No Highway in the Sky
Blu-ray
Kl Studio Classics
1951 / B&W / 1:37 flat Academy / 99 min. / Street Date February 7, 2017 / available through Kino Lorber / 29.95
Starring : James Stewart, Marlene Dietrich, Glynis Johns, Jack Hawkins, Janette Scott, Niall MacGinnis, Kenneth More, Ronald Squire, Elizabeth Allan, Jill Clifford, Felix Aylmer, Dora Bryan, Maurice Denham, Wilfrid Hyde-White, Bessie Love, Karel Stepanek.
Cinematography: Georges Périnal
Film Editor: Manuel del Campo
Original Music: Malcolm Arnold
Written by: R.C. Sherriff, Oscar Millard, Alec Coppel from the novel by Nevil Shute
Produced by: Louis D. Lighton
Directed by Henry Koster
A few years back, whenever a desired title came up on list for a Fox, Columbia or Warners’ Mod (made-on-demand) DVD, my first reaction was disappointment: we really want to see our favorites released in the better disc format, Blu-ray. But things have changed. As Mod announcements thin out, we have seen an explosion of library titles remastered in HD.
Blu-ray
Kl Studio Classics
1951 / B&W / 1:37 flat Academy / 99 min. / Street Date February 7, 2017 / available through Kino Lorber / 29.95
Starring : James Stewart, Marlene Dietrich, Glynis Johns, Jack Hawkins, Janette Scott, Niall MacGinnis, Kenneth More, Ronald Squire, Elizabeth Allan, Jill Clifford, Felix Aylmer, Dora Bryan, Maurice Denham, Wilfrid Hyde-White, Bessie Love, Karel Stepanek.
Cinematography: Georges Périnal
Film Editor: Manuel del Campo
Original Music: Malcolm Arnold
Written by: R.C. Sherriff, Oscar Millard, Alec Coppel from the novel by Nevil Shute
Produced by: Louis D. Lighton
Directed by Henry Koster
A few years back, whenever a desired title came up on list for a Fox, Columbia or Warners’ Mod (made-on-demand) DVD, my first reaction was disappointment: we really want to see our favorites released in the better disc format, Blu-ray. But things have changed. As Mod announcements thin out, we have seen an explosion of library titles remastered in HD.
- 1/21/2017
- by Glenn Erickson
- Trailers from Hell
It has won over critics but this tasteless film teaches us nothing and merely indulges the unrepentant butchers of Indonesia
The Act of Killing won the documentary prize at the Baftas last week and is the favourite to win the much-coveted Oscar. I watch many documentaries on behalf of the BBC each year and I go to festivals. I'm a doc obsessive. By my own, not quite reliable reckoning, I've been asked by fans to show The Act of Killing on the BBC at least five times. I've never encountered a film greeted by such extreme responses – both those who say it is among the best films and those who tell me how much they hate it. Much about the film puzzles me. I am still surprised by the fact that so many critics listed it among their favourite films of last year.
For those who haven't seen the film,...
The Act of Killing won the documentary prize at the Baftas last week and is the favourite to win the much-coveted Oscar. I watch many documentaries on behalf of the BBC each year and I go to festivals. I'm a doc obsessive. By my own, not quite reliable reckoning, I've been asked by fans to show The Act of Killing on the BBC at least five times. I've never encountered a film greeted by such extreme responses – both those who say it is among the best films and those who tell me how much they hate it. Much about the film puzzles me. I am still surprised by the fact that so many critics listed it among their favourite films of last year.
For those who haven't seen the film,...
- 2/23/2014
- by Nick Fraser
- The Guardian - Film News
The winners of the 3rd Annual Cinema Tropical Awards were announced at a special event at the New York Times headquarters in New York City,celebrating the best of the Latin American film production of the year in five different categories:
- Best Feature Film
- Best Documentary Film
- Best Director, Feature Film
- Best Director, Documentary Film
- Best First Film
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times and 92YTribeca, with the support of the Mexican Cultural Institute. Special thanks to Lucila Moctezuma and Mario Díaz.
Best Feature Film
- O Som Ao Redor / Neighboring Sounds (Kleber Mendonça Filho, Brazil, 2012)
Best Director, Feature Film
- MatÍAs Meyer, Los ÚLtimos Cristeros / The Last Christeros (Mexico, 2011)
Best Documentary Film
- El Salvavidas / The Lifeguard (Maite Alberdi, Chile, 2011)
Best Director, Documentary Film
- JosÉ ÁLvarez, CanÍCula (Mexico, 2011)
Best First Film
- El Estudiante / The Student (Santiago Mitre, Argentina, 2011)
The films were selected from a list of Latin American feature films with a minimum of 60 minutes in length that were premiered between April 1, 2011 and March 31, 2012. The winners and final nominees were selected by a six-member jury panel from a list of fiction and documentary films compiled from the selections of a nominating committee composed of 14 film professionals from Latin America, the U.S. and Europe (see list below).
Fiction Jury
Dennis Lim writes about film and popular culture for various publications including The New York Times and the Los Angeles Times. He is the founding editor of Moving Image Source, the online publication and research resource of the Museum of the Moving Image and was formerly the film editor of The Village Voice. His work has also appeared in The Believer, The Oxford American, Blender, Spin, Espous, Indiewire, New York Daily News, The Independent on Sunday, The Guardian, and the film quarterly Cinema Scope, where he is a contributing editor. A member of the National Society of Film Critics and the editor of The Village Voice Film Guide (2006), he has served as a member of the New York Film Festival selection committee and he teaches in the Cultural Reporting and Criticism graduate program a New York University.
Matías Piñeiro is a filmmaker and professor at the Universidad del Cine in Buenos Aires. His first feature-length work, El hombre robado / The Stolen Man (2007), won awards at the Jeonju International Film Festival and at Las Palmas de Gran Canaria International Film Festival. In 2009, his second feature, Todos mienten / They All Lie, premiered at Bafici (Buenos Aires Festival International de Cine Independiente), where it won two awards. It also won a prize at the Santiago Festival Internacional de Cine. In 2010, he was selected—along with James Benning and Denis Côté—to screen his third film, Rosalinda at the 11th Jeonju Digital Project. Piñeiro recently premiered his most recent film, Viola, at the Toronto Film Festival, and it's slated for a Us release in 2013. He earned a filmmaking degree from Universidad del Cine. His award-winning films have been screened around the world, including at Anthology Film Archives, Festival des 3 Continents, the Festival del film Locarno, the London Film Festival, Museo de Arte Latinoamericano de Buenos Aires, the Museum of Modern Art, Rencontré Cinémas d’Amerique Latine de Toulouse, and the Viennale.
Frida Torresblanco served as a producer in Spain working on film including The Dancer Upstairs, directed by John Malkovich and starring Javier Bardem, as well as Susan Seidelman’s Gaudi Afternoon. She moved to New York City in 2002 to launch and lead Alfonso Cuaron’s film production company, Esperanto, where she served as Executive Producer and Creative On-Set Producer for The Assassination of Richard Nixon (directed by Niels Mueller, starring Sean Penn), among others. In 2006, Frida joined Alfonso Cuarón and Guillermo del Toro to produce El laberinto del Fauno / Pan’s Labyrinth (Three Oscars & another three Oscar nominations; three wins & five BAFTA nominations; a nomination for the Palm d’Or and a Golden Globe). The Hollywood Reporter named Frida one of the 50 most powerful Latinos in Hollywood. She also produced Rudo y Cursi (directed by Carlos Cuarón, starring Gael García Bernal and Diego Luna). In 2010, Frida launched her new film production company, Braven Films, with partners Eric Laufer and Giovanna Randall. Her next project, Magic Magic, produced through Braven Films, will star Michael Cera, Juno Temple and Emily Browning.
DocuMentary Jury
Ryan Harrington is the Director of Documentary Programs at the Tribeca Film Institute where he oversees the Gucci Tribeca Documentary Fund, the Tfi Documentary Fund, Tribeca All Access documentary program and the Latin America Media Arts Fund while developing other initiatives and programs that support non-fiction filmmaking. Recent Tfi successes include Give Up Tomorrow, If a Tree Falls, The Redemption of General Butt Naked, The Oath, Enemies of the People, Marathon Boy and Donor Unknown. Independently he is currently working on the feature doc Hungry in America, with filmmakers Kristi Jacobson & Lori Silverbush and Participant Media, that explores why so many people in the USA go without food, and what can be done about it. Harrington managed production for A&E IndieFilms, the theatrical documentary arm of the A&E Network, for four years. Throughout his time there he championed the Oscar-nominated films Murderball and Jesus Camp, and the Sundance hits My Kid Could Paint That and American Teen.
Paula Heredia is a director and editor based in New York. She was awarded an Emmy for the HBO documentary In Memoriam, NYC 9/11/01, and an Ace Eddie Award for the acclaimed documentary Unzipped. Her directorial work includes the documentaries George Plimpton and the Paris Review, Ralph Gibson, and The Couple in the Cage. Her dramatic work includes Having a Baby, Tras La Ventana, Slings and Arrows, and La Cena de Matrimonio. Her short film La Pájara Pinta premiered at the Lincoln Center Film Society LatinBeat Film Festival. Heredia’s editorial work can be seen in the HBO feature-length documentary Addiction, which received the 2007 Emmy Governors Award, and Alive Day Memories—Home from Iraq, executive produced by James Gandolfini for HBO. Her new edit, The Art of Failure: Chuck Connelly Not for Sale and Jacques D'Ambois in China, will air on HBO this summer. Other editorial credits include: Modulations Cinema for the Ear, The Vagina Monologues, Finding Christa and Free Tibet. Paula’s work and creative process is featured in the book: The Art of the Documentary by Megan Cunningham. With partner Larry Garvin, she co-founded Heredia Pictures, heads the international committee of New York Women in Film and Television and serves on the board of advisors of Tribeca All Access and Clementina, Inc.
Chi-hui Yang is a film programmer, lecturer and writer based in New York. As a guest curator, Yang has presented film and video series at film festivals and events internationally, including MoMA's Documentary Fortnight, Robert Flaherty Film Seminar (“The Age of Migration”), Seattle International Film Festival, Washington D.C. International Film Festival and Barcelona Asian Film Festival. From 2000-2010 he was the Director and Programmer of the San Francisco International Asian American Film Festival, the largest showcase of its kind in the Us. Yang is also the programmer of “Cinema Asian America,” a new On-Demand service offered by Comcast and currently a Visiting Scholar at New York University’s Asian/Pacific/American Institute.
