The followup to 2009's surprise hit Nativity! enjoys a straightforward delivery, holding off competition from Silver Linings Playbook, Gambit and End of Watch
The winner
It may not have been a hit with the nation's critics, but Nativity 2: Danger in the Manger! proved comfortably the top new release at the UK weekend box-office, beating bigger-budget offerings starring Hollywood A-listers Cameron Diaz, Bradley Cooper and Jake Gyllenhaal. With an impressive opening of £1.61m, that's more than double the debut of the original Nativity! (£794,000) three years ago. Nativity! went on to accumulate £5.2m during its 2009 run, 6.5 times its opening, thanks to positive word-of-mouth among its target audience of families, and the natural tendency of Christmas-themed movies to sustain and build as the holiday approaches. A similar multiple would deliver a total above £10m for Nativity 2.
Debbie Isitt's original Nativity! flew relatively under the radar – the big festive movie...
The winner
It may not have been a hit with the nation's critics, but Nativity 2: Danger in the Manger! proved comfortably the top new release at the UK weekend box-office, beating bigger-budget offerings starring Hollywood A-listers Cameron Diaz, Bradley Cooper and Jake Gyllenhaal. With an impressive opening of £1.61m, that's more than double the debut of the original Nativity! (£794,000) three years ago. Nativity! went on to accumulate £5.2m during its 2009 run, 6.5 times its opening, thanks to positive word-of-mouth among its target audience of families, and the natural tendency of Christmas-themed movies to sustain and build as the holiday approaches. A similar multiple would deliver a total above £10m for Nativity 2.
Debbie Isitt's original Nativity! flew relatively under the radar – the big festive movie...
- 11/27/2012
- by Charles Gant
- The Guardian - Film News
End of Watch | Silver Linings Playbook | The House I Live In | Gambit | Cinema Komunisto | Starbuck | Nativity 2: Danger In The Manger! | First | Lawrence Of Arabia | Ninja Scroll
End of Watch (15)
(David Ayer, 2012, Us) Jake Gyllenhaal, Michael Peña, Anna Kendrick. 109 mins.
If there was anything left to do with buddy cop movies then this does it, adding a raw authenticity and almost Tarantino-esque banter to the proceedings. We're on patrol with an Lapd duo whose partnership verges on the homoerotic, and whose sense of duty knows no bounds – a big mistake when they come up against a Mexican cartel. It's exciting, fluent and heavy on the shaky-cam, but ultimately paints a simplistic world of heroic lawmen and caricatured bad guys.
Silver Linings Playbook (15)
(David O Russell, 2012, Us) Bradley Cooper, Jennifer Lawrence, Robert De Niro. 122 mins.
Against-type casting and unbalanced characters do much to disguise the conventional bones of this satisfying romantic drama.
End of Watch (15)
(David Ayer, 2012, Us) Jake Gyllenhaal, Michael Peña, Anna Kendrick. 109 mins.
If there was anything left to do with buddy cop movies then this does it, adding a raw authenticity and almost Tarantino-esque banter to the proceedings. We're on patrol with an Lapd duo whose partnership verges on the homoerotic, and whose sense of duty knows no bounds – a big mistake when they come up against a Mexican cartel. It's exciting, fluent and heavy on the shaky-cam, but ultimately paints a simplistic world of heroic lawmen and caricatured bad guys.
Silver Linings Playbook (15)
(David O Russell, 2012, Us) Bradley Cooper, Jennifer Lawrence, Robert De Niro. 122 mins.
Against-type casting and unbalanced characters do much to disguise the conventional bones of this satisfying romantic drama.
- 11/24/2012
- by Steve Rose
- The Guardian - Film News
Like I said last week, Twilight : Breaking Dawn Part 2 was bound to have such a massive opening box office weekend that it would soar above Skyfall and finally knock Bond back into second place. Wait, no, don’t go and check back, just trust me, that’s definitely what I said. Honestly.
