Titles include ‘Solids By The Seashore’ and ‘Oasis Of Now’.
Bangkok-based Diversion has launched sales of Patiparn Boontarig’s Solids By The Seashore and Chia Chee Sum’s Oasis Of Now, ahead of their world premieres at the upcoming Busan International Film Festival (October 4-13).
Both titles will play in Biff’s New Currents competition, the festival’s main competitive section for Asian films.
Solids By The Seashore is set in a southern town in Thailand on the verge of an environmental crisis and revolves around the intimate relationship between a young woman from a local conservative Muslim family and...
Bangkok-based Diversion has launched sales of Patiparn Boontarig’s Solids By The Seashore and Chia Chee Sum’s Oasis Of Now, ahead of their world premieres at the upcoming Busan International Film Festival (October 4-13).
Both titles will play in Biff’s New Currents competition, the festival’s main competitive section for Asian films.
Solids By The Seashore is set in a southern town in Thailand on the verge of an environmental crisis and revolves around the intimate relationship between a young woman from a local conservative Muslim family and...
- 8/30/2023
- by Silvia Wong
- ScreenDaily
Filmmakers had called for a boycott over the rule change.
The organisers behind Thailand’s Suphannahong National Film Awards have dropped a rule that would effectively disqualify independent features from nomination following a major backlash.
A recent rule change by the National Federation of Motion Pictures and Contents Associations (Mpc) stated that theatrical releases in five regions of Thailand and a minimum of 50,000 cinema admissions were required for a film to be considered for nomination. These regions include Bangkok, Chiangmai (the north), Chonburi (the east), Nakhon Ratchasima (the northeast) and Nakhon Si Thammarat (the south).
It meant that, earlier this week,...
The organisers behind Thailand’s Suphannahong National Film Awards have dropped a rule that would effectively disqualify independent features from nomination following a major backlash.
A recent rule change by the National Federation of Motion Pictures and Contents Associations (Mpc) stated that theatrical releases in five regions of Thailand and a minimum of 50,000 cinema admissions were required for a film to be considered for nomination. These regions include Bangkok, Chiangmai (the north), Chonburi (the east), Nakhon Ratchasima (the northeast) and Nakhon Si Thammarat (the south).
It meant that, earlier this week,...
- 3/31/2023
- by Silvia Wong
- ScreenDaily
Organizers of Thailand’s Suphannahong National Film Awards on Friday evening reversed an earlier rule change that had caused several filmmakers to call for a boycott.
Earlier this week it emerged that a recent rule change effectively disqualified independent or low-budget titles. The criteria stipulated that, to qualify for nomination, movies must be shown in cinemas (direct to streaming titles do not qualify), must have had a release in at least five regions or big cities, and attract audiences of at least 50,000 spectators.
At least, one local media report said that the rules were introduced in 2019. But the change had little impact in the intervening years due to low levels of film production.
This week the rules caused controversy among fans and members of the indie film community. The hashtag #BanSuphannahong has been prominent on Twitter since Thursday.
“Anatomy of Time” which premiered at the Venice festival in September last...
Earlier this week it emerged that a recent rule change effectively disqualified independent or low-budget titles. The criteria stipulated that, to qualify for nomination, movies must be shown in cinemas (direct to streaming titles do not qualify), must have had a release in at least five regions or big cities, and attract audiences of at least 50,000 spectators.
At least, one local media report said that the rules were introduced in 2019. But the change had little impact in the intervening years due to low levels of film production.
This week the rules caused controversy among fans and members of the indie film community. The hashtag #BanSuphannahong has been prominent on Twitter since Thursday.
“Anatomy of Time” which premiered at the Venice festival in September last...
- 3/31/2023
- by Patrick Frater
- Variety Film + TV
Damien Ounouri’s new film The Last Queen stars Bond villain Dali Benssalah as 16th-century pirate Barbarossa.
Paris-based The Party Film Sales has boarded sales on French-Algerian director Damien Ounouri’s The Last Queen ahead of this week’s European Film Market.
Ambitious in scope, The Last Queen is inspired by the legendary 16th Century figure of Princess Zephira, the wife of the last King of Algiers Salim Toumi, and her struggle to defend her people from the infamous pirate Barbarossa.
Adila Bendimerad stars as Zephira with Dali Benssalah, seen recently in No Time To Die, playing Barbarossa. Other cast members include Imane Noel,...
Paris-based The Party Film Sales has boarded sales on French-Algerian director Damien Ounouri’s The Last Queen ahead of this week’s European Film Market.
Ambitious in scope, The Last Queen is inspired by the legendary 16th Century figure of Princess Zephira, the wife of the last King of Algiers Salim Toumi, and her struggle to defend her people from the infamous pirate Barbarossa.
