Having received a rapturous reception a week earlier in Cannes George Miller’s “Furiosa: A Mad Max Saga” grabbed a more muted win at the South Korean box office.
“Furiosa” opened with $3.35 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 39.5% share of the weekend’s total cinema-going market.
The film opened in Korea on Wednesday and topped the daily chart for each of its five days on release. Its cumulative total at the end of its five-day opening period was a solid, but unremarkable, $4.38 million, earned from 564,000 admissions.
The weekend box office total weighed in at $8.48 million, which is close to the median so far this year.
Set in a post-apocalyptic world before the events of “Fury Road,” “Furiosa” stars Anya Taylor-Joy, taking over in the title role from Charlize Theron. Early in the film,...
“Furiosa” opened with $3.35 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 39.5% share of the weekend’s total cinema-going market.
The film opened in Korea on Wednesday and topped the daily chart for each of its five days on release. Its cumulative total at the end of its five-day opening period was a solid, but unremarkable, $4.38 million, earned from 564,000 admissions.
The weekend box office total weighed in at $8.48 million, which is close to the median so far this year.
Set in a post-apocalyptic world before the events of “Fury Road,” “Furiosa” stars Anya Taylor-Joy, taking over in the title role from Charlize Theron. Early in the film,...
- 5/27/2024
- by Patrick Frater
- Variety Film + TV
Local blockbuster, “The Roundup: Punishment” extended its dominance of the South Korea theatrical box office for a fourth weekend. That lifted its cumulative total to a powerful $75 million.
“Punishment,” the fourth part of a brutal action comedy film franchise produced by and starring Don Lee (aka Ma Dong-seok), earned $3.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). While the film’s week-on-week performance was a 46% decrease, “Punishment” still enjoyed a 36% share of the Korean theatrical market.
After nearly four weeks on release, it has accumulated a total of $75.2 million from 10.7 million admissions. The year’s biggest title to date remains “Exhuma” with $84.8 million earned from 11.9 million ticket sales.
Those two films have dominated proceedings at the Korean box office this year and helped Korea stage a belated recovery in theatrical trends. Both March and April were recent records.
“Punishment,” the fourth part of a brutal action comedy film franchise produced by and starring Don Lee (aka Ma Dong-seok), earned $3.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). While the film’s week-on-week performance was a 46% decrease, “Punishment” still enjoyed a 36% share of the Korean theatrical market.
After nearly four weeks on release, it has accumulated a total of $75.2 million from 10.7 million admissions. The year’s biggest title to date remains “Exhuma” with $84.8 million earned from 11.9 million ticket sales.
Those two films have dominated proceedings at the Korean box office this year and helped Korea stage a belated recovery in theatrical trends. Both March and April were recent records.
- 5/20/2024
- by Patrick Frater
- Variety Film + TV
“Kingdom of the Planet of the Apes” opened in second place at the South Korean weekend box office, a distance behind local holdover title “The Roundup: Punishment.”
“Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). Its earnings represented a still strong 58% share of the weekend theatrical market, but they were also down by 60% week-on-week, suggesting that “Punishment” may not reach the heights of the previous franchise elements.
In 2022, “The Roundup” earned $95.7 million (using current rates of currency exchange), while last year “The Roundup: No Way Out” earned $76.3 million.
“Kingdom of the Planet of the Apes” recorded $2.45 million between Friday and Sunday with a 26% market share. Over its full five-day opening in Korea, the film earned $3.10 million from 415,000 ticket sales.
“Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). Its earnings represented a still strong 58% share of the weekend theatrical market, but they were also down by 60% week-on-week, suggesting that “Punishment” may not reach the heights of the previous franchise elements.
In 2022, “The Roundup” earned $95.7 million (using current rates of currency exchange), while last year “The Roundup: No Way Out” earned $76.3 million.
“Kingdom of the Planet of the Apes” recorded $2.45 million between Friday and Sunday with a 26% market share. Over its full five-day opening in Korea, the film earned $3.10 million from 415,000 ticket sales.
- 5/13/2024
- by Patrick Frater
- Variety Film + TV
‘Kung Fu Panda 4’ retained its lead at the top of the South Korean box office on what was the quietest cinema-going weekend in more than a year.
The animated franchise movie held up reasonably. It maintained a nearly 44% market share, dropped only 32% week-on-week and was untroubled by competition from new releases. The film earned $1.91 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After 12 days on release, “Kung Fu Panda 4” has a cumulative total of $8.48 million.
“Exhuma,” which had held the top spot for six weeks before losing it a week ago, remained in second spot. It earned $772,000 with a nearly 18% market share. Since releasing on Feb. 22, it has amassed a cumulative $82.7 million, earned from 11.8 million spectators.