With £15.85 million taken in its opening three days, the latest Twilight has the highest opening gross of any film in the franchise thus far. Bond experienced his sharpest drop off yet, down 47% on its third week takings, but even with the expected gradual decline in the coming weeks, it still looks set to overtake Avatar’s record box-office haul of £94million given that in just four weeks it has already managed to bank a cool £82million.
Twilight movies don’t tend to have the legs of many other blockbusters as the die-hard fan base flock to see it opening weekend,...
With £15.85 million taken in its opening three days, the latest Twilight has the highest opening gross of any film in the franchise thus far. Bond experienced his sharpest drop off yet, down 47% on its third week takings, but even with the expected gradual decline in the coming weeks, it still looks set to overtake Avatar’s record box-office haul of £94million given that in just four weeks it has already managed to bank a cool £82million.
Twilight movies don’t tend to have the legs of many other blockbusters as the die-hard fan base flock to see it opening weekend,...
- 11/23/2012
- by Rob Keeling
- HeyUGuys.co.uk
★★☆☆☆ The power of documentary filmmaking can often be found in its ability to make you fascinated and entertained by subjects that you either know very little, or absolutely nothing about. Sadly, this is not quite the case in Mila Turajlic's directorial debut Cinema Komunisto (2010), which focuses on the history of former Yugoslavia through the lens of its prolific cinematic output under Marshal Tito's rule. Set amidst enormous crumbling sets and cavernous production studios, we journey through a detailed history of Tito's personal love of cinema and the films produced in Yugoslavia before its ultimate collapse in 1992.
Read more »...
Read more »...
- 11/22/2012
- by CineVue UK
- CineVue
Amour | The Twilight Saga: Breaking Dawn – Part 2 | Mental | Up There | Hit So Hard | Jason Becker: Not Dead Yet | Happy Happy | The Pool | Son Of Sardar
Amour (12A)
(Michael Haneke, 2012, Aus/Fra/Ger) Jean-Louis Trintignant, Emmanuelle Riva, 127 mins
Most romantic stories are beginnings; this is the endgame – the "till death us do part", as experienced by a cultured, elderly French couple after the wife's stroke. Call it a last slow dance in Paris. Watching body, mind and possibly love slowly diminish in their claustrophobic apartment, Haneke's gaze is stately and unflinching. However, there's also a slight remove, making this less emotional than you'd expect but rich in deeper themes.
The Twilight Saga: Breaking Dawn – Part 2 (12A)
(Bill Condon, 2012, Us) Robert Pattinson, Kristen Stewart, Taylor Lautner. 115 mins
The love/hate teenage supernatural saga comes to a spectacular/preposterous climax, for better or worse. Bella's enjoyment of her newfound vampire skills is dented...
Amour (12A)
(Michael Haneke, 2012, Aus/Fra/Ger) Jean-Louis Trintignant, Emmanuelle Riva, 127 mins
Most romantic stories are beginnings; this is the endgame – the "till death us do part", as experienced by a cultured, elderly French couple after the wife's stroke. Call it a last slow dance in Paris. Watching body, mind and possibly love slowly diminish in their claustrophobic apartment, Haneke's gaze is stately and unflinching. However, there's also a slight remove, making this less emotional than you'd expect but rich in deeper themes.
The Twilight Saga: Breaking Dawn – Part 2 (12A)
(Bill Condon, 2012, Us) Robert Pattinson, Kristen Stewart, Taylor Lautner. 115 mins
The love/hate teenage supernatural saga comes to a spectacular/preposterous climax, for better or worse. Bella's enjoyment of her newfound vampire skills is dented...
- 11/17/2012
- by Steve Rose
- The Guardian - Film News
Cinema Komunisto casts light on cinematic life in communist Yugoslavia. It's a revealing study, says John Patterson
The oddest thing about Cinema Komunisto, Mira Turajlik's fascinating history of Yugoslavian cinema between the second world War and the death of Josip Tito, is the degree to which those who lived through his reign still venerate, indeed adore their late dictator. Perhaps this is unsurprising: Tito's 35 years in power now seem like a golden plateau of peace between two hellish abysses of exterminatory inter-ethnic chauvinism.