Adila Bendimerad stars as Zephira with Dali Benssalah, seen recently in No Time To Die, playing Barbarossa. Other cast members include Imane Noel,...
- 2/7/2022
- by Melanie Goodfellow
- ScreenDaily
The 15th edition of the Five Flavours Asian Film Festival (Aff) announced the Grand Prix winner and an Honourable Mention for its New Asian Cinema competition on November 24, 2021.
This year’s award winning films were selected by the International People’s Jury 2021 which included members from Finland, the Netherlands, Poland and Italy.
Grand Prix
The People’s Jury has selected Spring Tide directed by Yang Lina as the winner of this year’s New Asian Cinema section. Spring Tide is a universal depiction of generational trauma shown from a female perspective that subtly highlights the unhealthy dynamics of family relationships. With her strong directorial vision, the filmmaker combines dreamlike elements with a look at China’s past, present and future, which elevates the traditional genre of moral drama to a higher level. The authenticity of Spring Tide can prove to be a soothing and uplifting experience for everyone.
Courtesy of...
This year’s award winning films were selected by the International People’s Jury 2021 which included members from Finland, the Netherlands, Poland and Italy.
Grand Prix
The People’s Jury has selected Spring Tide directed by Yang Lina as the winner of this year’s New Asian Cinema section. Spring Tide is a universal depiction of generational trauma shown from a female perspective that subtly highlights the unhealthy dynamics of family relationships. With her strong directorial vision, the filmmaker combines dreamlike elements with a look at China’s past, present and future, which elevates the traditional genre of moral drama to a higher level. The authenticity of Spring Tide can prove to be a soothing and uplifting experience for everyone.
Courtesy of...
- 11/26/2021
- by Suzie Cho
- AsianMoviePulse
Jakrawal Nilthamrong’s sophomore feature film could have easily been called something like “The Anatomy of Silence” since dialogues appear only scarcely, and when they do, they don’t contribute much to the film’s plot with only one lonely exception. When we are finally faced with a longish conversation between the father and daughter in which the world religions are being discussed, it doesn’t even matter that the man doesn’t get all facts right (Christians believe in Jehova) because he makes a point about the humankind being stuck in its systems of beliefs regardless of race, nation or religion. It’s a scene that bears a huge importance for the storyline, because being stuck is what the young woman Maem (Prapamonton Eiamchan) listening to her father, will eventually be.
“Anatomy of Time” Screened at Five Flavours Asian Film Festival
“Wela-Anatomy of Silence” is a film that relies...
“Anatomy of Time” Screened at Five Flavours Asian Film Festival
“Wela-Anatomy of Silence” is a film that relies...
- 11/23/2021
- by Marina D. Richter
- AsianMoviePulse
The Tokyo Filmex festival wrapped up on Sunday with a prize ceremony and the surprise screening of “Revolution of Our Times,” a documentary about the pro-democracy movement in Hong Kong.
Filmex and the Tokyo International Film Festival have been largely cooperative events in the past two years. TIFF will come to a close with its own prize ceremony on Monday evening.
The Filmex first prize was awarded jointly to “Anatomy of Time,” directed by Thailand’s Jakrawal Nilthamrong, and to “What Do We See When We Look at the Sky?,” directed by Georgia’s Aleksandre Koberidze. Each wins a cash prize of JPY500,000.
The competition jury described “Anatomy” as “a suddenly cruel and violent sequence of characters past and present in which different layers of time are intertwined in a fascinating and challenging way.” Of “Sky” the jury said it was “a beautiful portrait of the city of Kutaisi [in which] the...
Filmex and the Tokyo International Film Festival have been largely cooperative events in the past two years. TIFF will come to a close with its own prize ceremony on Monday evening.
The Filmex first prize was awarded jointly to “Anatomy of Time,” directed by Thailand’s Jakrawal Nilthamrong, and to “What Do We See When We Look at the Sky?,” directed by Georgia’s Aleksandre Koberidze. Each wins a cash prize of JPY500,000.
The competition jury described “Anatomy” as “a suddenly cruel and violent sequence of characters past and present in which different layers of time are intertwined in a fascinating and challenging way.” Of “Sky” the jury said it was “a beautiful portrait of the city of Kutaisi [in which] the...
- 11/8/2021
- by Patrick Frater
- Variety Film + TV
Nominations in the 14th Asia Pacific Screen Awards (Apsa) were revealed today with nods for 38 films from 25 Asia Pacific countries and regions. Winners will be announced on Thursday, November 11, at the 14th Apsa Ceremony on the Australia Gold Coast. Nominations include Ryusuke Hamaguchi’s Drive My Car, which won the best screenplay award at Cannes, Asghar Farhadi’s Cannes Grand Prix winning, film A Hero, and the TIFF Platform award winning film Yuni directed by Kamila Andini.
