A fugitive once more, Cassian must make his next move before it is too late.A fugitive once more, Cassian must make his next move before it is too late.A fugitive once more, Cassian must make his next move before it is too late.
Dave Chapman
- B2EMO
- (voice)
Matthew Lyons
- Dewi Pamular
- (as Matt Lyons)
Nicholas Moss
- Lieutenant Keysax
- (as Nick Moss)
Storyline
Did you know
- TriviaFirst major on-screen appearance of the Cantwell-class Arrestor Cruiser, the ship's design, based off a World War II aircraft carrier, was first created by visual effects artist Colin Cantwell as one of the potential designs for the Imperial Star Destroyer in Star Wars: Episode IV - A New Hope (1977), though it ultimately was not used. 40 years later the production crew for Solo: A Star Wars Story (2018) looked through Lucasfilm archives for ship design ideas and came across this design and decided to use it for an Imperial ship in the film, though it only wound up being used in a short Imperial recruitment video. The name for the ship, Cantwell-class, was first used in the novelization of the film when it almost captured the Millennium Falcon, the original script for the film featured a scene where the Falcon was captured by the cruiser but it was ultimately cut from the final version.
- GoofsWhen Cassian is calling Xanwan, he tells him to use no names, twice. Then immediately following the second time, he mentions Xan's name.
But he personally already mentioned "Marva Andor", so with "no names" he clearly meant not to mention only HIS name, "Cassian Andor".
- Quotes
Vel Sartha: What have you done for him lately?
Kleya Marki: I don't have lately. I have always. I have a constant blur of plates spinning and knives on the floor and needy, panicked faces at the window, of which you are but one of many.
- ConnectionsReferences Star Wars: Episode I - The Phantom Menace (1999)
Featured review
This show is getting better towards the end
With a bit of a rough start, Andor is proving to become a must watch show.
This episode specifically focusses more on character development and gives the actors the needed screentime to actually act. Long close-ups engage the watchers and we can see the change in our characters unfolding in a way the old films use to do it.
As the previous episode, it's of a high quality, and after the rush of the previous episode, this one is a well paced, visually stunning and emotionally engaging 40 min.
The camera work, acting and editing is on the spot and Benjamin Caron's directing is superb!
I cannot wait for the season's final!
This episode specifically focusses more on character development and gives the actors the needed screentime to actually act. Long close-ups engage the watchers and we can see the change in our characters unfolding in a way the old films use to do it.
As the previous episode, it's of a high quality, and after the rush of the previous episode, this one is a well paced, visually stunning and emotionally engaging 40 min.
The camera work, acting and editing is on the spot and Benjamin Caron's directing is superb!
I cannot wait for the season's final!
- matyagriffioen
- Nov 15, 2022
- Permalink
Details
- Runtime43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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