Nominating Committee
- Isabel Arrate Fernandez, Idfa, The Netherlands
- Hugo Chaparro, film critic, Colombia
- Lucile De Calan, programmer, Biarritz Latin American Film Festival, France
- Denis de la Roca, programmer, Abu Dhabi Film Festival
- Mara Fortes, programmer, Morelia Film Festival
- Erick Gonzalez, programmer, Valdivia Film Festival, Chile
- Elías Jiménez, director, Festival Ícaro, Guatemala
- Roger Alan Koza, film critic and programmer, Filmfest Hamburg, Ficunam, Mexico
- Janneke Langelaan, Hubert Bals Fund, The Netherlands
- Diego Lerer, film critic, Argentina
- Rosa Martinez Rivero, film producer, Argentina
- Christian Sida-Valenzuela, director, Vancouver Latin American Film Festival
- Hebe Tabachnik, programmer, Los Angeles and Palm Springs Film Festivals
- Sergio Wolf, film programmer, Argentina...
- Best Feature Film
- Best Documentary Film
- Best Director, Feature Film
- Best Director, Documentary Film
- Best First Film
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times and 92YTribeca, with the support of the Mexican Cultural Institute. Special thanks to Lucila Moctezuma and Mario Díaz.
Best Feature Film
- O Som Ao Redor / Neighboring Sounds (Kleber Mendonça Filho, Brazil, 2012)
Best Director, Feature Film
- MatÍAs Meyer, Los ÚLtimos Cristeros / The Last Christeros (Mexico, 2011)
Best Documentary Film
- El Salvavidas / The Lifeguard (Maite Alberdi, Chile, 2011)
Best Director, Documentary Film
- JosÉ ÁLvarez, CanÍCula (Mexico, 2011)
Best First Film
- El Estudiante / The Student (Santiago Mitre, Argentina, 2011)
The films were selected from a list of Latin American feature films with a minimum of 60 minutes in length that were premiered between April 1, 2011 and March 31, 2012. The winners and final nominees were selected by a six-member jury panel from a list of fiction and documentary films compiled from the selections of a nominating committee composed of 14 film professionals from Latin America, the U.S. and Europe (see list below).
Fiction Jury
Dennis Lim writes about film and popular culture for various publications including The New York Times and the Los Angeles Times. He is the founding editor of Moving Image Source, the online publication and research resource of the Museum of the Moving Image and was formerly the film editor of The Village Voice. His work has also appeared in The Believer, The Oxford American, Blender, Spin, Espous, Indiewire, New York Daily News, The Independent on Sunday, The Guardian, and the film quarterly Cinema Scope, where he is a contributing editor. A member of the National Society of Film Critics and the editor of The Village Voice Film Guide (2006), he has served as a member of the New York Film Festival selection committee and he teaches in the Cultural Reporting and Criticism graduate program a New York University.
Matías Piñeiro is a filmmaker and professor at the Universidad del Cine in Buenos Aires. His first feature-length work, El hombre robado / The Stolen Man (2007), won awards at the Jeonju International Film Festival and at Las Palmas de Gran Canaria International Film Festival. In 2009, his second feature, Todos mienten / They All Lie, premiered at Bafici (Buenos Aires Festival International de Cine Independiente), where it won two awards. It also won a prize at the Santiago Festival Internacional de Cine. In 2010, he was selected—along with James Benning and Denis Côté—to screen his third film, Rosalinda at the 11th Jeonju Digital Project. Piñeiro recently premiered his most recent film, Viola, at the Toronto Film Festival, and it's slated for a Us release in 2013. He earned a filmmaking degree from Universidad del Cine. His award-winning films have been screened around the world, including at Anthology Film Archives, Festival des 3 Continents, the Festival del film Locarno, the London Film Festival, Museo de Arte Latinoamericano de Buenos Aires, the Museum of Modern Art, Rencontré Cinémas d’Amerique Latine de Toulouse, and the Viennale.
Frida Torresblanco served as a producer in Spain working on film including The Dancer Upstairs, directed by John Malkovich and starring Javier Bardem, as well as Susan Seidelman’s Gaudi Afternoon. She moved to New York City in 2002 to launch and lead Alfonso Cuaron’s film production company, Esperanto, where she served as Executive Producer and Creative On-Set Producer for The Assassination of Richard Nixon (directed by Niels Mueller, starring Sean Penn), among others. In 2006, Frida joined Alfonso Cuarón and Guillermo del Toro to produce El laberinto del Fauno / Pan’s Labyrinth (Three Oscars & another three Oscar nominations; three wins & five BAFTA nominations; a nomination for the Palm d’Or and a Golden Globe). The Hollywood Reporter named Frida one of the 50 most powerful Latinos in Hollywood. She also produced Rudo y Cursi (directed by Carlos Cuarón, starring Gael García Bernal and Diego Luna). In 2010, Frida launched her new film production company, Braven Films, with partners Eric Laufer and Giovanna Randall. Her next project, Magic Magic, produced through Braven Films, will star Michael Cera, Juno Temple and Emily Browning.
DocuMentary Jury
Ryan Harrington is the Director of Documentary Programs at the Tribeca Film Institute where he oversees the Gucci Tribeca Documentary Fund, the Tfi Documentary Fund, Tribeca All Access documentary program and the Latin America Media Arts Fund while developing other initiatives and programs that support non-fiction filmmaking. Recent Tfi successes include Give Up Tomorrow, If a Tree Falls, The Redemption of General Butt Naked, The Oath, Enemies of the People, Marathon Boy and Donor Unknown. Independently he is currently working on the feature doc Hungry in America, with filmmakers Kristi Jacobson & Lori Silverbush and Participant Media, that explores why so many people in the USA go without food, and what can be done about it. Harrington managed production for A&E IndieFilms, the theatrical documentary arm of the A&E Network, for four years. Throughout his time there he championed the Oscar-nominated films Murderball and Jesus Camp, and the Sundance hits My Kid Could Paint That and American Teen.
Paula Heredia is a director and editor based in New York. She was awarded an Emmy for the HBO documentary In Memoriam, NYC 9/11/01, and an Ace Eddie Award for the acclaimed documentary Unzipped. Her directorial work includes the documentaries George Plimpton and the Paris Review, Ralph Gibson, and The Couple in the Cage. Her dramatic work includes Having a Baby, Tras La Ventana, Slings and Arrows, and La Cena de Matrimonio. Her short film La Pájara Pinta premiered at the Lincoln Center Film Society LatinBeat Film Festival. Heredia’s editorial work can be seen in the HBO feature-length documentary Addiction, which received the 2007 Emmy Governors Award, and Alive Day Memories—Home from Iraq, executive produced by James Gandolfini for HBO. Her new edit, The Art of Failure: Chuck Connelly Not for Sale and Jacques D'Ambois in China, will air on HBO this summer. Other editorial credits include: Modulations Cinema for the Ear, The Vagina Monologues, Finding Christa and Free Tibet. Paula’s work and creative process is featured in the book: The Art of the Documentary by Megan Cunningham. With partner Larry Garvin, she co-founded Heredia Pictures, heads the international committee of New York Women in Film and Television and serves on the board of advisors of Tribeca All Access and Clementina, Inc.
Chi-hui Yang is a film programmer, lecturer and writer based in New York. As a guest curator, Yang has presented film and video series at film festivals and events internationally, including MoMA's Documentary Fortnight, Robert Flaherty Film Seminar (“The Age of Migration”), Seattle International Film Festival, Washington D.C. International Film Festival and Barcelona Asian Film Festival. From 2000-2010 he was the Director and Programmer of the San Francisco International Asian American Film Festival, the largest showcase of its kind in the Us. Yang is also the programmer of “Cinema Asian America,” a new On-Demand service offered by Comcast and currently a Visiting Scholar at New York University’s Asian/Pacific/American Institute.
Nominating Committee
- Isabel Arrate Fernandez, Idfa, The Netherlands
- Hugo Chaparro, film critic, Colombia
- Lucile De Calan, programmer, Biarritz Latin American Film Festival, France
- Denis de la Roca, programmer, Abu Dhabi Film Festival
- Mara Fortes, programmer, Morelia Film Festival
- Erick Gonzalez, programmer, Valdivia Film Festival, Chile
- Elías Jiménez, director, Festival Ícaro, Guatemala
- Roger Alan Koza, film critic and programmer, Filmfest Hamburg, Ficunam, Mexico
- Janneke Langelaan, Hubert Bals Fund, The Netherlands
- Diego Lerer, film critic, Argentina
- Rosa Martinez Rivero, film producer, Argentina
- Christian Sida-Valenzuela, director, Vancouver Latin American Film Festival
- Hebe Tabachnik, programmer, Los Angeles and Palm Springs Film Festivals
- Sergio Wolf, film programmer, Argentina...
- 1/23/2013
- by Sydney Levine
- Sydney's Buzz
The Sundance Institute announced Thursday that 11 independent films supported by its Artist Services Program are now available on Hulu, Netflix and SnagFilms (Indiewire's parent company). The Artist Services Program gives Sundance alumni exclusive opportunities to self-distribute, market and find finance solutions to their work. "Brother to Brother," "Children Underground," "Enemies of the People" and "Dirty Work" are now available for immediate streaming, and Artist Services films can also be found on iTunes, Amazon Instant Video, Microsoft Xbox, Sony Entertainment Network, SundanceNOW, Vudu and YouTube. To see bonus video content for select titles, visit this link. Read More: 'Indie Game: The Movie,' 'The Woods,' 'Enemies of the People' & More Sundance Titles Now Available on iTunes Official information about the films, their availability and their newly added platforms (in bold)...
- 8/23/2012
- by Srimathi Sridhar
- Indiewire
“Indie Game: The Movie,” “The Woods” and “Enemies of the People” are among the ten titles recently added to the Sundance Institute’s Artist Services program. The initiative is designed to help indie films made by Sundance alumni find digital distribution through iTunes, Amazon Instant Video, Microsoft Xbox, Sony Entertainment Network, SundanceNOW, Vudu, YouTube and the like. New Video is the exclusive aggregation partner for distribution across these Artist Services portals, which will also include Hulu, Netflix and SnagFilms in the coming weeks. "The films available today represent a sampling of the broad spectrum of independent films we have supported at the Sundance Film Festival or through our Labs,” said Sundance Institute executive director Keri Putnam. “For audiences, these offer a window into the legacy of independent film, spanning nearly 20 years and leading up to exciting, more recent work by these unique...
