Despicable Me 3Image: Illumination
With Run The Series, The A.V. Club examines film franchises, studying how they change and evolve with each new installment.
It was about time that DreamWorks got DreamWorks’d. That’s what some animation fans must have been thinking back in 2010, when Despicable Me, a...
With Run The Series, The A.V. Club examines film franchises, studying how they change and evolve with each new installment.
It was about time that DreamWorks got DreamWorks’d. That’s what some animation fans must have been thinking back in 2010, when Despicable Me, a...
- 7/10/2024
- by Jesse Hassenger
- avclub.com
"You know what? Why aren't we doing what we want?!" An early promo trailer is available online for the Polish animated movie titled Diplodocus, an especially unique creation about a little green dinosaur from filmmaker Wojtek Wawszczyk. You have to get a look at this! The independent animated film just premiered at the 2024 Annecy Film Festival last month (here's my review). Little dino Diplodocus ends up on a magical adventure to save his parents who have disappeared under mysterious circumstances. Alongside a wizard and two quirky scientists, he encounters fantastical creatures and amazing places along the way. It's not at all anything like Pixar's The Good Dinosaur, it's a different multiverse-hopping, meta, wacky adventure. The comic book artist segment is live-action, and he is told to erase these characters to create something more "cute" like a kitty, and in the animated world, everything begins to literally be erased. It's a remarkably fun concept,...
- 6/21/2024
- by Alex Billington
- firstshowing.net
Yet another animation creation unlike anything ever seen before. The Polish animated film Diplodocus is finally finished & ready to wow everyone. It just premiered at the 2024 Annecy Film Festival in the out-of-competition Annecy Presents section. Director Wojtek Wawszczyk has been working on this project for years, and was able to finish it with financing help from the Polish Film Institute. At first glance, Diplodocus seems like another generic animated film about a super cute little green dinosaur known as Diplo, or Dip, short for "Diplodocus" (of course). I've already seen some critics comparing it to Pixar's The Good Dinosaur (2015), though only because the characters look the same. It also reminds me of the 1988 classic The Land Before Time, also about talking dinosaurs. But in reality, it's nothing like either of these films. Diplodocus is exceptionally ambitious. It's a half live-action, half-animated tale of a precocious, adventurous dinosaur and his...
- 6/20/2024
- by Alex Billington
- firstshowing.net
It was a little touch and go during the first couple of years of the pandemic, but it feels relatively safe to say that Pixar is back. Director Kelsey Mann's "Inside Out 2" hit theaters this past weekend and delivered a massive, most welcome boon to the box office with record-breaking $295 million global opening. It ranks as the biggest global opening ever for an animated film. That number includes an estimated $155 million domestically, which is the second-biggest domestic opening for an animated movie ever behind only 2018's "Incredibles 2" ($182.6 million). It also means that Mann has earned his place in cinema history as the film secured another pretty impressive record over the weekend.
While Mann has been working at Pixar for more than a decade, "Inside Out 2" serves as his feature directorial debut. That being the case, that $155 million number is very important as it means Mann now...
While Mann has been working at Pixar for more than a decade, "Inside Out 2" serves as his feature directorial debut. That being the case, that $155 million number is very important as it means Mann now...
- 6/17/2024
- by Ryan Scott
- Slash Film
Editor’s Note: this list was originally published in June 2023. It has since been updated to include Pixar’s latest output.
When you ask someone about their favorite Pixar film, the answer usually says less about the movie than it does about the person. The legendary animation studio has remained at the top of its game for years because of how its films use their big high-concept ideas to explore fundamental truths. A comedy about talking toys becomes a story about friendship and growing up; a kid’s movie about fish becomes an emotional tale of fatherhood; a film about a rat that likes to cook becomes a sneakily profound story about the nature of art and inspiration. The movies become very personal to each viewer, especially for those who’ve grown up with Pixar’s work and have seen its releases serve as milestones in their lives.
That said,...
When you ask someone about their favorite Pixar film, the answer usually says less about the movie than it does about the person. The legendary animation studio has remained at the top of its game for years because of how its films use their big high-concept ideas to explore fundamental truths. A comedy about talking toys becomes a story about friendship and growing up; a kid’s movie about fish becomes an emotional tale of fatherhood; a film about a rat that likes to cook becomes a sneakily profound story about the nature of art and inspiration. The movies become very personal to each viewer, especially for those who’ve grown up with Pixar’s work and have seen its releases serve as milestones in their lives.
That said,...
- 6/14/2024
- by Wilson Chapman
- Indiewire
Clockwise from left: Inside Out 2, Monsters, Inc., Toy Story, Wall-EImage: Disney/Pixar
Although Pixar has had its fair share of disappointments and missteps, at its height, there was no one doing it better. For nearly three decades the studio has been creating crowd-pleasing features and taking audiences into imaginative new worlds.
Although Pixar has had its fair share of disappointments and missteps, at its height, there was no one doing it better. For nearly three decades the studio has been creating crowd-pleasing features and taking audiences into imaginative new worlds.
- 6/14/2024
- by Cindy White
- avclub.com
Pixar is relying on Inside Out 2 to dig them it of a creative rut – but is it even in one in the first place?
Pete Docter, the director behind some of Pixar’s most beloved hits is excited for the animation studio’s future. Not, though, for the reasons you might expect.
“I’ve been at Pixar for 33 years, and I don’t think we’ve ever been in a period of more turmoil and uncertainty than right now, which is kind of exciting,” the chief creative officer told Entertainment Weekly. It’s hard at first to disagree: Pixar arguably hasn’t had an industry-approved “hit” since Toy Story 4.
All hopes, then, are pinned on Inside Out 2. The studio’s first dyed-in-the-wool sequel since 2019, the follow-up to one of the most acclaimed animated films of the 21st century has already gotten stellar reviews. It’s tracking towards one of,...
Pete Docter, the director behind some of Pixar’s most beloved hits is excited for the animation studio’s future. Not, though, for the reasons you might expect.
“I’ve been at Pixar for 33 years, and I don’t think we’ve ever been in a period of more turmoil and uncertainty than right now, which is kind of exciting,” the chief creative officer told Entertainment Weekly. It’s hard at first to disagree: Pixar arguably hasn’t had an industry-approved “hit” since Toy Story 4.
All hopes, then, are pinned on Inside Out 2. The studio’s first dyed-in-the-wool sequel since 2019, the follow-up to one of the most acclaimed animated films of the 21st century has already gotten stellar reviews. It’s tracking towards one of,...
- 6/14/2024
- by James Harvey
- Film Stories
It’s been a difficult stretch for Pixar. In the near-decade since Inside Out became a creative and commercial hit, the animation powerhouse doubled down on a variety of so-so sequels before spiraling into a drought throughout the pandemic. It didn’t help that it used the quarantine period as an excuse to drop two autobiographically inspired and richly conceived tales––Luca and Turning Red––onto Disney+, losing some of its prestige in the process. After Lightyear, which was primed to fuel up the studio’s theatrical prospects again, sputtered on the tarmac two summers ago and last year’s Elemental struggled to make an opening splash, Pixar faced another crossroads.
In the same way it returned to its bona fide properties after The Good Dinosaur’s disappointment in 2015, the studio has reignited the sequelization after-burners for its sure-fire successes. That’s a nice way of saying Pixar has recommitted to developing broader,...
In the same way it returned to its bona fide properties after The Good Dinosaur’s disappointment in 2015, the studio has reignited the sequelization after-burners for its sure-fire successes. That’s a nice way of saying Pixar has recommitted to developing broader,...
