In this segment of "The Swap Ordeal", the story takes a very effective twist, adding a peculiarly kinky aspect to the show.
The cuckold genre is a highly specialized form of porn, generally depicting the cuckolded husband as wimpering victim, humiliated and forced to watch his wife making love to another man.
Missa X as writer and her director here Whitney Wright explore a quite different variation on this theme, rarely seen, as Maggie Green watches with great voyeuristic interest as her stepson Chad White makes love to Penny Pax.
Chad is all primed for incest with Maggie, latter at the ready clad in her dressing gown and high heels, when stepmom brings out Penny instead and urges Chad to hump her. As they have sex on the couch, Maggie hovers, watching like a hawk. This is the opposite of cuckold/humiliation, more akin to another genre, that of "hotwifing" in which the husband gets vicarious pleasure out of watching or hearing about his wife with another man.
It's well-played, but the key extra erotic element here that makes the scene work is Maggie's more than ample presence in the frame as a not-so-innocent bystander.
The cuckold genre is a highly specialized form of porn, generally depicting the cuckolded husband as wimpering victim, humiliated and forced to watch his wife making love to another man.
Missa X as writer and her director here Whitney Wright explore a quite different variation on this theme, rarely seen, as Maggie Green watches with great voyeuristic interest as her stepson Chad White makes love to Penny Pax.
Chad is all primed for incest with Maggie, latter at the ready clad in her dressing gown and high heels, when stepmom brings out Penny instead and urges Chad to hump her. As they have sex on the couch, Maggie hovers, watching like a hawk. This is the opposite of cuckold/humiliation, more akin to another genre, that of "hotwifing" in which the husband gets vicarious pleasure out of watching or hearing about his wife with another man.
It's well-played, but the key extra erotic element here that makes the scene work is Maggie's more than ample presence in the frame as a not-so-innocent bystander.