- 7/18/2012
- by Jay A. Fernandez
- Indiewire
The National Academy of Television Arts & Sciences announced the nominations for the 33rd Annual News and Documentary Emmy Awards this morning. Among the nominees are docs "Armadillo," which received four nods and "The Battle for Marjah," "Better This World" and "Enemies of the People," which each received three. With 43 nominations overall, CBS is on top this year thanks in large part to "60 Minutes," while PBS came in a close second with 37. NBC, ABC and HBO also received double-digit nominations. The awards ceremony will take place Monday, October 1 at Lincoln Center's Frederick P. Rose Hall in New York City. Select categories are listed below -- for the full list of nominees, check out the Emmy Awards site. Best Documentary HBO Documentary Films (HBO): "How to Die in Oregon" Producer/Director: Peter Richardson Executive Producers: Melody Korenbrot, Sheila Nevins Pov...
- 7/12/2012
- by Alison Willmore
- Indiewire
Award-winning film-maker Thet Sambath says he has been followed, harassed and chased during his research
One of Cambodia's leading journalists and foremost researchers on the Khmer Rouge has told the Guardian he fears for his life after a two-year harassment campaign by state security forces he claims are attempting to prevent him from completing his latest film about the Killing Fields.
Award-winning film-maker Thet Sambath – whose 2009 documentary about the Khmer Rouge, Enemies of the People, was shortlisted for an Oscar – claims that uniformed soldiers and plainclothes "spies" working for the Cambodian government have repeatedly followed, harassed and chased him by car and motorbike, with the intention of "making [him] disappear".
"They are concerned I will reveal their true crime [through the new film] and … [that] their reputation will be destroyed," Sambath said. "I know too much about what really happened. They want me dead."
Sambath, a senior reporter for the Phnom Penh Post, said the harassment...
One of Cambodia's leading journalists and foremost researchers on the Khmer Rouge has told the Guardian he fears for his life after a two-year harassment campaign by state security forces he claims are attempting to prevent him from completing his latest film about the Killing Fields.
Award-winning film-maker Thet Sambath – whose 2009 documentary about the Khmer Rouge, Enemies of the People, was shortlisted for an Oscar – claims that uniformed soldiers and plainclothes "spies" working for the Cambodian government have repeatedly followed, harassed and chased him by car and motorbike, with the intention of "making [him] disappear".
"They are concerned I will reveal their true crime [through the new film] and … [that] their reputation will be destroyed," Sambath said. "I know too much about what really happened. They want me dead."
Sambath, a senior reporter for the Phnom Penh Post, said the harassment...
- 3/27/2012
- by Kate Hodal
- The Guardian - Film News
The second edition of the N1FR, n+1's film review, "is very late," begins editor As Hamrah, but there's no need to apologize. The timing is perfect, arriving just many of us will be desperate for distraction from what promises to be a very noisy weekend. As Hamrah notes, there's not one piece in the entire issue on "even one film nominated for an Oscar this year."
Instead, we have Chris Fujiwara setting Vincent Gallo and George Clooney next to each other and riffing on the juxtaposition, Christine Smallwood on Apichatpong Weerasethakul and on Werner Herzog's Cave of Forgotten Dreams, Jeanette Samyn and Jonathan Kyle Sturgeon on Pedro Costa, Dmitry Martov on Serge Bozon and his circle, Emily Gould on Badmaash Company, a Bollywood movie that screams out to be compared and contrasted with The Social Network, Jennifer Krasinski on the rise of the polymath, Ben Maraniss on Mel Gibson,...
Instead, we have Chris Fujiwara setting Vincent Gallo and George Clooney next to each other and riffing on the juxtaposition, Christine Smallwood on Apichatpong Weerasethakul and on Werner Herzog's Cave of Forgotten Dreams, Jeanette Samyn and Jonathan Kyle Sturgeon on Pedro Costa, Dmitry Martov on Serge Bozon and his circle, Emily Gould on Badmaash Company, a Bollywood movie that screams out to be compared and contrasted with The Social Network, Jennifer Krasinski on the rise of the polymath, Ben Maraniss on Mel Gibson,...
- 2/25/2012
- MUBI
The worst of human history has a way of bubbling under the surface, burying under the skin of collaborators, killers and leaders. Cambodia’s Khmer Rouge regime, responsible for approximately two million deaths, has remained in the country's national psyche in a uniquely chilling manner. The Cambodians who carried out Pol Pot’s systematic removal of intellectuals, political dissidents and anyone who seemed like a possible threat, now live in relative peace, often in close proximity to the people whose families they decimated by hand. “Enemies of the People,” an investigative documentary driven by Camdobian journalist Thet Sambath and co-director Rob Lemkin, attempts the extraordinary – Sambath wishes to elicit confessions from the mouths of former killers, in particular an elderly, partially toothless family man named Nuon Chea. Chea was once known as Brother Number Two – Pol Pot was Brother Number One. Cambodia’s situation is unique...
- 1/16/2012
- The Playlist
The worst of human history has a way of bubbling under the surface, burying under the skin of collaborators, killers and leaders. Cambodia’s Khmer Rouge regime, responsible for approximately two million deaths, has remained in the country's national psyche in a uniquely chilling manner. The Cambodians who carried out Pol Pot’s systematic removal of intellectuals, political dissidents and anyone who seemed like a possible threat, now live in relative peace, often in close proximity to the people whose families they decimated by hand. “Enemies of the People,” an investigative documentary driven by Camdobian journalist Thet Sambath and co-director Rob Lemkin, attempts the extraordinary – Sambath wishes to elicit confessions from the mouths of former killers, in particular an elderly, partially toothless family man named Nuon Chea. Chea was once known as Brother Number Two – Pol Pot was Brother Number One. Cambodia’s situation is unique...
- 1/16/2012
- The Playlist
For those of you who aren't reading (or are done reading? I know jM got a head start of several hours on most of you) there's some television on tonight. After a fashion, anyway. Really, I'm kind of mad because there's nothing I can properly mock on. At best, we've got "The Nine Lives of Chloe King" and I think I've made "so it's literally a pussified version of Wolverine?" joke before. Or did I make that somewhere else? And there's the Mlb All-Star game but I was under the impression that most All-Star games are somewhat uninteresting and just an excuse for a media/advertising circus. Honestly, none of this inspires me enough to put the energy into coming up with something really biting to say about it. So, here's your Tuesday night TV if you're into that sort of thing:
8:00pm: "Cupcake Wars" on Food Network
"2011 Mlb...
8:00pm: "Cupcake Wars" on Food Network
"2011 Mlb...
- 7/12/2011
- by Intern Rusty
Made In Prague: The New Czech Cinema UK Tour, Nationwide
Slimmed down from the London event in November, four recent Czech films do the rounds of major cities, and cover a lot of ground between them. Petr Zelenka's The Karamazovs collides film, theatre and literature, as a Czech troupe attempts to stage Dostoevsky's novel in a Polish steel factory. Protektor, last year's top domestic award-winner, examines the effects of the Nazi occupation on a Jewish actress and her radio host husband with noirish style. Twosome, a road movie set in Sweden, is a more up-to-date view of Czech relationships, while Helena Treštíková's documentary Katka follows the life of a young junkie over the course of 14 years.
Various venues, Wed to 27 Apr
See: The Brighton Documentary Film Festival
Judging by this selection, British documentary-making is in fine form, even if the country it's looking at isn't. Among the domestic subjects...
Slimmed down from the London event in November, four recent Czech films do the rounds of major cities, and cover a lot of ground between them. Petr Zelenka's The Karamazovs collides film, theatre and literature, as a Czech troupe attempts to stage Dostoevsky's novel in a Polish steel factory. Protektor, last year's top domestic award-winner, examines the effects of the Nazi occupation on a Jewish actress and her radio host husband with noirish style. Twosome, a road movie set in Sweden, is a more up-to-date view of Czech relationships, while Helena Treštíková's documentary Katka follows the life of a young junkie over the course of 14 years.
Various venues, Wed to 27 Apr
See: The Brighton Documentary Film Festival
Judging by this selection, British documentary-making is in fine form, even if the country it's looking at isn't. Among the domestic subjects...
- 2/19/2011
- by Steve Rose
- The Guardian - Film News
As soon as we thought we could predict the outcome of the Oscars, here comes another surprise! This one's brought to you by the Writers Guild of America. Picked for Best Original Screenplay was Christopher Nolan's "Inception." The director, famously dissed for not getting a Best Director Oscar nomination, may just win the Best Original Screenplay come Oscar night. Oscar front-runner, "The King's Speech" was not nominated because it didn't quality under union rules which prompted Nolan to say during his WGA acceptance award that he looked forward to a time when he could accept the award "without qualification."
That could be the beginning of a great script Mr. Nolan, go write it :happy
For adapted screenplay, I'm happy to report that Aaron Sorkin's fantastic script won! Based on "The Accidental Billionaires" by Ben Mezrich, "The Social Network" was the only film last year that I predicted to win this very category.
That could be the beginning of a great script Mr. Nolan, go write it :happy
For adapted screenplay, I'm happy to report that Aaron Sorkin's fantastic script won! Based on "The Accidental Billionaires" by Ben Mezrich, "The Social Network" was the only film last year that I predicted to win this very category.
- 2/7/2011
- by Manny
- Manny the Movie Guy
Writers Guild of America (WGA) have revealed the winners of the awards for best original, adapted, and documentary screenplays. As previously reported, "The King's Speech," "Winter's Bone," "Another Year" and "Toy Story 3" were not eligible for the award, despite being nominated for Oscars. The big winner was Christopher Nolan for his work on "Inception," beating out "Black Swan" and "The Fighter." "This is one of things I'm most proud of," he said, noting that his script for "Memento" wasn't eligible for the WGA Awards nine years ago. Aaron Sorkin also won for "The Social Network" screenplay. "I wrote a good script but David Fincher made a great movie," he said. The list of nominees and winners (in red): Original Screenplay * Inception (Christopher Nolan) * Black Swan (Mark Heyman, Andres Heinz, John McLaughlin) * The Fighter (Scott Silver, Paul Tamasy, Eric Johnson) * The Kids Are All Right (Lisa Cholodenko, Stuart Blumberg...
