20,000 Species Of Bees, the debut film by Basque filmmaker Estibaliz Urresola Solaguren, and Society Of The Snow, J. A. Bayona’s survival drama for Netflix, have dominated the nominations at this year’s Goya Film Awards.
The nominations for Spain’s premiere film awards event were released this morning. 20,000 species of bees clocked 15 noms, including best film, screenplay, and best new director. Bayona’s Society Of The Snow clocked 13 noms, also landing in best film. Veteran Spanish filmmaker Víctor Erice trails behind with 11 nominations for his comeback feature Close Your Eyes, starring Ana Torrent.
20,000 Species Of Bees debuted at this year’s Berlin Film Festival, where lead actor Sofía Otero took the silver bear for best leading performance. The film is set during a summer in a village house linked to beekeeping and follows an eight-year-old and her mother experiencing revelations that will change their lives forever.
Bayona...
The nominations for Spain’s premiere film awards event were released this morning. 20,000 species of bees clocked 15 noms, including best film, screenplay, and best new director. Bayona’s Society Of The Snow clocked 13 noms, also landing in best film. Veteran Spanish filmmaker Víctor Erice trails behind with 11 nominations for his comeback feature Close Your Eyes, starring Ana Torrent.
20,000 Species Of Bees debuted at this year’s Berlin Film Festival, where lead actor Sofía Otero took the silver bear for best leading performance. The film is set during a summer in a village house linked to beekeeping and follows an eight-year-old and her mother experiencing revelations that will change their lives forever.
Bayona...
- 11/30/2023
- by Zac Ntim
- Deadline Film + TV
“Yo no moriré de amor,” the feature debut of theatre actress Marta Matute, among the five titles selected by the Madrid Film School’s Ecam incubator program, has been boarded by Elastica Films,
whose credits include Berlinale Golden Bear prize winner “Alcarràs” and “Creatura,” Elena Martin’s best European film winner at Cannes Directors’ Fortnight.
The family drama is lead produced by José Esteban Alenda and César Esteban Alenda’s Solita Films, which saw their first international co-production, “El despertar de las hormigas,” by Costa Rican Antonella Sudasassi, world premiere at Berlinale’s Forum and become the first Central American film to be nominated for a Spanish Goya.
Executive producer Cecilia Rivas of Solita Films told Variety she is hoping to close a European co-production deal for “Yo no moriré de amor” in San Sebastian.
“Elastica Films makes an ideal partner as we share the same vision,” she noted, adding...
whose credits include Berlinale Golden Bear prize winner “Alcarràs” and “Creatura,” Elena Martin’s best European film winner at Cannes Directors’ Fortnight.
The family drama is lead produced by José Esteban Alenda and César Esteban Alenda’s Solita Films, which saw their first international co-production, “El despertar de las hormigas,” by Costa Rican Antonella Sudasassi, world premiere at Berlinale’s Forum and become the first Central American film to be nominated for a Spanish Goya.
Executive producer Cecilia Rivas of Solita Films told Variety she is hoping to close a European co-production deal for “Yo no moriré de amor” in San Sebastian.
“Elastica Films makes an ideal partner as we share the same vision,” she noted, adding...
- 9/25/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Wes Anderson’s “Asteroid City,” fresh from its triumphant world premiere at the Cannes fest, opens the 38th Guadalajara Film Festival (Ficg) which touts new sections this year, including a branded series showcase and midnight screenings of Italian fright maestro Dario Argento’s horror films.
Eva Longoria’s feature directorial debut, “Flamin’ Hot,” which had its West Coast premiere at the LA Latino Film Festival (Laliff) May 31, marks its Mexican debut at the fest.
The Series Showcase includes Patricia Martinez’s fact-based “La Narcosatánica,” which will stream on the rebranded Max, and Maite Alberdi’s “Libre de reir,” a Gato Grande production that centers on inmates in a Mexican prison who enroll in a stand-up comedy workshop. Alberdi’s Sundance-winning docu “The Eternal Memory” also vies for a prize in the festival’s documentary sidebar.
According to festival director Estrella Araiza, the festival has recovered its funding and will screen...
Eva Longoria’s feature directorial debut, “Flamin’ Hot,” which had its West Coast premiere at the LA Latino Film Festival (Laliff) May 31, marks its Mexican debut at the fest.