- 6/13/2024
- by Jake Kring-Schreifels
- The Film Stage
Pixar’s Inside Out 2 is at its most visually sumptuous when immersing us in Riley’s (Kensington Tallman) burgeoning belief systems, a new addition to her mind that’s portrayed as an enormous, beautifully rendered chamber full of fluorescent strands of light, culminating in a single blossom above representing her sense of self. But once Riley’s fragile teenage emotions take the wheel, though, that blossom becomes frayed, the product of a toxic pool infected with intrusive thoughts. Sadly, that visual complexity isn’t matched by the actual journey the core emotions take back to the forefront of Riley’s mind. It can’t help but feel like a more convoluted retread of the first Inside Out’s abstract buddy comedy, but without the poignancy of the Bing Bong storyline or the subtle realization of the role of Sadness in our lives. Instead, the plot is still trying to...
- 6/13/2024
- by Slant Staff
- Slant Magazine
Pixar has been one of the premiere names in animation ever since the first "Toy Story" released in 1995, changing the game forever. Disney's beloved animation company was also one of the true Hollywood box office titans, with pretty much everything Pixar touched turning to gold, though "The Good Dinosaur" serves as a rare exception to the rule. Unfortunately, the pandemic changed all of that, and Pixar has had a rough time recovering, with "Lightyear" bombing badly after several of the studio's originals went straight to Disney+. "Inside Out 2" aims to change the narrative next weekend and bring the studio back to its dominant place at the top of the box office charts.
Director Kelsey Mann's sequel is currently eyeing an opening weekend in the $75 to $94 million range, per Box Office Theory. Even on the low end, that would be an exceptional start for the film. Nine years ago,...
Director Kelsey Mann's sequel is currently eyeing an opening weekend in the $75 to $94 million range, per Box Office Theory. Even on the low end, that would be an exceptional start for the film. Nine years ago,...
- 6/7/2024
- by Ryan Scott
- Slash Film
Pixar isn’t pulling any punches when its new film, Inside Out 2, comes to cinemas on June 14. At a time when films come to digital and streaming services alarmingly fast, Pixar says Inside Out 2 will get an extended theatrical run in favor of being rushed to Disney+ shortly after release.
Speaking with Bloomberg, Pixar president Jim Morris says Inside Out 2 is playing in theaters for at least 100 days. “I hope that we will not release another feature film on Disney+,” Morris explained. “If we do more stuff for Disney+, it should be a series, and then that makes a clean demarcation between what we do for theaters and what we do for streaming.”
Pixar found varying success with several of its most recent films, including Soul, Luca, Turning Red, Lightyear, and Elemental. The studio’s biggest releases underperformed theatrically, mostly due to the pandemic, except Elemental, which...
Speaking with Bloomberg, Pixar president Jim Morris says Inside Out 2 is playing in theaters for at least 100 days. “I hope that we will not release another feature film on Disney+,” Morris explained. “If we do more stuff for Disney+, it should be a series, and then that makes a clean demarcation between what we do for theaters and what we do for streaming.”
Pixar found varying success with several of its most recent films, including Soul, Luca, Turning Red, Lightyear, and Elemental. The studio’s biggest releases underperformed theatrically, mostly due to the pandemic, except Elemental, which...
- 6/3/2024
- by Steve Seigh
- JoBlo.com
Some of the biggest laughs of CinemaCon came from Disney and Pixar’s well-received debut of the first 35 minutes of “Inside Out 2,” the sequel to its beloved Oscar-winning original film about a young girl named Riley and the emotions in her head. The sequel opens June 14.
Amy Poehler, who returns as the emotion Joy, was on hand in Las Vegas Thursday to introduce the “new story that captures the beauty and hilarity of the emotions we experience on a daily basis.”
It begins with Riley – now entering her teens – back playing ice hockey while reintroducing the emotions from the first film: Joy, Sadness (Phyllis Smith) and Anger (Lewis Black) along with Fear and Disgust. Riley has grown to be kind, and with her friends is among the players invited to hockey camp.
That night, a strange noise – an alarm labeled puberty – sounds, waking the emotions as a construction crew...
Amy Poehler, who returns as the emotion Joy, was on hand in Las Vegas Thursday to introduce the “new story that captures the beauty and hilarity of the emotions we experience on a daily basis.”
It begins with Riley – now entering her teens – back playing ice hockey while reintroducing the emotions from the first film: Joy, Sadness (Phyllis Smith) and Anger (Lewis Black) along with Fear and Disgust. Riley has grown to be kind, and with her friends is among the players invited to hockey camp.
That night, a strange noise – an alarm labeled puberty – sounds, waking the emotions as a construction crew...
- 4/11/2024
- by Carolyn Giardina
- Variety Film + TV
Emotions are high this afternoon as Pixar debuts a full Inside Out 2 trailer, teasing more of the plot while introducing several new elements to Riley’s psyche. The new trailer arrived just as Pixar Studios invited us to visit their studio later this month to explore Pixar’s highly-anticipated sequel to Pete Docter and Ronnie Del Carmen’s 2015 animated original. I’ll be representing JoBlo during the event and could not be more excited! It’s been a dream of mine to visit Pixar Studios for decades. Make sure you visit the site closer to the film’s release as I report what I saw and share more details about the upcoming sequel!
Kelsey Mann makes her feature directorial debut with Inside Out 2, which includes a script by Meg LeFauve. Pixar announced Inside Out 2 in 2022 at Disney’s D23 Expo. The sequel will wreak havoc on your emotions...
Kelsey Mann makes her feature directorial debut with Inside Out 2, which includes a script by Meg LeFauve. Pixar announced Inside Out 2 in 2022 at Disney’s D23 Expo. The sequel will wreak havoc on your emotions...
- 3/7/2024
- by Steve Seigh
- JoBlo.com
Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. Final voting is February 22–27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. Et/ 5 p.m. Pt. We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
Sony’s Spider-Man: Across the Spider-Verse” solidified its standing as the Oscar favorite after dominating Asifa-Hollywood’s 51st Annie Awards on February 17 at UCLA’s Royce Hall. The acclaimed sequel from producers Phil Lord and Chris Miller grabbed seven awards, including best animated feature. It also won FX, character design, direction, music, production design, and editorial.
Its closest Oscar competitor, Hayao Miyazaki’s “The Boy and the Heron“ (Studio Ghibli-GKids), took home two Annies for Takeshi Honda’s character animation and Miyazaki’s storyboarding. However, “The Boy and the Heron...
The State of the Race
Sony’s Spider-Man: Across the Spider-Verse” solidified its standing as the Oscar favorite after dominating Asifa-Hollywood’s 51st Annie Awards on February 17 at UCLA’s Royce Hall. The acclaimed sequel from producers Phil Lord and Chris Miller grabbed seven awards, including best animated feature. It also won FX, character design, direction, music, production design, and editorial.
Its closest Oscar competitor, Hayao Miyazaki’s “The Boy and the Heron“ (Studio Ghibli-GKids), took home two Annies for Takeshi Honda’s character animation and Miyazaki’s storyboarding. However, “The Boy and the Heron...
- 2/20/2024
- by Bill Desowitz
- Indiewire
Is anyone else hearing things or are those just the voices in my head? For once, this isn't a sign of serious psychological problems, but simply another tease for one of Pixar Studios' most highly-anticipated sequels yet. I can still remember that rainy Saturday during the summer of 2015 while I was babysitting my little cousins and figured I'd surprise them with an impromptu trip to the theaters to see "Inside Out." Unfortunately, it turned out that everybody had the same idea, and all the showings were already sold out ... so we ended up settling for "Minions" instead. But don't worry, this story has a happy ending since we eventually got around to seeing the brilliant emotional rollercoaster and all agreed that it was better than "Minions" inadvertently confirming some discomfiting connections to Adolf Hitler.
In any case, we're finally getting a follow-up to one of Pixar's best original movies...
In any case, we're finally getting a follow-up to one of Pixar's best original movies...
- 2/8/2024
- by Jeremy Mathai
- Slash Film
When the June 16-18 weekend box office numbers started to roll in, the results for “Elemental” were disappointing. Based on on its opening weekend performance, early analysis was Pixar’s reign was waning.