- 2/6/2011
- WorstPreviews.com
As we march ever closer towards the Academy Awards, the smaller ceremonies that give us an idea of what to expect at the biggest awards show of them all continue. Tonight, the WGA (Writer’s Guild of America) Awards were handed out, and the winners are…kind of who you’d expect.
And those people who you’d kind of expect to be winners are Aaron Sorkin, claiming the Best Adapted Screenplay award for The Social Network, based on Ben Mezrich’s nonfiction book The Accidental Billionaires. Nabbing the award for Best Original Screenplay was Christopher Nolan, for Inception. Additionally, Charles Ferguson picked up the Best Documentary Screenplay award for his film Inside Job.
The other nominess in the Adapted Screenplay category were Danny Boyle and Simon Beaufoy for 127 Hours; John Requa and Glenn Ficarra for I Love You, Phillip Morris; Peter Craig and Aaron Stockard and Ben Affleck for...
And those people who you’d kind of expect to be winners are Aaron Sorkin, claiming the Best Adapted Screenplay award for The Social Network, based on Ben Mezrich’s nonfiction book The Accidental Billionaires. Nabbing the award for Best Original Screenplay was Christopher Nolan, for Inception. Additionally, Charles Ferguson picked up the Best Documentary Screenplay award for his film Inside Job.
The other nominess in the Adapted Screenplay category were Danny Boyle and Simon Beaufoy for 127 Hours; John Requa and Glenn Ficarra for I Love You, Phillip Morris; Peter Craig and Aaron Stockard and Ben Affleck for...
- 2/6/2011
- by Nick Newman
- The Film Stage
“Inception” has finally gotten some real love.
It’s been a bit puzzling as to why Christopher Nolan’s expertly structured and endlessly fascinating sci-fi tale hasn’t been getting more attention from industry award-givers. While it’s received kudos for its technical prowess, “Inception” has yet to be truly acknowledged for its significant achievements in directing, writing and acting.
Until now, as Nolan’s script was given the award for Best Original Screenplay by the Writers Guild of America at the WGA Awards. “Inception” emerged the winner against some extremely strong competition, including “The Kids Are All Right” and “The Fighter.”
Meanwhile, Aaron Sorkin’s script for “The Social Network” took home the award for Best Adapted Screenplay (no surprise there) and Charles Ferguson’s “Inside Job” won for Best Documentary Screenplay. Both films were winners at the recent Directors Guild Awards as well.
We love everything about “The Social Network,...
It’s been a bit puzzling as to why Christopher Nolan’s expertly structured and endlessly fascinating sci-fi tale hasn’t been getting more attention from industry award-givers. While it’s received kudos for its technical prowess, “Inception” has yet to be truly acknowledged for its significant achievements in directing, writing and acting.
Until now, as Nolan’s script was given the award for Best Original Screenplay by the Writers Guild of America at the WGA Awards. “Inception” emerged the winner against some extremely strong competition, including “The Kids Are All Right” and “The Fighter.”
Meanwhile, Aaron Sorkin’s script for “The Social Network” took home the award for Best Adapted Screenplay (no surprise there) and Charles Ferguson’s “Inside Job” won for Best Documentary Screenplay. Both films were winners at the recent Directors Guild Awards as well.
We love everything about “The Social Network,...
- 2/6/2011
- by Bryan Enk
- NextMovie
No big surprises here as the Writers Guild of America announced their winners tonight and Aaron Sorkin's script for The Social Network and Christopher Nolan's script for Inception took home top honors. Charles Ferguson's script for Inside Job was also awarded for Best Documentary Screenplay.
It's important to note that screenplays for Oscar nominated films such as The King's Speech, Winter's Bone, Toy Story 3 and Another Year were all ineligible for the WGA awards as the WGA restricts "nominations to films that are written for productions that are signatories to the guild's Minimum Basic Agreement, or the agreements of several affiliated international guilds... their purpose is to honor the best films produced by WGA members, or under WGA guidelines."
So, if you currently predict David Seidler's screenplay for The King's Speech is the likely Oscar winner over Nolan's Inception script then perhaps these awards don't mean as much to you.
It's important to note that screenplays for Oscar nominated films such as The King's Speech, Winter's Bone, Toy Story 3 and Another Year were all ineligible for the WGA awards as the WGA restricts "nominations to films that are written for productions that are signatories to the guild's Minimum Basic Agreement, or the agreements of several affiliated international guilds... their purpose is to honor the best films produced by WGA members, or under WGA guidelines."
So, if you currently predict David Seidler's screenplay for The King's Speech is the likely Oscar winner over Nolan's Inception script then perhaps these awards don't mean as much to you.
- 2/6/2011
- by Brad Brevet
- Rope of Silicon
Yesterday the producers, today the writers. Tomorrow, presumably, the caterers and grips (my sources tell me the duck confit on the "Clash of the Titans" set was on point). Yes, the Writers Guild of America have announced their picks for finest movies of 2010. And writers must have a unique perspective on cinematic excellence, right? A better or at least different knowledge of what makes a script and a film great? No, they pretty much like all the same movies we do. And the nominees are:
Original Screenplay
"Black Swan"
Screenplay by Mark Heyman and Andres Heinz and John McLaughlin
Story by Andres Heinz
"The Fighter"
Screenplay by Scott Silver and Paul Tamasy & Eric Johnson
Story by Keith Dorrington & Paul Tamasy & Eric Johnson
"Inception"
Written by Christopher Nolan
"The Kids Are All Right"
Written by Lisa Cholodenko & Stuart Blumberg
"Please Give"
Written by Nicole Holofcener
Adapted Screenplay
"127 Hours"
Screenplay by Danny Boyle...
Original Screenplay
"Black Swan"
Screenplay by Mark Heyman and Andres Heinz and John McLaughlin
Story by Andres Heinz
"The Fighter"
Screenplay by Scott Silver and Paul Tamasy & Eric Johnson
Story by Keith Dorrington & Paul Tamasy & Eric Johnson
"Inception"
Written by Christopher Nolan
"The Kids Are All Right"
Written by Lisa Cholodenko & Stuart Blumberg
"Please Give"
Written by Nicole Holofcener
Adapted Screenplay
"127 Hours"
Screenplay by Danny Boyle...
- 1/5/2011
- by Matt Singer
- ifc.com
There are 54 days until the Academy Awards event; the actual celebration will air on Sunday, February 27th, 2010, at the Kodak Theater; and ABC will air it.
As already reported Oscar-winner for her role in Precious, Mo’nique will co-host the announcement of the nominees on Tuesday January 25th, and all the recently released pre-Oscar awards lists may provide a bit of insight into what that names and titles Mo’nique will call out in about 2 weeks – specifically, the influential Producers Guild and Writers Guild award nominees, both included below:
Starting with Producers Guild Nominees: No big surprises; all the expected suspects are here; although, Martin Scorsese’s Shutter Island is noticeably absent, thanks, in part, to its early release date, and may have been forgotten.
The Social Network has remained triumphant in this field in just about every single other awards tournament, so this should be a sure win. The rest follow…...
As already reported Oscar-winner for her role in Precious, Mo’nique will co-host the announcement of the nominees on Tuesday January 25th, and all the recently released pre-Oscar awards lists may provide a bit of insight into what that names and titles Mo’nique will call out in about 2 weeks – specifically, the influential Producers Guild and Writers Guild award nominees, both included below:
Starting with Producers Guild Nominees: No big surprises; all the expected suspects are here; although, Martin Scorsese’s Shutter Island is noticeably absent, thanks, in part, to its early release date, and may have been forgotten.
The Social Network has remained triumphant in this field in just about every single other awards tournament, so this should be a sure win. The rest follow…...
- 1/5/2011
- by Tony
- ShadowAndAct
The Writers Guild of America (WGA), West (Wgaw) and East (Wgae) have announced nominations for outstanding achievement in writing for the screen during 2010.
The WGA said that many acclaimed films were not eligible. They include: Another Year, Biutiful, Blue Valentine, The Ghost Writer, The King’s Speech, Made in Dagenham, Scott Pilgrim vs. the World, Toy Story 3 and Winter’s Bone. Of course, last year great screenplays like Inglourious Basterds and An Education didn’t make the cut, and those went on to get Oscar nominations later in the same month.
Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, simultaneously at the Renaissance Hollywood Hotel-Grand Ballroom in Los Angeles and the Axa Equitable Center in New York City.
Both the “Original Screenplay” and “Adapted Screenplay” categories have matched the Academy Awards 11 out of the last 16 years.
A complete list of all of this year...
The WGA said that many acclaimed films were not eligible. They include: Another Year, Biutiful, Blue Valentine, The Ghost Writer, The King’s Speech, Made in Dagenham, Scott Pilgrim vs. the World, Toy Story 3 and Winter’s Bone. Of course, last year great screenplays like Inglourious Basterds and An Education didn’t make the cut, and those went on to get Oscar nominations later in the same month.
Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, simultaneously at the Renaissance Hollywood Hotel-Grand Ballroom in Los Angeles and the Axa Equitable Center in New York City.
Both the “Original Screenplay” and “Adapted Screenplay” categories have matched the Academy Awards 11 out of the last 16 years.
A complete list of all of this year...
- 1/5/2011
- by Allan Ford
- Filmofilia
The Writers Guild of America has announced their nominations for the best screenplays of 2010. If you are like me and you like to bet on who’s going to win at the Oscars, you will want to take a close look at the nominees. The Writers Guild of America is one of the strongest voting bodies in Hollywood and usually a reliable predictor for Oscar gold. In fact the winner of the WGA award has gone on to win the Oscar in the same category 11 of the last 16 years. Oscar favourites Winter’s Bone, Toy Story 3 and The Kings Speech failed to meet eligibility requirements to be considered, and was therefore disqualified (as were a number of other scripts).
Check out their 2010 nominees below from the press release:
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter,...
Check out their 2010 nominees below from the press release:
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter,...
