This isn't a film about abstract social ills, it's about specific people in a specific place, and how they get disturbingly comfortable with theft and violence as a way of life.
The movie filmed with nonactors, doesn't try to counteract stereotypes of the Roma people as shiftless, thieving hustlers. But it goes a long way toward explaining the antisocial behavior.
Although Martin Sulik's drama sheds light on typically unseen populations of Eastern Europe, the film, heavy on "Hamlet" allusions, may be overstuffed.