“It was challenging in the beginning,” admitted “Elemental” director Peter Sohn when he was a guest on IndieWire’s Filmmaker Toolkit podcast. “As time went on I started trying to figure out, ‘Why is this film not connecting?’”
In a world where the opening box office number defines how big of a hit a movie would ultimately be, “Elemental” numbers held surprisingly strong in weeks two and three of release, and by the end of the summer it would categorized a hit rather than a flop. By the end of 2023, a year that was unprecedentedly rough for big-budget films, “Elemental” would be the only film to cost over $200 million that would be profitable ($498 million worldwide).
While Sohn...
“It was challenging in the beginning,” admitted “Elemental” director Peter Sohn when he was a guest on IndieWire’s Filmmaker Toolkit podcast. “As time went on I started trying to figure out, ‘Why is this film not connecting?’”
In a world where the opening box office number defines how big of a hit a movie would ultimately be, “Elemental” numbers held surprisingly strong in weeks two and three of release, and by the end of the summer it would categorized a hit rather than a flop. By the end of 2023, a year that was unprecedentedly rough for big-budget films, “Elemental” would be the only film to cost over $200 million that would be profitable ($498 million worldwide).
While Sohn...
- 12/28/2023
- by Chris O'Falt
- Indiewire
Acclaimed filmmaker Hayao Miyazaki earned his first Golden Globe Award nomination on the strength of his semi-autobiographical fantasy film The Boy and the Heron, capping a big week for the film that this weekend opened to a record-breaking $12.8 million, becoming the first original anime title in history to top the North American box office.
The Boy and the Heron was nominated for the animated feature Golden Globe alongside Spider-Man: Across the Spider-Verse, Elemental, The Super Mario Bros. Movie, Suzume and Wish. Both The Boy and the Heron and Spider-Verse received additional nominations for original motion picture score.
A year after Netflix won the animated feature Golden Globe for the first time, for Guillermo del Toro’s Pinocchio, the streamer was shut of out this year’s race despite a slate of contenders that included Nimona, the fantasy based on the graphic novel by Nd Stevenson; Chicken Run: Dawn of the Nugget...
The Boy and the Heron was nominated for the animated feature Golden Globe alongside Spider-Man: Across the Spider-Verse, Elemental, The Super Mario Bros. Movie, Suzume and Wish. Both The Boy and the Heron and Spider-Verse received additional nominations for original motion picture score.
A year after Netflix won the animated feature Golden Globe for the first time, for Guillermo del Toro’s Pinocchio, the streamer was shut of out this year’s race despite a slate of contenders that included Nimona, the fantasy based on the graphic novel by Nd Stevenson; Chicken Run: Dawn of the Nugget...
- 12/11/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
In the first round of this year’s Thanksgiving box office battle, the victor was not the Walt Disney Animation film “Wish,” but rather Sony’s R-rated “Napoleon.” However, both films opened with promising pre-release preview earnings, offering hope that both films will achieve measured victories no matter which one “wins” the Wednesday-Sunday weekend crown.
Sony’s “Napoleon” began with a boom, earning $3 million in Tuesday preview screenings. That’s higher than the $2 million earned by Rian Johnson’s “Knives Out” in 2019 and the $1.4 million earned by Ryan Coogler’s “Creed” in 2015. Both of which went on to top $40 million in their respective Wed-Sun Thanksgiving weekend launches.
That certainly is good news for Ridley Scott’s Joaquin Phoenix and Vanessa Kirby-starring war epic, even if Sony was merely projecting a $45 million worldwide launch. Like Martin Scorsese’s “Flowers of the Killer Moon,” “Napoleon” is a big-budget epic produced by...
Sony’s “Napoleon” began with a boom, earning $3 million in Tuesday preview screenings. That’s higher than the $2 million earned by Rian Johnson’s “Knives Out” in 2019 and the $1.4 million earned by Ryan Coogler’s “Creed” in 2015. Both of which went on to top $40 million in their respective Wed-Sun Thanksgiving weekend launches.
That certainly is good news for Ridley Scott’s Joaquin Phoenix and Vanessa Kirby-starring war epic, even if Sony was merely projecting a $45 million worldwide launch. Like Martin Scorsese’s “Flowers of the Killer Moon,” “Napoleon” is a big-budget epic produced by...
- 11/22/2023
- by Scott Mendelson
- The Wrap
Please keep your hands and feet inside the cart at all times as we prepare to ride another roller coaster of emotions with Pixar‘s Inside Out 2! Debuting the day after the actors’ guild reached a tentative agreement to end the ongoing actors’ strike, an Inside Out 2 teaser trailer reminds audiences how much the 2015 animated original added to their therapy bills.
Amy Poehler (Joy), Phyllis Smith (Sadness), Mindy Kaling (Disgust), Bill Hader (Fear), and Lewis Black (Anger) played the emotions in 2015’s Inside Out. However, Hader and Kaling won’t be returning for the sequel, with Tony Hale and Liza Lapira replacing them, respectively. The Inside Out 2 teaser introduces a new emotion to the mix, Anxiety, voiced by Stranger Things and Asteroid City star Maya Hawke. The first film revolves around 11-year-old Riley (Kaitlyn Dias) and the five emotions creating whirlwinds inside her developing brain.
While preparing...
Amy Poehler (Joy), Phyllis Smith (Sadness), Mindy Kaling (Disgust), Bill Hader (Fear), and Lewis Black (Anger) played the emotions in 2015’s Inside Out. However, Hader and Kaling won’t be returning for the sequel, with Tony Hale and Liza Lapira replacing them, respectively. The Inside Out 2 teaser introduces a new emotion to the mix, Anxiety, voiced by Stranger Things and Asteroid City star Maya Hawke. The first film revolves around 11-year-old Riley (Kaitlyn Dias) and the five emotions creating whirlwinds inside her developing brain.
While preparing...
- 11/9/2023
- by Steve Seigh
- JoBlo.com
How fitting is it that on the morning after the official end of the SAG-AFTRA strike, one of the first new trailers we get is from a movie about unleashing all sorts of heightened emotions? This moment of perfectly-timed collective catharsis comes courtesy of Pixar, as the animation studio has released our initial look at one of their most highly-anticipated sequels ever: "Inside Out 2." The 2015 original left nary a dry eye in the room after introducing the world to young Riley (Kaitlyn Dias) and the torrent of preadolescent feelings swirling around her head. And just when we thought we could start to recover from what happened to the lovable Bing Bong (Richard Kind), they've gone ahead with a sequel that's sure to be another emotional roller coaster.
The twist this time around, of course, will be the introduction of a whole new set of emotions to coincide with Riley...
The twist this time around, of course, will be the introduction of a whole new set of emotions to coincide with Riley...
- 11/9/2023
- by Jeremy Mathai
- Slash Film
"What if [X] had emotions?" It's a template Pixar used to massive success with "Toy Story" and has returned to time and time again ever since. It was probably inevitable then that the studio would make a film with the premise, "What if emotions had emotions?" The result was 2015's "Inside Out," and you know what? It's pretty damn great, too.
Pixar's animated hit examines the inner workings of the mind of Riley, an 11-year-old hockey-loving girl whose world is completely upended after her family moves across the U.S. from Minnesota to San Francisco. However, we as viewers get to experience this not just through Riley's eyes but through those of the personified emotions guiding her brain. For a film with such a heady setup, "Inside Out" is as crowd-pleasing as they come, combining rib-cracking laughs and tear-jerking drama with dazzlingly colorful visuals of Riley's inner landscape (like personality traits...
Pixar's animated hit examines the inner workings of the mind of Riley, an 11-year-old hockey-loving girl whose world is completely upended after her family moves across the U.S. from Minnesota to San Francisco. However, we as viewers get to experience this not just through Riley's eyes but through those of the personified emotions guiding her brain. For a film with such a heady setup, "Inside Out" is as crowd-pleasing as they come, combining rib-cracking laughs and tear-jerking drama with dazzlingly colorful visuals of Riley's inner landscape (like personality traits...