- 1/5/2011
- by Ricky
- SoundOnSight
The Writers Guild of America has announced their nominations for the best screenplays of 2010. Like the Producers Guild nominations, these specialized lists are typically an excellent bellwether for Oscar enthusiasts (or gamblers). However, it’s important to note that critically acclaimed films like Toy Story 3, The King’s Speech, Winter’s Bone, Never Let Me Go, Biutiful, and How to Train Your Dragon were deemed ineligible by the guild for various reasons.
I’m surprised to see a nod for The Social Network, not because it’s not a brilliant piece of work by Aaron Sorkin, but because he gave the guild a solid drubbing at a recent round table discussion with a few other notable screenwriters. It’s also strange to see I Love You Phillip Morris receiving any kind of awards consideration, especially in an extremely competitive year of great screenplays.
The WGA winners will be announced...
I’m surprised to see a nod for The Social Network, not because it’s not a brilliant piece of work by Aaron Sorkin, but because he gave the guild a solid drubbing at a recent round table discussion with a few other notable screenwriters. It’s also strange to see I Love You Phillip Morris receiving any kind of awards consideration, especially in an extremely competitive year of great screenplays.
The WGA winners will be announced...
- 1/5/2011
- by Jeff Leins
- newsinfilm.com
The Producers Guild of America and Writers Guild of America have announced the nominees for their own 2011 awards. It comes out as no surprise anymore that such movies as "Inception" and "Black Swan", which have received a lot of praises during 2010, land nods at both prize-giving events.
The two films along with "The Fighter" and "The Kids Are All Right" are mentioned at The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures category. All of them will also compete for Best Original Screenplay at Writers Guild Awards.
Meanwhile, Adapted Screenplay category at Writers Guild Awards has the likes of "127 Hours", "The Social Network", "The Town" and "True Grit" as contenders. These four films are up against each other and a bunch of other films for the coveted Darryl F. Zanuck Award.
"Toy Story 3", in the meantime, gets two honors at Producers Guild Awards, being named the...
The two films along with "The Fighter" and "The Kids Are All Right" are mentioned at The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures category. All of them will also compete for Best Original Screenplay at Writers Guild Awards.
Meanwhile, Adapted Screenplay category at Writers Guild Awards has the likes of "127 Hours", "The Social Network", "The Town" and "True Grit" as contenders. These four films are up against each other and a bunch of other films for the coveted Darryl F. Zanuck Award.
"Toy Story 3", in the meantime, gets two honors at Producers Guild Awards, being named the...
- 1/5/2011
- by AceShowbiz.com
- Aceshowbiz
We recently reported that the Writers Guild of America will not consider several popular films for their upcoming WGA awards, including "The King's Speech," "Never Let Me Go," "Winter's Bone," "Toy Story 3" and many others. Now, WGA has announced the nominees for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards that will take place on February 5th. And the nominees are: Original Screenplay * Black Swan * The Fighter * Inception * The Kids Are All Right * Please Give Adapted Screenplay * 127 Hours * I Love You Phillip Morris * The Social Network * The Town * True Grit Documentary Screenplay * Enemies of the People * Freedom Riders * Gasland * Inside Job * The Two Escobars * Who Is Harry Nilsson?...
- 1/5/2011
- WorstPreviews.com
Here is the rundown of nominees for the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York. Nominees were decided by both The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) for outstanding achievement in writing for the screen during 2010.
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception, Written by Christopher Nolan; Warner Bros.
The Kids Are All Right, Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
Please Give, Written by Nicole Holofcener; Sony Pictures Classics
Adapted Screenplay
127 Hours, Screenplay by Danny Boyle & Simon Beaufoy; Based on the book Between a Rock and a Hard Place by Aron Ralston; Fox Searchlight
I Love You Phillip Morris,...
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception, Written by Christopher Nolan; Warner Bros.
The Kids Are All Right, Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
Please Give, Written by Nicole Holofcener; Sony Pictures Classics
Adapted Screenplay
127 Hours, Screenplay by Danny Boyle & Simon Beaufoy; Based on the book Between a Rock and a Hard Place by Aron Ralston; Fox Searchlight
I Love You Phillip Morris,...
- 1/5/2011
- by Alexis James-Whitehead
- BuzzFocus.com
"I Love You Phillip Morris" came out of nowhere and secured a nod for the 2011 Writers Guild Awards. Based on the book by Steven McVicker, the film starring Jim Carrey and Ewan McGRegor as prisoners in love received a Best Adapted Screenplay nomination.
"Phillip Morris" will be competing with awards-favorites "127 Hours" (screenplay by Danny Boyle & Simon Beaufoy), "The Social Network" (screenplay Aaron Sorkin), "The Town" (screenplay by Peter Craig and Ben Affleck & Aaron Stockard), and True Grit (screenplay by Joel Coen & Ethan Coen).
In the Original Screenplay category, critics-darlings "Black Swan" (screenplay by Mark Heyman and Andres Heinz and John McLaughlin), "The Fighter" (screenplay by Scott Silver and Paul Tamasy & Eric Johnson), "Inception" (Christopher Nolan), and "The Kids Are All Right" (written by Lisa Cholodenko & Stuart Blumberg) will be competing with "Please Give" by Nicole Holofcener. Much like "I Love You Phillip Morris," "Please Give," a family dramedy set in New York,...
"Phillip Morris" will be competing with awards-favorites "127 Hours" (screenplay by Danny Boyle & Simon Beaufoy), "The Social Network" (screenplay Aaron Sorkin), "The Town" (screenplay by Peter Craig and Ben Affleck & Aaron Stockard), and True Grit (screenplay by Joel Coen & Ethan Coen).
In the Original Screenplay category, critics-darlings "Black Swan" (screenplay by Mark Heyman and Andres Heinz and John McLaughlin), "The Fighter" (screenplay by Scott Silver and Paul Tamasy & Eric Johnson), "Inception" (Christopher Nolan), and "The Kids Are All Right" (written by Lisa Cholodenko & Stuart Blumberg) will be competing with "Please Give" by Nicole Holofcener. Much like "I Love You Phillip Morris," "Please Give," a family dramedy set in New York,...
- 1/4/2011
- by Manny
- Manny the Movie Guy
The awards season continued to speed along today, with the Producers Guild and Writers Guild announcing the nominees for their respective awards shows.
The Producers Guild's choices for best producers in a motion picture have become synonymous with the Academy of Motion Pictures Arts and Sciences' choices for the Best Picture Oscar in recent years, and the 10 films nominated are no big surprise. So, yes, "The Social Network," "The King's Speech," "The Kids Are All Right," "The Fighter," "Inception," "Toy Story 3," "True Grit," "Black Swan" and "127 Hours" all made the cut, with "The Town" being the "surprise" film in their midst.
The WGA also didn't have many big surprises for original and adapted screenplay nods. "Black Swan," "The Fighter," "Inception" and "The Kids Are All Right" were acknowledged as best original screenplays, with "Please Give" getting the only dark-horse nomination. Meanwhile "127 Hours," "I Love You Phillip Morris," "The Social Network,...
The Producers Guild's choices for best producers in a motion picture have become synonymous with the Academy of Motion Pictures Arts and Sciences' choices for the Best Picture Oscar in recent years, and the 10 films nominated are no big surprise. So, yes, "The Social Network," "The King's Speech," "The Kids Are All Right," "The Fighter," "Inception," "Toy Story 3," "True Grit," "Black Swan" and "127 Hours" all made the cut, with "The Town" being the "surprise" film in their midst.
The WGA also didn't have many big surprises for original and adapted screenplay nods. "Black Swan," "The Fighter," "Inception" and "The Kids Are All Right" were acknowledged as best original screenplays, with "Please Give" getting the only dark-horse nomination. Meanwhile "127 Hours," "I Love You Phillip Morris," "The Social Network,...
- 1/4/2011
- by Terri Schwartz
- MTV Movies Blog
I’d say it’s a safe bet for the WGA, and AMPAS for that matter, to just go ahead and award Adapted Screenplay to Aaron Sorkin for The Social Network today. That one is on the bag. Due to WGA strict rules, award friendly films such as Toy Story 3, Blue Valentine, The King’S Speech, Another Year and Winter’S Bone were not eligible. I was delighted by the surprise appearance of I Love You Phillip Morris in the Adapted Screenplay category.
WGA press release:
Los Angeles, New York — The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York.
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz...
WGA press release:
Los Angeles, New York — The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York.
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz...
- 1/4/2011
- by Michelle McCue
- WeAreMovieGeeks.com
The Writers Guild members have spoken. Though their tongues were kinda bound by their rules which prohibit, as I understand it, non-members from receiving nominations (AMPAS members can vote for you even if you aren't affiliated with them or with an American guild). So for what it's worth, here are the nominations.
"I heard you were an MTV girl"
Alice in The Fighter
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception, Written by Christopher Nolan; Warner Bros.
The Kids Are All Right, Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
Please Give, Written by Nicole Holofcener; Sony Pictures Classics
Last year and the year before this category had very little overlap between WGA and Oscar (2 and...
"I heard you were an MTV girl"
Alice in The Fighter
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception, Written by Christopher Nolan; Warner Bros.
The Kids Are All Right, Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
Please Give, Written by Nicole Holofcener; Sony Pictures Classics
Last year and the year before this category had very little overlap between WGA and Oscar (2 and...
- 1/4/2011
- by NATHANIEL R
- FilmExperience
The Writers Guild of America has announced the nominees for outstanding achievemane in writing for the screen in 2010, and the list makes us realize that, yeah, there were a lof of great scripts out there last year.
We’re happy to see the trippy, nasty “Black Swan” getting so much critical attention, and now the WGA is offering their own praise with a nomination for the bizarro script. Are Hollywood award-givers (and union organizations, at that) actually starting to embrace the darkness a bit more?
It seems like it, as the Coen Brothers’ rough and tumble screenplay for “True Grit” also got a nomination, as did the gritty, “blue-collar” scripts for last year’s two excellent Massachusetts melodramas, “The Fighter” and “The Town.”
A nomination for Aaron Sorkin’s terrific, rat-a-tat screenplay for “The Social Network” was a no-brainer, of course, as was a nom for one of the best...
We’re happy to see the trippy, nasty “Black Swan” getting so much critical attention, and now the WGA is offering their own praise with a nomination for the bizarro script. Are Hollywood award-givers (and union organizations, at that) actually starting to embrace the darkness a bit more?
