This project was shot using the state of the art RED digital camera also used recently on 'Steven Soderberg''s Che: Part One (2008) and Che: Part Two (2008), and Ron Howard's Angels & Demons (2009).
Edward Asner signed on to the project after the script had been re-written and expanded for him. He worked under the SAG Short Film Agreement along with Cain Kerner and Crystal Field which allows very low budget productions to work with professional performers.