- 10/14/2023
- by Sandy Schaefer
- Slash Film
Pixar’s Elemental is an original feature film set in Element City, where residents of Fire, Water, Earth, and Air live together. The story introduces Ember, a tough, quick-witted and fiery young woman, whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in. Directed by Peter Sohn and produced by Denise Ream, Elemental features a screenplay by John Hoberg & Kat Likkel and Brenda Hsueh, and stars the voices of Leah Lewis and Mamoudou Athie as Ember and Wade.
Elemental is available on 4K Ultra HD, Blu-ray, and DVD on September 26.
Enter for your chance to win a Blu-ray of Elemental, courtesy of Walt Disney Studios Home Entertainment. Five (5) winners will be selected at random.
Here’s how to enter:
Step 1: Follow us on Facebook, Twitter, and Instagram.
Step 2: Tweet this message:
I want to win a Blu-ray of #Elemental (@LittleMermaid) from @Slant_Magazine.
Elemental is available on 4K Ultra HD, Blu-ray, and DVD on September 26.
Enter for your chance to win a Blu-ray of Elemental, courtesy of Walt Disney Studios Home Entertainment. Five (5) winners will be selected at random.
Here’s how to enter:
Step 1: Follow us on Facebook, Twitter, and Instagram.
Step 2: Tweet this message:
I want to win a Blu-ray of #Elemental (@LittleMermaid) from @Slant_Magazine.
- 9/24/2023
- by Slant Staff
- Slant Magazine
If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.
Disney fans and physical media collectors, rejoice! This November will see the release of a gargantuan 100-film Blu-ray collection called the Disney Legacy Animated Film Collection. The catch? It’ll cost you $1,499.96.
The boxed set officially releases on Nov. 14, but preorders are currently available exclusively at Walmart’s website.
Disney Legacy Animated Film Collection $1,499.96 Buy Now
The collection is packaged as a three-volume set, featuring animated films from Disney, Walt Disney Animation and Pixar. But unlike other behemoth boxed sets, this one isn’t filled with lame direct-to video snoozers but beloved titles that includes classics and recent favorites. For example, the long-running list includes all the “Toy Story” movies, both of “The Incredibles,” “The Black Cauldron,” “Frankenweenie” and “Robin Hood.” It even includes films as recent as this...
Disney fans and physical media collectors, rejoice! This November will see the release of a gargantuan 100-film Blu-ray collection called the Disney Legacy Animated Film Collection. The catch? It’ll cost you $1,499.96.
The boxed set officially releases on Nov. 14, but preorders are currently available exclusively at Walmart’s website.
Disney Legacy Animated Film Collection $1,499.96 Buy Now
The collection is packaged as a three-volume set, featuring animated films from Disney, Walt Disney Animation and Pixar. But unlike other behemoth boxed sets, this one isn’t filled with lame direct-to video snoozers but beloved titles that includes classics and recent favorites. For example, the long-running list includes all the “Toy Story” movies, both of “The Incredibles,” “The Black Cauldron,” “Frankenweenie” and “Robin Hood.” It even includes films as recent as this...
- 9/21/2023
- by Anna Tingley
- Variety Film + TV
The world is never a nice place in the stories of Roald Dahl. Across the beloved British author's vast body of literature, one will find works about abusive caretakers, sadistic authority figures, and horrible fantasy characters itching to do harm to children. Just as often, though, his tales center on courageous kids and kindly adults willing and able to stand up to these bad grownups and terrifying monsters. It's why Dahl's writing continues to resonate with younger generations, despite the ongoing struggle to reconcile the timeless messages of his novels and short stories with Dahl's many failings as a human being.
Having acquired the Roald Dahl Story Company back in 2021, Netflix has a financial motive for keeping Dahl's stories alive and well in the general public's memory. The streamer has already released a well-received film adaptation of the "Matilda" stage musical based on Dahl's book of the same name,...
Having acquired the Roald Dahl Story Company back in 2021, Netflix has a financial motive for keeping Dahl's stories alive and well in the general public's memory. The streamer has already released a well-received film adaptation of the "Matilda" stage musical based on Dahl's book of the same name,...
- 9/19/2023
- by Sandy Schaefer
- Slash Film
If you’re a Disney fan who wants each and every animated movie they’ve ever made in one place, then you’re in luck. The Walt Disney Company announced the Disney Legacy Animated Film Collection, which features 100 animated movies from Disney, Walt Disney Animation Studios, and Pixar on Blu-ray. Everything from Snow White and the Seven Dwarfs to Elemental is included, encompassing nearly one hundred years of storytelling.
Related Disney and Pixar’s Elemental comes to Disney+ on September 13th
The Disney Legacy Animated Film Collection is a self-standing, three-volume set that will be available for pre-order on September 19th, but only on Walmart.com. There will be a limited amount of sets available, so each will include a numbered certificate of authenticity. The set will also feature digital codes for each title, along with a collectible lithograph from Disney Animation’s all-new musical comedy Wish, and a collectible...
Related Disney and Pixar’s Elemental comes to Disney+ on September 13th
The Disney Legacy Animated Film Collection is a self-standing, three-volume set that will be available for pre-order on September 19th, but only on Walmart.com. There will be a limited amount of sets available, so each will include a numbered certificate of authenticity. The set will also feature digital codes for each title, along with a collectible lithograph from Disney Animation’s all-new musical comedy Wish, and a collectible...
- 9/11/2023
- by Kevin Fraser
- JoBlo.com
The Walt Disney Company is celebrating its 100th anniversary with a hefty new Blu-ray box set containing 100 of its best animated films.
Officially titled the Disney Legacy Animated Film Collection, the box set comes with three volumes that open up to feature the original theatrical artwork for each film. Additionally, the package offers digital codes to all 100 movies, a certificate of authenticity, a lithograph from the upcoming feature Wish, and a collectible set of crystal Mickey Mouse ears engraved with “Disney 100.”
Drawing films from Walt Disney Animation Studios, Pixar, and the now-closed DisneyToon Studios, the collection offers a pretty comprehensive timeline of the company, founded in 1923. The box set features early classics like Snow White and the Seven Dwarfs, Cinderella, Alice in Wonderland, and Peter Pan, 1990s renaissance films like Aladdin, The Lion King, and Toy Story, and more modern offerings — many of which got the direct-to-Disney+ treatment thanks to Covid — including Soul,...
Officially titled the Disney Legacy Animated Film Collection, the box set comes with three volumes that open up to feature the original theatrical artwork for each film. Additionally, the package offers digital codes to all 100 movies, a certificate of authenticity, a lithograph from the upcoming feature Wish, and a collectible set of crystal Mickey Mouse ears engraved with “Disney 100.”
Drawing films from Walt Disney Animation Studios, Pixar, and the now-closed DisneyToon Studios, the collection offers a pretty comprehensive timeline of the company, founded in 1923. The box set features early classics like Snow White and the Seven Dwarfs, Cinderella, Alice in Wonderland, and Peter Pan, 1990s renaissance films like Aladdin, The Lion King, and Toy Story, and more modern offerings — many of which got the direct-to-Disney+ treatment thanks to Covid — including Soul,...
- 9/11/2023
- by Carys Anderson
- Consequence - Film News
There appear to be some misconceptions about the box office returns for Disney and Pixar‘s Elemental. The emotional animated feature is entering its seventh week in theaters, and according to Disney, it’s a significant success for the studio. The numbers don’t lie, and Elemental is burning brightly with $425.2M in worldwide receipts. Elemental might have started slowly with a $29.5M domestic debut, but it’s picked up steam in the weeks since.
If you’re asking yourself how the film could endure after a disappointing start, look no further than its 93% Fresh rating on Rotten Tomatoes and “A” grade on CinemaScore. Metrics matter to general audiences, and these sites could have boosted people’s confidence in shelling out dollars for tickets to the show. There’s something to be said for positive word of mouth too. Elemental reviewed well with most critics, including JoBlo’s own Chris Bumbray,...
