In a 2020 interview with Nightmare on Film Street,
Brandon Zuck spoke about the experience of shooting his first feature and how the professionalism of the stunt team continually impressed him: "When you're in film school, you're shooting three pages a day on your shorts and then all of a sudden, you know, you're on a set like shooting nine pages a day and you find your way into being able to accomplish that and be able to do the things that you want to do with the film. Part of it is being realistic and picking your battles and trying to decide. You don't want to do more than you can do. You want to try to scale it back to the point where you're like, 'What can I do?' Instead of trying to shoot for the moon and miss, you want to find your way into the best version of it that you think can be accomplished and that can give us enough time for a second take. There were definitely stunts we had where I was terrified because, for example, if we had to reset breaking glass one more time, we were going to lose our day. You definitely ride that edge a little bit.
Our stunt team nailed it every time on the first time. There was stuff where we would have to rebuild car windows if we didn't get it and it was like stunts and effects working together perfectly. First take, done. I would be terrified and then it would go off without a hitch with everyone behind the monitors would cheer. It was really fun to be part of that. That does not happen easily...
Into the Dark (2018) has a really good crew. They have this crew assembled that pretty much rolls from one film into the next film. They're just a bunch of soldiers that don't sleep, who just come in and go to battle and do such a great job."