Yugoslavia broke early with Stalin and thereafter remained "unaligned", presenting a Janus-face to east and west, a hybrid "communist paradise" in which a wholesale cult of Tito's personality and a cinema of nationalist propaganda sat cheek by jowl with imported Hollywood movies and western holiday-makers splashing happily in the Adriatic. Tito's totalitarianism wasn't altogether Total.
Tito loved the movies, especially westerns, according to his devoted projectionist, interviewed here.
The oddest thing about Cinema Komunisto, Mira Turajlik's fascinating history of Yugoslavian cinema between the second world War and the death of Josip Tito, is the degree to which those who lived through his reign still venerate, indeed adore their late dictator. Perhaps this is unsurprising: Tito's 35 years in power now seem like a golden plateau of peace between two hellish abysses of exterminatory inter-ethnic chauvinism.
Yugoslavia broke early with Stalin and thereafter remained "unaligned", presenting a Janus-face to east and west, a hybrid "communist paradise" in which a wholesale cult of Tito's personality and a cinema of nationalist propaganda sat cheek by jowl with imported Hollywood movies and western holiday-makers splashing happily in the Adriatic. Tito's totalitarianism wasn't altogether Total.
Tito loved the movies, especially westerns, according to his devoted projectionist, interviewed here.
- 11/17/2012
- by John Patterson
- The Guardian - Film News
Catch up with the last seven days in the world of film
The big story
Skyfall? What's that? We've forgotten already. On the general theory that there's only room in people's brains for one blockbuster at a time, the all-consuming hots for 007 has suddenly vanished, to be replaced by a voracious yearning for all things Twilight. You may just have noticed, but the final segment of the vampire teen fantasy – elegantly styled The Twilight Saga: Breaking Dawn – Part 2 – is shortly to be with us, and it's literally impossible to escape. Mark Kermode stoked the fires in the Observer on Sunday, by coming out as a Twilight-preferer, a world premiere in Los Angeles fanned the flames on Monday, and by Wednesday all hell broke loose when Peter Bradshaw's review finally hit the street. It was all followed up by the UK premiere; but we certainly havn't heard the last of it.
The big story
Skyfall? What's that? We've forgotten already. On the general theory that there's only room in people's brains for one blockbuster at a time, the all-consuming hots for 007 has suddenly vanished, to be replaced by a voracious yearning for all things Twilight. You may just have noticed, but the final segment of the vampire teen fantasy – elegantly styled The Twilight Saga: Breaking Dawn – Part 2 – is shortly to be with us, and it's literally impossible to escape. Mark Kermode stoked the fires in the Observer on Sunday, by coming out as a Twilight-preferer, a world premiere in Los Angeles fanned the flames on Monday, and by Wednesday all hell broke loose when Peter Bradshaw's review finally hit the street. It was all followed up by the UK premiere; but we certainly havn't heard the last of it.
- 11/15/2012
- The Guardian - Film News
Tomorrow evening at 92Y Tribeca, Not Coming to a Theater Near You will present Philippe Garrel's J'entends plus la guitare (1991), reason enough for Leo Goldsmith to look back on Garrel and Nico's ten-year romantic and artistic relationship, which produced "only about a half-dozen films, some threadbare Warholian portraits, shot without sound and on old film stock, others mythopoeic allegories of creation, destruction, and revolution, shot in exotic locales from Iceland to Morocco." It "was this young Garrel who first captivated French cinephiles like Henri Langlois, who hailed Garrel's 1972 film La Cicatrice intérieure as a masterpiece, and Gilles Deleuze who, in 1985, praised Garrel's 'cinema of revelation' in his second Cinema book. Deleuze's reading of Garrel, derived almost entirely from the 60s and 70s films, describes a 'liturgy of bodies,' a devotional, if not exactly pious cinema. For the young Garrel, cinema serves as a vehicle for prophecy and vision,...
- 2/8/2012
- MUBI
Chicago – The 2011 47th Annual Chicago International Film Festival and Michael Kutza, Founder and Artistic Director, announced the competition award winners at a ceremony in the new Public Chicago Hotel on October 14th. The Gold Hugo for Best Film went to “Le Havre,” from France.