It seems like it, as the Coen Brothers’ rough and tumble screenplay for “True Grit” also got a nomination, as did the gritty, “blue-collar” scripts for last year’s two excellent Massachusetts melodramas, “The Fighter” and “The Town.”
A nomination for Aaron Sorkin’s terrific, rat-a-tat screenplay for “The Social Network” was a no-brainer, of course, as was a nom for one of the best...
- 1/4/2011
- by Bryan Enk
- NextMovie
The Writers Guild of America has announced their nominations for best screenplays of 2010. This is another award ceremony that gives us a great idea of what we might actually see nominated at the Academy Awards.
Most of the screenplays nominated definitely deserve it. Look over the list of WGA nominees below and share your thoughts with us.
Here’s the official press release:
The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York.
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception,...
Most of the screenplays nominated definitely deserve it. Look over the list of WGA nominees below and share your thoughts with us.
Here’s the official press release:
The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York.
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception,...
- 1/4/2011
- by Venkman
- GeekTyrant
Along with the Producers Guild [1] and the Screen Actors Guild, [2] the Writers Guild of America is one of the strongest voting bodies in Hollywood. So, when they announce their nominations for the best of the year, it's usually a pretty good precursor to the Oscars. Check out their 2010 nominees after the jump. Here's the official press release: The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York. Original Screenplay Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures Inception, Written by Christopher Nolan; Warner Bros.
- 1/4/2011
- by Germain Lussier
- Slash Film
Black Swan, Inception Land Top Movie Nods For Writers Guild Awards
Ballet drama Black Swan is set to face off against sci-fi thriller Inception and sporting drama The Fighter at the 2011 Writers Guild Awards after earning nominations in the top feature film category.
The movies will also battle family dramas The Kids Are All Right and Please Give for the best original screenplay prize.
Meanwhile, writer Aaron Sorkin earned a nomination for best adapted screenplay thanks to his work on Facebook.com-inspired film The Social Network. True Grit, 127 Hours, I Love You Phillip Morris and The Town will also compete in the category.
Earning nods for best documentary screenplay are Enemies of the People, Freedom Riders, Gasland, Inside Job, The Two Escobars and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?
The shortlists for the feature and documentary film categories were announced by the Writers Guild of America (WGA) on 4 January.
The nominations do not necessarily point to Oscar nods as the WGA only recognises productions that are guild signatories or have been shot under agreements with an affiliated international guild.
Awards season favourites including The King's Speech, Toy Story 3, Winter's Bone, Blue Valentine and Another Year were ineligible for WGA honours this year.
The winners of the 2011 Writers Guild Awards will be unveiled at dual ceremonies in New York and Los Angeles on 5 February.
The movies will also battle family dramas The Kids Are All Right and Please Give for the best original screenplay prize.
Meanwhile, writer Aaron Sorkin earned a nomination for best adapted screenplay thanks to his work on Facebook.com-inspired film The Social Network. True Grit, 127 Hours, I Love You Phillip Morris and The Town will also compete in the category.
Earning nods for best documentary screenplay are Enemies of the People, Freedom Riders, Gasland, Inside Job, The Two Escobars and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?
The shortlists for the feature and documentary film categories were announced by the Writers Guild of America (WGA) on 4 January.
The nominations do not necessarily point to Oscar nods as the WGA only recognises productions that are guild signatories or have been shot under agreements with an affiliated international guild.
Awards season favourites including The King's Speech, Toy Story 3, Winter's Bone, Blue Valentine and Another Year were ineligible for WGA honours this year.
The winners of the 2011 Writers Guild Awards will be unveiled at dual ceremonies in New York and Los Angeles on 5 February.
- 1/4/2011
- WENN
hollywoodnews.com: The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York.
Original Screenplay
‘Black Swan,’ Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
‘The Fighter,’ Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
‘Inception,’ Written by Christopher Nolan; Warner Bros.
‘The Kids Are All Right,’ Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
‘Please Give,’ Written by Nicole Holofcener; Sony Pictures Classics
Adapted Screenplay
‘127 Hours,’ Screenplay by Danny Boyle & Simon Beaufoy; Based on the book Between a Rock and a Hard Place by Aron Ralston; Fox Searchlight
‘I Love You Phillip Morris,...
Original Screenplay
‘Black Swan,’ Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
‘The Fighter,’ Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
‘Inception,’ Written by Christopher Nolan; Warner Bros.
‘The Kids Are All Right,’ Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
‘Please Give,’ Written by Nicole Holofcener; Sony Pictures Classics
Adapted Screenplay
‘127 Hours,’ Screenplay by Danny Boyle & Simon Beaufoy; Based on the book Between a Rock and a Hard Place by Aron Ralston; Fox Searchlight
‘I Love You Phillip Morris,...
- 1/4/2011
- by HollywoodNews.com
- Hollywoodnews.com
On the heels of this morning's Producers Guild nominees, the Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) announced nominations for outstanding achievement in writing for the screen during 2010.
Before you begin scrutinizing these nominees you should know the screenplays for The King's Speech, Winter's Bone, Toy Story 3, Blue Valentine and Another Year were all deemed ineligible as Steve Pond at The Wrap details saying the WGA "restrict nominations to films that are written for productions that are signatories to the guild's Minimum Basic Agreement, or the agreements of several affiliated international guilds... their purpose is to honor the best films produced by WGA members, or under WGA guidelines."
Additional screenplays missing the cut include How to Train Your Dragon, The Ghost Writer, Nowhere Boy, The Way Back, Never Let Me Go, Love and Other Drugs, Made in Dagenham, Green Zone, Biutiful and Scott Pilgrim vs. the World.
Before you begin scrutinizing these nominees you should know the screenplays for The King's Speech, Winter's Bone, Toy Story 3, Blue Valentine and Another Year were all deemed ineligible as Steve Pond at The Wrap details saying the WGA "restrict nominations to films that are written for productions that are signatories to the guild's Minimum Basic Agreement, or the agreements of several affiliated international guilds... their purpose is to honor the best films produced by WGA members, or under WGA guidelines."
Additional screenplays missing the cut include How to Train Your Dragon, The Ghost Writer, Nowhere Boy, The Way Back, Never Let Me Go, Love and Other Drugs, Made in Dagenham, Green Zone, Biutiful and Scott Pilgrim vs. the World.
- 1/4/2011
- by Brad Brevet
- Rope of Silicon
Unlike the Producers and Directors Guild awards, the Writers Guild nominees never match up too closely with the Academy Awards since several top Oscar contenders usually aren’t eligible for the WGA prize. (Entries must be filmed under guild jurisdictions to qualify.) That’s why we don’t see The King’s Speech, Another Year, Winter’s Bone, Blue Valentine, or Toy Story 3 in the just-announced WGA lists. So which screenplays took advantage of the extra spaces? Clearly, it’s Please Give and I Love You Phillip Morris, two films that haven’t made much of an impression in...
- 1/4/2011
- by Dave Karger
- EW - Inside Movies
After the Producers Guild kicked things off this morning with their mostly standard list of ten nominees, the Writers Guild chimes in with their picks, and a few surprises among them. Some may have predicted Nicole Holofcener to get recognized for original screenplay on Please Give, but I don’t think anyone had John Requa and Glenn Ficarra in mind for their adapted screenplay of I Love You Phillip Morris. It was a film I personally enjoyed, but it made no thud at the box office, nor previous critic acclaim. The rest of the picks are expected, with it being previously reported that The King’s Speech, Winter’s Bone, Toy Story 3, Blue Valentine and Another Year were all being disqualified. See the full list below via indieWIRE.
Original Screenplay
Black Swan
Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter...
Original Screenplay
Black Swan
Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter...
- 1/4/2011
- by Jordan Raup
- The Film Stage
Los Angeles and New York – The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) have announced nominations for outstanding achievement in writing for the screen during 2010. Winners will be honored at the 2011 Writers Guild Awards held on Saturday, February 5, 2011, at simultaneous ceremonies in Los Angeles and New York.
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception, Written by Christopher Nolan; Warner Bros.
The Kids Are All Right, Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
Please Give, Written by Nicole Holofcener; Sony Pictures Classics
Adapted Screenplay
127 Hours, Screenplay by Danny Boyle & Simon Beaufoy; Based on the book Between a Rock and a Hard Place by Aron Ralston; Fox Searchlight
I Love You Phillip Morris,...
Original Screenplay
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception, Written by Christopher Nolan; Warner Bros.
The Kids Are All Right, Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
Please Give, Written by Nicole Holofcener; Sony Pictures Classics
Adapted Screenplay
127 Hours, Screenplay by Danny Boyle & Simon Beaufoy; Based on the book Between a Rock and a Hard Place by Aron Ralston; Fox Searchlight
I Love You Phillip Morris,...
- 1/4/2011
- by MIKE FLEMING
- Deadline
Best Picture
Frontrunners
“The Social Network” (Columbia, 10/1, PG-13, trailer)
“The King’s Speech” (The Weinstein Company, 11/26, R, trailer)
“The Fighter” (Paramount, 12/10, R, trailer)
“Inception” (Warner Brothers, 7/16, PG-13, trailer)
“Black Swan” (Fox Searchlight, 12/1, R, trailer)
“The Kids Are All Right” (Focus Features, 7/9, R, trailer)
“True Grit” (Paramount, 12/25, PG-13, trailer)
“127 Hours” (Fox Searchlight, 11/5, R, trailer)
“Toy Story 3” (Disney, 6/18, G, trailer)
“Blue Valentine” (The Weinstein Company, 12/29, R, trailer)
Major Threats
“Winter’s Bone” (Roadside Attractions, 6/11, R, trailer)
“The Town” (Warner Brothers, 9/17, R, trailer)
“The Ghost Writer” (Summit, 2/19, PG-13, trailer)
“Shutter Island” (Paramount, 2/19, R, trailer)
“Somewhere” (Focus Features, 12/22, R, trailer)
“Another Year” (Sony Pictures Classics, 12/31, PG-13, trailer)
“Rabbit Hole” (Lionsgate, 12/17, Tbd, trailer)
Possibilities
“Waiting for ‘Superman’” (Paramount Vantage, 9/24, PG, trailer)
“Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer)
“Secretariat” (Disney, 10/8, PG, trailer)
“Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer)
“Biutiful” (Roadside Attractions, 12/29, R, trailer)
“Alice in Wonderland” (Disney, 3/5, PG, trailer)
Best Director
Frontrunners
David Fincher...
