mannheim-Heidelberg. Writers and Creative Producers Lab participants Arno Dierickx & Joram Willink have received support from the Netherlands Film Fund for their current lab project The Circle. Raf Reyntjes also received support for Paradise Trips from the Netherlands Film Fund. Parts of a Family by Diego Gutierrez Coppe, developed in the Binger Doc Lab, premiered at the Morelia Iff in Mexico. Niles Atallah and Lucie Kalmar have been granted a Production Award of Eur 70.000 at the Torino Film Lab Meeting Event for Rey.
Strange but True tells the love story of two young trash collectors working under the despotic direction of Mr.Clean. Tragedy ensues when they find a corpse of a wealthy man and Mr. Clean takes terrible decisions.
Days of Cannibalism is a three-part feature film in three parts, stylistically a Western, set in contemporary Africa. It is a film about man-eat-man, from the business of globalised trade in China, to a band of smugglers in Lesotho to the violence of a cattle raid deep in the high mountains.
Selected earlier this year were:
Silver Shadow by Pablo Stoll (Uruguay/Argentina)
The Load by Ognjen Glavonic (Serbia)
The Fourth Direction by Gurvinder Singh (India)
Their first coaching sessions already took place in Berlin, Amsterdam and Mumbai. All Boost! projects will be presented at CineMart during the International Film Festival Rotterdam, where they will be offered special pitching and project development sessions prior to taking one-to-one meetings at the co-production market.
Boost!-project taking part in Rotterdam Lab 2013:
- The Fourth Direction / Gurvinder Singh / India
Check out Boost! on the Web
Additional Binger Filmlab News:
Eurimages is supporting Land. by writer/director Jan-Willem van Ewijk with Eur 230.000! Current Lab participant Meikeminne Clinckspoor has won 7 prices in the Cinekid Festival edition of the 48 hour project with Gewoon Ongewoon. Milo, by Berend and Roel Boorsma, has taken another prize: MovieSquad Best International Children’s Movie at the Cinekid Festival. Miro Bilbrough's Being Venice developed in the 2006 Writers Lab, had it's international premiere at The International Film Festival Mannheim-Heidelberg. Writers and Creative Producers Lab participants Arno Dierickx & Joram Willink have received support from the Netherlands Film Fund for their current lab project The Circle. Raf Reyntjes also received support for Paradise Trips from the Netherlands Film Fund. Parts of a Family by Diego Gutierrez Coppe, developed in the Binger Doc Lab, premiered at the Morelia Iff in Mexico. Niles Atallah and Lucie Kalmar have been granted a Production Award of Eur 70.000 at the Torino Film Lab Meeting Event for Rey.
- 12/13/2012
- by Sydney Levine
- Sydney's Buzz
Curious Distribution has picked up Matteo Garrone’s film Reality which won the Grand Prix at Cannes Film Festival Competition.
The announcement:
Curious Distribution has announced the acquisition of the Cannes Film Festival Competition Grand Prix-winner Reality and Director’s Fortnight selection Granny’s Funeral.
Reality was acquired from Fandango Portobello and Granny’s Funeral from Wild Bunch.
Reality is written and directed by Matteo Garrone, whose acclaimed earlier film Gomorrah also won the Grand Prix at Cannes four years ago. The film is a biting satire on reality television and Italian culture. The film garnered strong critical reviews from Cannes.
Insidemovies said: “(a)… visionary dissection of an Italian society….(Reality) ..is the rare movie that has some of that old, classic Fellini insanity in its overheated blood.”
Granny’s Funeral is delightful French comedy about love, life and death directed by Bruno Podalydès and co-written by Bruno with his brother Denis Podalydès.
The announcement:
Curious Distribution has announced the acquisition of the Cannes Film Festival Competition Grand Prix-winner Reality and Director’s Fortnight selection Granny’s Funeral.
Reality was acquired from Fandango Portobello and Granny’s Funeral from Wild Bunch.
Reality is written and directed by Matteo Garrone, whose acclaimed earlier film Gomorrah also won the Grand Prix at Cannes four years ago. The film is a biting satire on reality television and Italian culture. The film garnered strong critical reviews from Cannes.
Insidemovies said: “(a)… visionary dissection of an Italian society….(Reality) ..is the rare movie that has some of that old, classic Fellini insanity in its overheated blood.”
Granny’s Funeral is delightful French comedy about love, life and death directed by Bruno Podalydès and co-written by Bruno with his brother Denis Podalydès.
- 6/12/2012
- by Colin Delaney
- Encore Magazine
Michael Wrenn is to join the Sydney office of Arclight Films, the company established by La-based Australian Gary Hamilton. Wrenn recently produced, with Karen Radzyner, director/writer Miro Bilbrough.s debut feature Being Venice but has spent most of his film career in sales, distribution and exhibition. Wrenn brings several films with him to Arclight.s library according to the statement announcing the appointment. These include Ivan Sen.s Mystery Road, which goes into production in July with David Jowsey producing, Zoe Laband.s Pinky Pinky produced by Jeremy Nathan, and The World Made Me Straight, an adaptation of the Ron Rash novel of the same name to be directed by David Burris and produced by Todd Labarowsky. Wrenn has worked in financing and world sales for such companies as Celluloid Dreams and Maximum Films and has held very senior roles at several distribution companies including Electric Pictures and Alliance...
- 5/24/2012
- by Sandy George
- IF.com.au
Two Australian films will feature in competition at the Sydney Film Festival, while five local features will get their world premieres.
Dead Europe, directed by Tony Krawitz, and Lore directed by Cate Shortland will compete In Competition, which carries a $60,000 prize.
For both films the festival will be their world premiere, along with other local features Not Suitable For Children, Mabo and Being Venice.
Krawitz’s Dead Europe is written by Louise Fox, adapted from a Christos Tsiolkas novel of the same name. It is produced by Liz Watts of Porchlight Films and Oscar-winner Emile Sherman of See Saw Films. The film is about an Australian photographer who visits his ancestral homeland of Greece after his father’s death. It will be Dead Europe’s world premiere.
Also in competition is Lore, Cate Shortland’s first film since debut Somersault. Again produced by Liz Watts, the film is an adaptation...
Dead Europe, directed by Tony Krawitz, and Lore directed by Cate Shortland will compete In Competition, which carries a $60,000 prize.
For both films the festival will be their world premiere, along with other local features Not Suitable For Children, Mabo and Being Venice.
Krawitz’s Dead Europe is written by Louise Fox, adapted from a Christos Tsiolkas novel of the same name. It is produced by Liz Watts of Porchlight Films and Oscar-winner Emile Sherman of See Saw Films. The film is about an Australian photographer who visits his ancestral homeland of Greece after his father’s death. It will be Dead Europe’s world premiere.
Also in competition is Lore, Cate Shortland’s first film since debut Somersault. Again produced by Liz Watts, the film is an adaptation...
- 5/9/2012
- by Colin Delaney
- Encore Magazine
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