Kutza made the announcements along with Mimi Plauché, Head of Programming, Programmers Lee Ferdinand and Penny Bartlett, plus Competitions Coordinator Alex Kopecky. The Public Chicago is the former Ambassador East Hotel, redesigned by hotelier Ian Schrager, and recently had its grand opening. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery. An additional awards category in 2011 is the “After Dark Competition,” honoring the scary films from around the world.
International Feature Film Competition
’Le Havre’
Photo Credit: © Chicago International Film Festival
The Gold Hugo for Best Film: “Le Havre” (Finland/France), directed by Aki Kaurismaki
The Silver Hugo: “Cairo...
Kutza made the announcements along with Mimi Plauché, Head of Programming, Programmers Lee Ferdinand and Penny Bartlett, plus Competitions Coordinator Alex Kopecky. The Public Chicago is the former Ambassador East Hotel, redesigned by hotelier Ian Schrager, and recently had its grand opening. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery. An additional awards category in 2011 is the “After Dark Competition,” honoring the scary films from around the world.
International Feature Film Competition
’Le Havre’
Photo Credit: © Chicago International Film Festival
The Gold Hugo for Best Film: “Le Havre” (Finland/France), directed by Aki Kaurismaki
The Silver Hugo: “Cairo...
- 10/16/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Created to celebrate the contributions that female writers and directors continue to make to film around the world, the REELwomen program at the 47th Chicago International Film Festival will introduce Chicago audiences to the works of first-time women filmmakers and documentarians.
More than half of the documentaries featured in this year.s Docufest competition are directed by women, most of them focusing on the arts. First-time filmmakers like Yasemin Samderelli, Alice Rohrwacher and Julia Leigh explore issues of identity – whether national or sexual – while others, like Susan Jacobson are staking a claim on genre films. The program also welcomes the return of Festival alumni filmmakers Mia Hansen-Løve and Lynne Ramsay.
All Me: The Life and Times of Winfred Rembert USA (Director: Vivian Ducat) . If there was ever a case for designating a person a National Treasure, Winfred Rembert is that person. Though he lived through segregation and the civil rights era in the Deep South,...
More than half of the documentaries featured in this year.s Docufest competition are directed by women, most of them focusing on the arts. First-time filmmakers like Yasemin Samderelli, Alice Rohrwacher and Julia Leigh explore issues of identity – whether national or sexual – while others, like Susan Jacobson are staking a claim on genre films. The program also welcomes the return of Festival alumni filmmakers Mia Hansen-Løve and Lynne Ramsay.
All Me: The Life and Times of Winfred Rembert USA (Director: Vivian Ducat) . If there was ever a case for designating a person a National Treasure, Winfred Rembert is that person. Though he lived through segregation and the civil rights era in the Deep South,...
- 10/11/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Three Tribeca documentary directors talked about their writing process at Monday's Tribeca Talks: Pen to Paper panel at the Barnes and Noble Union Square. As moviegoers, many of us are familiar with the pen-to-screen process of a fictional narrative. Without an empty seat to spare, today's Tribeca Talks: Pen To Paper series, hosted by Barnes and Noble, opened the door for audiences to peer into the arduous world of documentary filmmaking. The panel included documentary filmmakers David Gelb, director of Jiro Dreams of Sushi; Maria Ramström, director of Love Always, Carolyn; and Mila Turajlic, director of Cinema Komunisto. The members of the panel came from all walks of life - and their films were equally as diverse - yet their processes were remarkably similar. The seeds of these films appear surprisingly simple. A one-page synopsis designed to garnish investment support begins the ball rolling. What happens next is uncontrollable. Unbelievable...
- 4/26/2011
- TribecaFilm.com
By Sam Weisberg - April 23, 2011
“Cinema Komunisto” is an exquisitely detailed, heartfelt look at the former Soviet Federal Republic of Yugoslavia’s thriving yet little-known film industry, circa post-wwii to 1980. Josip Broz Tito, the celebrated war hero, Prime Minister and eventually president-for-life during this time period, was a lover of grand-scale Hollywood films, which began to be shown in Yugoslavia after the country’s break from Stalin’s Eastern Bloc, and in turn Soviet influence, in the late 1940s.
