Planning logistics and hiring crew for film productions like The Hurt Locker is hard graft with little in the way of glitter, Donall McCusker tells Jill Insley
Most people have pictures of their children, pets and partners on their iPhone. Not Donall McCusker: his gallery includes soldiers hefting large guns, profile shots of Arabic-looking men and perfectly timed snaps of explosions – the kind of thing that would immediately lead to his detention if spotted by airport security staff.
It might take him some time to convince them of his innocence: he was brought up in Belfast and still has a distinct accent which, combined with the photos, might start alarm bells ringing.
But McCusker has the best reason in the world to be carrying these photos: he was co-producer on the war film The Hurt Locker, which picked up six Academy Awards this year, and his photos are all...
Most people have pictures of their children, pets and partners on their iPhone. Not Donall McCusker: his gallery includes soldiers hefting large guns, profile shots of Arabic-looking men and perfectly timed snaps of explosions – the kind of thing that would immediately lead to his detention if spotted by airport security staff.
It might take him some time to convince them of his innocence: he was brought up in Belfast and still has a distinct accent which, combined with the photos, might start alarm bells ringing.
But McCusker has the best reason in the world to be carrying these photos: he was co-producer on the war film The Hurt Locker, which picked up six Academy Awards this year, and his photos are all...
- 5/14/2010
- by Jill Insley
- The Guardian - Film News
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