Apsa celebrates cinema from over 70 countries, with an enhanced focus on content that reflects the region’s diversity.
Below is the full list of nominees.
Best Feature Film
A Hero (Ghahreman)
Directed by Asghar Farhadi
A Night of Knowing Nothing
Directed by Payal Kapadia
Drive My Car
Directed by Ryusuke Hamaguchi
The Pencil (Prostoy karandash)
Directed by Natalya Nazarova
There is No Evil (Sheytan vojud nadarad)
Directed by Mohammad Rasoulof
Best Youth Feature...
Apsa celebrates cinema from over 70 countries, with an enhanced focus on content that reflects the region’s diversity.
Below is the full list of nominees.
Best Feature Film
A Hero (Ghahreman)
Directed by Asghar Farhadi
A Night of Knowing Nothing
Directed by Payal Kapadia
Drive My Car
Directed by Ryusuke Hamaguchi
The Pencil (Prostoy karandash)
Directed by Natalya Nazarova
There is No Evil (Sheytan vojud nadarad)
Directed by Mohammad Rasoulof
Best Youth Feature...
- 10/13/2021
- by Valerie Complex
- Deadline Film + TV
Winners will be announced on November 11.
Cannes winners Drive My Car, directed by Ryusuke Hamaguchi, and Asghar Farhadi’s A Hero lead the nominations at the Asia Pacific Screen Academy (Apsa) awards.
Drive My Car is Japan’s entry for the best international feature Oscar and the Cannes 2021 Competition best screenplay winner. It follows a theatre actor and director who is grappling with grief for his lost wife.
A Hero, which won the grand prix at Cannes, is a French-Iranian co-production which looks at what happens when an unlikely hero finds himself caught up in a social media storm.
Both...
Cannes winners Drive My Car, directed by Ryusuke Hamaguchi, and Asghar Farhadi’s A Hero lead the nominations at the Asia Pacific Screen Academy (Apsa) awards.
Drive My Car is Japan’s entry for the best international feature Oscar and the Cannes 2021 Competition best screenplay winner. It follows a theatre actor and director who is grappling with grief for his lost wife.
A Hero, which won the grand prix at Cannes, is a French-Iranian co-production which looks at what happens when an unlikely hero finds himself caught up in a social media storm.
Both...
- 10/13/2021
- by Mona Tabbara
- ScreenDaily
Jakrawal Nilthamrong’s sophomore feature film could have easily been called something like “The Anatomy of Silence” since dialogues appear only scarcely, and when they do, they don’t contribute much to the film’s plot with only one lonely exception. When we are finally faced with a longish conversation between the father and daughter in which the world religions are being discussed, it doesn’t even matter that the man doesn’t get all facts right (Christians believe in Jehova) because he makes a point about the humankind being stuck in its systems of beliefs regardless of race, nation or religion. It’s a scene that bears a huge importance for the storyline, because being stuck is what the young woman Maem (Prapamonton Eiamchan) listening to her father, will eventually be.
“Wela-Anatomy of Silence” is a film that relies on the performance of its four principal actors playing an...
“Wela-Anatomy of Silence” is a film that relies on the performance of its four principal actors playing an...
- 9/17/2021
- by Marina D. Richter
- AsianMoviePulse
When the Thai actress Prapamonton Eiamchan got her first role in Prabda Yoon’s entangled, but visually strong live-action movie “Motel Mist” in 2016, she was a design student curious to experience something new. Five years and three other feature films later, she is on her way to become a star. With her latest role in Jakrawal Nilthamrong’s drama “Wela-Anatomy of Time” which has just had its world premiere in Orizzonti competition of Venice Film Festival, she proves to be the name to watch for.
The film focuses on one woman whose loyalty to a rough husband with dark past at first seems incomprehensible. We experience Maem borh as a young person (Eimchan) and as the elderly lady (Thaveeratana Leelanuja) in different phases of submission to the man she fell for, and while she mainly remains silent, her actions are louder than vocalized thoughts or emotions, although difficult to explain.
The film focuses on one woman whose loyalty to a rough husband with dark past at first seems incomprehensible. We experience Maem borh as a young person (Eimchan) and as the elderly lady (Thaveeratana Leelanuja) in different phases of submission to the man she fell for, and while she mainly remains silent, her actions are louder than vocalized thoughts or emotions, although difficult to explain.
- 9/17/2021
- by Marina D. Richter
- AsianMoviePulse
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