The Series Showcase includes Patricia Martinez’s fact-based “La Narcosatánica,” which will stream on the rebranded Max, and Maite Alberdi’s “Libre de reir,” a Gato Grande production that centers on inmates in a Mexican prison who enroll in a stand-up comedy workshop. Alberdi’s Sundance-winning docu “The Eternal Memory” also vies for a prize in the festival’s documentary sidebar.
According to festival director Estrella Araiza, the festival has recovered its funding and will screen...
- 6/1/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Spain has found a place on the global film industry’s radar as an attractive market for co-producing projects, boosted by its bigger-than-ever-public-sector funding.
The trend comes in a moment of maturity for its audiovisual industry, with competitive tax incentives and the emergence of fresh talent, often female, whether directors or producers. Unlike U.S. indie producers, hard hit by streamers pulling back, European counterparts still have public sector financing.
But to make movies of any artistic ambition, which might justify that funding and break out to foreign sales and a theatrical release, producers are looking overseas more and to other parts of Spain for production partners.
Co-production is booming. Only last year, Spain co-produced 70 films, beating its average production for the period 2018-2022 of 256 titles, according to Spanish film agency Icaa.
Icaa’s selective aid for movie production reached €20 million (21.48 million). Of that, a minimum 5 went to support minority co-productions.
The trend comes in a moment of maturity for its audiovisual industry, with competitive tax incentives and the emergence of fresh talent, often female, whether directors or producers. Unlike U.S. indie producers, hard hit by streamers pulling back, European counterparts still have public sector financing.
But to make movies of any artistic ambition, which might justify that funding and break out to foreign sales and a theatrical release, producers are looking overseas more and to other parts of Spain for production partners.
Co-production is booming. Only last year, Spain co-produced 70 films, beating its average production for the period 2018-2022 of 256 titles, according to Spanish film agency Icaa.
Icaa’s selective aid for movie production reached €20 million (21.48 million). Of that, a minimum 5 went to support minority co-productions.
- 2/17/2023
- by Emiliano De Pablos
- Variety Film + TV
In a sign of a new ebullience in Spain’s film industry, Spain’s Elamedia Estudios, founded by Roberto Butragueño is launching Sideral, an integrated production-distribution-sales label which makes its debut presenting at the Berlinale Co-Production Market the feature project “Cheaper Than Stealing.”
Titles Sideral handles either in international sales, production or distribution take in “In the Sultan’s Bedchamber,” from San Sebastian best director winner Javier Rebollo (“Woman Without Piano”), a Sideral production; “The Fantastic Golem,” Affairs” from hot Spanish duo Burning Percebes, which it sells abroad, and “I Have Electric Dreams,” Costa Rican Valerie Maurel’s Locarno best director, actor and actress winner.
Underscoring its status as a new force on Spain’s movie scene, Sideral has confirmed 22 production, distribution or sales titles.
“From several years back, Elamedia has been backing many titles. Now we’re ramping up production and domestic distribution and want to create a brand which is identifiable,...
Titles Sideral handles either in international sales, production or distribution take in “In the Sultan’s Bedchamber,” from San Sebastian best director winner Javier Rebollo (“Woman Without Piano”), a Sideral production; “The Fantastic Golem,” Affairs” from hot Spanish duo Burning Percebes, which it sells abroad, and “I Have Electric Dreams,” Costa Rican Valerie Maurel’s Locarno best director, actor and actress winner.
Underscoring its status as a new force on Spain’s movie scene, Sideral has confirmed 22 production, distribution or sales titles.
“From several years back, Elamedia has been backing many titles. Now we’re ramping up production and domestic distribution and want to create a brand which is identifiable,...
- 2/17/2023
- by John Hopewell
- Variety Film + TV
Three first features from Spain’s burgeoning next generation of female filmmakers, led by Cannes Critics’ Week winner Laura Ferrès, is one highlight at this year’s Málaga Work in Progress, an Málaga Festival industry centerpiece where productions such as “The Platform” first saw the light of day.
Playing in Malaga Wip, “The Platform” was acquired by Latido Film which sold the title to Netflix at Toronto. It has gone on to rank as the third most-watched non-English movie ever on Netflix.
At least three titles – Spanish road movie “Devil Dog Road,” horror pic “The Hidden City,” the neo-noir “Foremost by Night” – boast genre gristle. Some titles turn on gender oppression (“As Neves”), female self-discovery (“Mara’s Vacation”) or sexual diversity (“I Trust You”). Many, especially from Spain, have social-issue overtones.
