A serial killer's violent impulses live on through voodoo in The Devil's Dolls, coming out in select theaters and on VOD and digital platforms on September 16th, and we caught up with director Padraig Reynolds in our latest Q&A feature to discuss the making of his southern-set horror movie.
Thanks for taking the time to answer some questions for us, Padraig. What attracted you to the story of The Devil’s Dolls?
Padraig Reynolds: I’m a big fan of voodoo films such as Serpent and the Rainbow and Venom. So when I read The Devil’s Dolls, I thought it would be a great opportunity to do something fresh and exciting in a genre that not too many movies are made about.
Christopher Wiehl co-wrote, produced, and stars in the film. What was it like working with Wiehl, who seemed very invested in the character of Matt?...
Thanks for taking the time to answer some questions for us, Padraig. What attracted you to the story of The Devil’s Dolls?
Padraig Reynolds: I’m a big fan of voodoo films such as Serpent and the Rainbow and Venom. So when I read The Devil’s Dolls, I thought it would be a great opportunity to do something fresh and exciting in a genre that not too many movies are made about.
Christopher Wiehl co-wrote, produced, and stars in the film. What was it like working with Wiehl, who seemed very invested in the character of Matt?...
- 9/15/2016
- by Derek Anderson
- DailyDead
The seventh annual CineKink Film Festival is set to undress for all kinky filmgoers in New York City on February 16-21. Included in the lineup are two fantastic, slightly dirty underground films, plus a full smorgasbord of sexy cinematic goodness.
The opening night festivities will begin on the 16th at the Kush Lounge (191 Chrystie St.) with music and performances, plus a screening of the lesbian ode to bestiality (sort of) The Sheep and the Ranch Hand, a beautiful and hilarious film by San Francisco filmmaker Loretta Hintz, and a newly found “lost” film by notorious ’60s radical, criminal and filmmaker J.X. Williams.
Then, on the 17th, the original museum of film, the Anthology Film Archives, will be transformed into an erotic museum when CineKink moves there for the duration of the rest of the festival.
But, on the 19th, don’t dare miss the wonderful S&M comedy Modern Love Is Automatic...
The opening night festivities will begin on the 16th at the Kush Lounge (191 Chrystie St.) with music and performances, plus a screening of the lesbian ode to bestiality (sort of) The Sheep and the Ranch Hand, a beautiful and hilarious film by San Francisco filmmaker Loretta Hintz, and a newly found “lost” film by notorious ’60s radical, criminal and filmmaker J.X. Williams.
Then, on the 17th, the original museum of film, the Anthology Film Archives, will be transformed into an erotic museum when CineKink moves there for the duration of the rest of the festival.
But, on the 19th, don’t dare miss the wonderful S&M comedy Modern Love Is Automatic...
- 2/10/2010
- by Mike Everleth
- Underground Film Journal
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