Frontrunners
“The Social Network” (Columbia, 10/1, PG-13, trailer)
“The King’s Speech” (The Weinstein Company, 11/26, R, trailer)
“The Fighter” (Paramount, 12/10, R, trailer)
“Inception” (Warner Brothers, 7/16, PG-13, trailer)
“Black Swan” (Fox Searchlight, 12/1, R, trailer)
“The Kids Are All Right” (Focus Features, 7/9, R, trailer)
“True Grit” (Paramount, 12/25, PG-13, trailer)
“127 Hours” (Fox Searchlight, 11/5, R, trailer)
“Toy Story 3” (Disney, 6/18, G, trailer)
“Blue Valentine” (The Weinstein Company, 12/29, R, trailer)
Major Threats
“Winter’s Bone” (Roadside Attractions, 6/11, R, trailer)
“The Town” (Warner Brothers, 9/17, R, trailer)
“The Ghost Writer” (Summit, 2/19, PG-13, trailer)
“Shutter Island” (Paramount, 2/19, R, trailer)
“Somewhere” (Focus Features, 12/22, R, trailer)
“Another Year” (Sony Pictures Classics, 12/31, PG-13, trailer)
“Rabbit Hole” (Lionsgate, 12/17, Tbd, trailer)
Possibilities
“Waiting for ‘Superman’” (Paramount Vantage, 9/24, PG, trailer)
“Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer)
“Secretariat” (Disney, 10/8, PG, trailer)
“Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer)
“Biutiful” (Roadside Attractions, 12/29, R, trailer)
“Alice in Wonderland” (Disney, 3/5, PG, trailer)
Best Director
Frontrunners
David Fincher...
- 12/29/2010
- by Scott Feinberg
- Scott Feinberg
Rob Lemkin and Thet Sambath's searing doc "Enemies of the People," premiered at this year's Sundance Film Festival and walked off with the World Documentary Special Jury Prize. Since the win, the film has continued its winning streak by collecting gongs and critical accolades at Full Frame, True/False, One World and Human Rights Watch New York. The film was released last week in New York and runs in Los Angeles ...
- 12/28/2010
- Indiewire
Rob Lemkin and Thet Sambath's searing doc "Enemies of the People," premiered at this year's Sundance Film Festival and walked off with the World Documentary Special Jury Prize. Since the win, the film has continued its winning streak by collecting gongs and critical accolades at Full Frame, True/False, One World and Human Rights Watch New York. The film was released last week in New York and runs in Los Angeles ...
- 12/28/2010
- indieWIRE - People
Best Picture
Frontrunners
“The Social Network” (Columbia, 10/1, PG-13, trailer)
“The King’s Speech” (The Weinstein Company, 11/26, R, trailer)
“The Fighter” (Paramount, 12/10, R, trailer)
“Black Swan” (Fox Searchlight, 12/1, R, trailer)
“The Kids Are All Right” (Focus Features, 7/9, R, trailer)
“True Grit” (Paramount, 12/25, PG-13, trailer)
“Inception” (Warner Brothers, 7/16, PG-13, trailer)
“127 Hours” (Fox Searchlight, 11/5, R, trailer)
“Toy Story 3” (Disney, 6/18, G, trailer)
“Winter’s Bone” (Roadside Attractions, 6/11, R, trailer)
Major Threats
“Blue Valentine” (The Weinstein Company, 12/31, R, trailer)
“The Town” (Warner Brothers, 9/17, R, trailer)
“Shutter Island” (Paramount, 2/19, R, trailer)
“Another Year” (Sony Pictures Classics, 12/31, PG-13, trailer)
“Rabbit Hole” (Lionsgate, 12/17, Tbd, trailer)
“Secretariat” (Disney, 10/8, PG, trailer)
“Biutiful” (Roadside Attractions, 12/29, R, trailer)
“Waiting for ‘Superman’” (Paramount Vantage, 9/24, PG, trailer)
Possibilities
“The Ghost Writer” (Summit, 2/19, PG-13, trailer)
“Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer)
“Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer)
“Alice in Wonderland” (Disney, 3/5, PG, trailer)
“Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer)
“Love and Other Drugs...
Frontrunners
“The Social Network” (Columbia, 10/1, PG-13, trailer)
“The King’s Speech” (The Weinstein Company, 11/26, R, trailer)
“The Fighter” (Paramount, 12/10, R, trailer)
“Black Swan” (Fox Searchlight, 12/1, R, trailer)
“The Kids Are All Right” (Focus Features, 7/9, R, trailer)
“True Grit” (Paramount, 12/25, PG-13, trailer)
“Inception” (Warner Brothers, 7/16, PG-13, trailer)
“127 Hours” (Fox Searchlight, 11/5, R, trailer)
“Toy Story 3” (Disney, 6/18, G, trailer)
“Winter’s Bone” (Roadside Attractions, 6/11, R, trailer)
Major Threats
“Blue Valentine” (The Weinstein Company, 12/31, R, trailer)
“The Town” (Warner Brothers, 9/17, R, trailer)
“Shutter Island” (Paramount, 2/19, R, trailer)
“Another Year” (Sony Pictures Classics, 12/31, PG-13, trailer)
“Rabbit Hole” (Lionsgate, 12/17, Tbd, trailer)
“Secretariat” (Disney, 10/8, PG, trailer)
“Biutiful” (Roadside Attractions, 12/29, R, trailer)
“Waiting for ‘Superman’” (Paramount Vantage, 9/24, PG, trailer)
Possibilities
“The Ghost Writer” (Summit, 2/19, PG-13, trailer)
“Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer)
“Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer)
“Alice in Wonderland” (Disney, 3/5, PG, trailer)
“Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer)
“Love and Other Drugs...
- 12/17/2010
- by Scott Feinberg
- Scott Feinberg
Alison Willmore:
If 2010 has been the year of the fuzzy line between fact and fiction, it's also been the year in which the truth became subjective and, often, incidental. These past 12 months saw the arrival of the avowed documentary many suspect is staged "Catfish," and the admitted staged film that pretended to be a documentary "I'm Still Here," but as the dust has cleared, what remains is the question of their bona fides as stand alone films. Does Banksy's puckish "Exit Through the Gift Shop" lose some of the bite of its bitterly funny art world commentary if it turns out to be more engineered than it claims? Is it important that "The Social Network" elides and ignores details about Mark Zuckerberg and the website he founded? Would "Alamar" be less of a movie if it were populated by unrelated actors instead of a father and son?
Your answers may differ,...
If 2010 has been the year of the fuzzy line between fact and fiction, it's also been the year in which the truth became subjective and, often, incidental. These past 12 months saw the arrival of the avowed documentary many suspect is staged "Catfish," and the admitted staged film that pretended to be a documentary "I'm Still Here," but as the dust has cleared, what remains is the question of their bona fides as stand alone films. Does Banksy's puckish "Exit Through the Gift Shop" lose some of the bite of its bitterly funny art world commentary if it turns out to be more engineered than it claims? Is it important that "The Social Network" elides and ignores details about Mark Zuckerberg and the website he founded? Would "Alamar" be less of a movie if it were populated by unrelated actors instead of a father and son?
Your answers may differ,...
- 12/16/2010
- by Alison Willmore
- ifc.com
As we walk down towards the Super Bowl of the movie awards season aka the Academy Awards, all the various critics associations and guilds release their own kudofest. It can get confusing and beguiling, so I created a nifty package for you -- I compiled all the nominees, winners of various award-giving bodies so you can make informed decision when it comes to predicting the Oscars.
And here we go:
AFI Honorees
African-American Film Critics
Annie Awards
Boston Film Critics
Broadcast Film Critics Association (Critics Choice)
Chicago Film Critics Association
Detroit Film Critics
European Film Awards
Golden Globe Awards
Gotham Awards
Houston Area Film Critics
International Documentary Association Awards
Independent Spirit Awards
Indiana Film Journalists. Association
La Film Critics Association Awards
London Critics' Circle Awards
National Board of Review Awards
New York Film Critics Circle Awards
New York Film Critics Online Awards
Producers Guild Documentary Awards
San Diego Film Critics...
And here we go:
AFI Honorees
African-American Film Critics
Annie Awards
Boston Film Critics
Broadcast Film Critics Association (Critics Choice)
Chicago Film Critics Association
Detroit Film Critics
European Film Awards
Golden Globe Awards
Gotham Awards
Houston Area Film Critics
International Documentary Association Awards
Independent Spirit Awards
Indiana Film Journalists. Association
La Film Critics Association Awards
London Critics' Circle Awards
National Board of Review Awards
New York Film Critics Circle Awards
New York Film Critics Online Awards
Producers Guild Documentary Awards
San Diego Film Critics...
- 12/15/2010
- by Manny
- Manny the Movie Guy
The third Narnia episode falters in spite of rave reviews and even Depp and Jolie can't capitalise. Is it The X Factor's fault?
The faltering start # 1
You might think that opening at the top of the box-office chart automatically places a film in the winners' enclosure. But we doubt backers 20th Century Fox are doing cartwheels over the debut grosses of the new Chronicles of Narnia film, The Voyage of the Dawn Treader. With £2.46m including previews of £264,000, that's just over half the opening of Prince Caspian from July 2008 (£4.06m, including £503,000 in previews), which in turn was less than half the debut of The Lion, the Witch and the Wardrobe from December 2005 (£8.88m, including previews of £845,000).
For Disney, which backed the first two Narnia films but declined to proceed with the third, it wasn't the actual worldwide gross for Caspian (a decent $419m) that caused alarm. It was the...
The faltering start # 1
You might think that opening at the top of the box-office chart automatically places a film in the winners' enclosure. But we doubt backers 20th Century Fox are doing cartwheels over the debut grosses of the new Chronicles of Narnia film, The Voyage of the Dawn Treader. With £2.46m including previews of £264,000, that's just over half the opening of Prince Caspian from July 2008 (£4.06m, including £503,000 in previews), which in turn was less than half the debut of The Lion, the Witch and the Wardrobe from December 2005 (£8.88m, including previews of £845,000).
For Disney, which backed the first two Narnia films but declined to proceed with the third, it wasn't the actual worldwide gross for Caspian (a decent $419m) that caused alarm. It was the...
