Uncork’d Entertainment has acquired the North American rights for suspense sci-fi thriller “I’ll Be Watching” from Iuvit Media Sales at the European Film Market in Berlin.
The film has also been picked up by Falcon Films in the Middle East and North Africa, while Dolphin Medien has taken German-speaking territory rights.
The film is directed by Erik Bernard (“Free Dead or Alive”), and stars “The 100” stars Eliza Taylor and Bob Morley, along with Bryan Batt (“12 Years a Slave”), David Keith (“An Officer and a Gentleman”), Hannah Fierman (“VHS”), and Seth Michaels (“Red Notice”).
In the film, tech genius husband (Morley) is away on a work trip, while Julie (Taylor) – still mourning the loss of her sister – is trapped in their new, isolated home and must fight her own fears to stay alive.
“I’ll Be Watching” is scheduled for a second quarter 2023 release in North America, Mena and German-speaking territories.
The film has also been picked up by Falcon Films in the Middle East and North Africa, while Dolphin Medien has taken German-speaking territory rights.
The film is directed by Erik Bernard (“Free Dead or Alive”), and stars “The 100” stars Eliza Taylor and Bob Morley, along with Bryan Batt (“12 Years a Slave”), David Keith (“An Officer and a Gentleman”), Hannah Fierman (“VHS”), and Seth Michaels (“Red Notice”).
In the film, tech genius husband (Morley) is away on a work trip, while Julie (Taylor) – still mourning the loss of her sister – is trapped in their new, isolated home and must fight her own fears to stay alive.
“I’ll Be Watching” is scheduled for a second quarter 2023 release in North America, Mena and German-speaking territories.
- 2/18/2023
- by Leo Barraclough
- Variety Film + TV
“Some called him the godfather of underground film.” “My guest tonight is Jonas Mekas, who was first of all a poet before he was a filmmaker.” “His name is Jonas Mekas, a man who I think more than almost anybody in the world epitomizes the meaning and significance of independent filmmaking.”
Those are some of the TV news voiceover soundbites that open Kd Davison’s documentary about the great ringleader of American avant-garde cinema. It’s not an auspicious beginning. How can a doc about someone who championed pushing the boundaries of filmmaking to their limit get such a prosaic and obvious introduction for a film about his life? Certainly his 96 years were more than a sum of media reports from broadcasters who barely grasped his work. Not to mention, if you’re devoting the time to watch a documentary about the Lithuanian-born curator, poet, and filmmaker, you probably already know the basics about him,...
Those are some of the TV news voiceover soundbites that open Kd Davison’s documentary about the great ringleader of American avant-garde cinema. It’s not an auspicious beginning. How can a doc about someone who championed pushing the boundaries of filmmaking to their limit get such a prosaic and obvious introduction for a film about his life? Certainly his 96 years were more than a sum of media reports from broadcasters who barely grasped his work. Not to mention, if you’re devoting the time to watch a documentary about the Lithuanian-born curator, poet, and filmmaker, you probably already know the basics about him,...
- 9/2/2022
- by Christian Blauvelt
- Indiewire
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