If you’re asking yourself how the film could endure after a disappointing start, look no further than its 93% Fresh rating on Rotten Tomatoes and “A” grade on CinemaScore. Metrics matter to general audiences, and these sites could have boosted people’s confidence in shelling out dollars for tickets to the show. There’s something to be said for positive word of mouth too. Elemental reviewed well with most critics, including JoBlo’s own Chris Bumbray,...
- 8/9/2023
- by Steve Seigh
- JoBlo.com
If you think Paula Abdul’s “Opposites Attract” is a bop, wait until you see what Disney and Pixar do with the concept when Elemental comes to Digital and physical platforms in the coming weeks! That’s right, folks! Get ready to enter Element City, where the fiery Ember Lumen and the go-with-the-flow Wade Ripple are about to discover what happens when fire meets water in Pixar Animation Studios‘ dazzling and imaginative Elemental, which debuts on all major digital platforms August 15 and on 4K Ultra HD, Blu-ray, and DVD September 26.
Here’s the official synopsis for Elemental:
Elemental is an original feature film set in Element City, where residents of Fire, Water, Earth, and Air live together. The story introduces Ember, a tough, quick-witted, and fiery young woman whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in. Directed by...
Here’s the official synopsis for Elemental:
Elemental is an original feature film set in Element City, where residents of Fire, Water, Earth, and Air live together. The story introduces Ember, a tough, quick-witted, and fiery young woman whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in. Directed by...
- 8/3/2023
- by Steve Seigh
- JoBlo.com
Features the voices of: Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O’Hara, Mason Wertheimer, Joe Pera | Written by John Hoberg, Kat Likkel, Brenda Hsueh | Directed by Peter Sohn
Directed by Peter Sohn (The Good Dinosaur), Elemental is the 27th film from animation studio Pixar, whose films are so reliably emotional that they might as well come with a will-make-you-cry guarantee. True to form, Elemental sticks closely to the Pixar formula, mixing a high concept with a strong central metaphor to tell an extremely sweet love story that’s certain to make you shed a tear or two.
Many of Pixar’s films essentially ask, ‘What if such-and-such a thing had feelings and emotions?”, whether it’s toys in Toy Story or emotions themselves in Inside Out (still one of Pixar’s best). This time round, that concept applies to the elements, namely fire, water, earth and air,...
Directed by Peter Sohn (The Good Dinosaur), Elemental is the 27th film from animation studio Pixar, whose films are so reliably emotional that they might as well come with a will-make-you-cry guarantee. True to form, Elemental sticks closely to the Pixar formula, mixing a high concept with a strong central metaphor to tell an extremely sweet love story that’s certain to make you shed a tear or two.
Many of Pixar’s films essentially ask, ‘What if such-and-such a thing had feelings and emotions?”, whether it’s toys in Toy Story or emotions themselves in Inside Out (still one of Pixar’s best). This time round, that concept applies to the elements, namely fire, water, earth and air,...
- 7/10/2023
- by Matthew Turner
- Nerdly
DreamWorks Animation’s “Ruby Gillman: Teenage Kraken” (in theater’s now) is a different kind of undersea adventure.
The title character is a seemingly regular teenage girl living in the town of Oceanside (voiced by Lana Condor) who knows that her family is keeping something from her but doesn’t understand that she is actually the latest descendant in an underwater kraken kingdom. Thankfully, she reconnects with her grandmother (Jane Fonda) and together they unlock her kraken powers. Or maybe the right phrase is release the kraken.
And she’ll need it, as she’s got to do battle with a cute, popular girl who is also an evil mermaid. This leads to an unexpectedly epic kaiju battle between mermaid and kraken that is pretty amazing.
TheWrap spoke to director Kirk DeMicco, who helmed “Ruby Gillman: Teenage Kraken” (with co-director Faryn Pearl), shortly before the movie’s splashy (get it?...
The title character is a seemingly regular teenage girl living in the town of Oceanside (voiced by Lana Condor) who knows that her family is keeping something from her but doesn’t understand that she is actually the latest descendant in an underwater kraken kingdom. Thankfully, she reconnects with her grandmother (Jane Fonda) and together they unlock her kraken powers. Or maybe the right phrase is release the kraken.
And she’ll need it, as she’s got to do battle with a cute, popular girl who is also an evil mermaid. This leads to an unexpectedly epic kaiju battle between mermaid and kraken that is pretty amazing.
TheWrap spoke to director Kirk DeMicco, who helmed “Ruby Gillman: Teenage Kraken” (with co-director Faryn Pearl), shortly before the movie’s splashy (get it?...
- 7/8/2023
- by Drew Taylor
- The Wrap
Sony starting latest ‘Insidious’ film, Picturehouse has ‘Smoking Causes Coughing’ for independents.
Elemental, the latest Disney-Pixar animation collaboration, is the widest opening title at this weekend’s UK-Ireland box office, which sees reduced location numbers due to the immediate closure of six sites in the Empire Cinemas chain.
The chain, which has 14 cinemas and 129 screens, is entering administration, with venues at Bishop’s Stortford, Catterick Garrison, Sunderland, Swindon, Walthamstow and Wigan all closing today.
Elemental will therefore start in 625 venues, down slightly from its anticipated number. Directed by Peter Sohn, Elemental is set in a city where fire, water, land...
Elemental, the latest Disney-Pixar animation collaboration, is the widest opening title at this weekend’s UK-Ireland box office, which sees reduced location numbers due to the immediate closure of six sites in the Empire Cinemas chain.
The chain, which has 14 cinemas and 129 screens, is entering administration, with venues at Bishop’s Stortford, Catterick Garrison, Sunderland, Swindon, Walthamstow and Wigan all closing today.
Elemental will therefore start in 625 venues, down slightly from its anticipated number. Directed by Peter Sohn, Elemental is set in a city where fire, water, land...
- 7/7/2023
- by Ben Dalton
- ScreenDaily
Pixar’s movie about a rat with ambitions of becoming an acclaimed French chef started off its box office run at a slow simmer when opening to a less-than-flavorable $47 million in summer 2007. Pundits were quick to pronounce Pixar had botched the recipe in a rare miss. But skeptics were proven wrong when Ratatouille began boiling over on its way to earning $623 million at the worldwide box office.
For decades, the revered animation studio that was backed by the late Steve Jobs before being bought by Disney could do no wrong, using the most unlikely scraps to turn out perfect stews again and again that became both commercial and critical hits at the box office buffet.
That all changed in the past several years, capped by the dismal debut of Elemental over the June 16-18 weekend. The movie, a parable about immigration and getting along, bombed with a $29.6 million domestic debut,...
For decades, the revered animation studio that was backed by the late Steve Jobs before being bought by Disney could do no wrong, using the most unlikely scraps to turn out perfect stews again and again that became both commercial and critical hits at the box office buffet.
That all changed in the past several years, capped by the dismal debut of Elemental over the June 16-18 weekend. The movie, a parable about immigration and getting along, bombed with a $29.6 million domestic debut,...
- 6/19/2023
- by Pamela McClintock
- The Hollywood Reporter - Movie News
A certain distinguished author once began his novel with “It was the best of times, it was the worst of times,” but he probably wasn’t referring to this weekend’s box office, as much as that saying applies. Read on for the weekend box office report.
This weekend was one of the newer national holidays, celebrating Juneteenth, the official end of slavery in America, which also meant that most government agencies were closed on Monday. Unfortunately, many schools (not all) across the country were already out for the summer, so that wasn’t gonna have as much effect on family films as it normally might.
First up, Ezra Miller starred in Warner Bros’ latest superhero action flick, “The Flash,” as the title character, a long-running (ha ha) DC superhero who was introduced in Zack Snyder‘s “Batman v Superman: Dawn of Justice.” In fact, not only did Ben Affleck...