Production companies range from established indie forces – Madrid’s Aquí y Allí, Buenos Aires’ Magma Cine, Portugal’s Ukbar Filmes – to on-the-rise outfits,...
Playing in Malaga Wip, “The Platform” was acquired by Latido Film which sold the title to Netflix at Toronto. It has gone on to rank as the third most-watched non-English movie ever on Netflix.
At least three titles – Spanish road movie “Devil Dog Road,” horror pic “The Hidden City,” the neo-noir “Foremost by Night” – boast genre gristle. Some titles turn on gender oppression (“As Neves”), female self-discovery (“Mara’s Vacation”) or sexual diversity (“I Trust You”). Many, especially from Spain, have social-issue overtones.
Production companies range from established indie forces – Madrid’s Aquí y Allí, Buenos Aires’ Magma Cine, Portugal’s Ukbar Filmes – to on-the-rise outfits,...
- 2/14/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
Iran-France-Norway co-production follows all-female Kurdish militia Ypj.
Visit Films has boarded worldwide sales rights to Iranian filmmaker Negin Ahmadi’s documentary Dreams’ Gate ahead of its world premiere in Berlin Generation 14plus.
Ahmadi travels to the war zone of northern Syria to follow the lives of the women in the Ypj, an all-female Kurdish militia for whom fighting Isis is a way to escape the restraints of a patriarchal society.
Dreams’ Gate (Darvazeye Royaha) weaves together candid moments between the female soldiers with the brutality of combat and offers a visual diary that examines the role of women in battle...
Visit Films has boarded worldwide sales rights to Iranian filmmaker Negin Ahmadi’s documentary Dreams’ Gate ahead of its world premiere in Berlin Generation 14plus.
Ahmadi travels to the war zone of northern Syria to follow the lives of the women in the Ypj, an all-female Kurdish militia for whom fighting Isis is a way to escape the restraints of a patriarchal society.
Dreams’ Gate (Darvazeye Royaha) weaves together candid moments between the female soldiers with the brutality of combat and offers a visual diary that examines the role of women in battle...
- 2/7/2023
- by Jeremy Kay
- ScreenDaily
Iran-France-Norway co-production follows all-female Kurdish militia Ypj.
Visit Films has boarded worldwide sales rights to Iranian filmmaker Negin Ahmadi’s documentary Dreams’ Gate ahead of its world premiere in Berlin Generation 14plus.
Ahmadi travels to the war zone of northern Syria to follow the lives of the women in the Ypj, an all-female Kurdish militia for whom fighting Isis is a way to escape the restraints of a patriarchal society.
Dreams’ Gate (Darvazeye Royaha) weaves together candid moments between the female soldiers with the brutality of combat and offers a visual diary that examines the role of women in battle...
Visit Films has boarded worldwide sales rights to Iranian filmmaker Negin Ahmadi’s documentary Dreams’ Gate ahead of its world premiere in Berlin Generation 14plus.
Ahmadi travels to the war zone of northern Syria to follow the lives of the women in the Ypj, an all-female Kurdish militia for whom fighting Isis is a way to escape the restraints of a patriarchal society.
Dreams’ Gate (Darvazeye Royaha) weaves together candid moments between the female soldiers with the brutality of combat and offers a visual diary that examines the role of women in battle...
- 2/7/2023
- by Jeremy Kay
- ScreenDaily
Fast building as one of Spain’s leading hotbeds for emerging producer and creative talent, the Madrid Film School’s Ecam Incubator, now on its sixth edition, has picked five promising titles for its 2023 program.
Aimed at Spanish directors, screenwriters and producers, the Incubator program is open to directors’ debuts as well as second or third feature projects. Each title will receive an endowment of 10,000 Euros towards its development. Creative teams hailing from outside of Madrid have their trips covered.
The 25 projects that have passed through the Incubator over the past five editions have received a total of 21 Spanish Academy Goya nominations.
Many of the past Ecam projects have participated in prominent film festivals, including Venice, Rotterdam, the Berlinale and San Sebastian.
A Drill Down on the Five 2023 Projects:
“Catorce de Marzo” (“March 14”)
The feature debut of Canarian Alberto Gross Molo, who made his mark with short films “Grietas” and “Solos,...