- 12/14/2010
- by Charles Gant
- The Guardian - Film News
Best Picture
Frontrunners
“The Social Network” (Columbia, 10/1, PG-13, trailer)
“The King’s Speech” (The Weinstein Company, 11/26, R, trailer)
“The Fighter” (Paramount, 12/10, R, trailer)
“True Grit” (Paramount, 12/25, PG-13, trailer)
“The Kids Are All Right” (Focus Features, 7/9, R, trailer)
“127 Hours” (Fox Searchlight, 11/5, R, trailer)
“Inception” (Warner Brothers, 7/16, PG-13, trailer)
“Black Swan” (Fox Searchlight, 12/1, R, trailer)
“Toy Story 3” (Disney, 6/18, G, trailer)
“Blue Valentine” (The Weinstein Company, 12/31, R, trailer)
Major Threats
“The Town” (Warner Brothers, 9/17, R, trailer)
“Shutter Island” (Paramount, 2/19, R, trailer)
“Winter’s Bone” (Roadside Attractions, 6/11, R, trailer)
“Another Year” (Sony Pictures Classics, 12/31, PG-13, trailer)
“Secretariat” (Disney, 10/8, PG, trailer)
“Rabbit Hole” (Lionsgate, 12/17, Tbd, trailer)
“The Ghost Writer” (Summit, 2/19, PG-13, trailer)
Possibilities
“Waiting for ‘Superman’” (Paramount Vantage, 9/24, PG, trailer)
“Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer)
“Biutiful” (Roadside Attractions, 12/29, R, trailer)
“Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer)
“The Way Back” (Newmarket, 12/29, PG-13, trailer)
“Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer)
Outside Shots
“Somewhere” (Focus Features,...
Frontrunners
“The Social Network” (Columbia, 10/1, PG-13, trailer)
“The King’s Speech” (The Weinstein Company, 11/26, R, trailer)
“The Fighter” (Paramount, 12/10, R, trailer)
“True Grit” (Paramount, 12/25, PG-13, trailer)
“The Kids Are All Right” (Focus Features, 7/9, R, trailer)
“127 Hours” (Fox Searchlight, 11/5, R, trailer)
“Inception” (Warner Brothers, 7/16, PG-13, trailer)
“Black Swan” (Fox Searchlight, 12/1, R, trailer)
“Toy Story 3” (Disney, 6/18, G, trailer)
“Blue Valentine” (The Weinstein Company, 12/31, R, trailer)
Major Threats
“The Town” (Warner Brothers, 9/17, R, trailer)
“Shutter Island” (Paramount, 2/19, R, trailer)
“Winter’s Bone” (Roadside Attractions, 6/11, R, trailer)
“Another Year” (Sony Pictures Classics, 12/31, PG-13, trailer)
“Secretariat” (Disney, 10/8, PG, trailer)
“Rabbit Hole” (Lionsgate, 12/17, Tbd, trailer)
“The Ghost Writer” (Summit, 2/19, PG-13, trailer)
Possibilities
“Waiting for ‘Superman’” (Paramount Vantage, 9/24, PG, trailer)
“Inside Job” (Sony Pictures Classics, 10/8, PG-13, trailer)
“Biutiful” (Roadside Attractions, 12/29, R, trailer)
“Get Low” (Sony Pictures Classics, 7/30, PG-13, trailer)
“The Way Back” (Newmarket, 12/29, PG-13, trailer)
“Made in Dagenham” (Sony Pictures Classics, 11/19, R, trailer)
Outside Shots
“Somewhere” (Focus Features,...
- 12/13/2010
- by Scott Feinberg
- Scott Feinberg
A tough crowd at the Bifas, why Airplane II should have been an entirely different movie, and avoiding the wrath of Nina Simone
Cheer up, it's an awards ceremony
Martin Freeman hops off to New Zealand in January to play Bilbo Baggins. He was at the Bifas last week, and at BBC London radio, following me around like a little hobbity thing. Go to Middle-earth, I said, and seize your huge break of a role. "I'll give it a go," he said. You don't seem too happy about it, I ventured. "Oh, well," he said, perking up a bit, "I'll try to do as good a job as possible and not muck it up." Freeman clearly fears being away from his lovely family for so long but will nevertheless be in good company in New Zealand, with Bifa host James Nesbitt, whose new head of hair looked surprisingly good, I thought.
Cheer up, it's an awards ceremony
Martin Freeman hops off to New Zealand in January to play Bilbo Baggins. He was at the Bifas last week, and at BBC London radio, following me around like a little hobbity thing. Go to Middle-earth, I said, and seize your huge break of a role. "I'll give it a go," he said. You don't seem too happy about it, I ventured. "Oh, well," he said, perking up a bit, "I'll try to do as good a job as possible and not muck it up." Freeman clearly fears being away from his lovely family for so long but will nevertheless be in good company in New Zealand, with Bifa host James Nesbitt, whose new head of hair looked surprisingly good, I thought.
- 12/12/2010
- by Jason Solomons
- The Guardian - Film News
Somewhere (15)
(Sofia Coppola, 2010, Us) Stephen Dorff, Elle Fanning, Chris Pontius. 98 mins
Let's see: a poor little lost girl; a distant, powerful father figure; artsy observations on wealth and fame – Coppola's hardly hurling herself out of her comfort zone. But there's just enough to make it work, with Dorff's disengaged movie star struggling to bond with his daughter, get a life and check out of Hotel California. It's an almost structureless essay on how celebrity is wasted on the famous.
The Chronicles Of Narnia: The Voyage Of The Dawn Treader (PG)
(Michael Apted, 2010, Us) Georgie Henley, Skandar Keynes, Ben Barnes. 113 mins
The seafaring odyssey was always the series' most cinematic proposition, and if you can get over the stagey acting and religious homilies, it's a solid kids' adventure.
The Tourist (12A)
(Florian Henckel von Donnersmarck, 2010, Us/Fra) Johnny Depp, Angelina Jolie, Paul Bettany. 103 mins
With its handsome leads, Venetian locations and wrong-man intrigues,...
(Sofia Coppola, 2010, Us) Stephen Dorff, Elle Fanning, Chris Pontius. 98 mins
Let's see: a poor little lost girl; a distant, powerful father figure; artsy observations on wealth and fame – Coppola's hardly hurling herself out of her comfort zone. But there's just enough to make it work, with Dorff's disengaged movie star struggling to bond with his daughter, get a life and check out of Hotel California. It's an almost structureless essay on how celebrity is wasted on the famous.
The Chronicles Of Narnia: The Voyage Of The Dawn Treader (PG)
(Michael Apted, 2010, Us) Georgie Henley, Skandar Keynes, Ben Barnes. 113 mins
The seafaring odyssey was always the series' most cinematic proposition, and if you can get over the stagey acting and religious homilies, it's a solid kids' adventure.
The Tourist (12A)
(Florian Henckel von Donnersmarck, 2010, Us/Fra) Johnny Depp, Angelina Jolie, Paul Bettany. 103 mins
With its handsome leads, Venetian locations and wrong-man intrigues,...
- 12/11/2010
- by The guide
- The Guardian - Film News
Jason Solomons delves into the new-found musical work of director David Lynch. Lynch discusses how his love of music feeds his films and how this love has given birth to pure musical creations. He assures us he is not about to give up making films.
Leading British film-maker Rob Lemkin discusses his Bifa award-winning documentary Enemies of the People. Co-directed with investigative journalist Thet Sambath, the film looks at a very personal journey to find the people responsible for the killing fields in Cambodia under the Pol Pot regime in the 1970s.
Xan Brooks and Jason review some of this week's other releases including Johnny Depp and Angelina Jolie in The Tourist, Mathieu Amalric and his burlesque troupe in On Tour and the third instalment of the Narnia series, Voyage of the Dawn Treader.
Jason SolomonsXan BrooksJason Phipps...
Leading British film-maker Rob Lemkin discusses his Bifa award-winning documentary Enemies of the People. Co-directed with investigative journalist Thet Sambath, the film looks at a very personal journey to find the people responsible for the killing fields in Cambodia under the Pol Pot regime in the 1970s.
Xan Brooks and Jason review some of this week's other releases including Johnny Depp and Angelina Jolie in The Tourist, Mathieu Amalric and his burlesque troupe in On Tour and the third instalment of the Narnia series, Voyage of the Dawn Treader.
Jason SolomonsXan BrooksJason Phipps...
- 12/9/2010
- by Jason Solomons, Xan Brooks, Jason Phipps
- The Guardian - Film News
Filed under: Documentaries, Sundance Film Festival, Columns, Cinematical
Pictured: An image from Steve James 'The Interrupters'
Doc Talk is a bi-weekly column on all things documentary and non-fiction cinema.
Could anyone have guessed this time last year that 2010 would be the best year for documentary ever? Might we have predicted it based on the selections for the Sundance Film Festival, which we knew then to include new non-fiction works by Alex Gibney, Davis Guggenheim, Michael Winterbottom & Mat Whitecross, Leon Gast, Sam Green, Amir Bar-Lev, Stanley Nelson and Rachel Grady & Heidi Ewing? The thing is, it's very possible none of those works would even crack my top ten list for the year in docs.
But the festival did bring us many of my favorites of 2010 (including my #1, 'Last Train Home,' though this had previously premiered elsewhere, as well as 'Restrepo,' 'Enemies of the People,' 'Gasland' and the...
Pictured: An image from Steve James 'The Interrupters'
Doc Talk is a bi-weekly column on all things documentary and non-fiction cinema.
Could anyone have guessed this time last year that 2010 would be the best year for documentary ever? Might we have predicted it based on the selections for the Sundance Film Festival, which we knew then to include new non-fiction works by Alex Gibney, Davis Guggenheim, Michael Winterbottom & Mat Whitecross, Leon Gast, Sam Green, Amir Bar-Lev, Stanley Nelson and Rachel Grady & Heidi Ewing? The thing is, it's very possible none of those works would even crack my top ten list for the year in docs.
But the festival did bring us many of my favorites of 2010 (including my #1, 'Last Train Home,' though this had previously premiered elsewhere, as well as 'Restrepo,' 'Enemies of the People,' 'Gasland' and the...
- 12/9/2010
- by Christopher Campbell
- Moviefone
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