It’s lucky 13 for the Boston Underground Film Festival as they celebrate their raucous 13th annual edition this year. Opening with the much buzzed about bloody feature film Hobo With a Shotgun starring Rutger Hauer and directed by Jason Eisener, the fest then barrels on for eight wild nights and days from March 24-31.
While there’s plenty of underground goodness from the U.S.A., this year Buff feels like it’s a much more international affair with several sick features from around the globe. There’s gory horror and quirky black comedy from Japan in the guise of Yoshihiro Nishimura’s Helldriver and Sion Sono’s Cold Fish; the Argentinian freak-out Phase7 by Nicolas Goldbart; David Blyth’s Wound is a psychological thriller from New Zealand; and Mark Hartley’s Machete Maidens Unleashed! is a look at Philippine exploitation cinema from the ’70s.
Stateside there’s Usama Alshaibi‘s Profane,...
While there’s plenty of underground goodness from the U.S.A., this year Buff feels like it’s a much more international affair with several sick features from around the globe. There’s gory horror and quirky black comedy from Japan in the guise of Yoshihiro Nishimura’s Helldriver and Sion Sono’s Cold Fish; the Argentinian freak-out Phase7 by Nicolas Goldbart; David Blyth’s Wound is a psychological thriller from New Zealand; and Mark Hartley’s Machete Maidens Unleashed! is a look at Philippine exploitation cinema from the ’70s.
Stateside there’s Usama Alshaibi‘s Profane,...
- 3/10/2011
- by Mike Everleth
- Underground Film Journal
What’s brand new, big and British? Why, it’s the first annual London Underground Film Festival, which will run at the infamous Horse Hospital underground screening room on Dec. 4-10.
Seven full days and nights is an exceptionally aggressive schedule for a first time out, but it’s even more impressive once you dig into the variety of films and programs being offered, including lectures, installations and live performances mixed in with feature length films and short film programs.
To help out with such an ambitious project, the London Underground has asked a couple of festival big guns to help them out. First, underground film historian and Program Director of Australia’s Revelation Perth International Film Festival Jack Sargeant has curated a full day of films for Sunday, Dec., all of which have played at Revelation under his watch.
The films Sargeant has picked are Kevin Barker’s The Family Jams,...
Seven full days and nights is an exceptionally aggressive schedule for a first time out, but it’s even more impressive once you dig into the variety of films and programs being offered, including lectures, installations and live performances mixed in with feature length films and short film programs.
To help out with such an ambitious project, the London Underground has asked a couple of festival big guns to help them out. First, underground film historian and Program Director of Australia’s Revelation Perth International Film Festival Jack Sargeant has curated a full day of films for Sunday, Dec., all of which have played at Revelation under his watch.
The films Sargeant has picked are Kevin Barker’s The Family Jams,...
- 12/1/2010
- by Mike Everleth
- Underground Film Journal
The 4th annual Sydney Underground Film Festival, which runs for three days on Sept. 9-11, will screen about 10 features from all over the world and a veritable ton of short films from even further out there.
The fest will open with the latest documentary by a Hollywood icon. It’s Oliver Stone’s South of the Border, which has the director meeting with South American politicians and dignitaries. (The film opened to mixed reviews here in the States earlier this year.) Also screening is Trash Humpers, the latest film by indie rabble-rouser Harmony Korine, which has been confounding audiences on the indie film fest circuit, and Gaspar Noe’s Enter the Void, which has been earning rave reviews.
The rest of the features in the lineup are an eclectic, oddball concoction, including Mladen Djordjevic‘s Serbian atrocity Life and Death of a Porno Gang, Victor Nieuwenhuijs and Maartje Seyferth’s twisted Netherlands tale Meat,...
The fest will open with the latest documentary by a Hollywood icon. It’s Oliver Stone’s South of the Border, which has the director meeting with South American politicians and dignitaries. (The film opened to mixed reviews here in the States earlier this year.) Also screening is Trash Humpers, the latest film by indie rabble-rouser Harmony Korine, which has been confounding audiences on the indie film fest circuit, and Gaspar Noe’s Enter the Void, which has been earning rave reviews.
The rest of the features in the lineup are an eclectic, oddball concoction, including Mladen Djordjevic‘s Serbian atrocity Life and Death of a Porno Gang, Victor Nieuwenhuijs and Maartje Seyferth’s twisted Netherlands tale Meat,...
- 9/8/2010
- by Mike Everleth
- Underground Film Journal
If getting sand in your crotch while watching awesome short films sounds like a good time, then you better head on out to the first ever Black Rock City Film Festival, which is taking place right now, Aug. 30 to Sept. 3, at the legendary Burning Man gathering in the Nevada desert. If you’re already at Burning Man, hopefully you get cell reception and can see this lineup so you know where the best place is to be every night.
This event is a joint endeavor for the Boston Underground Film Festival and San Francisco’s IndieFest, who have selected over two dozen short films to screen at their open air theater. There are no start times for when these films will screen, but I would assume it would be sometime after sundown. Plus, there will be cocktail parties before and after the screenings, as well as Opening Night and Closing Night bashes.
This event is a joint endeavor for the Boston Underground Film Festival and San Francisco’s IndieFest, who have selected over two dozen short films to screen at their open air theater. There are no start times for when these films will screen, but I would assume it would be sometime after sundown. Plus, there will be cocktail parties before and after the screenings, as well as Opening Night and Closing Night bashes.
- 8/30/2010
- by Mike Everleth
- Underground Film Journal
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