This weekend was one of the newer national holidays, celebrating Juneteenth, the official end of slavery in America, which also meant that most government agencies were closed on Monday. Unfortunately, many schools (not all) across the country were already out for the summer, so that wasn’t gonna have as much effect on family films as it normally might.
First up, Ezra Miller starred in Warner Bros’ latest superhero action flick, “The Flash,” as the title character, a long-running (ha ha) DC superhero who was introduced in Zack Snyder‘s “Batman v Superman: Dawn of Justice.” In fact, not only did Ben Affleck...
- 6/19/2023
- by Edward Douglas
- Gold Derby
Pixar’s chief creative officer Pete Docter recently told the press that he doesn’t “think of Pixar as making children’s programming.”
By the look of box office returns for the studio’s recent animated offerings, it would appear that kids have taken notice — and haven’t been so inclined to watch those movies in theaters.
Over the weekend, “Elemental” collapsed at the domestic box office with a $29.5 million opening, by far the worst debut in Pixar’s 28-year history. Even forgettable Pixar adventures, like 2015’s “The Good Dinosaur” ($39 million), 2020’s “Onward” ($39 million) and last year’s massive money-loser “Lightyear” ($51 million), managed to fill more seats in their opening weekends.
The film didn’t rebound much at the international box office with $15 million from select markets, bringing its global tally to a disastrous $44.5 million.
There’s a bigger issue for Pixar: it’s not just youngsters, but general audiences,...
By the look of box office returns for the studio’s recent animated offerings, it would appear that kids have taken notice — and haven’t been so inclined to watch those movies in theaters.
Over the weekend, “Elemental” collapsed at the domestic box office with a $29.5 million opening, by far the worst debut in Pixar’s 28-year history. Even forgettable Pixar adventures, like 2015’s “The Good Dinosaur” ($39 million), 2020’s “Onward” ($39 million) and last year’s massive money-loser “Lightyear” ($51 million), managed to fill more seats in their opening weekends.
The film didn’t rebound much at the international box office with $15 million from select markets, bringing its global tally to a disastrous $44.5 million.
There’s a bigger issue for Pixar: it’s not just youngsters, but general audiences,...
- 6/19/2023
- by Rebecca Rubin
- Variety Film + TV
DC and Warner Bros.’ long-in-the-works superhero movie “The Flash” opened to $55 million in its first three days in North American theatres, according to studio estimates on Sunday.
Though a fair amount of money by normal standards, a sizeable jump from DC’s last release, the “Shazam!” sequel, and enough for a first place start, it’s also muted by superhero standards where $100 million debut weekends are almost commonplace. The weekend also saw Pixar get its worst three-day opening ever with a $29.5 million bow by “Elemental.”
Read More: Ezra Miller Makes First Public Appearance In Nearly 2 Years At ‘The Flash’ Photo Call
It was a crowded weekend at the multiplex overall. In addition to “The Flash” and “Elemental,” the horror-comedy “The Blackening” also opened wide. The only big win was Wes Anderson’s starry “Asteroid City” which earned $720,000 from just six theatres and the distinction of having the highest per-theater average...
Though a fair amount of money by normal standards, a sizeable jump from DC’s last release, the “Shazam!” sequel, and enough for a first place start, it’s also muted by superhero standards where $100 million debut weekends are almost commonplace. The weekend also saw Pixar get its worst three-day opening ever with a $29.5 million bow by “Elemental.”
Read More: Ezra Miller Makes First Public Appearance In Nearly 2 Years At ‘The Flash’ Photo Call
It was a crowded weekend at the multiplex overall. In addition to “The Flash” and “Elemental,” the horror-comedy “The Blackening” also opened wide. The only big win was Wes Anderson’s starry “Asteroid City” which earned $720,000 from just six theatres and the distinction of having the highest per-theater average...
- 6/19/2023
- by Corey Atad
- ET Canada
“The Flash,” a superhero adventure starring Ezra Miller, emerged victorious over Pixar’s “Elemental” in a battle of box office lightweights.
This weekend’s two new releases were once expected to ignite the summer blockbuster season; instead, both entirely missed the mark. “The Flash” stumbled with $55 million and “Elemental” collected just $29.5 million in their respective debuts. Both films fell short of already-low expectations. Worse, they were pricy endeavors, costing $200 million to make and roughly $100 million to market, so they are shaping up to be huge disappointments in their theatrical runs.
In the lead-up to “The Flash,” executives at Warner Bros. worked hard to convince the public that the film is “one of the greatest superhero movies ever made,” per newly minted DC Studios co-chief James Gunn. Directed by Andy Muschietti, the story picks up as Miller’s Barry Allen a.k.a The Flash travels back in time to prevent...
This weekend’s two new releases were once expected to ignite the summer blockbuster season; instead, both entirely missed the mark. “The Flash” stumbled with $55 million and “Elemental” collected just $29.5 million in their respective debuts. Both films fell short of already-low expectations. Worse, they were pricy endeavors, costing $200 million to make and roughly $100 million to market, so they are shaping up to be huge disappointments in their theatrical runs.
In the lead-up to “The Flash,” executives at Warner Bros. worked hard to convince the public that the film is “one of the greatest superhero movies ever made,” per newly minted DC Studios co-chief James Gunn. Directed by Andy Muschietti, the story picks up as Miller’s Barry Allen a.k.a The Flash travels back in time to prevent...
- 6/18/2023
- by Rebecca Rubin
- Variety Film + TV
Argh.
Such was the refrain across Hollywood on Saturday morning as opening weekend estimates circulated for DC’s highly anticipated The Flash and Pixar’s Elemental, which are debuting domestically over the long Juneteenth holiday weekend. (It’s also Father’s Day on Sunday.)
Starring Ezra Miller in the titular role, Warner Bros. and DC’s The Flash looks to gross $58 million to $60 million for the three-day weekend and $70 million or less for the four days. The superhero tentpole had hoped for a three-day start of at least $70 million so as to come in ahead of such DC titles as Black Adam, which collected $67 million in its first three days.
The Flash earned $24.5 million on Friday, including $9.7 million in previews.
The studio’s leadership has been hyping The Flash for months, with Warner Bros. Discovery CEO David Zaslav proclaiming it is the greatest superhero movie he’s ever seen. Many...
Such was the refrain across Hollywood on Saturday morning as opening weekend estimates circulated for DC’s highly anticipated The Flash and Pixar’s Elemental, which are debuting domestically over the long Juneteenth holiday weekend. (It’s also Father’s Day on Sunday.)
Starring Ezra Miller in the titular role, Warner Bros. and DC’s The Flash looks to gross $58 million to $60 million for the three-day weekend and $70 million or less for the four days. The superhero tentpole had hoped for a three-day start of at least $70 million so as to come in ahead of such DC titles as Black Adam, which collected $67 million in its first three days.
The Flash earned $24.5 million on Friday, including $9.7 million in previews.
The studio’s leadership has been hyping The Flash for months, with Warner Bros. Discovery CEO David Zaslav proclaiming it is the greatest superhero movie he’s ever seen. Many...
- 6/17/2023
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero.
The Warner Bros. release got started with $24.5 million from 4,234 locations on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.
“The Flash” is debuting in the same weight class as DC peers “Black Adam” (2022) and “Aquaman” (2018), which both opened to $67 million. “Aquaman” found strong staying power through its holiday season release, finishing with $335 million in North America. Last year’s Dwayne Johnson...
The Warner Bros. release got started with $24.5 million from 4,234 locations on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.
“The Flash” is debuting in the same weight class as DC peers “Black Adam” (2022) and “Aquaman” (2018), which both opened to $67 million. “Aquaman” found strong staying power through its holiday season release, finishing with $335 million in North America. Last year’s Dwayne Johnson...