Aimed at Spanish directors, screenwriters and producers, the Incubator program is open to directors’ debuts as well as second or third feature projects. Each title will receive an endowment of 10,000 Euros towards its development. Creative teams hailing from outside of Madrid have their trips covered.
The 25 projects that have passed through the Incubator over the past five editions have received a total of 21 Spanish Academy Goya nominations.
Many of the past Ecam projects have participated in prominent film festivals, including Venice, Rotterdam, the Berlinale and San Sebastian.
A Drill Down on the Five 2023 Projects:
“Catorce de Marzo” (“March 14”)
The feature debut of Canarian Alberto Gross Molo, who made his mark with short films “Grietas” and “Solos,...
- 2/7/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Unpredictable events and obstacles were constant factors during the development of La Pecera (The Fishbowl). In 2017, Puerto Rico was embattled by a category 4 hurricane that caused catastrophic damage across the island and impacted the priorities of many people involved in our production. Then in 2020, a rare series of earthquakes shook the island. These two events led to […]
The post “A Rare Series of Earthquakes Shook the Island” | Glorimar Marrero Sánchez, La Pecera first appeared on Filmmaker Magazine.
The post “A Rare Series of Earthquakes Shook the Island” | Glorimar Marrero Sánchez, La Pecera first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Unpredictable events and obstacles were constant factors during the development of La Pecera (The Fishbowl). In 2017, Puerto Rico was embattled by a category 4 hurricane that caused catastrophic damage across the island and impacted the priorities of many people involved in our production. Then in 2020, a rare series of earthquakes shook the island. These two events led to […]
The post “A Rare Series of Earthquakes Shook the Island” | Glorimar Marrero Sánchez, La Pecera first appeared on Filmmaker Magazine.
The post “A Rare Series of Earthquakes Shook the Island” | Glorimar Marrero Sánchez, La Pecera first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
In La Pecera, the feature debut from writer-director Glorimar Marrero Sánchez, Noelia (Isel Rodríguez) decides to relocate to the Puerto Rican island of Vieques where she grew up after her cancer returns. Reunited with her mother and the island’s natural beauty (and traumatic past of being a U.S. Army testing ground), Noelia refuses treatment and reflects on the root of her long-term illness. Dp Pj López discusses lensing the film, which included a difficult night shoot that captured bioluminescence on camera. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being […]
The post “We Had To Capture Bioluminescence on Camera in the Most Organic Way”: Dp Pj López on La Pecera first appeared on Filmmaker Magazine.
The post “We Had To Capture Bioluminescence on Camera in the Most Organic Way”: Dp Pj López on La Pecera first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
In La Pecera, the feature debut from writer-director Glorimar Marrero Sánchez, Noelia (Isel Rodríguez) decides to relocate to the Puerto Rican island of Vieques where she grew up after her cancer returns. Reunited with her mother and the island’s natural beauty (and traumatic past of being a U.S. Army testing ground), Noelia refuses treatment and reflects on the root of her long-term illness. Dp Pj López discusses lensing the film, which included a difficult night shoot that captured bioluminescence on camera. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being […]
The post “We Had To Capture Bioluminescence on Camera in the Most Organic Way”: Dp Pj López on La Pecera first appeared on Filmmaker Magazine.
The post “We Had To Capture Bioluminescence on Camera in the Most Organic Way”: Dp Pj López on La Pecera first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
When Noelia’s (Isel Rodríguez) cancer returns, she eschews traditional treatments and retreats to the Puerto Rican island of Vieques where she spent her childhood. Suffering severe contamination from its use as a U.S. Army testing site (and with Hurricane Irma inching closer), Noelia grapples with the painful legacy that lingers over Vieques in La Pecera, writer-director Glorimar Marrero Sánchez’s feature debut. Editor Clara Martínez Malagelada talks about cutting La Pecera, coming on board after the film’s original editor left the project. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being […]
The post “Don’t Settle for What Your Eyes See on the First Day”: Editor Clara Martínez Malagelada on La Pecera first appeared on Filmmaker Magazine.