While the top two films showed endurance, the overall box office market looked sickly. Across the nation’s roughly 2,500 cinemas,...
The animated franchise movie held up reasonably. It maintained a nearly 44% market share, dropped only 32% week-on-week and was untroubled by competition from new releases. The film earned $1.91 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After 12 days on release, “Kung Fu Panda 4” has a cumulative total of $8.48 million.
“Exhuma,” which had held the top spot for six weeks before losing it a week ago, remained in second spot. It earned $772,000 with a nearly 18% market share. Since releasing on Feb. 22, it has amassed a cumulative $82.7 million, earned from 11.8 million spectators.
While the top two films showed endurance, the overall box office market looked sickly. Across the nation’s roughly 2,500 cinemas,...
- 4/22/2024
- by Patrick Frater
- Variety Film + TV
“Kung Fu Panda 4” took top spot at the South Korean box office becoming the film that finally pushed aside local champion “Exhuma,” which had dominated for seven consecutive weeks.
But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year.
“Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total.
“Exhuma” slipped to second place in its eight weekend of release. It earned $938,000 for a cumulative of $81.2 million since releasing on Feb. 22. Its cumulative total is more than three times the score of the next highest ranked film “Wonka,” with $24.5 million.
“The Last 10 Years,” a Japanese romance film which first played in Korea in May 2023, climbed to third place on its second weekend...
But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year.
“Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total.
“Exhuma” slipped to second place in its eight weekend of release. It earned $938,000 for a cumulative of $81.2 million since releasing on Feb. 22. Its cumulative total is more than three times the score of the next highest ranked film “Wonka,” with $24.5 million.
“The Last 10 Years,” a Japanese romance film which first played in Korea in May 2023, climbed to third place on its second weekend...
- 4/15/2024
- by Patrick Frater
- Variety Film + TV
Without significant new challengers, spooky Korean drama “Exhuma” held on at the top of the South Korea box office chart for the seventh consecutive weekend. Its cumulative passed the symbolic $80 million mark.
The lack of strong new release titles also meant that aggregate weekend box office in Korea slipped to a lowly $5.59 million.
The Choi Min-sik-starring “Exhuma” dropped roughly 50% week-on-week to record $1.59 million between Friday and Sunday, and a 28% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That gives it a cumulative total of $80.8 million, earned from 11.3 million spectators.
“Troll Factory,” a crime drama about a journalist’s investigation of an online scam, has received mixed reviews, but held on the second position in its second weekend of release. It earned $1 million between Friday and Sunday and has a two-week cumulative of $5.57 million.
“Godzilla x Kong: The New Empire,” which...
The lack of strong new release titles also meant that aggregate weekend box office in Korea slipped to a lowly $5.59 million.
The Choi Min-sik-starring “Exhuma” dropped roughly 50% week-on-week to record $1.59 million between Friday and Sunday, and a 28% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That gives it a cumulative total of $80.8 million, earned from 11.3 million spectators.
“Troll Factory,” a crime drama about a journalist’s investigation of an online scam, has received mixed reviews, but held on the second position in its second weekend of release. It earned $1 million between Friday and Sunday and has a two-week cumulative of $5.57 million.
“Godzilla x Kong: The New Empire,” which...
- 4/8/2024
- by Patrick Frater
- Variety Film + TV
Romantic drama 18x2 Beyond Youthful Days by acclaimed Japanese director Michihito Fujii has been sold to a raft of Asian distributors by sales firm Happinet Phantom Studios.
The upcoming feature has been acquired for South Korea (Media Castle), Hong Kong (Golden Scene) and Southeast Asia territories (Purple Plan) as well as for in-flight (Emphasis Video).
The romance is set for release in Taiwan on March 14 through Activator Marketing Company and in Japan on May 3 through Happinet, which will also be speaking to buyers about the feature at the European Film Market (EFM) in Berlin this month.
The cast is led by Hsu Kuang-han,...
The upcoming feature has been acquired for South Korea (Media Castle), Hong Kong (Golden Scene) and Southeast Asia territories (Purple Plan) as well as for in-flight (Emphasis Video).
The romance is set for release in Taiwan on March 14 through Activator Marketing Company and in Japan on May 3 through Happinet, which will also be speaking to buyers about the feature at the European Film Market (EFM) in Berlin this month.
The cast is led by Hsu Kuang-han,...
- 2/14/2024
- ScreenDaily
Netflix added another title to its rapidly expanding Japan live-action originals slate Wednesday with the announcement of the romantic drama series Beyond Goodbye.
