Directed by
Paul Campion |
Writing Credits
Paul Finch | ... | (screenplay) and |
Paul Campion | ... | (screenplay) & |
Brett Ihaka | ... | (screenplay) |
Paul Campion | ... | (story) |
Cast (in credits order)
Produced by
Paul Campion | ... | executive producer |
Melissa Dodds | ... | line producer |
Richard Matthews | ... | associate producer |
Leanne Saunders | ... | executive producer / producer |
Music by
Andrea Possee |
Cinematography by
Rob Marsh |
Editing by
Jeff Hurrell |
Casting By
Mike Dwyer |
Production Design by
Mary Pike |
Art Direction by
Zoe Wilson |
Set Decoration by
Nathan Gray | ||
Laki Laban | ... | lead set decorator |
Costume Design by
Tristan McCallum |
Makeup Department
Davina Lamont | ... | makeup designer / makeup supervisor |
Dordi Moen | ... | special makeup effects artist |
Hayley Ness | ... | makeup artist |
Michele Perry | ... | makeup artist |
Dara Wakely | ... | makeup artist |
Deb Watson | ... | makeup artist |
Production Management
Gabe Page | ... | unit manager |
Second Unit Director or Assistant Director
Jonny Eagle | ... | third assistant director |
Kendall Finlayson | ... | second assistant director |
Richard Matthews | ... | first assistant director |
Art Department
Colin Davidson | ... | construction foreman / construction manager |
Les Edwards | ... | illustrator |
Laki Laban | ... | lead set decorator |
Ben Price | ... | props |
Richard Thurston | ... | standby props |
Paul Campion | ... | storyboard artist (uncredited) |
Sound Department
Joel Anscombe-Smith | ... | boom operator |
Phil Burton | ... | re-recording mixer / supervising adr editor / supervising dialogue editor |
Jeremy Cullen | ... | foley recordist |
David Goodall | ... | sound mixer |
Darren Maynard | ... | adr mixer / foley artist / foley editor |
Nic McGowan | ... | sound recordist |
Nick Tapp | ... | sound trainee |
James West | ... | supervising sound editor |
Lloyd Young | ... | supervising sound editor |
Special Effects by
Jason Docherty | ... | prosthetic technician: Weta Workshop |
Sean Foot | ... | sculptor: Weta Workshop / special effects makeup supervisor |
Rob Gillies | ... | supervisor: Weta Workshop (as Robert Gillies) |
Simon Godsiff | ... | photography: Weta Workshop |
Gary Hunt | ... | sculptor: Weta Workshop |
Jade Jolly | ... | on set prosthetic technician |
Dordi Moen | ... | special effects technician: Weta Workshop |
Danielle Prestidge | ... | production coordinator: Weta Workshop |
Frances Richardson | ... | prosthetic technician: Weta Workshop |
Brian Stendebach | ... | prosthetic technician: Weta Workshop |
Richard Taylor | ... | design & effects supervisor: Weta Workshop |
Steve Unwin | ... | additional stills: Weta Workshop |
Visual Effects by
Daniel Ashton | ... | film recording technician: Weta Digital (as Dan Ashton) |
Nick Booth | ... | film recording supervisor: Weta Digital |
Scott Chambers | ... | compositing |
Richard Chasemore | ... | modeling artist / texture artist |
Max Dennison | ... | matte painting supervisor |
Storm Gezentsvey | ... | compositing |
Melissa Goddard | ... | compositing |
Juan Pablo Lampe | ... | digital compositor |
Jake Lee | ... | lead compositor / visual effects supervisor |
Felicity Moore | ... | texture artist |
Stephen Roucher | ... | film recording technician: Weta Digital |
Frank Rueter | ... | lead compositor / visual effects supervisor |
Malcolm Tween | ... | additional modeler |
Kara Vandeleur | ... | visual effects artist |
Pete Williams | ... | film recording manager: Weta Digital |
Paul Campion | ... | matte painter (uncredited) |
Stunts
Augie Davis | ... | stunt coordinator |
Camera and Electrical Department
Andrew Ayrton | ... | lx assistant |
Adrian Hebron | ... | gaffer |
Morris Kapua | ... | grip |
Joseph Michael | ... | second assistant camera: "a" camera |
Matt Mueller | ... | additional stills |
Chris Murphy | ... | lx assistant |
Simon Oliver | ... | lighting technician |
Ulric Raymond | ... | a camera operator / steadicam operator |
Philip Smith | ... | a camera focus puller / first assistant camera: "a" camera |
Philip A.T. Smith | ... | first assistant camera: "a" camera |
Byron Sparrow | ... | key grip |
Matt Tuffin | ... | a camera first assistant |
Steve Unwin | ... | still photographer |
Angus Ward | ... | b camera focus puller |
Roger Wong | ... | still photographer |
Costume and Wardrobe Department
Paul Hambleton | ... | costume stand-by |
Coco Miles | ... | costume stand-by |
Josie Thomas | ... | costume consultant |
Editorial Department
Victoria Chu | ... | deliverables mastering supervisor: Park Road Post Production |
David Hollingsworth | ... | head of digital intermediate: Park Road Post |
Tom Kelly | ... | post-production coordinator |
Nina Kurzmann | ... | mastering and deliverables |
Tim Willis | ... | on-line editor |
Location Management
Peter Tonks | ... | location manager |
Music Department
Mike Newport | ... | composer: additional trailer music |
Script and Continuity Department
Kathryn Burnett | ... | script consultant |
Pete Wellington | ... | script supervisor |
Additional Crew
Andy Buckley | ... | health and safety coordinator |
Bonny Crayford | ... | production assistant |
Ben Gazey | ... | publicist |
Richard Husband | ... | german translator |
Tom Kelly | ... | production coordinator |
Krystian Morgan | ... | title design |
Jed Soane | ... | epk crew |
Tainui Stephens | ... | consultant: Maori |
Teone Taare Te Tuakana | ... | assistant to producer |
Thanks
Terri Champney-Willis | ... | special thanks |
Brian Keene | ... | special thanks |
Barry Purves | ... | special thanks |
Daniel Story | ... | special thanks |