Armed with newfound independence and chutzpah, Tito—who screened at least one movie a day, privately, for the next thirty-two years of his life—decided to make Yugoslavia a cinematic empire. The state-financed Avala Film studios would go on to produce ‘partisan films,’ insanely self-aggrandizing war movies that depicted Yugoslavia as an unstoppable, Nazi and Soviet-defeating force. (“A lot of these movies were absolutely terrible,” the actor Bata Zivojinovic admits; “I...
“Cinema Komunisto” is an exquisitely detailed, heartfelt look at the former Soviet Federal Republic of Yugoslavia’s thriving yet little-known film industry, circa post-wwii to 1980. Josip Broz Tito, the celebrated war hero, Prime Minister and eventually president-for-life during this time period, was a lover of grand-scale Hollywood films, which began to be shown in Yugoslavia after the country’s break from Stalin’s Eastern Bloc, and in turn Soviet influence, in the late 1940s.
Armed with newfound independence and chutzpah, Tito—who screened at least one movie a day, privately, for the next thirty-two years of his life—decided to make Yugoslavia a cinematic empire. The state-financed Avala Film studios would go on to produce ‘partisan films,’ insanely self-aggrandizing war movies that depicted Yugoslavia as an unstoppable, Nazi and Soviet-defeating force. (“A lot of these movies were absolutely terrible,” the actor Bata Zivojinovic admits; “I...
- 4/23/2011
- by Screen Comment
- Screen Comment
Mila Turajlic has carved herself into an interesting corner for her first feature documentary. In a statement she made about the film she asks, "How does a country choose the story to tell about itself?" It's a good question, and one the press materials keep regurgitating in different ways. One then might expect a serious, astute and dissecting doc on the cultural and political landscape that was Yugoslavia. But what Cinema Komunisto ends up being is something else entirely. Enlivened with a bright, bubbly spirit the film is a nostalgic love letter to, and chronicle of, a country that only existed on film. Enter Yugoslavia, 1947: The birth of a new nation under the rule of heroic Communist legend now Marshal Josep Broz Tito. With...
- 4/20/2011
- Screen Anarchy
Tribeca: Tell us a little about Cinema Komunisto, in your own words. Mila Turajlic: Cinema Komunisto is a trip through the fiction and reality of a country that no longer exists, and may never have existed, except in movies. Using films and the stories behind-the-scenes to reconstruct the rise and fall of Yugoslavia, it takes you through the silver screen into the time of communist Yugoslavia. Under President Tito, who was a huge film lover, the film industry was given the task of creating a narrative for a new country, and they did it in the most megalomaniacal way - creating one of the largest film studios in Europe, bringing stars like Orson Welles and Sophia Loren to star in the films, and in one case even destroying a real bridge to re-create a famous episode from the war. Through the stories of Tito's personal projectionist, who showed him...
- 4/4/2011
- TribecaFilm.com
Tribeca Film Festival has announced the line up of this years competition categories, including World Narrative Feature, World Documentary Feature, and the brand new Viewpoints which highlights eleven independent features and nine documentaries.
Tribeca Film Festival is one of leading film festivals located in New York City, showcasing many films not screened in any other U.S. film festival along with forty three world premieres and fifty four directorial debuts. Cameron Crowe’s premier of his concert documentary, The Union, will start the festival followed by a performance by Elton John. The rest of the lineup will be announced March 14th, and look out for coverage of the festival in April. Below you can find the complete press release on the lineup.
10th Tribeca Film Festival Announces World Narrative
And Documentary Competition Selections, And New Viewpoints Section
Tribeca Expands Awards Scope
2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May...
Tribeca Film Festival is one of leading film festivals located in New York City, showcasing many films not screened in any other U.S. film festival along with forty three world premieres and fifty four directorial debuts. Cameron Crowe’s premier of his concert documentary, The Union, will start the festival followed by a performance by Elton John. The rest of the lineup will be announced March 14th, and look out for coverage of the festival in April. Below you can find the complete press release on the lineup.