The series is an original story by prolific Japanese screenwriter Yoshikazu Okada (Bl Metamorphosis, The Last 10 Years). It co-stars Kasumi Arimura, known for the Japanese blockbuster We Made a Beautiful Bouquet and the Netflix feature Call Me Chihiro, and Kentaro Sakaguchi, a TV drama regular and recent star of the feature drama success The Last 10 Years (2022).
The film tells the story of Saeko (Arimura), who suddenly loses her fiance Yusuke in a tragic traffic accident. As she tries to overcome her grief, she meets Naruse (Sakaguchi), a man who strangely reminds her of Yusuke. Little does she know that Naruse had received Yusuke’s heart a few months prior to their encounter — a heart still in love and holding all the memories of Yusuke and Saeko’s relationship.
The series is an original story by prolific Japanese screenwriter Yoshikazu Okada (Bl Metamorphosis, The Last 10 Years). It co-stars Kasumi Arimura, known for the Japanese blockbuster We Made a Beautiful Bouquet and the Netflix feature Call Me Chihiro, and Kentaro Sakaguchi, a TV drama regular and recent star of the feature drama success The Last 10 Years (2022).
The film tells the story of Saeko (Arimura), who suddenly loses her fiance Yusuke in a tragic traffic accident. As she tries to overcome her grief, she meets Naruse (Sakaguchi), a man who strangely reminds her of Yusuke. Little does she know that Naruse had received Yusuke’s heart a few months prior to their encounter — a heart still in love and holding all the memories of Yusuke and Saeko’s relationship.
- 9/13/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
South Korean box office held strong over the weekend, with “Fast X” enjoying a second lap at the head of the field, followed by a growing chasing pack.
“Fast X” earned $3.12 million between Friday and Sunday in Korea, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That was a 38% decline compared with its opening weekend, but pumped the film’s total to a speedy $11.4 million after 12 days.
Three other titles jostled for position ahead of Monday’s Buddha’s Birthday public holiday and delivered multi-million-dollar performances.
“The Roundup: No Way Out” took second place with $2.44 million from previews ahead of its official release on May 31. The film is the third part of the Ma Dong-seok-led comedy-crime-action action franchise that first launched in 2017 with “The Outlaws” and then revived the summer box office last year with a blockbuster second instalment “The Roundup.
“Fast X” earned $3.12 million between Friday and Sunday in Korea, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That was a 38% decline compared with its opening weekend, but pumped the film’s total to a speedy $11.4 million after 12 days.
Three other titles jostled for position ahead of Monday’s Buddha’s Birthday public holiday and delivered multi-million-dollar performances.
“The Roundup: No Way Out” took second place with $2.44 million from previews ahead of its official release on May 31. The film is the third part of the Ma Dong-seok-led comedy-crime-action action franchise that first launched in 2017 with “The Outlaws” and then revived the summer box office last year with a blockbuster second instalment “The Roundup.
- 5/29/2023
- by Patrick Frater
- Variety Film + TV
The 18th edition of the Osaka Asian Film Festival (Oaff 2023) will close with “Side by Side”, the second feature film from veteran screenwriter Ito Chihiro.
After a career of writing hit films like “Crying Out Love in the Center of the World”, Ito Chihiro makes her second film as director, “Side by Side”, a drama with a magical realist twist that follows a young man who can sense the thoughts of other people. Produced by award-winning director Yukisada Isao, it features leading star Sakaguchi Kentaro, together with an excellent cast that includes Saito Asuka, Asaka Kodai, Isomura Ameri, and Ichikawa Mikako.
Story
Miyama (Sakaguchi Kentaro) is a mysterious young man with the ability to sense the thoughts of other people. These thoughts sometimes take the form of a spirit that haunts Miyama. With this power, he can detect and heal people suffering from physical ailments and emotional traumas. He does...
After a career of writing hit films like “Crying Out Love in the Center of the World”, Ito Chihiro makes her second film as director, “Side by Side”, a drama with a magical realist twist that follows a young man who can sense the thoughts of other people. Produced by award-winning director Yukisada Isao, it features leading star Sakaguchi Kentaro, together with an excellent cast that includes Saito Asuka, Asaka Kodai, Isomura Ameri, and Ichikawa Mikako.
Story
Miyama (Sakaguchi Kentaro) is a mysterious young man with the ability to sense the thoughts of other people. These thoughts sometimes take the form of a spirit that haunts Miyama. With this power, he can detect and heal people suffering from physical ailments and emotional traumas. He does...
- 2/9/2023
- by Suzie Cho
- AsianMoviePulse
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