59
Metascore
10 reviews · Provided by Metacritic.com
- 90The New York TimesA.O. ScottThe New York TimesA.O. ScottTwo in the Wave honors that collaboration by carefully recounting its details and arguing for its significance. The films of Truffaut and Mr. Godard stand or fall by themselves, but together they made history.
- 80New York Daily NewsJoe NeumaierNew York Daily NewsJoe NeumaierFor the uninitiated, this fun French documentary detailing the camaraderie and division between filmmakers François Truffaut and Jean-Luc Godard reveals a time when "the cinema" was something to get excited about and literally fight over.
- 75Boston GlobeWesley MorrisBoston GlobeWesley MorrisThe documentary is primarily a work of whimsy.
- 60The Hollywood ReporterThe Hollywood ReporterWhile the film clips are well chosen, it's disappointing that the director often fails to identify the movies from which they are taken.
- 60EmpireDavid ParkinsonEmpireDavid ParkinsonLaurent's brushstrokes always feel a little too broad to capture the finer details of the legendary New Wavers, but some fascinating archive footage saves his documentary from missing the mark altogether.
- 50Boxoffice MagazineWade MajorBoxoffice MagazineWade MajorIt's certainly a story worth telling, but hardly as pivotal and all-encompassing as they would like to believe, all of which makes the effort far more exhausting than it ever should have been.
- 50VarietyTodd McCarthyVarietyTodd McCarthyThe demoralizing slide of the relationship between Francois Truffaut and Jean-Luc Godard, from artistic comrades-in-arms during the thrilling creation of the nouvelle vague to name-calling enemies from the early '70s onward, is charted in overly academic and constricted fashion in Two in the Wave.
- 50New York PostV.A. MusettoNew York PostV.A. MusettoAn interesting but flawed look at the birth of the French New Wave.
- 40Time OutKeith UhlichTime OutKeith UhlichThe film blows up a minor aspect of the New Wave to foolishly apocalyptic proportions, substituting gossip for gospel.
- 40Village VoiceVillage VoiceDirector Emmanuel Laurent extends de Baecque's essay with clips from Truffaut-Godard films (diminished in HD) and, rather than new interviews with contemporaries, footage of an attractive actress (Isild Le Besco) flipping through old photos and looking pensively at the entrance of the old Cinémathèque Française.