10th Tribeca Film Festival Announces World Narrative
And Documentary Competition Selections, And New Viewpoints Section
Tribeca Expands Awards Scope
2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May...
- 3/9/2011
- by Christopher Clemente
- SoundOnSight
By Sean O’Connell
Hollywoodnews.com: The 2011 Tribeca Film Festival revealed the World Narrative and Documentary Competition film selections for the 10th annual Tff, which will be held April 20 to May 1 in lower Manhattan.
In addition, Tff organizers unveiled the first edition of the new section — Viewpoints.
Forty-four of the 88 feature-length films that will screen during the fest have been announced. Much more information on each title can be found below.
“It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” said Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.”
So what will screen at Tribeca this year? In part, the following:
World Narrative Feature Competition
· Angels Crest, directed by Gaby Dellal, written by Catherine Trieschmann. (UK, Canada) – World Premiere.
Hollywoodnews.com: The 2011 Tribeca Film Festival revealed the World Narrative and Documentary Competition film selections for the 10th annual Tff, which will be held April 20 to May 1 in lower Manhattan.
In addition, Tff organizers unveiled the first edition of the new section — Viewpoints.
Forty-four of the 88 feature-length films that will screen during the fest have been announced. Much more information on each title can be found below.
“It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” said Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.”
So what will screen at Tribeca this year? In part, the following:
World Narrative Feature Competition
· Angels Crest, directed by Gaby Dellal, written by Catherine Trieschmann. (UK, Canada) – World Premiere.
- 3/7/2011
- by Sean O'Connell
- Hollywoodnews.com
And the festival beat marches on… nothing on this list immediately jumps out at me… no titles I recognize. These are just the World Narrative and Documentary competition selections, so, there’ll be more announcements made later. I do see representation from South Africa, Egypt and Rwanda. As I always do, I’ll be taking a closer look at the lineup for any titles worth profiling on this website. The festival runs from April 20th to May 1st. It’s in my backyard, so you know I’ll be covering it!
For now, here’s the full press release:
New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (Tff), presented by American Express®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-three of the 87 feature-length films were announced. The 10th edition of the Festival will take place from April 20 to May 1 in lower Manhattan.
For now, here’s the full press release:
New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (Tff), presented by American Express®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-three of the 87 feature-length films were announced. The 10th edition of the Festival will take place from April 20 to May 1 in lower Manhattan.
- 3/7/2011
- by Tambay
- ShadowAndAct
The Tribeca Film Festival announced selections for its World Narrative, World Documentary, and Viewpoints competitions at its 10th annual event, running from April 20 to May 1 in New York. Eighty-eight features (such as Angels Crest, with Jeremy Piven) and 61 short films from 32 different countries were selected from more than 5,600 submissions to screen at the festival. “In programming the Festival this year we had to make some incredibly difficult decisions, but we are excited about the quality, ingenuity, risk-taking and diversity of this year’s program,” David Kwok, Director of Programming, said in a statement. “We are particularly proud that we have...
- 3/7/2011
- by Jeff Labrecque
- EW - Inside Movies
Getty Robert DeNiro
The 2011 Tribeca Film Festival, which will run from April 20 to May 1 in lower Manhattan, has announced the films that will play in this year’s World Narrative and Documentary Competition film categories, which are both competition sections. The also named the films that will will play in its new, out-of-competition section “Viewpoints.”
Now in its tenth year, this year’s festival features movies from 32 different counties and 99 different filmmakers, who were selected from a pool of 5,624 entries.
The 2011 Tribeca Film Festival, which will run from April 20 to May 1 in lower Manhattan, has announced the films that will play in this year’s World Narrative and Documentary Competition film categories, which are both competition sections. The also named the films that will will play in its new, out-of-competition section “Viewpoints.”
Now in its tenth year, this year’s festival features movies from 32 different counties and 99 different filmmakers, who were selected from a pool of 5,624 entries.
- 3/7/2011
- by WSJ Staff
- Speakeasy/Wall Street Journal
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