- 6/17/2023
- by J. Kim Murphy
- Variety Film + TV
Friday Afternoon: Industry estimates show that Andy Muschietti’s The Flash from Warner Bros’ DC is heading for a Friday around $26M, which will yield a 3-day around $64M, and 4-day north of $72M+ at 4,234 theaters. The day is still young, though one thing about last night was how male-heavy Flash was at 74%. To some degree these figures are not surprising as this is where the box office openings of deep universe superhero movies live when they’re starting off a franchise.
Second place at 4,035 is Disney/Pixar’s Elemental with $11M today, a 3-day of $33M, and 4-day of $36M. Yikes, let’s hope it gets better.
The good news is that holdovers remain very strong to the point where six films alone right now are amounting to $168M for the weekend ($184.4M over the 4-day Juneteenth holiday). Sony Animation’s Spider-Man: Across the Spider-Verse booked at 3,873 theaters is...
Second place at 4,035 is Disney/Pixar’s Elemental with $11M today, a 3-day of $33M, and 4-day of $36M. Yikes, let’s hope it gets better.
The good news is that holdovers remain very strong to the point where six films alone right now are amounting to $168M for the weekend ($184.4M over the 4-day Juneteenth holiday). Sony Animation’s Spider-Man: Across the Spider-Verse booked at 3,873 theaters is...
- 6/16/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Ember (Leah Lewis) and Wade (Mamoudou Athie) in ‘Elemental’ (Photo © 2022 Disney/Pixar)
The four elements – wind, water, fire, and earth – are the focus of Pixar’s animated romantic comedy Elemental. The fact the elements co-exist in the same city but in their own areas provides the setup for an unlikely romance.
Elemental opens with Ember (voiced by Leah Lewis), a fiery young woman, working at her father’s shop in Firetown that she’s destined to take over one day. But there’s just one problem… Ember has a bad temper and is quick to anger, which makes her terrible at dealing with customers, especially rude and obnoxious ones. Her father, Bernie (voiced by Ronnie Del Carmen), assures her that she’ll eventually get the hang of dealing with customers and get ahold of her temper.
Ember discovers a leak in the shop’s basement during a special sale at the shop,...
The four elements – wind, water, fire, and earth – are the focus of Pixar’s animated romantic comedy Elemental. The fact the elements co-exist in the same city but in their own areas provides the setup for an unlikely romance.
Elemental opens with Ember (voiced by Leah Lewis), a fiery young woman, working at her father’s shop in Firetown that she’s destined to take over one day. But there’s just one problem… Ember has a bad temper and is quick to anger, which makes her terrible at dealing with customers, especially rude and obnoxious ones. Her father, Bernie (voiced by Ronnie Del Carmen), assures her that she’ll eventually get the hang of dealing with customers and get ahold of her temper.
Ember discovers a leak in the shop’s basement during a special sale at the shop,...
- 6/16/2023
- by Kevin Finnerty
- Showbiz Junkies
On June 16, 2023, Pixar Animation Studios and Walt Disney Studios released “Elemental,” which features the voices of Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O’Hara, Mason Wertheimer, Joe Pera, and Matt Yang King. Directed by Peter Sohn, the film centers on two elements (Ember and Wade) that are literally fire and water, a relationship that is frowned upon in society. The duo works to maintain their relationship despite the expectations of society.
At the 76th Cannes Film Festival, the film was screened for critics to mixed reviews, but those have trended upward upon national release resulting in a Rotten Tomatoes score of 76%. General audiences are more favorable, grading it at 92% fresh. Read our full review round-up below.
See Box office preview: ‘The Flash,’ ‘Elemental,’ ‘The Blackening’ will keep the summer movie love going
Matt Neglia of Next Best Picture praises the film, stating, “The feature directorial debut of Peter Sohn,...
At the 76th Cannes Film Festival, the film was screened for critics to mixed reviews, but those have trended upward upon national release resulting in a Rotten Tomatoes score of 76%. General audiences are more favorable, grading it at 92% fresh. Read our full review round-up below.
See Box office preview: ‘The Flash,’ ‘Elemental,’ ‘The Blackening’ will keep the summer movie love going
Matt Neglia of Next Best Picture praises the film, stating, “The feature directorial debut of Peter Sohn,...
- 6/16/2023
- by Vincent Mandile
- Gold Derby
The animated romantic comedy film ‘Elemental’, which brings to life the mesmerising world of elements in a story of two strikingly opposite elements Ember Lumen (Fire) and Wade Ripples (Water), is work of people from several diasporas as more than 100 first and second-generation immigrants.
The producer of the film, Denise Ream, shared that it is a work of many immigrants who spoke with the makers during the making. She also said that it is a “story about relationships between fire and water, and between parents and their kids”.
Set in a city that brings elements of different backgrounds together, ‘Elemental’ is demonstrative of the statement that opposites do indeed attract.
Denise Ream, who is known for her work in Academy Award-winning films like ‘Up’, ‘Cars 2’ and ‘The Good Dinosaur’, the creation of the world of ‘Elemental’ was a work of people from several diasporas as more than 100 first and...
The producer of the film, Denise Ream, shared that it is a work of many immigrants who spoke with the makers during the making. She also said that it is a “story about relationships between fire and water, and between parents and their kids”.
Set in a city that brings elements of different backgrounds together, ‘Elemental’ is demonstrative of the statement that opposites do indeed attract.
Denise Ream, who is known for her work in Academy Award-winning films like ‘Up’, ‘Cars 2’ and ‘The Good Dinosaur’, the creation of the world of ‘Elemental’ was a work of people from several diasporas as more than 100 first and...
- 6/16/2023
- by Agency News Desk
- GlamSham
“Elemental,” an opposites-attract love story set in a world of, well, elements, began its domestic box office jaunt with $2.4 million in Thursday previews. With merely decent reviews (75% fresh and 6.5/10 on Rotten Tomatoes) and little being sold beyond “Hey, it’s the next Pixar film!”), the Peter Sohn-directed flick could struggle to match the $29 million Fri-Sun debut (amid a $39 million Wed-Sun launch) of “Toy Story” back in 1995, let alone the over/under $39 million Fri-Sun debuts of “The Good Dinosaur” in 2015 and “Onward” (which opened a week before Covid shut down the world) in 2020.
Just running the numbers, if “Elemental” legs over the weekend like “Lightyear” ($51 million from a $5.2 million Thursday), it’ll open with just $23.5 million by Sunday night. Being more optimistic, however unlikely, if “Elemental” legs like “Cars 3” ($53 million/$2.6 million), well, then it opens with $49 million and you can ignore the next few paragraphs of doom-n-gloom.
Elemental trailer
Generally speaking,...
Just running the numbers, if “Elemental” legs over the weekend like “Lightyear” ($51 million from a $5.2 million Thursday), it’ll open with just $23.5 million by Sunday night. Being more optimistic, however unlikely, if “Elemental” legs like “Cars 3” ($53 million/$2.6 million), well, then it opens with $49 million and you can ignore the next few paragraphs of doom-n-gloom.
Elemental trailer
Generally speaking,...
- 6/16/2023
- by Scott Mendelson
- The Wrap
“The Flash” is racing ahead at the box office, picking up $9.7 million in previews at the box office.
The Warner Bros. film, starring Ezra Miller as the DC Comics speedster and helmed by “It” director Andy Muschietti, has endured a long and rocky road to theaters, but it’s finally opening this weekend. “The Flash” is projected to earn around $70 million in its first weekend, with some predictions as high as $85 million and others as low as $68 million.
That expected opening is in line with previous DC Studios projects like last year’s “Black Adam” and 2018’s “Aquaman,” which both debuted to $67 million — but Warner Bros. is surely hoping that “The Flash” takes more after his “Justice League” companion than Dwayne Johnson’s antihero. “Black Adam” stalled out with $168 million domestically and less than $400 million globally, while Jason Momoa’s “Aquaman” surfed to $335 million in North America and $1.14 billion worldwide.
