Shot in 10 days during the COVID-19 quarantine by one family.
Any shots that featured director Paul Schuyler--who handled most of the camera duties--and additional family members, had to be blocked and framed prior to action being called. Whichever actor was closest to the camera would 'roll camera' then enter the scene to start 'action'. Only after the scene was shot could they go back and look at the take to make sure everyone was properly in frame. Multiple takes were required to get a usable take, as there was no one there to operate the camera.
There are multiple dolly shots that include the entire family. With no crew, the only way to achieve this was to connect the dolly to an array of ropes and pulleys that were manipulated by one of the actors in the scene. Usually using another actor to block any "giveaway" movements that would reveal what they were doing.
The dream sequences in the film were constructed entirely of already existing family home movies. Nothing new was shot for these sequences.