Nyaff and Japan Cuts favorite Yoshihiro Nakamura (Fish Story, Golden Slumber, A Boy and His Samurai) returns with his latest film Potechi (Chips), in which he once again adapts a novel by Fish Story and Golden Slumber author Kotaro Isaka. Like those previous works, Potechi features numerous characters brought together in an intricate plot involving fate, coincidence, and surprising connections that are gradually revealed in the course of the narrative. This time, however, Nakamura jettisons the sprawling, lengthy structures of Fish Story and Golden Slumber for the much leaner and concise style of Potechi, which clocks in at a mere 68 minutes. Amazingly, this brevity sacrifices not a bit of the narrative intricacies Nakamura has been known for, and in fact has a greater emotional...
- 7/15/2012
- Screen Anarchy
The 11th annual New York Asian Film Festival (June 29 through July 15) has announced its full schedule, which will showcase over 50 feature films and three programs of short films from Cambodia, China, Hong Kong, Japan, Malaysia, South Korea, Taiwan, Thailand, the USA, and Vietnam.
Presented in partnership between Subway Cinema and the Film Society of Lincoln Center with programming support from Japan Society, America’s biggest festival of popular Asian film is opening with Vulgaria: Described as “astonishingly filthy,” “outrageous,” and “displaying a reckless abandon in mentioning genitals” Pang Ho-cheung’s show business satire pushes good taste as far as it can go, and then it keeps on going. What’s most astonishing about this lewd, crude, and hilariously dirty film is that it achieves all its shocking effects with nothing more than dialogue.
In addition, Doomsday Book and Guns And Roses make their North American premieres as the Centerpiece Selections.
Presented in partnership between Subway Cinema and the Film Society of Lincoln Center with programming support from Japan Society, America’s biggest festival of popular Asian film is opening with Vulgaria: Described as “astonishingly filthy,” “outrageous,” and “displaying a reckless abandon in mentioning genitals” Pang Ho-cheung’s show business satire pushes good taste as far as it can go, and then it keeps on going. What’s most astonishing about this lewd, crude, and hilariously dirty film is that it achieves all its shocking effects with nothing more than dialogue.
In addition, Doomsday Book and Guns And Roses make their North American premieres as the Centerpiece Selections.
- 6/2/2012
- by The Woman In Black
- DreadCentral.com
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