The Warner Bros. film, starring Ezra Miller as the DC Comics speedster and helmed by “It” director Andy Muschietti, has endured a long and rocky road to theaters, but it’s finally opening this weekend. “The Flash” is projected to earn around $70 million in its first weekend, with some predictions as high as $85 million and others as low as $68 million.
That expected opening is in line with previous DC Studios projects like last year’s “Black Adam” and 2018’s “Aquaman,” which both debuted to $67 million — but Warner Bros. is surely hoping that “The Flash” takes more after his “Justice League” companion than Dwayne Johnson’s antihero. “Black Adam” stalled out with $168 million domestically and less than $400 million globally, while Jason Momoa’s “Aquaman” surfed to $335 million in North America and $1.14 billion worldwide.
- 6/16/2023
- by Jordan Moreau
- Variety Film + TV
DC’s highly anticipated superhero pic The Flash is finally here.
The movie, starring Ezra Miller in the titular role, started off its North American box office run with $9.7 million in previews. As a comparison, Sony’s Venom started off with $10 million in previews on its way to a domestic opening of $80.3 million.
The Flash has been tracking to open in the $70 million range over Father’s Day weekend, but Warner Bros. is counting on an upside. The studio’s leadership has been hyping the movie for months. “It’s the best superhero movie I’ve ever seen,” Warner Bros. Discovery CEO David Zaslav told theater owners at CinemaCon in late April before they were shown the film in full. Many critics don’t agree with the assessment; the pic currently has a 67 percent Tomatometer score on Rotten Tomatoes.
Directed by Andy Muschietti, the film is the second Hollywood superhero...
The movie, starring Ezra Miller in the titular role, started off its North American box office run with $9.7 million in previews. As a comparison, Sony’s Venom started off with $10 million in previews on its way to a domestic opening of $80.3 million.
The Flash has been tracking to open in the $70 million range over Father’s Day weekend, but Warner Bros. is counting on an upside. The studio’s leadership has been hyping the movie for months. “It’s the best superhero movie I’ve ever seen,” Warner Bros. Discovery CEO David Zaslav told theater owners at CinemaCon in late April before they were shown the film in full. Many critics don’t agree with the assessment; the pic currently has a 67 percent Tomatometer score on Rotten Tomatoes.
Directed by Andy Muschietti, the film is the second Hollywood superhero...
- 6/16/2023
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Plot: In a world where the elements, fire, earth, air, and water live together, a young fire element, Ember (Leah Lewis), crosses paths with a clumsy water element, Wade (Mamoudou Athie) and the two, to their surprise, find that sometimes opposite elements attract.
Review: Pixar’s recent run of movies has been largely met with a shrug from fans. The road back to the big screen after the pandemic has been rocky for the studio’s films. Turning Red was pretty good, but it only got a little attention due to becoming a Disney Plus exclusive, and their previous film, Luca, might be the most obscure film the studio’s ever produced. Lightyear was supposed to be the company’s triumphant return to the big screen, but it felt like just another sci-fi/adventure movie.
Elemental aims to be different. In classic Pixar tradition, it focuses on emotion and characterization...
Review: Pixar’s recent run of movies has been largely met with a shrug from fans. The road back to the big screen after the pandemic has been rocky for the studio’s films. Turning Red was pretty good, but it only got a little attention due to becoming a Disney Plus exclusive, and their previous film, Luca, might be the most obscure film the studio’s ever produced. Lightyear was supposed to be the company’s triumphant return to the big screen, but it felt like just another sci-fi/adventure movie.
Elemental aims to be different. In classic Pixar tradition, it focuses on emotion and characterization...
- 6/15/2023
- by Chris Bumbray
- JoBlo.com
After decades of dominating the animation world, Disney and its subsidiary studio Pixar have been telling a different story pver the past year with box office busts “Lightyear” and “Strange World.” Unfortunately for Disney CEO Bob Iger, who bought Pixar in his first run as chief executive and needs it to perform well in his second, their latest release “Elemental” looks like it will continue this slump when it arrives at theaters this weekend.
Since “Elemental” landed on tracking three weeks ago, opening projections haven’t exceeded $40 million, and with preview screenings beginning Thursday afternoon, tracking still remains low at $35 million-$40 million. Not only is that beneath the $50.5 million opening of “Lightyear,” which carried the same reported production budget as “Elemental” at around $200 million, it could also fall below the $39 million openings of “The Good Dinosaur” and “Onward” to become Pixar’s lowest opening weekend after adjusting for inflation.
Whatever...
Since “Elemental” landed on tracking three weeks ago, opening projections haven’t exceeded $40 million, and with preview screenings beginning Thursday afternoon, tracking still remains low at $35 million-$40 million. Not only is that beneath the $50.5 million opening of “Lightyear,” which carried the same reported production budget as “Elemental” at around $200 million, it could also fall below the $39 million openings of “The Good Dinosaur” and “Onward” to become Pixar’s lowest opening weekend after adjusting for inflation.
Whatever...
- 6/14/2023
- by Jeremy Fuster
- The Wrap
Elemental — Pixar’s 27th film, and the first to feature star-crossed lovers that literally become steamy when they kiss — forces you to answer a lot of questions right off the bat. Can a young man made entirely out of liquid ever find true romance with a fiery young woman? Could a metropolis with a population comprised of the four natural elements function as an urban melting pot, with disparate and possibly destructive parties finding a way to live in perfect harmony? Must the children of first-generation immigrants be forever burdened...
- 6/14/2023
- by David Fear
- Rollingstone.com
The box office predictions for some of the summer’s big-name movies have interestingly been tracking to be lower than one would assume. It was reported that Harrison Ford’s return to the adventure forefront with Indiana Jones and the Dial of Destiny was expected to rake in only $60-$70 million for its opening weekend in the Fourth of July weekend — a prime movie-going occasion. Analysts are presently tracking low numbers for Michael Keaton’s iconic return as well with The Flash as well as an original IP with Disney-Pixar’s newest outing, Elemental.
According to Variety, these two titles, both of which come from popular genres and studios, are predicted to open to a soft weekend debut. The Flash is tracking for a $70 million opening, which is rather low for a superhero tentpole movie with a lot of hype behind it, and Elemental, which is being released by the usually reliable Pixar,...
According to Variety, these two titles, both of which come from popular genres and studios, are predicted to open to a soft weekend debut. The Flash is tracking for a $70 million opening, which is rather low for a superhero tentpole movie with a lot of hype behind it, and Elemental, which is being released by the usually reliable Pixar,...
- 6/14/2023
- by EJ Tangonan
- JoBlo.com
It was positioned as the first big blockbuster battle of summer. But this weekend’s showdown between “The Flash” and Pixar’s “Elemental” isn’t shaping up to be one for box office record books.
Both of the mega-budgeted tentpoles are tracking for lackluster starts, with “The Flash,” starring Ezra Miller as the title DC superhero, targeting $70 million and “Elemental,” an animated adventure about opposites who attract, aiming to collect just $35 million. Insiders and analysts are split on the final weekend number for “The Flash,” with some expecting an even softer $68 million and others projecting as much as $85 million.
“The Flash” is landing on the big screen without a traditional promotional push from Miller, who has been a controversial figure in the lead-up to the film’s release. The actor, who was arrested several times in the past few years, released a statement in August to apologize for their erratic...
Both of the mega-budgeted tentpoles are tracking for lackluster starts, with “The Flash,” starring Ezra Miller as the title DC superhero, targeting $70 million and “Elemental,” an animated adventure about opposites who attract, aiming to collect just $35 million. Insiders and analysts are split on the final weekend number for “The Flash,” with some expecting an even softer $68 million and others projecting as much as $85 million.
“The Flash” is landing on the big screen without a traditional promotional push from Miller, who has been a controversial figure in the lead-up to the film’s release. The actor, who was arrested several times in the past few years, released a statement in August to apologize for their erratic...
- 6/13/2023
- by Rebecca Rubin
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.