The post “Don’t Settle for What Your Eyes See on the First Day”: Editor Clara Martínez Malagelada on La Pecera first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
When Noelia’s (Isel Rodríguez) cancer returns, she eschews traditional treatments and retreats to the Puerto Rican island of Vieques where she spent her childhood. Suffering severe contamination from its use as a U.S. Army testing site (and with Hurricane Irma inching closer), Noelia grapples with the painful legacy that lingers over Vieques in La Pecera, writer-director Glorimar Marrero Sánchez’s feature debut. Editor Clara Martínez Malagelada talks about cutting La Pecera, coming on board after the film’s original editor left the project. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being […]
The post “Don’t Settle for What Your Eyes See on the First Day”: Editor Clara Martínez Malagelada on La Pecera first appeared on Filmmaker Magazine.
The post “Don’t Settle for What Your Eyes See on the First Day”: Editor Clara Martínez Malagelada on La Pecera first appeared on Filmmaker Magazine.
- 2/4/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
From the 1940s until 2003, the U.S. Navy used Vieques as a bombing range and military-training site, deploying heavy metals and toxic chemicals, such as napalm and depleted uranium, that left the island contaminated. Today, Vieques has some of the highest cancer rates in the Caribbean, though the U.S. government continues to deny that its activities are responsible. In writing La Pecera, Glorimar Marrero Sánchez sought to reflect the symptoms of colonialism both literally and symbolically, through the character of a woman whose body has been colonized by cancer—a disease, the film asserts, connected to the Navy’s pollution of Vieques. […]
The post “On Any Road of Vieques, There’s Beauty Around”: Glorimar Marrero Sánchez on La Pecera first appeared on Filmmaker Magazine.
The post “On Any Road of Vieques, There’s Beauty Around”: Glorimar Marrero Sánchez on La Pecera first appeared on Filmmaker Magazine.
- 2/3/2023
- by Isaac Feldberg
- Filmmaker Magazine-Director Interviews
From the 1940s until 2003, the U.S. Navy used Vieques as a bombing range and military-training site, deploying heavy metals and toxic chemicals, such as napalm and depleted uranium, that left the island contaminated. Today, Vieques has some of the highest cancer rates in the Caribbean, though the U.S. government continues to deny that its activities are responsible. In writing La Pecera, Glorimar Marrero Sánchez sought to reflect the symptoms of colonialism both literally and symbolically, through the character of a woman whose body has been colonized by cancer—a disease, the film asserts, connected to the Navy’s pollution of Vieques. […]
The post “On Any Road of Vieques, There’s Beauty Around”: Glorimar Marrero Sánchez on La Pecera first appeared on Filmmaker Magazine.
The post “On Any Road of Vieques, There’s Beauty Around”: Glorimar Marrero Sánchez on La Pecera first appeared on Filmmaker Magazine.
- 2/3/2023
- by Isaac Feldberg
- Filmmaker Magazine - Blog
Midnight Family, Luke Lorentzen’s debut feature, was adeptly shot in widescreen by the director/cinematographer/editor, as is follow-up A Still Small Voice, which represents the inverse of its predecessor in several ways. The Midnight Family were a clan of private ambulance drivers in Mexico City, filling in a public healthcare gap for profit, albeit not much of one—chasing patients for payment, eating junk food because that’s all they can afford to fuel shifts on the nocturnal streets of Mexico City, which are obviously more likely to produce memorable images than a hospital’s perpetual faux-daylight. And while Lorentzen’s main subject, Mati Engel, certainly experiences […]
The post Sundance 2023: A Still Small Voice, La Pecera, Against the Tide first appeared on Filmmaker Magazine.
The post Sundance 2023: A Still Small Voice, La Pecera, Against the Tide first appeared on Filmmaker Magazine.
- 1/23/2023
- by Vadim Rizov
- Filmmaker Magazine - Blog
Midnight Family, Luke Lorentzen’s debut feature, was adeptly shot in widescreen by the director/cinematographer/editor, as is follow-up A Still Small Voice, which represents the inverse of its predecessor in several ways. The Midnight Family were a clan of private ambulance drivers in Mexico City, filling in a public healthcare gap for profit, albeit not much of one—chasing patients for payment, eating junk food because that’s all they can afford to fuel shifts on the nocturnal streets of Mexico City, which are obviously more likely to produce memorable images than a hospital’s perpetual faux-daylight. And while Lorentzen’s main subject, Mati Engel, certainly experiences […]
The post Sundance 2023: A Still Small Voice, La Pecera, Against the Tide first appeared on Filmmaker Magazine.
The post Sundance 2023: A Still Small Voice, La Pecera, Against the Tide first appeared on Filmmaker Magazine.
- 1/23/2023
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
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